Ricky Martin Teams Up with Christian Nodal for Reimagined Version of “Fuego De Noche, Nieve De Día”

Ricky Martin is reimagining a classic with a special assist…

The 51-year-old Puerto Rican superstar has joined voices with Christian Nodal to release a reimagined version of his hit single “Fuego De Noche, Nieve De Día.”

Ricky Martin, Christian NodalMartin delivers the reimagined version of his iconic and beautiful ballad added elements of mariachi.

Nodal adds a special assist to the 1995 anthem.

The new song starts off with Martin singing softly over a piano, much like he did in the original version. Then, at the minute-mark, melancholic mariachi trumpet notes come in to complement Nodal’s vocals as he joins Martin to sing about a person that’s come to turn their world upside down.

Marking the first collaborative effort between Martin and Nodal, the essence of the song — which will be discovered by a new generation of fans nearly 30 years later — remains untouched. “It’s a dream come true,” Nodal says about the duet in a statement. “This song is so special and so profound that it really tugs at your emotions.

Los Angeles Dodgers Retire Fernando Valenzuela’s No. 34 Jersey

Fernando Valenzuela has received a special honor for the Los Angeles Dodgers

The team retired the 62-year-old Mexican former professional baseball pitcher’s No. 34 jersey on Friday night before hosting the Colorado Rockies. His number was cut into the center-field grass and stenciled in white on the back of the mound.

Fernando Valenzuela“It’s very emotional,” Valenzuela told a crowded room of English and Spanish-language media before the ceremony. “I never expected it.”

Retired pitcher and current broadcaster Orel Hershiser and retired Dodger Manny Mota lifted off a blue cloth to reveal Valenzuela’s number high above the field.

Fans, some wearing sombreros, were on their feet cheering, along with Valenzuela’s children and grandchildren. He held hands with wife Linda as they walked down the left-field line to watch the unveiling.

Earlier, a mariachi band broke out in music and song as Valenzuela was introduced and walked from the dugout to the stage set up in front of the mound.

Hall of Fame pitcher Sandy Koufax, Valenzuela’s catcher Mike Scioscia, Hall of Fame broadcaster Jaime Jarrín and Dodgers pitcher Julio Urías were among those on hand.

Valenzuela and Scioscia appeared on a Topps baseball card in which they were labeled future stars. After his playing career, Scioscia managed the Los Angeles Angels.

“It seems like yesterday when this little pudgy kid who was 20 years old started Opening Day for us and lights the whole world on fire,” Scioscia told the crowd. “What you couldn’t see was the ice water in his veins. He proved how spectacular and magical everything was.”

After the ceremony, Valenzuela tossed a first pitch to Scioscia, who bobbled the catch and buried his face in his glove.

The Rockies watched from the railing in the visitor’s dugout, while some of the Dodgers were on the field warming up and a few looked on from the dugout.

Earlier in the day, Valenzuela was in downtown Los Angeles, where the city council declared it “Fernando Valenzuela Day.”

The activities were part of a weekend celebration of one of the most enduring and popular players in Dodgers history. Valenzuela was the theme of the postgame drone show.

On Saturday, the team is giving away his bobblehead and on Sunday, the giveaway is a replica of Valenzuela’s 1981 World Series ring.

Valenzuela became a sensation that year. Besides winning the World Series, he won Rookie of the Year and the Cy Young Award, the first player to do so in the same year.

He was named the Opening Day starter that year by manager Tommy Lasorda after Jerry Reuss got hurt a day earlier. He responded with a 2-0 victory over Houston, beginning the season with an 8-0 record, including five shutouts, and an 0.50 ERA.

“Tommy Lasorda came up to me and said, ‘Are you ready to pitch tomorrow?’ I said, ‘I’m ready,'” Valenzuela recalled. “That’s what I was looking for, the opportunity to show what I can do.”

Valenzuela’s pitching motion — glancing skyward at the apex of each windup — was a hit, too. His signature pitch was the screwball, taught to him by teammate Bobby Castillo in 1979.

During his warmups, ABBA‘s hit “Fernando” blared from the speakers.

