Mana is bringing a little Joy to one of its hit singles…
The legendary Mexican rock band has joined voices with Joy Huerta of Latin Grammy-winning Mexican duo Jesse & Joy for a revamped version of “Eres Mi Religion,” nearly 19 years after its original release.
“My loves, Maná invited me to be part of this song and it was impossible for me to resist,” Joy expressed on Instagram.
“Eres Mi Religion” is a timeless love anthem about finding your soul mate and being devoted to them.
Conserving the original’s essence, the 2021 version of “Eres Mi Religion” is still a romantic rock song. What’s different is its gospel-like intro and more instrumentation, likes the cajón. Notable is Joy’s powerhouse vocal throughout the track, beautifully harmonizing with Fher Olvera.
On the Billboardcharts, the track peaked at No. 17 on Hot Latin Songs chart dated January 4, 2003, and at No. 10 on the Latin Pop Airplay chart dated January 4, 2003, earning the Mexican rock group its 10th top 10 at the time (the group has a total of 26).
It’s the latest re-do for Mana.
For two years now, the band has been sporadically releasing new versions of some of their biggest hits. In 2019, they released “Rayando el Sol” featuring Spanish crooner Pablo Alborán and “No Ha Parado de Llover” in collaboration with Sebastian Yatra.
Bad Bunny’s Ultimo Tour del Mundois his first Billboard 200 chart-topper…
The 26-year-old Puerto Rican Latin trap and reggaeton singer has earned his first No. 1 on the Billboard 200 albums chart, while making history in the process.
His new studio effort El Ultimo Tour del Mundodebuts atop the list, marking the first all-Spanish-language album to reach No. 1 in the 64-year history of the all-genre chart.
The album starts with 116,000 equivalent album units earned in the U.S. in the week ending December 3, according to Nielsen Music/MRC Data.
The previous highest-charting all-Spanish-language album came earlier this year, when Bad Bunny’s own YHLQMDLGdebuted and peaked at No. 2 on the chart dated March 14 (179,000 units earned in its first week).
Of El Ultimo Tour del Mundo’s 116,000 equivalent album units earned in the tracking week ending December 3, SEA units comprise 103,000 (equating to 145.94 million on-demand streams of the album’s songs), album sales comprise 12,000 and TEA units comprise 1,000.
Only four all-Spanish-language albums have ever reached the top five on the Billboard 200: Bad Bunny’s El Ultimo Tour del Mundo (No. 1), YHLQMDLG (No. 2), Mana’s Amar es Combatir(No. 4; Sept. 9, 2006) and Shakira’s Fijación Oral: Vol. 1(No. 4; June 25, 2005).
Before El Ultimo Tour del Mundo became the first all-Spanish-language album to reach No. 1 on the Billboard 200, there were only two mostly Spanish-sung albums reigned: Il Divo’s Ancora(February 11, 2006) and Selena’sDreaming of You (August 5, 1995). Of Ancora’s 10 songs, seven were performed in Spanish. Dreaming of You’s 13-track album includes six tracks in Spanish, five in English and two duets that blend English and Spanish.
All told, Bad Bunny has now achieved five charting albums on the Billboard 200, with his last four all reaching the top 10. His first charting set, X 100PRE, peaked at No. 11 on the January 12, 2019-dated chart, and he followed it with Oasis (with J Balvin, No. 9; July 13, 2019), YHLQMDLG (No. 2; March 14, 2020), Las Que No Iban a Salir(No. 7; May 23, 2020) and now El Ultimo Tour del Mundo.
El Ultimo Tour del Mundo was led by the track “Dákiti,” a co-billed song with Jhay Cortez. It marked Bad Bunny’s third top 10 on the all-genre Billboard Hot 100songs chart and his seventh No. 1 on the Hot Latin Songschart. The song also reached No. 1 on both the Billboard Global 200and Billboard Global Excl. U.S.charts.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
The 35-year-old Colombian reggaeton singer’s collaboration with Tainy, “Agua,” has risen to the top of Billboard‘s Latin Airplay chart, rising 2-1 on the September 5 survey.
