Santiago Mitre’s “Argentina, 1985” Sweeps This Year’s Platino Awards

Santiago Mitre has picked up another award…

The 42-year-old Argentine film director and screenwriter’s Argentina, 1985 swept the top prizes for Best Picture on Saturday night at the 2023 Platino Awards.

Santiago MitreNews of a Kidnapping, created by Andrés Wood and Rodrigo García, is another top award winner.

One highlight of the ceremony, dedicated to films and television shows in the Spanish-speaking world, was Benicio del Toro’s acceptance speech of a honorary Platino in which he reflected on being typecast for many years in Hollywood as a Latino actor.

“If I had to play stereotypes, I tried to find the character’s humanity, a sense of complicity, so that audiences felt what my character felt and whilst they’re watching, don’t forget who I am and where I come from.,” he said. “What’s important is to share more than be divided,” he added.

Del Toro received a standing ovation by an audience made up of some of the best actors in Spain, which hung on his every word.

Directed by Mitre, who broke out to attention with The Student, then conquered Cannes with Paulina, the Academy Award-nominated “Argentina, 1985,” produced by Amazon Studios, Infinity Hill, Mitre’s label Unión de los Rios and star Ricardo Darín’s Kenya Films swept best picture, screenplay (Mitre, Mariano Llinás) actor (Darín), among five awards.

Commissioned by Prime Video in 2020, in the same funding round that included “Iosi, the Repentant Spy,” “News of a Kidnapping” scooped best series, creators (Wood, García), series actress (Cristina Umaña) and supporting actress (Majida Issa).

Stuart Ford’s AGC Studios and Chile’s Invercine & Wood produce.

It may or may not be a coincidence that both titles, as well as Rodrigo Sorogoyen’s The Beasts, which swept four prizes including best director, talk about how individuals or institutions – the Colombian senator husband of an abduction victim in “News,” Darin’s crusading public prosecutor in “Argentina, 1985,” a French couple in deep Galicia in “The Beasts” – confront violence, whether the institutionalized torture and murder under Argentina’s Junta,  endemic drug gang coercion in  “News” and wounded machismo in “The Beasts.”

“Thank you to the thousands and thousands of Colombians who, silently, without any show, try to make peace and a country, despite all the obvious difficulties,” said Umana.

“Memory is important. We can’t allow violence to be the innate solution in any part of the world,” said Infinity Hill’s, Axel Kuschevatzky, a producer of “Argentina, 1985.”

In other Awards highlights, Spain’s Laia Costa and Susi Sánchez repeated their Goya plaudits taking best film actress and supporting actress as daughter and mother in “Lullaby.”

FILM

Best Feature
“Argentina, 1985” (Argentina)

Director
Rodrigo Sorogoyen, “The Beasts”

Lead Performance
Laia Costa, “Lullaby”
Ricardo Darín, “Argentina, 1985”

Screenplay
Mariano Llinás, Santiago Mitre, “Argentina, 1985”

First Feature
“1976” (Chile, Argentina)

Best Feature Comedy
“Official Competition,” (Argentina, Spain)

Original Score
Sergio Prudencio, “Utama”

Supporting Role Performance
Susi Sanchez, “Lullaby” (Spain)
Luis Zahera, “The Beasts” (Spain, France)

Animated Feature
“The Eagle and the Jaguar: the Legendary Warriors” (Mexico)

Documentary Best Feature
“El Caso Padilla,” (Cuba, Spain)

Editing
Alberto del Campo, “The Beasts”

Art Direction
Micaela Saiegh, “Argentina, 1985)

Cinematography
Barbara Álvarez, “Utama”

Sound Direction
Aitor Berenguer, Fabiola Ordoyo, Yasmina Praderas, “The Beasts”

Film & Education In Values
“Argentina, 1985” (Argentina, U.S)

HONORARY AWARD
Benicio del Toro

TV

Best Series Or Mini-Series
“News of a Kidnapping” (Colombia, Chile, U.S.)