The native of Mexico was credited for drawing large numbers of Latino fans to Dodger Stadium and they nicknamed him “El Toro” — the Bull. He proved a huge draw on the road as well.

His number joins previous honorees Pee Wee Reese, Lasorda, Duke Snider, Gil Hodges, Jim Gilliam, Don Sutton, Walter Alston, Koufax, Roy Campanella, Jackie Robinson, Don Drysdale and Hall of Fame broadcasters Vin Scully and Jarrín.

Jarrín “helped me a lot early in my career talking to you guys,” Valenzuela said, referring to the translation the broadcaster did for English-speaking media.

Besides Lasorda and Jarrín, Valenzuela also credited Mike Brito, the scout who in Mexico found the left-handed pitcher, for boosting his career. Brito died last year at age 87.

Valenzuela also won the 1988 World Series with the Dodgers, as well as Silver Slugger awards in 1981 and 1983. He pitched for the team from 1980 to 1990, including a no-hitter on June 29, 1990. He retired in 1997.

Valenzuela has stayed close to the franchise. He is the color commentator on the Spanish-language broadcasts for its SportsNet LA cable channel.

He remains among the franchise leaders in wins (141), strikeouts (1,759), innings pitched (2,348⅔), starts (320), complete games (107) and shutouts (29).

Valenzuela became a naturalized U.S. citizen in 2015.

Myriam Hernández Releases New Single “Nos Lo Hemos Dicho Todo”

Myriam Hernández still has things left to say…

The 56-year-old Chilean singer, songwriter and television presenter has released “Nos Lo Hemos Dicho Todo,” the lead single from her upcoming new album.

Myriam HernándezHernandez’s new single grandiose and unabashedly romantic.

The beautifully arranged track blends Hernández’s core pop sound with the pizzaz of a full mariachi.

Written and produced by Jacobo Calderón, the son of legenderay Spanish songwriter Juan Carlos Calderón, “Nos lo hemos dicho todo” talks about the intimate struggles of a couple that loves each other despite defects and fights.

Felipe Peláez Releases First-Ever Ranchera “Magia”

Felipe Peláez is spreading the magic

The 47-year-old Colombian-Venezuelan vallenato superstar has released the new single “Magia.”

Felipe PeláezOn the track, Peláez dips his toes in his first-ever ranchera track, which is the first track from his upcoming album Un Sueno Llamado Ranchera.

If “Magia” is any indication, the set will be made up entirely of captivating ranchera tunes laced with his passionate and signature vocals.

In true Pelaez fashion, “Magia” highlights the incomparable, life-changing magic of love through its lyrics.

Penned by the artist, the traditional mariachi song is a love poem that best showcases Peláez’s versatility to adapt music in genres of all kinds.

Library of Congress Adds Daddy Yankee’s “Gasolina” to U.S. National Recording Registry

Daddy Yankee is gassed about his latest honor…

The 46-year-old retired Puerto Rican rapper, singer, songwriter and actor, considered to be one of the pioneers of the reggaeton genre, has earned a place in the U.S. National Recording Registry.

Daddy YankeeThe Library of Congress announced the 25 albums, singles and other recording that have been added to the registry, including Daddy Yankee’s smash single “Gasolina.”

Appearing on Daddy Yankee’s 2004 album Barrio Fino, the track was the first reggaeton song to be nominated for the Latin Grammy Award for Record of the Year.

But Daddy Yankee isn’t the only Hispanic artist making this year’s list…

Mariah Carey’s modern holiday classic “All I Want For Christmas Is You” has made the grade.

“I’m honored beyond belief,” wrote Carey on Twitter about the single, which was released in 1994. “I definitely did not even imagine this would happen when writing and recording this song!”

The track became her 19th No. 1 the Billboard Hot 100 chart in 2019, 25 years after its initial release, extending her record for the solo artist with the most number ones in the charts history.

Cuarteto Coculense’s album The Very First Mariachi Recordings (1908-1909) has also been added to the registry.

