Hannah Cruz Starring in the Broadway Production of the Stage Musical “Suffs”

Hannah Cruz is headed back to Broadway

The part-Latina actress/singer gas joined the Broadway production of Suffs, a stage musical based on suffragists and their American women’s suffrage movement with a book, music and lyrics by Shaina Taub,

Hannah CruzSuffs originally premiered Off Broadway at The Public Theater in April 2022.

Most of the Broadway cast is making the move from Off Broadway, though Cruz, who played Ruza Wenclawska at The Public Theater, takes over from Phillipa Soo as Inez Milholland.

Taub will lead the Broadway cast of her musical Suffs, reprising the role she played in the original, sold-out production.

The casting makes Taub only the second woman in Broadway history to write the book, music, lyrics and star in her own musical, following the late Micki Grant, who made Broadway history in 1972 with Don’t Bother Me, I Can’t Cope.

Taub will play Alice Paul, the young suffragist at the forefront in the battle for women’s rights in the early 20th Century.

Joining Taub and Cruz in the Broadway production – which begins previews at the Music Box Theatre on March 26 ahead of an April 18 opening night – will be Nikki M. James as Ida B. Wells; Jenn Colella as Carrie Chapman Catt; Grace McLean as President Woodrow Wilson; Kim Blanck as Ruza Wenclawska; Anastacia McCleskey as Mary Church Terrell; Ally Bonino as Lucy Burns; Tsilala Brock as Dudley Malone; Nadia Dandashi as Doris Stevens; and Emily Skinner, who is taking over for Aisha de Haas in the Alva Belmont/Phoebe Burn roles.

Rounding out the company are Hawley Gould as the alternate for Alice Paul, Jaygee Macapugay as Mollie Hay and Laila Drew making her Broadway debut as Phyllis Terrell/Robin.

The cast and ensemble will also include Dana Costello, Jenna Bainbridge, Monica Tulia Ramirez, Ada Westfall, Christine Heesun Hwang, Kirsten Scott, Housso Semon and D’Kaylah Unique Whitley.

Suffs, directed by Leigh Silverman, features choreography by Mayte Natalio, music supervision and music direction by Andrea Grody, scenic design by Riccardo Hernández, costume design by Paul Tazewell, lighting design by Lap Chi Chu, sound design by Jason Crystal and orchestrations by Michael Starobin.

Jill Furman and Rachel Sussman will serve as lead producers, with Hillary Rodham Clinton and Malala Yousafzai serving as co-producers.

The official synopsis: It’s 1913 and the women’s movement is heating up in America, anchored by the suffragists — “Suffs,” as they call themselves — and their relentless pursuit of the right to vote. Reaching across and against generational, racial, and class divides, these brilliant, flawed women entertain and inspire us with the story of their hard-won victory in an ongoing fight. So much has changed since the passing of the Nineteenth Amendment over a century ago, and yet we’re reminded sometimes we need to look back, in order to march fearlessly into the future.

Cruz’s previous credits include the Off Broadway productions of The Connector and Only Gold and the national tour of Hamilton.

Aubrey Plaza to Make Stage Debut in Off Broadway Revival of “Danny and the Deep Blue Sea”

Aubrey Plaza is preparing to make her stage debut…

The 39-year-old half-Puerto Rican Emmy-nominated actress, comedian and producer will star opposite Christopher Abbott in an Off Broadway revival of John Patrick Shanley’s 1984 classic Danny and the Deep Blue Sea this fall, with a producing team that includes Sam Rockwell.

Aubrey PlazaThe revival will begin previews on Monday, October 20, at the Lucille Lortel Theatre, with an opening night set for Monday, November 13.

The 10-week limited engagement will be directed by Jeff Ward, in his stage directorial debut.

