Tag Archives: Librarian of Congress

Lin-Manuel Miranda’s “Hamilton” Cast Album Added to Library of Congress’ National Recording Registry

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Lin-Manuel Miranda’s smash Broadway musical has earned a place in the Registry.

The 45-year-old Puerto Rican award-winning actor, composer, lyricist, producer, director and playwright’s cast album for his Tony Award-winning Broadway sensation Hamilton: An American Musical is among this year’s 25 additions to the National Recording Registry, which is administered by the Library of Congress.

HamiltonThis year’s selections span 102 years, from 1913 (a recording of “Aloha ‘Oe” by Hawaiian Quintette) to 2015 (Miranda’s Hamilton cast album).

Hamilton (2015) is the first Broadway cast album that was released since Sweeney Todd in 1979 to be selected.

The album, like the musical, has been a best-selling phenomenon, receiving Diamond certification (meaning 10 million copies sold) from the RIAA in 2023.

Produced by The Roots members Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter, the album preserves the musical’s original Broadway cast, and released September 25, 2015, via Atlantic Records.

Freddy Fender’s country/pop smash “Before the Next Teardrop Falls” (1975) has also been added to the Registry.

The late Mexican American singer’s song is one of three songs on the Registry to reach No. 1 on the Billboard Hot 100.

“Before the Next Teardrop Falls” topped that chart for two weeks.

The single — which features verses sung in both English and Spanish — broke boundaries in the music industry by becoming a crossover hit, reaching No. 1 on both the Hot Country Songs chart and the Billboard Hot 100.

Fender’s emotive performance and heartfelt delivery turned the song into a classic, showcasing the power of Latin voices in country music — a genre that initially had limited representation from Hispanic artists.

Vicente Fernández’s enduring ranchera classic “El Rey” (1973), one of the most recognizable songs in Regional Mexican music, joined the roster of Latin recordings in the Registry.

The late Mexican singer and actor’s iconic song appears on his 1973 album, El Ídolo de México, and it was written by José Alfredo Jiménez in 1971.

With its kingly themes of resilience and pride, “El Rey” has become emblematic of Chente’s enduring legacy, even inspiring a 2022 Netflix bioseries of the same name that celebrates his life and career. The mariachi singer — who died in 2021 — remains one of Mexico’s most celebrated musical figures, and his induction into the Registry further solidifies his enduring legacy.

More than 2,600 nominations were made by the public this year.

Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles each year that are “culturally, historically, or aesthetically significant.”

Recordings become eligible for the Registry 10 years after release, compared to 25 years for the Grammy Hall of Fame. (Which means the Hamilton cast album won’t be eligible there for another 15 years.)

“These are the sounds of America – our wide-ranging history and culture,” Librarian of Congress Carla Hayden said in a statement. “The Library of Congress is proud and honored to select these audio treasures worthy of preservation.”

Industry veteran Robbin Ahrold serves as chair of the National Recording Preservation Board. “This year’s National Recording Registry list is an honor roll of superb American popular music from the wide-ranging repertoire of our great nation,” he said in a statement.

These 25 recordings bring the number of titles on the Registry to 675. This represents just a tiny fraction of the Library’s vast recorded sound collection of nearly four million items.

Here’s the complete list of 2025 additions to the National Recording Registry. They are listed in chronological order by release date.

  • “Aloha ‘Oe” – Hawaiian Quintette (1913, Victor)
  • “Sweet Georgia Brown” – Brother Bones & His Shadows (1949, Tempo)
  • “Happy Trails” – Roy Rogers and Dale Evans (1952, RCA Victor)
  • Radio Broadcast of Game 7 of the 1960 World Series – Chuck Thompson (1960)
  • Harry Urata Field Recordings (1960-1980)
  • Hello Dummy! – Don Rickles (1968, Warner Bros.)
  • Chicago Transit Authority – Chicago (1969, Columbia)
  • Bitches Brew – Miles Davis (1970, Columbia)
  • “Kiss An Angel Good Mornin’” – Charley Pride (1971, RCA Victor)
  • “I Am Woman” – Helen Reddy (1972, Capitol)
  • “El Rey” – Vicente Fernández (1973, CBS)
  • Goodbye Yellow Brick Road – Elton John (1973, MCA)
  • “Before the Next Teardrop Falls” – Freddy Fender (1975, ABC/Dot)
  • I’ve Got the Music in Me – Thelma Houston & Pressure Cooker (1975, Sheffield Lab)
  • The Kӧln Concert – Keith Jarrett (1975, ECM)
  • Fly Like an Eagle – Steve Miller Band (1976, Capitol)
  • Nimrod Workman Collection (1973-1994)
  • Tracy Chapman – Tracy Chapman (1988, Elektra)
  • My Life – Mary J. Blige (1994, Uptown/MCA)
  • Microsoft Windows Reboot Chime – Brian Eno (1995)
  • “My Heart Will Go On” – Celine Dion (1997, 550 Music/Epic)
  • Our American Journey – Chanticleer (2002) (album, Warner Classics International)
  • Back to Black – Amy Winehouse (2006 album, Republic/Universal Music)
  • Minecraft: Volume Alpha – Daniel Rosenfeld (2011 album, self-released)
  • Hamilton: An American Musical – Original Broadway Cast Album (2015 album, Atlantic)

Congressman Joaquin Castro Launches National Call for Latino Films to Nominate for National Film Library

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U.S. Congressman Joaquin Castro is working to get more Latino films preserved…

The 48-year-old Mexican American politician, who has represented Texas’s 20th congressional district in the U.S. House of Representatives since 2013, has teamed up with members of the Congressional Hispanic Caucus to launch a nationwide call for Latino films to nominate for the National Film Registry.