Best Series Or Mini-Series Creator
Andrés Wood, Rodrigo García, “News of a Kidnapping”

Actor In A Series Or Mini-Series
Guillermo Francella, “The One in Charge”

Actress In A Series Or Mini-Series
Cristina Umaña, “News of a Kidnapping”

Supporting Actor In A Series Or Mini-Series
Alejandro Awada, “Iosi, The Regretful Spy”

Supporting Actress In A Series Or Mini-Series
Majida Issa, “News of a Kidnapping”

Guerra’s “Embrace of the Serpent” Sweeps Platino Ibero-American Film Awards

Ciro Guerra continues to slither his way to the awards stage…

The 35-year-old film director and screenwriter’s critically acclaimed Embrace of the Serpent, which earned an Academy Award nomination, swept the 3rd Platino Ibero-American Film Awards on Sunday night in Uruguay, taking home seven of the eight categories for which it was nominated.

Ciro Guerra's Embrace of the Serpent

Although the awards had no clear favorite, Embrace of the Serpent, with Ixcanul, had scored the most nominations and its plaudit sweep did not seem to surprise many.

Shot in widescreen in 35 mm and in black and white Serpent claimed best picture, director, editing (Etienne Boussac, Cristina Gallego), art direction (Angélica Perea), original music (Nascuy Linares), cinematography (the film was shot by David Gallego) and sound (Carlos García, Marco Salavarría).

The story of Karamakate, a shaman who is the last survivor of his tribe and asked, 30 years apart, by two explorers – based on the figures of Theodor Koch-Gruenberg and Richard Evans Schultes – to help them discover the yakuna plant, Embrace of the Serpent charts the devastation of the Amazon by colonial powers, whether Colombian rubber companies or a crazed Spanish priest, but more particularly the loss of indigenous knowledge as whole peoples disappeared under the influx of invasion.

“The ravages of colonialism cast a dark pall over the stunning South American landscape in Embrace of the Serpent, he latest visual astonishment from the gifted Colombian writer-director Ciro Guerra,” Variety wrote in its Cannes Film Festival review.

Ciro Guerre’s third movie has won a string of significant festival, Academy and pan Latin American awards, including a Mexican Silver Ariel, Fénix Film Awards, and plaudits at the Mar del Plata and Palm Springs fests, among others.

Platino acting awards went to two Argentine talents who most certainly deserve wider recognition, Dolores Fonzi, star of Santiago Mitre’s Cannes Critics’ Week winner Paulina, who plays a young lawyer who refuses to compromise her principles when raped while working as a rural teacher, and Guillermo Francella, who portrays a real-life family patriarch and psychopath in Pablo Trapero’s The Clan, who continues for personal profit Argentina’s Dirty War practice of kidnapping and murder after the fall of Argentina’s military junta.

A third Argentine actor, Ricardo Darin, took the Platino Lifetime Achievement Award.

“We have the talent. We just need to have confidence in ourselves,” Darin said on stage, receiving the plaudit. ”That’s why we and Ibero-America need these awards,” he added.

A searing but crafted indictment of the tribulations of a young pregnant and unmarried girl in rural Guatemala, Berlin Silver Bear winner Ixcanul, the feature debut of Jayro Bustamante, once more confirmed its audience appeal, at least with the who have seen it, taking the Platinos’ Audience Award, plus best first feature.