Rockwell said in a statement, “My life and career have been profoundly impacted by Off-Broadway theater – like John Malkovich and Gary Sinise in True West at the Cherry Lane; Stanley Tucci in Scapin at Classic Stage Company; Phil Hoffman and Justin Theroux in Shopping and F*cking at New York Theatre Workshop; and Blasted with Reed Birney and Marin Ireland at Soho Rep, to name a few. I really do believe it’s the beating heart of this city. I couldn’t be prouder to be downtown at the Lucille Lortel with this vital play.”

Rockwell will be producing via his and Mark Berger’s Play Hooky Productions, along with Seaview, Sue Wagner, and John Johnson, by special arrangement with the Lucille Lortel Theatre.

The original production of Danny and the Deep Blue Sea premiered Off Broadway at Circle in the Square Theatre Downtown in 1984 starring June Stein and John Turturro (who won an Obie Award for his performance).

The official synopsis: Have you ever been caught in an earthquake? A chance meeting. A dive bar. Some encounters are so dangerous and so beautiful, they redefine the meaning of love. Follow two desperate people in the Bronx, Danny and Roberta, as they walk the line between destruction and transcendence.

Danny and the Deep Blue Sea will feature scenic design by Scott Pask, lighting design by John Torres, costume design by Arianne Phillips, sound design by Kate Marvin, and movement by Bobbi Jene Smith and Or Schraiber.

Plaza is best known for her breakthrough role on Parks and Recreation and, more recently, The White Lotus.

Bobby Cannavale to Star in First Staging of Stephen Sondheim’s Final Musical, “Here We Are”

Bobby Cannavale is here

The 53-year-old half-Cuban American Emmy-winning actor will star in Here We Are, the first production of Stephen Sondheim’s final musical.

Bobby CannavaleCannavale is among a roster of cast members that include Francois BattisteTracie BennettMicaela DiamondAmber GrayJin HaRachel Bay JonesDenis O’HareSteven PasqualeDavid Hyde Pierce and Jeremy Shamos are set for the show, which will make its world premiere on September 28 for a limited Off Broadway engagement at The Shed.

Sondheim’s final, long-awaited musical will be directed by two-time Tony winner Joe Mantello.

Formerly known as Square One, the final musical composed by Sondheim before his death in 2021 features a book by David Ives and is inspired by the two films The Discreet Charm of the Bourgeoisie and The Exterminating Angel by Luis Buñuel.

Executive Producers for Here We Are are Sue Wagner, John Johnson and Jillian Robbins, and the musical will be co-presented by The Shed; Artistic Director Alex Poots, President and COO Maryann Jordan, and Chief Executive Producer Madani Younis.

Here We Are will be the latest in a string of Sondheim musicals to receive New York stagings since the Broadway legend’s death, including Company and Into the Woods. Sweeney Todd is currently in previews on Broadway, and revival of Merrily We Roll Along will begin Broadway previews in September.

Shortly before his death, Sondheim appeared on The Late Show with Stephen Colbert and confirmed that the musical, then called Square One, was being readied for staging. He told Colbert that he’d been working on the musical for “a couple of years.” A workshop was held in 2016, and Nathan Lane said in 2021 that he Bernadette Peters had recently participated in a reading of the musical.

Lindsay Mendez’s Revival of Stephen Sondheim’s “Merrily We Roll Along” to Open on Broadway in September

Lindsay Mendez will be rolling along in September…

The upcoming Broadway revival of Stephen Sondheim’s musical Merrily We Roll Along starring the 40-year-old half-Mexican American actress and singer, Daniel Radcliffe and Jonathan Groff will play its first performance at the Hudson Theatre on Tuesday, September 19, producers have announced.

Lindsay Mendez, Merrily We Roll AlongDirected by Maria Friedman, the production played a sold-out Off Broadway run at New York Theatre Workshop last year. The preview date for the strictly limited, 18-week Broadway engagement was announced by producers Sonia Friedman Productions, David Babani, Patrick Catullo and Jeff Romley.