While mariachi music and its imagery are now emblematic of Mexican national identity, it was once a rural style of music played mainly in the state of Jalisco. In 1907, four musicians from the town of Cocula, Jalisco, led by the vihuela player Justo Villa, made the first recordings of it in Mexico City, where two years earlier they had introduced the style to the capitol when they performed for Mexican president Porfirio Diaz. These performances lack the trumpet now inextricably associated with mariachi, but even the early recording technology of the time could not fail to capture the group’s drive and spirit, and the recordings remained in print for many years. Due to the efforts of scholars and record collectors, the group’s work was collected and reissued in 1998 by Arhoolie Records, revisiting and reviving an otherwise lost chapter in mariachi’s history and paying overdue homage to these recording pioneers.

The late Irene Cara’s 1983 single “Flashdance…What a Feeling,” which she co-wrote for the film Flashdance, has also been named to the registry.

The hit single earned Cara the Grammy Award for Best Pop Vocal Performance, Female and a nomination for Record of the Year. As part of the Flashdance soundtrack, it gave her and all of the songwriters who contributed to the album the Grammy Award for Best Album of Original Score Written for a Motion Picture or a Television Special, and she was also nominated alongside all of the other performers on the soundtrack for Album of the Year.

“Flashdance…What a Feeling” won the Academy Award and Golden Globe for Best Original Song and was also nominated in that category at the BAFTA Film Awards.

The 25 recordings were deemed worthy of preservation “based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage,” according to the Library of Congress.

Pipe Bueno Signs Management Deal with Business Manager JB & OCESA Seitrack

Pipe Bueno is under new management…

The 31-year-old Colombian singer/songwriter has signed a management deal with Business Manager JB, helmed by artist manager Juan Ballesteros, and OCESA Seitrack.

Pipe BuenoWith the new signing, JB & OCESA will develop Pipe’s career at a musical and commercial level in Mexico with the mission of taking his 15-year-long trajectory to an international level.   

“We are sure that we signed the best representative of the genre in Colombia, and as an artist, he can transcend,” Ballesteros, who also manages Mike Bahía, Greeicy and Annasofia, tells Billboard. “I think we have a new ballad, mariachi, and pop star that comes with a lot of music and collaborations. We are happy to have this new challenge with Pipe Bueno and I hope that everyone receives it with the same joy and enthusiasm that we do.”

Pipe Bueno Born Andrés Felipe Giraldo Bueno, the artist launched his self-titled debut album in 2008, and has since risen to pioneer “la música popular Colombiana,” a musical genre that fuses traditional folk music from the Paisa Region with Regional Mexican elements, such as mariachi and ranchera. The genre is also locally known as “música de cantina” and is played at every parranda, parties that feature local music and food.

He has laced the genre with urban and pop rhythms by teaming up with artists such as Wisin, Zion and Darrel, to name a few. Pipe has collaborated twice with his good friend and colleague Maluma on the tracks “La Invitación” (2014) and “Tequila” (2020). The former entered the Billboard Latin Rhythm Airplay chart in 2016.

Adriel Favela Releases New Single “En Este Amor”

Adriel Favela is opening up about love

The 30-year-old Mexican American singer has released the new single “En Este Amor.”

Adriel FavelaIn the track, Favela trades his signature sierreño sound for mariachi.

In the heartfelt ranchera, penned by Gussy Lau and Tamayo Aguilera, Favela opens up about a love that could no longer be, because the other person showed no effort and interest.

His powerful vocals belt out passionate lyrics about having the strength to forget his ex.

“Everything has been a happy accident because this song was aimed at another person, but at the end of the day, God has a purpose for us all and the song conveyed a lot,” he says in a statement. “I loved it! It has a beautiful essence which I think will differentiate itself from everything we’ve done before, and we’ve obviously put a lot of heart into it and we hope the audience receives it the same way.”

Alejandro Fernández Releases New Single “Inexperto En Olvidarte”

Alejandro Fernández can’t forget

The 51-year-old Mexican singer has released his new single “Inexperto En Olvidarte” via Universal Music Latino.For his first song of the year, Fernández goes the traditional route with a heart-wrenching ranchera.

Alejandro FernándezIt’s a quintessential song for Fernández, who’s long mastered the mariachi ballad — and this one is no exception.