BEST PICTURE
“Embrace of the Serpent,” (Colombia, Argentina, Venezuela)

BEST DIRECTOR
Ciro Guerra (“Embrace of the Serpent”)

BEST ACTOR
Guillermo Francella (“The Clan,” Argentina, Spain)

BEST ACTRESS
Dolores Fonzi (“Paulina,” Argentina)

ORIGINAL MUSIC
Nascuy Linares (“Embrace of the Serpent”)

BEST ANIMATION MOVIE
“Capture the Flag,” (Enrique Gato, Spain)

BEST DOCU FEATURE
“The Pearl Button,” (Patricio Guzmán, Chile, Spain)

BEST SCREENPLAY
Pablo Larraín, Guillermo Calderón, Daniel Villalobos (“The Club”)

FIRST FEATURE
“Ixcanul” (Jayro Bustamante, Guatemala, France)

EDITING
Etienne Boussac, Cristina Gallego (“Embrace of the Serpent”)

ART DIRECTION
Angélica Perea (“Embrace of the Serpent”)

BEST CINEMATOGRAPHY
David Gallego (“Embrace of the Serpent”)

SOUND
Carlos García, Marco Salavarría (“Embrace of the Serpent”)

LIFETIME ACHIEVEMENT AWARD
Ricardo Darín

PLATINO AWARD FOR FILM AND EDUCATION IN VALUES
“The Second Mother,” (Anna Muylaert, Brazil)

AUDIENCE AWARDS

FEATURE
“Ixcanul,” (Guatemala, France)

ACTRESS
Penélope Cruz (“Ma ma,” Spain)

ACTOR
Ricardo Darín (“Truman,” Spain, Argentina)

Fonzi to Star in Horror Film “El diablo blanco”

Dolores Fonzi has landed a devilish role…

The 37-year-old Argentine actress is set to star in the horror film El diablo blanco, converting the project into one of the highest-profile genre offerings coming down the pike in Latin America.

Dolores Fonzi

Fonzi joins an Argentine A-list cast that includes Esteban Lamothe and Julieta Zylberberg.

Juan Pablo Gugliotta, co-founder of Buenos Aires’ Magma Cine, a pioneer in pan-Latin American co-production and auteur genre movies, will introduce the horror movie to potential co-production partners and sales agents at next week’s Bogota Audiovisual Market (BAM).

The screenplay allows the involvement of one or two actors from outside Argentina, Gugliotta said.

The feature debut of Ignacio Rogers, a theater actor-turned-filmmaker who is writing the screenplay, El diablo blanco kicks off with three male friends going off camping in the mountains. They meet three girls and immediately hit it off. Romance flowers as they decide to continue the trip together. One of them, Fernando, has a strange encounter with a mysterious man and suffers premonitory dreams of this man killing people, after which a once-carefree holiday trip turns into a ghastly nightmare.

El diablo blanco has its origins in classic American horror, but at least two factors set it apart, said Gugliotta. One is the presence of “deep Latin American roots, Argentine indigenous myths and legends.”

El diablo blanco’s friends are also not teens but adults in their mid-to-late-thirties, one a divorcee, another about to inherit local land, and two of the women qualified anthropologists, searching for traces of the mountains’ original indigenous settlers.

About 60% of “The White Devil’s” budget is covered between Magma Cine’s own financing and subsidy from Argentina’s Incaa film board, Gugliotta said.

Fonzi, Lamothe and Zylberberg have all broken through to international recognition this decade. Fonzi toplined Santiago Mitre’s Paulina, which won the Cannes Critics’ Week Grand Prize last year; Lamothe was the star of Mitre’s debut, The Student. Zylberberg co-starred in Anna Katz’s My Friend From the Park, a Sundance Film Festival 2016 best screenplay winner.

El diablo blanco is scheduled to shoot in the first quarter of 2017, during Argentina’s summer.

Darin to Receive Honorary Platino Award

Ricardo Darin will soon be shining as bright as platinum

The 59-year-old Argentine actor will be honored at the third edition of the Platino Awards, the Latin America equivalent of the Oscars, which will be held on July 24 in Punta del Este, Uruguay.

Ricardo Darin

Darin, who starred in Argentina’s 2009 best foreign-language film Oscar winner The Secret in Their Eyes and the Cannes Film Festival 2014 hit Wild Tales, is one of the most popular actors in Latin America and one of the very few who has box-office appeal across the region.

His popularity also reaches the Spanish market, where he recently starred in Cesc Gay‘s Goya winner Truman, a role for which he’s also nominated for a Platino in the best actor category.

