The Lincoln Projectis taking Demi Lovato’s politically charged new single “Commander in Chief” and building on it’s emotional message.
The anti-Trump political action committee has shared their own music video for the song. It shows clips of the devastating effects of the president’s mismanagement of the coronavirus, of people on ventilators in hospitals and families with masks only able to talk to each other through glass doors. The scene then turns to the Black Lives Matter movement, as thousands of protesters took to the streets across the nation to demand justice for George Floyd, Breonna Taylor and more who have been killed at the hands of police.
The vignette ends on an uplifting note, with people of all races, ages and genders coming together to vote in the presidential election.
“Demi Lovato put it best,” the description reads, and links out to a donation page for The Lincoln Project, which will go to voter outreach programs in an effort to “end the suffering, end the corruption, and end the presidency of the worst ‘Commander in Chief’ in our country’s history.”
Aaron Sorkin is reuniting his The West Wing cast, including the 80-year-old half-Spanish American actor, for the first time in 17 years with a special for HBO Max.
Sheen, Rob Lowe, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff and Bradley Whitford are getting back together with Sorkin and Thomas Schlamme for A West Wing Special to Benefit When We All Vote.
The special will feature a theatrical performance of Hartsfield’s Landing, an episode from the NBC drama’s third season that featured Sheen’s President Barlet playing chess against Sam (Lowe) and Toby (Schiff), while the Chinese are playing war games in the Taiwan Strait and Josh (Whitford) is nervous about the 42 votes in a remote New Hampshire town’s election, which always predict the winner of that state’s primary.
It marks the second high-profile special of a classic NBC series produced by Warner Bros. set to air on HBO Max following the much-delayed Friends reunion special.
The West Wing reunion has long been in the works with Schiff saying in June that the gang was getting back together in support of Black Lives Matter following the death of George Floyd. The crew have reunited in various forms, including at ATX in Austin, for The West Wing Weekly podcast, and for an ad for Bridget Mary McCormack, a candidate for Michigan’s Supreme Court. However, this is the first time that it will air on television.
The team behind the Warner Bros. Television-produced series have organized the reunion to raise awareness for and support When We All Vote, a non-profit, nonpartisan organization co-chaired by Michelle Obama, which was founded to increase participation in every election in America.
WarnerMedia will make a donation to When We All Vote.
Michelle Obama will make a guest appearance in the special, while additional cast members and special guests from the worlds of public service and the arts will be announced in the coming weeks.
A West Wing Special to Benefit When We All Vote will shoot over multiple days at the Orpheum Theatre in Downtown Los Angeles in early October. Sorkin will write original exclusive material for the special, while Schlamme will serve as director of the production.
“Tommy and I are incredibly excited to be getting The West Wing cast back together for this staged reading and to support When We All Vote in their efforts to get all of us involved in this election,” said Sorkin.
“With A West Wing Special to Benefit When We All Vote, we are excited to revisit this legendary series and offer our passionate fans something that is substantial, meaningful and unforgettable, while also promoting an important message for our time,” added Sarah Aubrey, head of original content, HBO Max. “Combined with WarnerMedia’s donation to When We All Vote, this special not only entertains, but also help ensure the organization can carry forth its mission to increase voter participation in every election.”
Sheen appeared on 140 episodes of The West Wing from 1999-2006. The won a Golden Globe for his portrayal of fictitious U.S. President Josiah “Jed” Bartlet.
Featuring church bells, handclaps, shimmering keys and Ramos’ impressive vocal runs, the song serves as a reminder to “carpe diem”
“Stop came from my inability to do just that. It’s a song about stopping, breathing, being present in whatever moment you’re in and finding the beauty in it,” says Ramos.
Directed by Blythe Thomas, the music video seamlessly reflects the spirit of the song.
It follows Brooklyn artist and stylist Anthony Payne. After losing his job at a hair salon in the midst of the coronavirus pandemic, he grabbed his scissors and comb and decided to bring a little light into the world following the death of George Floyd at the hands of Minneapolis police.
The video finds Payne cutting hair outdoors in Brooklyn while supporting the Black Lives Matter movement by donating the proceeds.
The video also shows Ramos canvasing the streets, linking up with Payne, and delivering a subtle and well-placed message, “Vote.”
Ramos, a multi-talented force, recently joined forces with Storybooth to produce an animated tribute to Black Lives Matter. The collaboration showcases 12-year-old Keedron Bryant’s unofficial Black Lives Matter anthem “I Just Wanna Live.”
