J Balvin’s Collaboration with Dua Lipa, Bad Bunny & Tainy, “Un Día (One Day),” Debuts at No. 1 on Billboard’s Hot Latin Songs Chart

It’s a perfect Day for J Balvin

The 35-year-old Colombian reggaeton singer’s bilingual collaboration with Dua Lipa, Bad Bunny and Tainy, “Un Día (One Day),” surges to No. 1 on Billboard’s Hot Latin Songs survey dated August 8.

J Balvin

The track, released July 24, dethrones another bilingual collaboration, ending the Black Eyed Peas, Ozuna and J.Rey Soul’s three-week reign with “Mamacita.”

“I’m so thankful and blessed for the early reaction to ‘Un Día’ and its arrival on the charts,” said J Balvin. “It’s one we’ve been talking about for a while now, so I’m happy it’s out in the world for everyone to enjoy. Much Love to Dua Lipa, Bad Bunny, and Tainy for being a part of this special moment with me. Stay tuned for more fire coming soon!”

“Un Día” is Dua Lipa’s first Hot Latin Songs entry and first No. 1 on any Billboard Latin chart. Her foray into the Latin charts began in January 2018 as all-English language track “New Rules” opened at No. 40 on the Latin Pop Airplay list. 

The new song isn’t available on her current album Future Nostalgia, which arrived at No. 4 on the overall Billboard 200 chart (April 11-dated tally).

“Un Día” was produced by Tainy and arrived with a music video directed by Colombian Stillz, which features Spanish actress Úrsula Corberó (Netflix’s Money Heist).

The song’s coronation on Hot Latin Songs, which blends airplay, streams and digital sales, is mainly attributed to streaming activity and airplay. It earned 10 million U.S. clicks in the week ending July 30, according to Nielsen Music/MRC Data, which yields a No. 1 debut on the Latin Streaming Songs list and a No. 45 arrival on the overall Streaming Songs chart.

“Un Día” concurrently opens at No. 1 on the Latin Digital Song Sales chart and at No. 49 on the overall Digital Song Sales chart supported by its 4,000 downloads logged in its first tracking week.

J Balvin, meanwhile, posts an eighth No. 1 on Hot Latin Songs. “Un Día,” however, earns him his first No. 1 debut.

With the song’s arrival atop the list, J Balvin places three songs in the top 10: “Ritmo (Bad Boys For Life),” with Black Eyed Peas at No. 3 and “Agua,” with Tainy which rises 11-7. The latter is featured on The SpongeBob Movie: Sponge on the Run soundtrack.

“Un Día” is just the second song to arrive at No. 1 on Hot Latin Songs in 2020. It follows Bad Bunny’s “Si Veo a Tu Mamá” (March 14-dated survey). While he secures his sixth No. 1, producer and songwriter Tainy claims his first.

Beyond its Hot Latin Songs chart-topping arrival, “Un Día” bows at No. 24 on Latin Airplay, No. 13 on Latin Rhythm Airplay and No. 17 on Latin Pop Airplay.

Pedro Tovar Debuts at No. 1 on Billboard’s Latin Songwriters Chart

Pedro Tovar is writing his way to the top…

The Mexican American singer and Eslabon Armado lead vocalist has debuted at No. 1 on Billboard‘s Latin Songwriters chart, due to nine writing credits on the latest Hot Latin Songs ranking dated August 1.

Pedro Tovar

The tracks all appear on Eslabon Armado’s new LP Vibras de Noche, which debuted at No. 1 on the Top Latin Albums chart with 23,000 equivalent album units, according to Nielsen Music/MRC Data, earning the trio its first leader on the list.

Tovar is credited as the sole songwriter on all nine songs. He’s also credited as a co-producer on the tracks and debuts at No. 2 on the Latin Producers chart.

Of Tovar’s nine writing and producing credits on Hot Latin Songs, “Dame Tu Calor” leads at No. 5.