Darin was recently confirmed as the star of La cordillerathe next movie from Argentina’s ascending indie filmmaker Santiago MitreThe film is Mitre’s follow-up to Critics’ Week winner Paulina and was selected for Cannes’ L’Atelier de la Cinefondation program. La cordillera is set during a three-day presidential summit in the Andes Mountains, and Darin will play the Argentine head of state.

The Honorary Platino will praise “the honesty, talent and charisma with which he has engrossed some of the most renowned films made in the last three decades of Ibero-American cinema,” according to a press release Thursday from the Platino Awards organization, led by EGEDA and producers federation FIPCA.

Previous recipients of the Honorary Platino were also actors: Antonio Banderas was honored in 2015 and Brazilian legend Sonia Braga (Aquarius) in 2014.

Mitre’s “Paulina” Wins Top Prize at the Beijing International Film Festival

Santiago Mitre is earning acclaim in China…

The 35-year-old Argentinian filmmaker’s latest thriller Paulina (aka La Patota) has won the Tiantan Award at the closing ceremony of the Beijing International Film Festival, which took place from April 16-23.

Paulina (aka La Patota)

The film centers on Paulina, who after moving back home to teach in a suburban high school, must deal with the disapproval of the people around her when she returns to work after being brutally assaulted by a gang.

The film, directed by Mitre, also picked up the best screenplay and best actress (Dolores Fonzi) awards at a ceremony held on Saturday night.

The best director award went to Denmark’s Christina Rosendahl for her film, The Idealist. Louis Hofman was named best actor for his role in another Danish film Land of Mine (aka Under Sandet.) China’s “Go Away, Mr Tumor” was given the best visual effects award.

The competitive section was announced only days before the festival began. It came as a surprise, as many in the industry had been led to believe that the BJIFF had become a non-competitive festival. The jury was headed by Brett Ratner.

The sixth edition of the festival again included a film market, a conference series and a project pitching section. The popularity of the pitching sessions continued to boom with the number of projects submitted increasing by half to 674.

Mitre, whose credits include The Student and Carancho, picked up four prizes for Paulina at the 2015 Toronto International Film Festival and two prizes at the 2015 Cannes Film Festival.

Camara Wins Best Actor Award at San Sebastian Film Festival

Javier Camara is having a Shell of an awards season…

The 48-year-old Spanish actor picked up the Silver Shell for Best Actor at the San Sebastian Film Festival, alongside co-winner Ricardo Darin.

Javier Camara

Camara and Darin won the double Silver Shell for their starring roles in Cesc Gay’s Truman, which was the most-applauded prize of the evening.

The film centers on Tomás (Camara), who returns to his hometown Madrid in order to convince his childhood friend Julian (Darin), whom he hasn’t spoken to in years, to continue his chemotherapy treatment.

Darin, a favorite at San Sebastian, quoted a tweet about the film that said, in Spanish: “at 23 I went to see a film about death and I think I learned everything about life.”

Meanwhile, Yordanka Ariosa took home the Silver Shell for Best Actress for her performance in The King of Havana, Agusti Villaronga‘s adaptation of the Pedro Juan Gutierrez novel.

It was a surprise win for the previously unknown Ariosa, who beat out Freeheld´s Oscar-tipped powerhouse Julianne Moore and Ellen Page.

In addition to the official awards, San Sebastian offered coveted cash prizes for competitions from many of the sidebars.

Argentinean filmmaker Santiago Mitre’s Paulina won the €35,000 cash prize that goes with the Horizontes Award for Latin American films.

Spanish filmmaker Asier Altuna’s Amama won the Irizar Basque Film Award with €20,000, given to a film with 20 percent financing from the local region. 

Brazilian director Eliane Caffe’s The Cambridge Squatter won the Films in Progress top prize, which awards post-production financing to a nearly finished film, in addition to a spot at the festival next year.