Gloria“Goyo“Martínez is standing in solidarity with the Black community…
The 37-year-old Colombian singer and member of the Latin Grammy-winning hip-hop group ChocQuibTown has joined the Conciencia Collective.
The recently-announced initiative, comprised of more than 35 executives from the Latin music industry — including artists, activists, artist managers, publicists, among others – aims to stand in solidarity with the Black Lives Mattermovement in an effort to create awareness about racial and social injustice.
Conciencia Collective was born amid national outrage in the U.S. over the recent killings of George Floyd, Breonna Taylorand other black citizens who’ve died at the hands of police. The intention is to “educate our colleagues, artists and peers of influence in order to gain their advocacy. Our ongoing initiatives also focus on the many issues affecting our Latin community,” according to a press release.
Goyo, a leading, Afro-Latinx voice launched the initiative with a poignant statement.
“I’m talking to you as a Black woman, rapper, singer, born in South America. In an invisible region, a jewel in my country; a Black village,” writes Goyo. “The experiences that we Black women live change you from the moment you leave your home. Society reminds you that at home, you live in a protected space. At home, we are educated with tools to go out into a racist world. As Howard C. Stevensonsaid, ‘we [as Black people] are educated with a kind of a racial literacy.'”
Goyo kicked off a “Conciencia Talk” alongside Puerto Rican singer-songwriter Rafa Pabónin partnership with Latinx-focused media/news company MiTú on Friday, June 26.
The “online dialogue” was moderated by Afro-Colombian Dr. Aurora Vergara Figueroa, director of the Afrodiasporic Studies Centerat ICESI University.
Quotes on solidarity and racial inequality from more than 100 Latin artists, including Leslie Grace, Anuel AA, Jesse & Joy, Myke Towers, Carla Morrison, Zion & Lennox, and Farruko, among others, will be posted weekly on MiTú’s page.
“In order to consciously educate the Latinx community and change the derogatory narratives towards people of color within our community, we commit to leading with acknowledgement in solidarity with the Black community to enable the rise of leaders in our respective communities,” the statement continues.
“We want to extend our platforms to our brothers and sisters so that their voices and needs can be heard. We want our brothers and sisters across the U.S. and Latin America to know that we see them, we hear them and we will champion equality and justice on behalf of our industry.”
Selena Gomez is fighting for racial equalityin a big way…
The 27-year-old Mexican American singer/actress has partnered with PLUS1 to launch the Black Equality Fund, to “drive money and awareness to those who are at the forefront of the movement fighting for change.”
Joining with the non-profit that has been helping artists raise funds for causes close to their hearts since 2014, Gomez tweeted that “it’s all of our responsibility to fight for equality & justice for the Black community. Silence isn’t an option, let’s all join this fight for equality.”
“Black Lives Matter,” Gomez writes on the Black Equality Fund’s site. “Everyone needs to have their voices heard and we can do that by VOTING, as well as lending our time, effort and (if able) donations to fight for equality, equity and justice for the black community and other marginalized communities. Join me!“
Last Thursday, Gomez — who is preparing to release a remix of Trevor Daniel‘s “Past Life” on Friday (June 26) — expressed gratitude to the Black leaders who took over her Instagram page for the past two weeks.
“I want to thank all of the amazing people that took the time to speak to us directly,” Gomez began her note, which included photos of the dozen individuals. “I am blown away with your knowledge, eagerness to teach and commitment to ensuring Black voices are not silenced. Educating ourselves is the first step if we hope to make any progress in bringing an end to systemic racism.”
Earlier this month, amid nationwide protests following the killing of George Floyd, Gomez handed over her Instagram account to leaders in the Black community including rapper Killer Mike, Black Lives Matter co-founder Alicia Garza, activist Ruby Bridges, and former Georgia gubernatorial nominee Stacey Abrams.
Bad Bunny is speaking out in support of the Black Lives Matter movement…
The 26-year-old Puerto Rican singer/rapper, whoa abruptly left social media on May 19, has broken his silence to show his support for the movement to fight for racial justice.
In a poignant statement titled “Forgive Me” published in TIME magazine, Bad Bunny asks his fans to forgive him for not speaking out sooner but, “I can’t even believe this is still happening. Maybe it’s because I’ve always seen people’s hearts and, in my house, I was always taught that we are all the same regardless of race, religion and surname; that we are all brothers/sisters. I SWEAR I don’t feel well, and I don’t think I can express myself properly.”
Amid national outrage and protests following the death of George Floyd, an unarmed black man who was killed by a white police officer, the “lyrical” statement comes after people questioned his silence on the matter given that he has been supportive of the trans community and spoken out against femicide, and he has never been shy around politics. Back in September, he was on the front line when Puerto Ricans demanded the ousting of former Gov. Ricardo Rosselló.