Merrily We Roll Along features music and lyrics by Sondheim, a book by George Furth, and is based on the original play by George S. Kaufman & Moss Hart. The revival is choreographed by Tim Jackson

In addition to the previously announced stars (Radcliffe will play Charley Kringas; Groff, Franklin Shepard; and Mendez, Mary Flynn), the production will feature Krystal Joy Brown as Gussie Carnegie, Katie Rose Clarke as Beth Shepard, and Reg Rogers as Joe Josephson. The cast will also include Sherz Aletaha, Leana Rae Concepcion, Morgan Kirner, Corey Mach, Talia Robinson, Amanda Rose, Jamila Sabares-Klemm, Brian Sears, Evan Alexander Smith, Christian Strange, Koray Tarhan, Vishal Vaidya, Natalie Wachen, and Jacob Keith Watson.

Spanning three decades in the entertainment business, Merrily We Roll Along charts “the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley.” The production describes the musical as an “inventive cult-classic ahead of its time” featuring such Sondheim songs as the title number, “Old Friends,” “Not a Day Goes By,” and “Our Time.”

The musical, considered one of Sondheim’s trickiest to stage due to its reverse-chronology plot, also is being developed as a film – unrelated to the Broadway production – by Richard Linklater and set to star Ben Platt, Paul Mescal and Beanie Feldstein. Like Linklater’s 2014 film Boyhood, Merrily will be filmed over the course of more than a decade.

Arturo Luís Soria Earns Obie Award for Performance in “Ni Mi Madre”

Arturo Luís Soria has landed the mother of all honors…

The Brazilian, Ecuadorian and Dominican American actor is among the recipients of the 66th Obie Awards, which honor Off and Off-Off Broadway productions.

Arturo Luís SoriaSoria will be recognized for his performance in Ni Mi Madre, which he performed at the downtown theatre company Rattlestick Playwrights Theater.

Soria stars in his solo show about the stormy relationship between a Brazilian woman and her queer son. Steeped in the tradition of Umbanda ritual, and featuring the music of Gloria Estefan, Cher and Maria BethâniaNi Mi Madre examines themes of family, citizenship and identity as a queer Latino.

The play, which began as an improvisational one act, was developed into a full-length presentation through the partnership of Rattlestick Directing Fellow Danilo Gambini.

Presented by the American Theatre Wing, the Obies will be handed out Monday evening in a ceremony at Manhattan’s Terminal 5 venue. Sustained and Lifetime Achievement winners will accept their awards during the ceremony, while remarks of all other winners will premiere on the American Theatre Wing’s YouTube channel.

“For this OBIES, the judges reviewed over 400 productions over the last three seasons including digital and audio works made during the pandemic,” said Heather Hitchens, President & CEO, in a statement. “We look forward to finally gathering in person to celebrate the artistic excellence and resilience of the amazing artists and theatre companies that make up the Off- and Off-Off- Broadway community.­­”

Here is the complete list of Obies winners:

BEST NEW AMERICAN PLAY

  • Sanaz Toossi, English (Atlantic Theater Company, Roundabout Theatre Company)

PLAYWRITING

  • Martyna Majok, Sanctuary City (New York Theater Workshop)

DIRECTION

  • Taylor Reynolds, Man Cave (Page 73) and Tambo & Bones (Playwrights Horizons)
  • Awoye Timpo, Wedding Band (TFNA) and her work as founder of Classix
  • Matt Ray (Music Direction and Composition) The Hang (HERE)

SUSTAINED ACHIEVEMENT IN DIRECTING

  • Saheem Ali, Nollywood Dreams (MCC); Merry Wives (The Public); Romeo y Julieta (The Public); and Fat Ham (The Public | National Black Theater – NBT)
  • David Brimmer, Wolf Play (SoHo Repertory)

PERFORMANCE

  • Stephanie Berry and Lizan Mitchell, On Sugarland (NYTW)
  • Brittany Bradford, Wedding Band (Theatre For a New Audience)
  • Kara Young, Twelfth Night (Classical Theatre of Harlem)
  • Arturo Luís Soria, Ni Mi Madre (Rattlestick)

