The 32-year-old transgender Afro-Puerto Rican dancer, instructor, model, activist, and ballroom dancer, known as the “Wonder Woman of Vogue,” will serve as a judge on HBO Max’s upcoming voguing competition series Legendary.
The Good Place’sJameela Jamilwill serve as the host and a judge alongside Maldonado, Megan Thee Stallion and Law Roach. They’ll be joined by a weekly rotating guest judge, with commentary by DJ MikeQand Dashaun Wesley, who’ll emcee with Jamil.
In the 10-episode Legendary, from Scout Productions, divas will battle on voguing teams called “houses,” with the chance to win a cash prize in ballsy fashion and dance challenges to ultimately achieve “Legendary” status.
Voguing is a competitive style of modern dance featuring over-the-top fashion and choreography based on poses struck by models on a catwalk.
Legendary will feature 10 voguing “houses,” each comprised of five performers and a leader – the house “parent.” The teams rotate in a round-robin format, and each episode documents a themed ball from start to finish.
The competition show isset to launch on WarnerMedia’s upcoming streaming service, which debuts in spring 2020.
Maldonado was a member of the dance troupe “Vogue Evolution,” which was featured on America’s Best Dance Crew. She has worked with artists like Willow Smith,Icona Pop, and CocoRosie. She’s also a choreographer for the ballroom scenes in FX’s Pose.
The 50-year-old Puerto Rican superstar and Hustlersactress closed out Versace‘s Spring 2020 show in a re-worked version of the revealing, bright green silk chiffon dress she donned at the Grammy Awards 20 years ago.
The dress quickly became a pop-culture phenomenon, causing complications for Google after too many people searched the combination of J-Lo and Versace at the time of the awards.
The dress even led to the creation of Google Images after it became clear that users were interested in
finding photos on the internet, rather than simply text.
Former Google CEO Eric
Schmidt confirmed in a 2015 essay that the need for photo aggregation
â€œfirst became apparent after the 2000 Grammy Awards, where Jennifer Lopez wore
a green dress that, well, caught the worldâ€™s attention.â€
“At the time,â€ Schmidt continued, â€œit was the most popular search query we had ever seen. But we had no surefire way of getting users exactly what they wanted: J.Lo wearing that dress. Google Image Search was born.”
And, according to a video of the runway walk that Lopez posted on Instagram, the significance of the
dress clearly wasnâ€™t lost on the attendees. Almost every audience member can be
seen holding up their phones to capture the nostalgic moment, while audible
cheers can be heard.
Donatella Versace, at the helm of the Italian fashion brand, told Vogue that the two had hatched the plan when they met at this year’s Met Ball. “The world stopped, everyone wanted to look at that dress… I’m proud we inspired Google Images,” Versace said. “You know when I do something, I really do it.”
The 24-year-old Brazilian singer, songwriter has gone back to her baile funk roots with the song “Vai Malandra” and a video shot in Rio de Janeiro’s Vidigal favela.
The video follows her Latin chart hit “Downtown” with J Balvin (currently at No. 28 on the Hot Latin Songs chart), and her first English-language single with Poo Bear and “Is That For Me” with Swedish dance producer Alesso.
The video, which has garnered nearly 37 million YouTube views since its debut Monday (December 18), has sparked commentary in Brazil over everything from Anitta’s flaunting favela fashion in a bikini made from insulation tape, to the racial authenticity of the singer’s braids, to whether the video exploits or celebrates women.
Rio de Janeiro’s Secretary of Health even Tweeteda warning (in the form of a rhyme) of the danger that the video, with scenes on a rooftop covered with stagnant water, is promoting a message that could lead to the spread of mosquito-carrying diseases.
An immediate conversation starter was the fact that the video was directed by Terry Richardson, the fashion photographer recently banned by Vogue, Elleand other magazines in the wake of sexual assault allegations.
