PBS’ POV Acquires Rights to Cecilia Aldarondo’s Documentary “Landfall,” About Puerto Rico’s Post-Hurricane Maria Rebuilding Efforts

Cecilia Aldarondo will be enlightening people on Puerto Rico’s post-Hurricane Maria rebuilding efforts.

PBS’ documentary series POV has acquired U.S. broadcast rights to Landfall, the Puerto Rican documentary filmmaker’s feature-length film about the rebuilding of Puerto Rico after the devastation of Hurricane Maria through the stories of farmers, fishermen, educators, real estate agents and newcomers.

Cecilia Aldarondo

The documentary, which had its premiere at the mostly shuttered Tribeca Film Festival, will now air as part of POV’s 34th season set to launch on PBS stations in June. Before that, it will screen at DOC NYC, which runs November 11-19.

The island and its 3.4 million residents (and U.S. citizens) was ravaged by the September 2017 storm, which shuttered electricity to the entire commonwealth and caused billions in damages, leaving behind a crippled infrastructure and a multibillion-dollar debt. Outside investors descended not as much to bail out communities but to cash in, leaving the next generation of Puerto Ricans finding themselves at an inflection point between the dream of a socialist utopia and the reality of recolonization.

Landfall is a co-production of Blackscrackle Films, ITVS, and American Documentary | POV in association with Field of Vision and Latino Public Broadcasting, with funding provided by the Corporation for Public Broadcasting.

Landfall is a cautionary tale about unjust recovery, and what happens when powerful interests try to privatize public services in the wake of disaster,” Aldarondo said. “Now that we’re all facing the biggest disaster of our lifetimes, we need public media like POV to champion the visionary, ethical, and independent media we need for a healthy society. I can’t think of a better home for my film.”

“Cecilia’s masterpiece is both a sharp condemnation of the continued colonial exploitation of Puerto Rico and a warm embrace of the land and her people,” executive producer Chris White said. “Rendered with a singular vision and deep affection, you’ll be swept into solidarity with these native Puerto Ricans who resist and rebuild.”

Velasco Selected for Film Independent’s Directing Lab

The future looks bright for Aldo Velasco

The Mexican filmmaker and playwright has been selected by Film Independent as one of the participants for  its 12th annual Directing Lab.

Aldo Velasco

The annual program is designed to assist promising directors develop new narrative feature films, improve their craft and advance their filmmaking careers in a nurturing yet challenging environment. The selected filmmakers are provided digital camera and sound packages and a cash stipend to shoot scenes, as well as access to a variety of production resources.

Velasco, born in Guadalajara, Mexico, has seen his short films screened at the Sundance Film Festival, SXSW and Los Angeles Film Festival, among others. In 2009, he received a grant from ITVS (Independent Television Service) to write and direct the short film Tent City for the first season of the online Futurestates series. Aldo is also an editor of feature films. Recently, he edited Chittagong the epic Indian historical drama directed by Bedabrata Pain. He also edited Grace Leeʼs political mock documentary Janeane From Des Moines, which recently premiered at the Toronto Film Festival.

Velasco will work on his project, God Love Stu, true story of Stu Rasmussen, who convinced his conservative hometown in Oregon to elect him as the first transgender mayor in history.

But Velasco isn’t the only Latino selected to the Film Independent’s Directing Lab.

Brazilian-American filmmaker Alex Moratto will take part in the lab. He’s a graduate of the UNC School of the Arts, School of Filmmaking where he was a Kenan Scholar and studied film directing under Peter Bogdanovich. His thesis film The Other Side won the 2010 Jury Award from the Directors Guild of America for Latino filmmaker. Moratto attended Werner Herzogʼs 2010 Rogue Film School Seminar and was the recipient of the 2012 North Carolina Arts Council Artist Fellowship for Screenwriting.

Moratto’s project is the Untitled Amazon Project. When armed loggers threaten to evict their family from their rural home in the Amazon, two brothers smuggle rare lumber in hopes of selling it on the black market for money to save their land.

The lab, which began this week, runs through mid-April.