SUSTAINED ACHIEVEMENT IN PERFORMANCE

  • Billy Eugene Jones for On Sugarland (NYTW) and Fat Ham (The Public)
  • Andrea Patterson, for Cullud Wattah (Public Theater); Confederates (Signature); and Seize the King (The Classical Theatre of Harlem)

DESIGN

  • Reza Behjat (Lighting Design), for English (Atlantic Theater Company, Roundabout Theatre Company) and Wish You Were Here (Playwrights Horizons)

SUSTAINED ACHIEVEMENT IN DESIGN

  • Jeanette Oi-Suk Yew (Lighting Design) for Cullud Wattah (The Public), Oratorio for Living Things (Ars Nova), The Nosebleed (Lincoln Center Theater), Golden Shield (MTC), Snow in Midsummer (CSC), Fairycakes (Greenwich House), and What You Are Now (EST)
  • Nikiya Mathis (Hair and Wig Design) for Nollywood Dreams (MTC)
  • Machine Dazzle (Set and Costume Designer)

SPECIAL CITATIONS

  • Heather Christian (Composer, Vocal Arrangements, Orchestration); Ben Moss (Music Director, Orchestration); Nick Kourtides (Sound Design); and the musical team of Oratorio For Living Things (Ars Nova)
  • Creative Team and Ensemble of Fat Ham (The Public) James Ijames (Playwright), Saheem Ali (Director); Maruti Evans (Set Design); Dominique Fawn Hill (Costume Design); Stacey Derosier (Lighting Designer); Mikaal Sulaiman (Sound Design); Darrell Grand Moultrie (Choreographer); Earon Chew Nealey (Hair and Wig Design); Skylar Fox (Illusions Design); Nikki Crawford, Chris Herbie Holland, Billy Eugene Jones, Adrianna Mitchell, Calvin Leon Smith, Marcel Spears, and Benja Kay Thomas (ensemble)
  • Creative Team and Ensemble of English (The Atlantic Theater, Roundabout Theatre Company) Knud Adams (Directing), Marsha Ginsberg (Set Design), Enver Chakartash (Costume Design), Reza Behjat (Lighting Design), Sinan Refik Zafar (Sound Design) Tala Ashe, Ava Lalezarzadeh, Pooya Mohseni, Marjan Neshat, and Hadi Tabbal (Ensemble)
  • Aya Ogawa for the Creation, Writing, and Direction of The Nosebleed (Lincoln Center Theater | Japan Society)
  • Qween Jean (Costume Designer) for Corsicana (Playwrights Horizons), Soft (MCC), Wedding Band (TFNA), Black No More (The New Group), The Fever (Audible | The New Group), What To Send Up When it Goes Down (Playwrights Horizons), and Semblance (NYTW)
  • Digital+Virtual+Hybrid Production: Michael Breslin, Patrick Foley, Ariel Sibert, Cat Rodríguez and Rory Pelsue (Creators, Writers, Director) in collaboration with David Bengali (Video Designer) Circle Jerk (Fake Friends and Jeremy O. Harris)
  • Laurie Woolery (Director) and Shaina Taub (Music and Lyrics) for their collaboration in the adaptation of As You Like It (The Public)
  • Alex Edelman (Creator and Performer), Just For Us (Mike Birbiglia | Greenwich House Theater)
  • Digital+Virtual+Hybrid Production: Modesto Flako Jimenez (Creator and Writer) Taxilandia (Oye Group | NYTW | Bushwick Starr | The Tank)
  • Digital+Virtual+Hybrid Production: Sarah Gancher (Writer), Jared Mezzocchi and Elizabeth Williamson (Directors) Russian Troll Farm (The Civilians, Theater Works Hartford, and TheatreSquared)
  • Richard Nelson (Playwright), for the completion and producing of The Rhinebeck Panorama