Penned by Amanda Coronel and Fernanda Díaz, the track thrives thanks to its delicate mariachi arrangement, accompanied by an accordion for the ultimate norteño touch.

“Inexperto En Olvidarte” is Fernandez’s first single from his upcoming album, due later this year.

Chiquis Releases Mariachi Version of “Paloma Blanca” to Honor Late Mom Jenni Rivera

Chiquis is celebrating her late mother with a new version of her debut single…

The 37-year-old Mexican American singer has released a mariachi version of debut single “Paloma Blanca” to commemorate Jenni Rivera’s death 10 years ago, on December 9, 2012.

ChiquisThe new interpretation comes eight years after the original banda track debuted in 2014.

Accompanied by the all-female Mariachi Divas, Chiquis belts out a heartfelt love letter to La Diva de la Banda, expressing how much she misses her, what she would’ve changed about their mother-daughter relationship, and her biggest life lessons learned.

The song was produced by Cindy Shea, Ulises Lozano El Licenciado and Janney “Chiquis” Marin, and co-written by Marin and Claudia Brant.

“When ‘Paloma Blanca’ was originally released, I wasn’t entirely happy with the way it was recorded. I have always wanted to re-release it,” Chiquis said in a press statement. “My vocals and delivery have greatly evolved over these last eight years and I feel better than ever about my music so I decided to record it alongside Mariachi Divas. It will always be dedicated to my mom who passed away ten years ago but I also wanted to re-record it for her fans as well as mine.”

Bringing the emotional lyrics to life, a music video helmed by director Oscar Eden shows Chiquis performing the song dressed as an angel as well as never-before-seen footage of her mother.

The sweet tribute comes a month after Chiquis received her first-ever Grammy nomination for best regional Mexican album and her second Latin Grammy win in the best banda album category with Abeja Reina.

Jessi Uribe Earns First No. 1 on Billboard’s Regional Mexican Airplay Chart with Luis R Conriquez-Collab “Si Ya Hiciste El Mal”

It’s a special first for Jessi Uribe

The 35-year-old Colombian singer has secured his first No. 1 on Billboard’Regional Mexican Airplay chart dated November 19 as “Si Ya Hiciste El Mal,” his first collaborative effort with Luis R Conriquez, rises 2-1.

Jessi UribeUribe is one of the forerunners of Colombian ranchero, a branch of regional Colombian music that borrows from Mexican mariachi, ranchera and corrido formats.

He becomes the second Colombian singer-songwriter to score a No. 1 on Regional Mexican Airplay in 2022: As “Si Ya Hiciste el Mal” hits No. 1, it sends Camilo, a core Latin pop Colombian artist, to No. 2 as “Alaska,” with Grupo Firme dips after its one-week command (chart dated November 12).

“Honestly, I’m extremely happy and grateful,” Uribe tells Billboard. “It’s a dream fulfilled. I have been a regional Mexican music lover since childhood, I am singer of regional Colombian music and to be the first one to achieve this, is an honor. Thanks to Luis, my team, and the listeners who have given us so much love.”

“Si Ya Hiciste el Mal” climbs from the runner-up spot after a 3% increase in audience impressions, to 7.1 million, earned in the U.S. in the week ending November 13, according to Luminate.

The song gives Uribe his first leader on an airplay chart. He previously scored a No. 6 best with “El Alumno,” with Joss Favela, in May. Meanwhile, Conriquez clocks his second ruler: “JGL,” with La Adictiva, topped Regional Mexican Airplay for one week (September 10).

“Working with Jessie was a beautiful experience,” Conriquez tells Billboard. “We traveled to Colombia to record the song and our bonding was beyond great.”

Further, thanks to its radio reception, “Si Ya Hiciste el Mal” debuts at No. 50 on the multimetric Hot Latin Songs chart. It earns Uribe his first chart appearance. Conriquez claims his ninth entry.

The track also makes progress on the all-genre Latin Airplay chart jumping 10-8, the closest Conriquez has been to the top after another No. 8 high (“JGL” in the Sept. 10-dated ranking).