It’s Balvin’s 25th No. 1, moving him closer to Enrique Iglesias’ record 31. Tainy, meanwhile, ups his career count to two chart-toppers.
Featured on the forthcoming soundtrack to The SpongeBob Movie: Sponge on the Run, the song was released in July. A date for the film’s release has not been received.
“It’s a career highlight,” Tainy tells Billboard. “This one is special because it was fun. Working with Balvin is always amazing. We have that chemistry, we are friends and it showed with the final product. We mostly had fun while creating. We’re both big SpongeBob fans who grew up watching the show, so everything just came out naturally. “
“It was a pleasure working alongside Tainy and an honor to be a part of the project,” J Balvin echoes to Billboard. “Its contagious yet nostalgic beat brought Latino Gang to Bikini Bottom and that is something that I never thought could happen! I’ve always been a fan of SpongeBob SquarePants and I know little Jose would be proud to know that this track hit No. 1.”
Adds Balvin, “Que siga el party bajo el agua!”
Lex Borrero, NEON16 president and Tainy’s manager, muses, “It’s not every day that you can collaborate with such a huge brand like the SpongeBob franchise. To have the opportunity and to see the song have success means the world to us. Paramount Animation and Nickelodeon have been great partners in this process and we are excited to share the rest of the soundtrack for this incredible feel-good film.”
“Agua” tops the Latin Airplay chart with 11.2 million audience impressions, up 12%, in the week ending August 30, according to Nielsen Music/MRC Data.
The song accompanies Tainy and Balvin’s fellow chart hit “Un Día (One Day),” with Dua Lipa and Bad Bunny. The collab rises 10-7 on Latin Airplay, up 13% to 6.9 million in reach.
“Agua” concurrently crowns the Latin Pop Airplaychart, where Tainy earns his first leader and Balvin collects his 14th, tying Mana for the third-most No. 1s, after Iglesias (24) and Shakira (19).
On the Hot Latin Songs chart, which blends airplay, streaming and sales data, “Agua” ascends 6-5. Along with its airplay, it drew 3.8 million U.S. streams in the week ending August 27.
Anthony Valadez (a.k.a. DJ Valadez) is hitting the Southern California airwaves to celebrate Latin music.
The Latino deejay and radio host has launched KROQ‘s first-ever Latin show Alternalido from his makeshift studio at home in Venice Beach.
The two-hour show, the first of its kind for L.A.’s alternative KROQ-FM station (owned by Entercom), kicked off with the music of artists including Chicano Batman, Cuco, Ozomatli and Bomba Estéreo, to name a few.
“Last night I had a lot of anxiety,” Valadez, who serves as host and curator of Alternalido, tells Billboard. “Latin alternative means so many things to different people. You’ve got fans that love Maná and then you have new artists like Omar Apollo and Ambar Lucid who want to break rules and do their own things.”
In an effort to better serve the bilingual Latin community in California — which has the largest Latino population in the
U.S. — Alternalidoaims to spotlight an array of Latin alternative sounds from around the world.
“Think of it like it’s Anthony Bourdain behind the turntables taking you around the world through sound,” Valadez says.
While the idea of a Latin-centric show was floated around a few years ago, now was the “perfect time” to go live, according to Jeff Federman, Entercom’s regional president. “We are so much better than we were when we entered March because we were forced to catch up on technology and learn to be even more resourceful. It’s almost a renaissance for radio.”
Mike Kaplan, senior vp/programming at Entercom, echoes Federman. “It’s exciting to know that we’re evolving and taking it to the next step. It was needed in this station. There are no boundaries in music.”
It was precisely that that drew Valadez — who will keep his weekend show on KCRW— to be part of the show as a host and curator. “In a new space and a new era, there’s more room for experimentation. Latin alternative is not new — it’s been there and it’s been neglected. And for these guys to say, ‘Let’s showcase this,’ yeah let’s break rules, that’s super important to me.”