LIFETIME ACHIEVEMENT

  • Ping Chong (Director, Choreographer, Video + Installation Artist, and Founder of Ping Chong and Company)
  • Anne Bogart (Director and co-Founder of SITI Company)
  • Ralph Lee and Casey Compton (Artistic and Managing Director, Mettawee River Theatre Company)

THEATRE COMPANIES

  • The Sol Project
  • Theatre in Quarantine
  • See Lighting Foundation
  • Anticapitalism for Artists

ROSS WETZSTEON AWARD

  • The Classical Theatre of Harlem

MICHAEL FEINGOLD AWARD

  • Maestra Music

Colman Domingo Co-Producing the Broadway Production of “Fat Ham”

Colman Domingo is hamming it up…

The 53-year-old Belizean-Guatemalan American actor and social justice activist, an Emmy winner and Tony Award, has signed on as co-producer of the upcoming Broadway production of James IjamesPultizer Prize winning play Fat Ham.

Colman DomingoBeginning performances on Tuesday, March 21, the production of Fat Ham at American Airlines Theatre  has an official opening night of Wednesday, April 12 for a strictly limited 14-week engagement through Sunday, June 25.

The play, which has been described as a “comic tragedy,” reinvents Shakespeare’s Hamlet by setting it at a backyard cookout where Juicy, a queer, Black Southern college kid grappling with questions of identity, is met by the ghost of his father who shows up demanding that Juicy avenge his murder, even as Juicy is trying to break the cycles of trauma and violence in service of his own liberation.

Fat Ham on Broadway is a Public Theater and National Black Theatre co-production.

“I am beyond thrilled to be a co-producer on The National Black Theater and Public Theater transfer of James Ijames thrilling Fat Ham directed by my dear friend and visionary director Saheem Ali,” Domingo said in a statement to Deadline. “This is the kind of theater that we need on Broadway – bold reimaginings of stories that fuel us all.”

The Broadway transfer of Fat Ham from the Off Broadway Public Theatre represents National Black Theatre’s first production on Broadway, and only the third play to be transferred by a Black theater in Broadway’s century-long history. The complete Off Broadway cast will make the move to Broadway.

Domingo currently stars in Fear of the Walking Dead and Euphoria, and has completed filming of The Color Purple. He is a 2011 Tony Award nominee for his performance in The Scottsboro Boys musical.

Tanya Saracho to Make Film Directorial Debut with Adaptation of Her Off Broadway Play “Mala Hierba”

Tanya Saracho is in the (bad) weeds…

The Mexican-American actress, playwright, dramaturge, screenwriter and Vida creator is bringing her 2014 Off Broadway play Mala Hierba to the big screen, and she’ll be directing the film adaptation of her acclaimed project.

Tanya Saracho

In her film directorial debut, Saracho has teamed up with Anonymous Content to adapt the Texas border town set drama.

The film version of Mala Hierba  will be produced by AC Studios, with Dawn Olmstead, David Levine, and Whitney Dibo overseeing the project for outfit.

Former Vida EP Stephanie Langhoff, and Christine Davila, head of development and production at Saracho’s Ojala Productions, will serve as producers on Mala Hierba.

Originally opening at Second Stage Uptown nearly six years ago, the play unravels the coiffured life of a Lone Star State trophy wife who begins to see the cracks in her life of wealth and privilege as her first and perhaps true love reappears. The possibility of a renewed life together for the two women forces the Liliana character to make a searing decision about what she wants and who she is.

The stage production of Mala Hierba was directed by Jerry Ruiz and starred Marta Milans, Sandra Marquez, and Ana Nogueira in the primary roles.

The union with Anonymous comes just over a couple of weeks after the active Saracho launched the Ojalá Ignition Lab in conjunction with UCP, a division of Universal Studio Group.

Part of the acclaimed playwright and filmmaker’s 2020 inked development deal with the studio, the incubator program for Latinx voices will provide five writers and their own proposed projects with mentoring from experienced showrunners and EPs, including self-described “den mother” Saracho and an extended network to draw on for the future.