“There are artists who only upload a photo or a basic message just to calm public pressure or to look ‘good,’” Bad Bunny told TIME. “Not me… I want to go deeper and see in what way I can serve, how I can support the fight against a systematic monster that has been [around for] centuries.”
Adding, “In the case of reggaetón music, we have always struggled against discrimination, and even though today it is the world’s number one Latino genre, we continue to suffer from that discrimination, both in the world for being Latino, and in the Latino community itself for being a genre that comes from the street.”
Here’s Bad Bunny’s translated statement and find the original Spanish version here:
FORGIVE ME Forgive my silence. But I can’t even believe this is still happening. Maybe it’s because I’ve always seen people’s hearts and, in my house, I was always taught that we are all the same regardless of race, religion and surname; that we are all brothers/sisters I SWEAR I don’t feel well, and I don’t think I can express myself properly, I swear it hurts! It hurts to know that people are still being killed because of the color of their skin. LIVING IN A WORLD LIKE THIS, NONE OF US CAN BREATHE!F–K DONALD TRUMP! PRESIDENT OF RACISM! YOUR HATE AND TYRANNY, THAT’S TERRORISM. DON’T STOP THE FIGHT, DON’T LOWER YOUR FISTS, KNOW THAT WE ARE ALL HOME, THAT THIS IS OUR LAND. I remember the white boy with the “bad hair,” that’s what they would say, just like they did to my black neighbors, and they believed it too. Bad? Bad are those who still think that way, WITHOUT REALIZING THAT THE SAME BLOOD RUNS THROUGH OUR VEINS. Who taught you to be this way? Why don’t you seek change? MAYBE THE PRESS IS TO BLAME FOR NEVER SHOWING THE TRUTH OR HISTORY CLASSES THAT DON’T TEACH US A REAL ACCOUNT OF EVENTS AND SHOW BLACK SLAVES WITH SUCH NORMALCY AND WHO STILL CALL THIS BRUTALITY A “DISCOVERY.” TO MURDER AND HUMILIATE THOSE OF ANOTHER SKIN COLOR, THAT 500 YEARS LATER, THAT PAIN KEEPS DRAGGING ON. HATE DOESN’T STOP HATE, IT JUST MAKES IT WORSE. IN A WORLD LIKE THAT, WHO WANTS TO GIVE THEIR LOVE? IF IT WAS UP TO ME, NONE OF THIS WOULD HAVE HAPPENED, IF IT WAS UP TO ME, NONE OF THIS WOULD HAVE EXISTED. YOU CAN’T KNOW SOMEONE BY SIMPLY LOOKING AT THEIR FACE, YOU CAN’T KNOW SOMEONE BY ONLY LOOKING AT THEIR OUTER APPEARANCE. FORGIVE ME THAT MY ANGER TODAY IS SILENT. FORGIVE ME FOR FEELING IMPOTENT TODAY. I SWEAR TO YOU I LOVE YOU AND I WILL ALWAYS STAND BY MY PEOPLE, BUT WHAT’S IMPORTANT IS THAT YOU GUYS ALWAYS FIGHT FOR WHAT YOU BELIEVE IN. NEVER WAIT FOR ARTISTS, OR FOR FICTITIOUS HEROES, YOU ARE THE ONES WHO HAVE THE POWER!!! TEACH YOUR SONS AND YOUR DAUGHTERS TO RESPECT AND LOVE REGARDLESS OF SKIN COLOR. EDUCATE THOSE WHO DO NOT SEEM TO KNOW ABOUT THE HISTORY OF SUFFERING AND STRUGGLE THAT BLACK PEOPLE HAVE ENDURED, ABOUT THE INJUSTICES WE CARRIED FOR CENTURIES. MAYBE WE WON’T CHANGE THE WORLD TODAY, BUT TODAY WE CAN WORK ON MAKING A DIFFERENCE FOR TOMORROW. #BLACKLIVESMATTER
Marcelo is taking a new in solidarity with the Black Lives Matter movement…
The 32-year-old Brazilian soccer player and Real Madrid left-back took a knee and raised his fist after scoring in the team’s 3-1 La Liga victory over Eibar on Sunday.
Marcelo tallied the Real Madrid’s third goal of the day — pouncing on a poor clearance and beating Eibar goalkeeper Marko Dmitrovic with a low, driven shot from the edge of the penalty box.
He then immediately dropped to his knees, lowered his head and raised his right fist — a gesture which is often seen as a symbol of the Black Power movement that gained prominence in the United States in the 1960s and ’70s and associated with the current Black Lives Matter movement.