Valadez, who has hosted weekly radio programs for the past 20 years, says he’s not only excited to offer a new home for Latin alternative artists but to be able to create a sense of community in trying times.
“People need community more than ever,” Valadez says. “This is music that is hand-picked and that’s a beautiful thing. The show is very inviting, it’s created with love for everybody and no matter where you come from, you’ll hear something you like.”
Alternalido airs Sundays from 8:00 -10:00 pm PST on KROQ.
The 28-year-old Colombian reggaeton singer and songwriter’s collaboration with Nicki Minaj, “Tusa,”debuts at No. 1 on Billboard’s Hot Latin Songs chart dated November 23.
The chart ranks the most popular Latin songs of the week, blending airplay, streaming and digital sales data.
“Tusa” becomes the first song to debut at No. 1 in 2019, and the first song by a female act in a lead role to bow at No. 1 since 2016, when Shakira’s “Chantaje,” featuring Maluma, bowed atop the list. It’s also the first title by two women in a lead role to open atop the chart since its inception in 1986.
“One of my biggest personal challenges was exceeding my expectations and those of my fans, following the release of Ocean,” Karol G tells Billboard. “I couldn’t be happier today seeing that “Tusa” debuts at No. 1 in the U.S. after only one week of its release. I’m especially grateful to Nicki Minaj, to my team for keeping the dream alive, and for continuing in this journey — and to my fans who make all of this a reality.”
In addition to Shakira, Karol G and Minaj, only two other songs with women on a lead role have debuted at No. 1 on Hot Latin Songs: Rocio Durcalwith “La Guirnalda” in September of 1986 and Gloria Estefanwith “Hotel Nacional” in January of 2012.
Meanwhile, two other titles with female acts in featuredroles have bowed atop the tally: “Mi Verdad” by Mana featuring Shakira (February 2015) and “Taki Taki” by DJ Snake, featuring Selena Gomez, Ozuna and Cardi B(October 2018).
“Tusa” gives Karol G her third No. 1 on Hot Latin Songs. Her first leader arrived over a year ago through another collaboration: Pitbull’s “Dame Tu Cosita,” with El Chombo, featuring Cutty Ranks(May 2018).
“Tusa,” Colombian slang for heartbreak, was released on November 7 in conjunction with the song’s music video and was produced by Ovy on the Drumsand written by him, Karol G, Minaj and Keytin. It soars to No. 1 on Hot Latin Songs mainly on the strength of streaming activity and digital sales.
The song logged 9.5 million U.S. streams in its first week (ending November 14), according to Nielsen Music and bows at No. 1 on the Latin Streaming Song chart. It’s just the second song to debut at No. 1 on the list in 2019, following “China,” the former nine-week ruler, where Karol G also takes a lead role alongside Anuel AA, Daddy Yankee, Ozuna and J Balvin.
“Tusa” concurrently starts at No. 78 on the all-genre Billboard Hot 100chart, becoming Karol G’s fourth chart entry.
The song was presented for the first time during the 2019 Latin Grammyweek, as part of a Google Pixel 4motion sense experiment alongside DJ Feloat The Palms, on November 14.
The legendary Mexican rock band has announced The Maná Scholarship Program to benefit Latino students who want to achieve their dream of furthering their education.
In partnership with their Selva Negra Foundation and the Univision Foundation, and administered by Scholarship America, the program will assist up to 15 students between the ages of 18 and 35 who identify as Latino and who plan to continue their education in college or vocational school programs.
According to the official press statement, “these scholarships are intended to help applicants who have a demonstrated commitment to positive change in their communities; specifically, those who have chosen to help clean up or otherwise improve the environment around them.”
The Maná Scholarship Program is open to high school seniors or graduates and to current college undergraduates who are either U.S. citizens, U.S. legal residents, or undocumented residents of the U.S., including Deferred Action for Childhood Arrivals (DACA) recipients.
Only the first 1,000 applications submitted will be considered.