“…When we are experiencing such an important moment in which women are raising their voices against sexist abuse, harassment and violence in the cultural industry … the least we should do is guarantee the ostracizing of the abusers,” cultural anthropologist Juliana Borges wrote in an article about the video in the on-line edition of Brazil’s Claudiamagazine, referring to the choice of Richardson as director.
The video was shot in August, before major media companies dropped Richardson (although allegations about the photographer’s behavior with models had come to light over the past decade.) In a statement to the press, Anitta said that she had consulted with lawyers after learning about the charges.
A close up of Anitta’s butt jiggling in red shorts sets the esthetic tone for the clip for “Vai Malandra,” which translates as “Go Bad Girl” (Brazilian media have noted that the Anitta forbade the editing out of her cellulite). The video features a roof party full of tanga-clad women, as well as some equally bared and oiled male models and local non-actors with peroxide crew cuts.
“The exaggerated sexualization [in the video] puts Anitta up several notches on the vulgarity scale of Nicki Minaj,” wrote one critic in the national newspaper O Globo, who allowed that while lyrics of the song like “playing with the bum-bum” were fun, they didn’t jibe with Anitta’s image as “a feminist icon.”
But in a deep analysis of the video on the website cartacapital.com, the writer Victoria Damasceno countered that “Anitta also sexualizes the male body… subversively, the singer uses female stereotypes placed as negatives to revindicate the power over the body itself.”
In a column posted by the Brazilian edition of the magazine Marie Claire, writer Stephanie Ribeiro “reflected on the accusations of cultural appropriation” that have stirred social media since the video’s release. She accuses Anitta, who was born into an interracial family and grew up in the inner city, of “using blackness when it is convenient.”
The critic calls Anitta’s appearance with long brunette braids and tanned skin in the video evidence that she is “fantasizing” about being black. “I feel bad when I see how our black esthetic continues to be a “fantasy,” writes Ribeiro.
But for Borges, writing in Claudia, Anitta’s video presents favelas and marginal neighborhoods in a credible way and gives voice and power to the women represented.
The singer, it seems, would agree.
“I was able to have the opportunity to show what my origins were in this clip,” she told O Globo in an interview. “A little bit of what I experienced where I lived. Sunning on the roof, baile funk, moto-taxis and joy. The clip is uplifting, happy, full of life. Funk is part of who I am. I am really happy with the result [of the video] and the music.”
Mariah Carey isn’t afraid to show off her high style…
The 48-year-old half-Venezuelan American Grammy-winning singer recently posted a clip on Instagram of the closet tour she gave Vogue, confessing she has a more upscale style while holding a monogrammed champagne glass.
Included in the clip are vast arrays of high heels — seemingly color-coordinated in shades of pink, black, purple, gold, orange and everything in between — and high-end handbags perched next to swaths of glittering dresses and skirts.
“I’m a shoe fanatic,” Carey says. “I don’t know, I can’t even believe these are my shoes, whatever.”
Carey also points out a bright pink purse, explaining that it’s a gift from Floyd Mayweather and that “he told me every time somebody asks to make sure they know it’s a gift from Floyd, so… It’s from the champ.”
A+E Networks and Herrick Entertainment are joining forces on a new competition series, American Beauty Star, hosted by the 35-year-old Brazilian model, actress and Victoria’s Secret Angel, to air on Lifetime.
The series brings together 12 celebrity stylists and salon professionals to compete in a series of challenges, from creating high-end editorial looks to the most current glam creations for red carpets and runway shows. At the end of the season, only one contestant will be named American Beauty Star.
Celebrity stylist Sir John will mentor the contestants while former longtime Vogue Beauty director Sarah Brown will serve as a judge, alongside celebrity guests and beauty industry influencers.
Production begins in Los Angeles this June on 10 hourlong episodes.
“We are thrilled to be in partnership with A+E on the series, as it’s the perfect home for our highly engaging and entertaining beauty competition series,” said Executive Producer Norton Herrick of Herrick Entertainment. “Global sensation Adriana Lima will host alongside a slate of the highest-caliber names in beauty and lifestyle. The collection of talent and creativity makes the series a must-watch for beauty enthusiasts of all ages and interests.”
