Adria Arjona to Star Opposite Edgar Ramirez in Jayro Bustamante’s Dystopian Thriller “El Sombreron”

Adria Arjona has landed her next role…

The 32-year-old Guatemalan-Puerto Rican actress will co-star opposite Edgar Ramirez in in Jayro Bustamante’s dystopian thriller El Sombreron as The Match Factory launches worldwide sales on the project in Cannes, with CAA Media Finance representing North America.

Adria ArjonaBustamante, a Guatemalan director, previously made waves with Mayan drama Ixcanul, which premiered in competition in Berlin, winning the Alfred Bauer Prize (since renamed the Silver Bear Jury prize), and war criminal horror La Llorona, which won Best Director and Best Film in Venice’s Giornate degli Autori in 2019.

Arjona will play an ambitious woman trapped in a marriage as the trophy wife of a violent cartel boss. Desperate for liberation, she seizes the opportunity presented by a mysterious stranger (Ramirez), who promises to smuggle her north. However, once on route, she discovers the harrowing truth about her companion and finds herself thrust into a surreal odyssey.

Bustamante’s La Casa de Produccion, Alejandro De Leon and Brian Clark and Sergio Lira and Lynette Coll for Luz Films will serve as producers.

“In El Sombreron, Jayro fuses magical realism, folklore, and horror to vividly evoke the hell that borders create,” said producers. “We could not have asked for two better guides through the inferno than the immensely talented Adria Arjona and Edgar Ramirez.”

Arjona will next be seen starring in Richard Linklater’s Hit Man opposite Glen Powell, which releases in theaters on May 24 and on Netflix June 7. She’ll also be seen in Zoe Kravitz’s directorial debut film Blink Twicewhich hits cinemas on August 23.

Ramirez, who clinched Golden Globes nominations for American Crime Story and Carlos, is in Cannes this year for Jacques Audiard’s Competition title Emilia Perez opposite Zoe Saldana and Selena Gomez. Upcoming projects include Eli Roth’s Borderlands, co-starring Cate Blanchett, and Arenas directed by Camille Perton.

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