Deadline to apply is at 3:00 pm CT on October 23.
For eligibility, required documents and more information, visit here.
Due to continuing ticket demands, the legendary Mexican rock band has added a seventh show at The Forum in Los Angeles as part of its Rayando El Sol Tour, which kicks of at the end of August.
The seventh date at the venue, which will take place on December 7, makes Maná the only act in any language or genre to ever play seven dates at the venue as part of a single tour.
“Mana makes history today by becoming the first artist that will perform seven shows in one year at the ‘Fabulous’ Forum since our reopening in 2014,” said a spokesperson for The Forum. “Mana also holds our record for most shows since the reopening at 11. The Forum is proud and honored to be the home to Mana’s historic run of shows.”
Maná, Latin music’s most successful rock band and one of the most prolific and highest-grossing Latin acts in the market, announced dates forRayando el Sol, their first tour in three years, this past February.
Tickets sales were so strong, that additional dates were added almost immediately, and the tour, originally set to kick off September 4 from Corpus Christi, is now starting August 31 in Laredo.
New dates were also added for Chicago, Oakland, San Jose, Dallas, Houston, Phoenix and Los Angeles.
Originally, Maná was slated to play four dates at The Forum, which grew to six, and now, seven.
The group performed on Good Morning America this Wednesday, the same day they streamed an intimate performance for fans on their YouTubechannel in anticipation of their tour.
“Maná is a touring powerhouse,” Bob Roux, president of U.S. concerts for Live Nation, said in a statement back in March, talking about the sellout speed of Maná’s shows. “I’ve never seen an onsale like this in the Latin Market. This puts Maná in the rarefied realm of the biggest bands in the U.S., regardless of language.”
The Rayando el Sol tour will now play 35 stops. The tour takes its name from Maná’s 1989 breakout hit song of the same name.
“It was the song that kicked off our career when we were ready to walk away from it all,” Fher Olvera, Maná’s lead singer, told Billboardearlier this year. “We spent many years with very little money. One time, [drummer] Alex [Gonzalez] spent the night at an apartment in Colonia Roma [the Mexico City neighborhood depicted in Alfonso Cuarón’s film Roma] that didn’t even have furniture. And there, between beers, we wrote the song. At that point, I was ready to work in what I’d studied in college: communications. And Alex was going to return to Miami. But that song allowed us to breath, so we have a real appreciation. It’s a very emblematic song. It’s played everywhere.”
Maná: Rayando El Sol 2019 tour dates:
Aug. 31, 2019 — Laredo. TX Sames Auto Arena Sept. 4, 2019 — Corpus Christi, TX American Bank Center Sept. 6, 2019 — Houston, TX Toyota Center Sept. 7, 2019 — Dallas, TX American Airlines Center Sept. 11, 2019 — El Paso, TX UTEP Don Haskins Center Sept. 13, 2019 — Phoenix, AZ Talking Stick Resort Arena Sept. 14, 2019 — Las Vegas, NV MGM Grand Garden Arena Sept. 20, 2019 — Los Angeles, CA The Forum Sept. 21, 2019 — Los Angeles, CA The Forum Sept. 22, 2019 — Los Angeles, CA The Forum Sept. 27, 2019 — San Jose, CA SAP Center at San Jose Sept. 28, 2019 — San Jose, CA SAP Center at San Jose Sept. 29, 2019 — San Diego, CA North Island Credit Union Amphitheater Oct. 9, 2019 — Denver, CO Pepsi Center Oct. 11, 2019 — Chicago, IL Allstate Arena Oct. 12, 2019 — Chicago, IL Allstate Arena Oct. 17, 2019 — Toronto, ON Scotiabank Arena Oct. 19, 2019 — Brooklyn, NY Barclays Center Oct. 20, 2019 — Greensboro, NC Greensboro Coliseum Oct. 22, 