Joaquin CastroThe U.S.’s preeminent archive of films with cultural, historic or aesthetic significance is essential in preserving cinema. Every year, the Librarian of Congress adds 25 new movies to the registry after reviewing titles nominated by the public and conferring with National Film Preservation Board members and Library film curators.

As of 2023, there are 24 Latino films on the National Film Registry, less than three percent of the 850 movies in the registry.

“Since the earliest days of cinema, Latino actors, writers, directors, and creatives have made extraordinary contributions to American filmmaking,” said Congressman Castro. “As the Library of Congress works to preserve the films that shaped American culture, public nominations will put a spotlight on the Latino-driven films that have sold out theaters and defined generations. As we launch this year’s push for inclusion, I look forward to hearing from folks across America about the Latino films that have made an enduring impact on their lives.”

Most recently, the NFR added: “Cyrano de Bergerac” (1950), starring Puerto Rican actor José Ferrer, the first Latino ever to win an acting Oscar, and “The Ballad of Gregorio Cortez” (1982) with Edward James Olmos. Other notable inclusions are “West Side Story” (1961), “La Bamba” (1987), “Selena” (1997) and “Real Women Have Curves” (2002).

To be eligible, films must be at least 10 years old. To qualify for nominations to the Library of Congress, submissions must be received by August 3.

Some titles the Library of Congress might consider include Guillermo del Toro’s adult-fantasy drama Pan’s Labyrinth (2006), Peter Sollet’s independent New York film Raising Victor Vargas (2002) and Alfonso Cuarón’s coming-of-age masterpiece Y tu mamá también (2002).

Suggestions may be submitted at Congressman Castro’s website.

Lin-Manuel Miranda Introduces “Hamilton” Cast Performance to Mark First Anniversary of January 6th Attack on U.S. Capitol

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Lin-Manuel Miranda is marking the first anniversary of the January 6th attack on the U.S. Capitol through music.

The 41-year-old Puerto Rican Tony Award-winning actor, songwriter, singer, playwright, producer and film director introduced a Hamilton cast performance of Dear Theodosia as part of the congressional events to mark the historic day.

Lin-Manuel Miranda “We should never take our rights and liberties for granted, but we must remain committed to finding a way forward together,” said Miranda, appearing virtually, along with members of the cast.

House Speaker Nancy Pelosi cited lyrics from the song: We’ll make it right for you. If we lay a strong enough foundation, we will pass it on to you, and we will give the world to you.

The performance was followed by a discussion with Librarian of Congress Carla Hayden and historians Doris Kearns Goodwin and Jon Meacham, both of whom put the January 6th attack and the current political divisions in context with other moments of American history.

Their words were a bit of a warning. Goodwin said that “in my lifetime, this is the hardest moment for democracy,” while Meacham said that he believes “this is a chapter, not the end of the story. And if it is the end of the story we will have failed as a people that the world will forever condemn.”

But polls show a wide gap in beliefs even over what happened on January 6th, with revisionist takes over its root causes and conspiracy theories over the role of the government. The significance of the day also has been minimized, with one lawmaker comparing the rioters to tourists at the Capitol.

Meacham said that what people have to do is to “use the power of memory as an incentive, not as a bludgeon,” i.e. by presenting the situation as one of being on the right side of history.

“We don’t build statues to people who tear down; we build statues to people who create,” he said.

Goodwin said that she is hopeful that the January 6th Committee will be able to “retell the story” of that date, so that “more people can be persuaded that this cannot happen again.”

López’s “Descargas: Cuban Jam Session in Miniature” Added to National Recording Registry

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The late Cachao López has earned his place in U.S. history five years after his passing at the age of 89…

Descargas: Cuban Jam Session in Miniature, the 1957 work from the Cuba-born Grammy-winning singer who helped popularize mambo in the United States is one of the recordings chosen to be part of the National Recording Registry this year in recognition of their importance to the nation’s aural legacy.

Descargas: Cuban Jam Session in Miniature

Inspired by the all-star jam sessions that Norman Granz organized and recorded for his Jazz at the Philharmonic series, López — a titan of Afro-Cuban music — sought to accomplish something similar with his peers in Havana. He brought musicians into the studio for two early morning sessions, when they were still fully charged up from their evening’s work in nightclubs and ballrooms.

Rather than record Granz’s previous longform jams, the 12 musicians López recruited created 12 short, spontaneous “miniature” pieces, each of which highlighted key instruments and facets of Afro-Cuban music. The resulting fusion seamlessly blended African, European and American influences.

The album has had a lasting impact on Latin music, especially on the salsa style that emerged in the 1960s, and López organized many similar sessions for further albums both in Cuba and in America, where he settled after the Cuban Revolution.

Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the library’s National Recording Preservation Board and input from the public, each year selects 25 recordings that are least 10 years old and “culturally, historically or aesthetically significant.”

“Congress created the National Recording Registry to celebrate the richness and variety of our audio heritage and to underscore our responsibility for long-term preservation, to assure that legacy can be appreciated and studied for generations,”  Librarian of Congress James H. Billington said in a statement.

The latest selections bring the number of recordings in this preservation hall of fame to 375.