The Argentine model and actress has been cast in Eli Roth’s action crime film Death Wish.
Morrone will star opposite Beau Knapp,Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Dean Norris, Mike Epps, Kimberly Elise and Ronnie Gene Blevins in MGM’s remake of the 1974 Charles Bronson film.
The film centers on Paul Kersey (Willis), whose life is destroyed by a violent crime against his wife and daughter. Frustrated that the bad guys were not brought to justice for the nefarious act inflicted on his family, he starts hunting for the perpetrators himself.
The screenplay was written by Dean Georgaris and Roth, from an original draft by Joe Carnahan.
Filming is underway in Montreal.
Morrone, who has appeared on the cover of Vogue, made her acting debut in James Franco‘s film Bukowski.
The 30-year-old half-Mexican American R&B singer-songwriter has landed a major modeling contract.
WWDreports that the Grammy-winning singer has signed with IMG Models, joining the company’s roster of A-listers that includes runway superstars Gigi Hadid, Karlie Kloss, Joan Smalls and Gisele Bundchen, as well as celebs Gal Gadot, Liv Tyler, Milla Jovovich and Wiz Khalifa.
The always well-dressed performer is no stranger to the fashion world; he’s managed to score front row seats at Fashion Week shows and been featured in Vogue, Elle and Billboard‘s Men of Style feature.
Eva Longoria is bringing Texas politics to the small screen…
The 39-year-old Mexican American actress, who hails from the Lone Star State, is set to executive produce the Latino family drama Pair of Aces.
Longoria’s UnbeliEVAble Entertainment and Conde Nast Entertainment will bring to life the project, which has landed at ABC with penalty.
The project is loosely inspired by a 2003 Vogue article that profiled Democratic rising-star twins Julián Castro, mayor of San Antonio, and Joaquin, then-newly elected U.S. congressman.
Created and written by Meredith Lavender and Marcie Ulin (ABC’s Nashville), Pair Of Aces, described as an operatic family drama, revolves around brothers Chris and Alex Reyes, Latino golden boys who are both best friends and rivals. They are rising stars in Texas politics whose destiny is engineered by their manipulative mother Maria. She is determined to turn the Reyes family into the most powerful dynasty modern politics has ever seen.
The drama explores the American dream and the lies, blackmail and manipulation it takes to rise to the top of power in Texas — and perhaps someday D.C.
Universal Television, where UnbeliEVAable Entertainment has a first-look deal, is producing, with UnveliEVAble’s Longoria and Ben Spector executive producing alongside Conde Nast’s Dawn Ostroff and Gina Marcheschi.
There’s not denying Joan Smalls is one of the modeling world’s “It Girls.” And, now she’s got the ultimate cover to prove it.
The 26-year-old Puerto Rican model, currently ranked the No. 1 model in the world according to models.com, graces the cover of Vogue’s September issue.
In what’s being described as a return to models on the portadas of fashion magazines, Smalls, whose full name is Joan Smalls Rodriguez, appears alongside Cara Delevingne and Karlie Kloss on the cover, with a cover line that reads “The Instagirls.”
Smalls, Delevingne and Kloss show off their no-nonsense beauty, complete with clean faces and sporty, pulled-back hair and sparkly gowns.
Vogue’s September issue arrives at a massive 856 pages, down from last year’s 902-page Jennifer Lawrence whopper, but handily beats 2009’s recession-thinned, 584-page Charlize Theron cover, and even the 2007 Sienna Miller cover that at the time was heralded as the “biggest issue ever!” at 840 pages.
So is this a return to models on the covers of fashion magazines? Quite possibly. After all, Christy Turlington appeared on Vogue UK‘s July 2014 issue, Miranda Kerr graced Lucky‘s June/July 2014 cover, Kate Upton landed V Magazine‘s February 2014 cover and Smalls posed for Elle‘sJanuary 2014 cover, to name a few. Delevingne even covers Vogue UK‘s September issue this year.