Here’s a look at the Tovar-penned songs on the chart:

Rank, Artist Billing, Title (producers in addition to Tovar)
No. 5, Eslabon Armado, “Dame Tu Calor” (Maurilio Pineda Jr.)
No. 15, Eslabon Armado, “Tal Vez” (Pineda Jr.)
No. 16, Eslabon Armado, “Con Tus Besos” (Edgar Jacobo)
No. 21, Eslabon Armado, “Sube Al Carro” (Pineda Jr.)
No. 22, Eslabon Armado, “Ganas Que Te Tengo” (Pineda Jr.)
No. 29, Eslabon Armado, “Donde Has Estado” (Pineda Jr.)
No. 37, Eslabon Armado, “La Trokita” (Pineda Jr.)
No. 46, Eslabon Armado, “Tu Cancion” (Pineda Jr.)
No. 47, Eslabon Armado, “24 Horas” (Pineda Jr.)

Tovar’s production partner Maurilio Pineda Jr. is credited as a co-producer on eight of the nine Armado tracks above, sparking the latter’s No. 3 arrival on the Latin Producers chart.

Meanwhile, Tainy logs his 40th week at No. 1 on Latin Producers, powered by eight production credits on the latest Hot Latin Songs chart. Bad Bunny‘s “Yo Perreo Sola” (co-produced with Subelo Neo and Bad Bunny) is tops among them at No. 3.

The weekly Latin Songwriters and Latin Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot Latin Songs chart; As with Billboard‘s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

Eslabon Armado’s “Vibras de Noche” Debuts at No. 1 on Billboard’s Top Latin Albums Chart

There are plenty of good vibes for Eslabon Armado…

The Mexican-American trio’s latest album Vibras de Noche has debuted at No. 1 on the Billboard’s Top Latin Albums chart dated August 1.

Eslabon Armado

Eslabon Armado’s sophomore album becomes the second title by a Regional Mexican act to debut atop the chart in 2020. 

Vibras de Noche opens with 23,000 equivalent album units earned in the week ending July 23, according to Nielsen Music/MRC Data.

Of the set’s starting count, 1,000 were in album sales and the bulk of the remainder attributed to streams. The set earns 2020’s biggest week for a regional Mexican album in terms of overall units.

Top Latin Albums ranks the most popular Latin albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Vibras de Noche is a special project for us,” 18-year-old Pedro Tovar, lead vocalist and composer of the group, tells Billboard. “Production wise, it meant a great effort as it we were super demanding in defining the sound we were looking for. We loved the result, that new zest we are infusing little by little in regional Mexican music.”

In addition to Pedro, the group is also comprised of Brian Tovar and Gabriel Hidalgo.

Jhené Aiko Shoots Back to the Top 10 on Billboard 200 Chart with “Chilombo” Deluxe Edition

Jhené Aiko is back in the Top 10…

The 32-year-old part Spanish & Dominican American singer-songwriter’s latest album Chilombo has surged back into the Top 10 of the Billboard 200 chart.

Jhené Aiko

The album charged 43-6 with 50,000 equivalent album units earned (up 247 percent) in the week ending July 23, according to Nielsen Music/MRC Data

The album’s rise back up the list is due to the release of a deluxe edition on July 17, with an additional nine tracks. 

The deluxe album includes appearances from KehlaniMila JChris BrownSnoop Dogg and Wiz Khalifa.

The album was initially released on March 6, and debuted and peaked at No. 2 on the March 21-dated chart.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new Aug. 1-dated chart will be posted in full on Billboard‘s website on July 28.

Bad Bunny Leads Latin Music’s Double-Digit Audio Consumption Growth in 2020 So Far

Bad Bunny’s leading Latin music’s charge in consumption…

Latin music has posted a healthy increase in audio consumption album equivalents in the U.S. in the first six months of 2020, according to Nielsen Music/MRC Data‘s midyear report, with the 26-year-old Puerto Rican Latin trap and reggeaton singer earning top artist honors.