2019 — Fairfax, VA EagleBank Arena Oct. 25, 2019 — Miami, FL American Airlines Arena Oct. 27, 2019 — Atlanta, GA Infinite Energy Arena Nov. 6, 2019 — El Paso, TX UTEP Don Haskins Center Nov. 8, 2019 — Houston, TX Toyota Center Nov. 9, 2019 — Dallas, TX American Airlines Center Nov. 14, 2019 — Edinburg, TX Bert Ogden Arena Nov. 15, 2019 — San Antonio, TX AT&T Center Nov. 17, 2019 — Phoenix, AZ Talking Stick Resort Arena Nov. 22, 2019 — Los Angeles, CA The Forum Nov. 23, 2019 — Los Angeles, CA The Forum Nov. 24, 2019 — Los Angeles, CA The Forum Nov. 27, 2019 — Sacramento, CA Golden 1 Center Nov. 30, 2019 — Oakland, CA Oracle Arena Dec. 5, 2019 — Fresno, CA Save Mart Center Dec. 7, 2019 — Los Angeles, CA The Forum
Allison Irahetais sharing her voice in the quest to tear down walls…
The 27-year-old Salvadoran American singer and former American Idol finalist has joined voices with K.C. Porter and Mexican American rapper Olmeca on Porter’s “La Pared,” the first single from his upcoming album Cruzanderos.
The “La Pared” video, directed by directed by Rubén Giménez of Spanish production company Hero Studio, may be animated, but the content isn’t meant to be amusing in the traditional sense of the word.
“La Pared” is a call to tear down border “walls,” illustrated by the travails of a father and daughter divided at the border.
“La Pared” is Porter’s first single as a soloist, featuring Iraheta and Olmeca in a mix of pop, tropical and reggaeton.
Porter, best known best for his award-winning work in the Latin music space (Selena, Ricky Martin, Luis Miguel, Maná, Santana), lived in Guatemala for 10 years since the age of seven, and is not only fully fluent in Spanish, but also fully understands Latin music, its artists and its themes.
Iraheta released a solo album, Just Like You, in 2009, which included the well-received single “Friday I’ll Be Over U.”
She later became the lead singer of the band Halo Circus. The band has released two albums.
Porter’s Cruzanderos album is due out September 20 on Altafonte Music.
The legendary Mexican rock band has added additional dates to its upcoming tour to meet high ticket demand.
Tickets for new shows in the Maná’s Rayando el Sol Tour have been added for Los Angeles, Chicago, Oakland, San Jose, Dallas, Houston and Phoenix, and will go on sale on Friday, March 8.
“Maná is a touring powerhouse,” Bob Roux, president of U.S. concerts for Live Nation, said in a statement from the company about the sellout speed of Maná’s upcoming shows. “I’ve never seen an onsale like this in the Latin Market. This puts Maná in the rarefied realm of the biggest bands in the U.S., regardless of language.”
Maná is now scheduled for 28 U.S. dates on the tour, the band’s first in three years.
The 25-year-old Brazilian singer, a four-time nominee in 2019, is set to perform at this year’s Premio Lo Nuestro awards show.
The “Veneno” singer and New Artist of the Yearcontender joins a roster of new additions that includes JBalvin, Yandel, Juanes, Maná, Pepe Aguilar, Joss Favela, Nacho, and Zion y Lennox.
Anitta previously took the stage alongside J Balvin at least year’s how, giving a sizzling performance of their hit collaboration “Downtown.”
Marc Anthony, Daddy Yankee, Natti Natasha, Anuel AA and Ozuna, Thalia, Lele Pons, Fuego, Prince Royce, Farruko, Piso 21, Intocable, De La Ghetto, Pedro Capó, Reik, Christian Nodal, Lali and Silvestre Dangondare also confirmed to perform at the annual ceremony.
The awards will be hosted by Maite Perroni, Alejandra Espinoza and salsa singer, Victor Manuelle.
The 31st edition of Premio Lo Nuestro will air on Univisionon Thursday, February 21, live from American Airlines Arenain Miami starting at 7:00 p.m. ET.