Make that 50 weeks for Bad Bunny…

The 26-year-old Puerto Rican reggaeton and Latin trap singer/rapper has tallied his record-extending 50th week at No. 1 on Billboard’s Latin Songwriters chart dated January 16, with a whopping 15 songwriting credits on the latest Hot Latin Songs chart.

Bad Bunny is the second artist to spend at least 50 weeks atop one of Billboard’s songwriter charts, which began in June 2019. Kirk Franklin has led Gospel Songwriters for 73 weeks and counting.

“Dakiti,” with Jhay Cortez, paces Bad Bunny’s haul as it spends its 10th week at No. 1 on Hot Latin Songs. Here’s a recap of all 15 of Bad Bunny’s credits as both an artist and writer on the latest list:

Rank, Artist Billing, Title
No. 1, Bad Bunny & Jhay Cortez, “Dakiti”
No. 4, Bad Bunny & Rosalia, “La Noche de Anoche”
No. 9, Bad Bunny, “Te Mudaste”
No. 12, J Balvin, Dua Lipa, Bad Bunny & Tainy, “Un Dia (One Day)”
No. 13, Bad Bunny, “Booker T”
No. 20, Bad Bunny, “Hoy Cobre”
No. 21, Bad Bunny, “Haciendo Que Me Amas”
No. 28, Bad Bunny, “Yo Visto Asi”
No. 32, Bad Bunny, “Te Deseo Lo Mejor”
No. 36, Bad Bunny, “Maldita Pobreza”
No. 38, Bad Bunny, “La Droga”
No. 42, Bad Bunny, “Antes Que Se Acabe”
No. 44, Bad Bunny & ABRA, “Sorry Papi”
No. 45, Bad Bunny, “El Mundo Es Mio”
No. 47, Bad Bunny, “120”

Bad Bunny’s frequent production collaborator Tainy concurrently collects his record-extending 62nd week at No. 1 on the Latin Producers chart, with six production credits on Hot Latin Songs.

Here’s a rundown:

Rank, Artist Billing, Title
No. 1, Bad Bunny & Jhay Cortez, “Dakiti”
No. 6, Manuel Turizo, Myke Towers & Rauw Alejandro, “La Nota”
No. 8, Ozuna x Karol G x Myke Towers, “Caramelo”
No. 12, J Balvin, Dua Lipa, Bad Bunny & Tainy, “Un Dia (One Day)”
No. 44, Bad Bunny & ABRA, “Sorry Papi”
No. 47, Bad Bunny, “120”

The weekly Latin Songwriters and Latin Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot Latin Songs chart; as with Billboard‘s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).