The display comes as players, clubs and leagues throughout the sport have expressed solidarity in the wake of the May 25 killing of George Floyd, a black man, who died after Derek Chauvin, a white police officer, kneeled on his neck for more than eight minutes in Minnesota. Floyd’s death has spurred demonstrations against racial injustice around the world.
Several clubs paid tributes earlier this month to Floyd and the Black Lives Matter movement on their warm-up shirts prior to league matches. Marcus Thuram, Jadon Sancho, Achraf Hakimi and United States international Weston McKennie have been among the players who have showed their support. And last week, the Premier League announcedit will allow players to replace the names on the back of their jerseys with the words “Black Lives Matter” for one round and that teams will wear a patch to show support for the movement for the rest of the season.
FIFA, whose rules prohibit “any political, religious or personal slogans, statements or images” on equipment, made a rare public statement last week in which it urged competition organizers to apply “common sense” and consider not sanctioning players for solidarity during matches.
The 24-year-old Puerto Rican & Mexican American rapper, whose real name is Daniel Hernandez, and Nicki Minaj have released the candy-colored video for their latest collaboration, “Trollz.”
The song, which was release one week later than originally scheduled due to the nationwide protests over the police-involved killing of George Floyd in Minneapolis, was released Friday morning with the visual a feast for the eyes and a famine for anyone who thinks they can take either MC on.
“They get nervous when it’s Nicki on the roster/ Somebody ushered this n—a into a clinic/ My flow’s still sick, I ain’t talkin’ a pandemic,” Minaj raps in between shots of her twerking in a bubble bath in a rainbow-colored bikini and bouncing topless in digital pasties and ROYGBV hair. “I write my own lyrics, a lot of these b—-es gimmicks/They study Nicki style, now all of them want to mimic.”
The follow-up to Tekashi’s first song since leaving prison, “Gooba,” the new track is uncharacteristically sedate for the typically over-amped rapper.
Over a laconic beat, 6ix9ine’s first verse is a near-whisper before he unleashes on his detractors.
“I know you don’t like me, you wanna fight me/ You don’t want no problems at your party, don’t invite me,” he spits in a more melodic take on his typical guttural flow (which, don’t worry, is back on the second verse). “I don’t worry ’bout you n—as, please stop talking about me/ Always talking ’bout me ’cause you looking for the clouty.”
The sequel to the dynamic duo’s “FEFE” single from 2018 finds them sharing cotton candy and a giant bowl of colorful cereal, amid scenes of Nicki pouring milk on 6ix9ine’s head and Tekashi toting a giant cash stack and adjusting his ankle monitor.
Minaj said on Instagram that “a portion of the proceeds from #Trollz including merch items, will be going directly to The Bail Project Inc. [@bailproject].”
Lin-Manuel Mirandais addressing the “White American Theater.”
As protests and rallies against racial injustice and the killing of black lives continue throughout the world, the 40-year-old Puerto Rican composer, lyricist, singer, rapper, actor, producer, and playwright is bringing the theater world into the spotlight, to address systemic racism against black, indigenous and people of color (BIPOC).
An open letter addressed to “White American Theater” and demanding change was published earlier this week.
The letter was filled with ugly truths that those who’ve worked in the theater industry have experienced for decades.
Among the 300 BIPOCs who signed the letter were Miranda,Viola Davis, Sandra Oh, Uzo Aduba, Sterling K. Brown, Cynthia Erivo, Yahya Abdul-Mateen II, Danai Gurira, Andre Holland, Conrad Ricamora, Tanya Saracho, Anika Noni Rose, Jessica Hagedorn, Leslie Odom Jr.,Katori Halland others.
The letter bluntly calls out the industry: “We see you. We have always seen you. We have watched you pretend not to see us.”
“We have watched you exploit us, shame us, diminish us, and exclude us. We see you. We have always seen you. And now you will see us.”
It continues to drag theater’s history of tokenism, white privilege, patriarchy, blatant racism, bias and hypocrisy: “We have watched you amplify our voices when we are heralded by the press, but refuse to defend our aesthetic when we are not, allowing our livelihoods to be destroyed by a monolithic and racist culture.”
“Join us in demanding change for BIPOC theater artists at http://weseeyouWAT.com. #WeSeeYou #TomorrowTherellBeMoreOfUs,” Miranda tweeted, sharing the letter and a petition with everyone.
The open letter comes as the protests following the killing of George Floyd and other black lives continue around the globe. It also comes when there seems to be a reckoning in all industries when it comes to racial inequality.