Bad Bunny

Overall, audio consumption of Latin music grew to 14.56 million units in the first six months of 2020, up 15.9% from the 12.6 million units registered for 2019’s midyear total. That number helped the overall growth of the genre.

Following R&B/Hip-Hop, Latin was the greatest percentage point gainer among the large genres, now comprising 4.09% market share of the total U.S. music market. That’s up from 3.86% at midyear 2019.

Latin’s market share growth comes despite the fact that, like other genres, it has suffered a decline in its weekly streaming average since the economic shutdown beginning the week of March 13. Latin saw its average weekly on-demand count drop from 1.182 billion prior to the advent of the pandemic to 1.143 billion average weekly streams from the pandemic period onward through July 2, a 3.3% drop.

Like other genres, Latin’s physical sales was impacted by the COVID-19 pandemic, with physical album sales dropping 48.7% to 212,000 copies from 414,000 in the first half of 2019. As with other genres, Latin enjoyed a digital sales bump with download albums growing 11.7% to 248,000 copies from 222,000 the year before.

That means overall, album sales fell 27.6% to 461,000 from 636,000 copies, and digital track sales fell 32.6% to 3.35 million copies, versus 4.83 million in the six-month year earlier period.

In terms of top artists for the first six months of the year, Bad Bunny was king. His YHLQMDLG became the highest-charting all-Spanish-language album in the history of the Billboard 200 when it reached No. 2 on the March 14 tally.

It’s also the sixth-most-consumed album of the year and the lone Latin title in the top 10. Interesting fact: When Bad Bunny’s Las Que No Iban a Salir debuted on the May 14 Top Latin Albums chart at No. 1, Bad Bunny also held the No. 2 (YHLQMDLG) and No. 3 (X100PRE) slots.

Following Bad Bunny in consumption for the first six months of the year is Ozuna, and in third place, newcomer Natanael Cano

In terms of songs, the most-consumed track for the first six months of the year was Karol G and Nicki Minaj’s “Tusa,” followed by Bad Bunny’s “Yo Perreo Sola.”

At the midyear mark, Bad Bunny gets an artist credit, either as a solo or in collaboration, in seven of the top 10 most streamed Latin songs.

Selena’s “Ones” Becomes First Latin Title to Reach No. 1 on Billboard’s Vinyl Albums Chart

Selena’s still the Ones… And, she’s still making history.

The late legendary Mexican American singer’s Ones compilation album is the first Latin title to hit No. 1 on Billboard’s nine-year old Vinyl Albums chart.

Selena

The new 2-LP vinyl picture disc of Ones, released July 3 via Universal Music Latin Entertainment, was such a hot seller during its first week, it helps the album re-enter at No. 1 on the all-genre Vinyl Albums sales chart. 

The vinyl edition of Ones sold 6,000 copies in the week ending July 9. 

Ones previously spent just one week on the list, at No. 4 on the November 5, 2016-dated list, after its original vinyl release.

With Ones‘ re-entry at No. 1, it marks the first time a Latin album has been No. 1 on that tally, which launched in January 2011 as vinyl album sales began making their comeback. (Vinyl albums sales have grown yearly from 2006 through 2019.)

Selena Ones Limited-Edition Vinyl

“Selena continues without a doubt to be one of the most influential artists in the music industry today and these accomplishments are a testament that her music transcends generations and will live on forever,” says Armando Rodriguez, SVP Commercial Partners, Universal Music LatinoMachete MusicCapitol Latin.

Selena’s posthumous compilation album was originally released on October 1, 2002, a little more than seven years after her death in 1995. It debuted at No. 4 on the Top Latin Albums chart dated October 19, 2002, and peaked at No. 2 on the March 4, 2017, chart.

The album is now back in the top five on the Top Latin Albums chart dated July 18 thanks to its 8,000 equivalent album units (up 198 percent) earned in the week ending July 9, according to Nielsen Music/MRC Data. Of that sum, nearly 6,000 are in album sales.