Since Vida, which won a GLAAD Media Award for Outstanding Comedy Series, finished its three-season stint on Starz in May 2020, Saracho stayed in Britain during the pandemic to work with musician and Lovesick actor Johnny Flynn for an upcoming project.

Netflix Releases Trailer for Lin-Manuel Miranda’s Feature Directorial Debut “tick, tick…BOOM!”

Lin-Manuel Miranda is tickin’ ahead…

The first trailer has been released for tick, tick…BOOM!, directed by the 41-year-old Puerto Rican actor, singer, songwriter, rapper, director, producer, and playwright.

Lin-Manuel Miranda 

It’s a film adaptation of Jonathan Larson’s autobiographical pre-Rent musical.

Starring Andrew Garfield in the Larson-inspired lead role, Netflix’s tick, tick…BOOM! will hit the streaming service and theaters this fall.

Garfield plays Jon, a young theater composer who’s waiting tables at a New York City diner in 1990 while writing what he hopes will be the next great American musical. As described by Netflix: Days before he’s due to showcase his work in a make-or-break performance, Jon is feeling the pressure from everywhere: from his girlfriend Susan (Alexandra Shipp), who dreams of an artistic life beyond New York City; from his friend Michael (Robin de Jesús), who has moved on from his dream to a life of financial security. Amidst an artistic community being ravaged by the AIDS epidemic, Jon feels the clock ticking and faces the question everyone must reckon with: What are we meant to do with the time we have?

Larson would not live to see the success of his “next great American musical,” dying at age 35 on January 25, 1996, the morning of Rent’s first Off Broadway preview. The cause of death was an aortic aneurysm caused by undiagnosed Marfan’s Syndrome.

The trailer begins with Garfield singing “Boho Days,” a song from the earliest incarnations of tick, tick…BOOM! It was the title song when Larson first performed the musical as a one-man show in 1990.

The film, which also stars Joshua Henry, MJ Rodriguez, Bradley Whitford, Tariq Trotter, Judith Light and Vanessa Hudgens, will mark Miranda’s feature directorial debut.

In 2001, Miranda, then 21, was writing In The Heights when he attended an Off Broadway revival of tick, tick…BOOM! In 2014, Miranda, who would later say that Rent inspired him to begin writing musicals, portrayed Jon in a two-week Encores! production of tick, tick…BOOM!

The film adaptation of Miranda’s In The Heights, directed by Jon M. Chu, hit theaters and HBO Max today.

John Leguizamo to Star in the Off Broadway Streaming Production of Samuel Beckett’s “Waiting for Godot”

There’s more waiting in John Leguizamo’s future…

The 56-year-old Colombian actor, stand-up comedian, producer, playwright and screenwriter will star opposite Ethan Hawke in an Off Broadway streaming production of Samuel Beckett’s Waiting for Godot, directed by Scott Elliott and premiering online on Tuesday, May 6.

John Leguizamo

The New Group production will co-star Wallace Shawn, Tarik Trotter and Drake Bradshaw.

Leguizamo will portray Estragon, Hawke will play Vladimir.

The production is the first in a new venture called The New Group Off Stage, from The New Group in association with John Ridley’s Nō Studios and Frank Marshall.

“This project is the epitome of what we mean by ’theatrical expressions in different media’: bringing together top tier artists across disciplines – film, television, stage, music – to collaborate in a hybrid, on-screen world, finding a way to make a play newly alive for themselves,” said Elliott, Artistic Director of The New Group. “It was a unique and singularly meaningful experience for all of us.”

The New Group describes the production as an “experimental exploration of a storied play” that “combines theatrical invention and innovative filmmaking.”

Waiting for Godot will be co-produced by MiLa Media, with production design by Derek McLane and costume design by Qween Jean. Director of Photography is Kramer Morgenthau.

Waiting for Godot will premiere online o Thursday, May 6 at 7:00 pm ET, and will be available to stream at www.thenewgroup.org.

Tickets can be purchased for 72-hour or seven-day rentals.