“Selena’s legacy is an inspiration for many fans and the artistic community, including Latin and non-Latin,” says Victor Gonzalez, president, Universal Music Latin Entertainment at Universal Music Group. “There is a deep connection between Selena’s old and new followers that puts her in a relevant position every time we revisit her music.”

Thanks to new vinyl edition of Ones, the set concurrently re-enters the all-genre Billboard 200chart at No. 116 after almost four years.

Onesincludes Selena’s No. 1 Hot Latin Songs hits “Buenos Amigos,” with Alvaro Torres (1992); “Donde Quiera Que Estés,” with the Barrio Boyzz (1994); “Amor Prohibido” (1994); “Bidi Bidi Bom Bom” (1994); “No Me Queda Más” (1994); “Fotos y Recuerdos” (1994) and “Tú, Solo Tú,” Selena’s longest charting No. 1 title (1995). The set also includes a remixed version of “Si Una Vez“, by her brother, A.B. Quintanilla, retitled “Con Tanto Amor (Medley),” among other hits.

Lin-Manuel Miranda’s “Hamilton” Soundtrack Reaches No. 2 on Billboard 200 Chart

Lin-Manuel Miranda’s Hamilton is proving its endurance…

The original Broadway cast recording of the 40-year-old Puerto Rican Broadway star’s Hamilton: An American Musical has surged to a new peak on the Billboard 200 albums chart, as the set rises from No. 14 to No. 2 in the wake of the show’s Disney+ premiere on July 3

Lin-Manuel Miranda's final Hamilton curtain call

The Grammy-winning album earned 102,000 equivalent album units (up 294 percent) in the U.S. in the week ending July 9, according to Nielsen Music/MRC Data. Of that sum, 32,000 are in album sales (up 592 percent).

The last cast recording to reach the top two on the chart was the original cast album of Hair, which spent 13 weeks at No. 1 in 1969.

Until this week, Hamilton was tied with the original Broadway cast recording of The Book of Mormon as the highest charting cast album since 1969, as Mormonpeaked at No. 3 in 2011.

The set previously peaked at No. 3 on the July 2, 2016-dated chart, following the 2016 Tony Awards, where the musical won 11 prizes, including best musical.

Hamilton Cast Recording

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The new July 18-dated chart will be posted in full on Billboard‘s website on July 14.

Of Hamilton’s unit haul of 102,000 for the week, 67,000 are in SEA units (equating to 90.41 million on-demand streams for the set’s tracks – easily the biggest streaming week ever for a cast recording), 32,000 are in album sales, and 4,000 are in TEA units.

Hamiltoncelebrates its 250th week on the Billboard 200 chart. The set has never left the tally since its debut at No. 12 on the October 17, 2015-dated list. That’s the longest run by any cast album since the highlights edition of the original London cast recording of The Phantom of the Opera, which has logged 331 weeks on the list between 1990 and 1996.

With 102,000 equivalent album units earned, Hamilton tallies the biggest week for any cast recording since Billboard and Nielsen Music/MRC Data began tracking albums by units in December 2014. Hamilton beats its own record, as it previously held the biggest week, by units, for a cast album since December 2014 – when it net 62,000 units on the July 2, 2016-dated chart.

So far, Hamilton has sold 1.97 million copies in the U.S. After being certified 6 times platinum by the RIAA in 2019, Hamilton became the best-selling cast album of all time. It won the Grammy for Best Musical Theater Album.

Natanael Cano Makes Debut on Billboard Latin Rhythm Albums Chart with “Trap Tumbado”

Natanael Cano is feeling theRhythm

The 19-year-oldMexican singer makes his debut on Billboard‘s Latin Rhythm Albums chart as his first-ever trap album Trap Tumbado arrives at No. 11 on the July 11 survey.

Natanael Cano

The eight-track all-trap set opens with a little more than 3,000 equivalent album units earned in the week ending July 2, according to Nielsen Music/MRC Data, with the bulk of the opening sum stemming from streaming activity.

The Latin Rhythm Albums chart ranks the most popular Latin rhythm albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units are comprised of traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Trap Tumbado registered 3,000 SEA units, which equates to 4.3 million on-demand streams for the album’s songs in its opening week.

The album, mostly sung in Spanish, was released June 26 via Rancho Humilde. It features collaborations with artists Tyan GLil Tecca and JhonnyX, among others.

Cano earned commercial success with “Soy El Diablo,” with Bad Bunny. The song debuted and peaked at No. 16 on the Hot Latin Songs chart dated November 9, 2019.

Los Dos Carnales Earns First-Ever Top 10 on Billboard’s Regional Mexican Airplay Chart

It’s a special first for Los Dos Carnales

The Mexican sibling duo has earned its first Top 10 on Billboard’s Regional Mexican Airplay chart dated July 11 as “El Envidioso” surges 18-10. It’s the Mexican duo’s first top 10 on any Billboard airplay chart.

Los Dos Carnales

Los Dos Carnales – made up of brothers Poncho Quezada Jr. and Imanol Quezada – launched their career singing in buses, markets and bars before becoming an underground success. They also found notoriety as openers for famed Mexican band La Trakalosa de Moterrey in 2016.

“Our first immediate surprise this week was to find out that ‘El Envidioso’ is one of the few most listened to songs on radio,” Quezada told Billboard. “To know that the song is now part of the top 10 songs on Billboard’s Regional Mexican Airplay chart, is a great accomplishment for us because we know the importance and relevance this has on an international level. We never thought we would get that far.”

“El Envidioso” soars up the chart with a robust 74 percent in audience impressions (to 4 million) earned in the week ending July 5, according to Nielsen Music/MRC Data. The lift assists a 22-slot hike on the overall Latin Airplay chart, climbing 44-22 in just its third week.

The song was written by Quezada Jr., lead vocalist and bassist, and released via Afinarte Music on April 10.

The group claimed its first Billbaord entry when “Vida Ventajosa” bowed at No. 9 on the Latin Digital Song Sales chart (dated April 25). The song remains at No. 49 for a second week on the Hot Latin Songs chart, which blends airplay, digital sales and streaming data.on www.youtube.com</a>, or enable JavaScript if it is disabled in your browser.

Banda Los Sebastianes Earns Third No. 1 on Billboard’s Regional Mexican Airplay Chart with “En Eso No Quedamos”

Make that two in a row for Banda Los Sebastianes

The Mexican band has earned their third No. 1, and second in a row, on Billboard’s Regional Mexican Airplay chart as “En Eso No Quedamos” rises 2-1 on the survey dated July 4.

Banda Los Sebastianes

“En Eso No Quedamos” follows the six-week reign of the group’s “Mi Meta Contigo” in November.

Banda Los Sebastianesfirst led the Regional Mexican Airplay chart for six weeks with its longest-charting title “A Través del Vaso” (39 weeks on the chart) in February 16, 2019, over three years after the band’s first entry on the chart, “Indeleble” (No. 39, Sept. 2015). 

“En Eso No Quedamos” rules the roost with a 13% boost in audience impressions (to 6.2 million) earned in the week ending June 28, according to Nielsen Music/MRC Data.

With a 19-week climb to No. 1, “En Eso No Quedamos” ties for slowest rise to No. 1 on the list in 2020. Banda Sinaloense MS de Sergio Lizarraga also took a 19-week journey to the top with “No Elegí Conocerte” on the February 15-dated list. (

Concurrently, the new song lifts 13-12 on the overall Latin Airplay chart.

“En Eso No Quedamos” is the second single off Banda Los Sebastianes’ 2018 album En Vida, which launched in the top 20 on the Regional Mexican Albums chart.