Xavi has earned a sixth No. 1 on the Billboard Latin charts…
The 21-year-old Mexican American singer/songwriter’s “La Morrita” has claimed the top spot on the Regional Mexican Airplay chart, as the song with Carín León climbs 6-1 in its sixth week on the chart.
Xavi recently gave a solo performance of the track at Premios Lo Nuestro on February 19 in Miami.
Boosted by a 6.9 million increase in audience impressions (a 23% gain in the U.S. during the tracking week), “La Morrita” secures Xavi’s sixth career No. 1.
The feat comes just three weeks after he hit the top spot with “No Capea,” with Grupo Frontera, which ruled Regional Mexican Airplay for one week in November.
For Carín León, this marks his 12th No. 1 on the tally, dating to “El Tóxico,” his 2021 collaboration with Grupo Firme.
Beyond its dominance on Regional Mexican Airplay, “La Morrita” gains momentum on Latin radio overall.
The single jumps 11-3 on the Latin Airplay, Xavi’s second top 10 on the chart this year.
His previous entry, “No Capea,” reached No. 1 on the February 7-dated ranking.
The 31-year-old Puerto Rican Grammy-winning superstar’s “DtMF” holds at No. 1 on the Billboard Global 200, adding a fourth week atop the chart, after it first led for two weeks in January-February 2025.
It concurrently scores its second total and consecutive week at No. 1 on Billboard Global Excl. U.S.
Bad Bunny monopolizes the top four spots on the Global 200 and the top three on Global Excl. U.S., a week after he claimed the top five and three ranks, respectively, following his Super Bowl LX halftime show performance February 8 in Santa Clara, Calif., with “DtMF” the closing song in his set.
“DtMF” drew 76.4 million streams (down 28% week over week) and sold 6,000 (down 65%) worldwide February 13-19.
Bad Bunny’s “Baile Inolvidable” holds at its No. 2 Global 200 high; “Nuevayol” repeats at its No. 3 best; and “Tití Me Preguntó” rises a spot, returning to its No. 4 peak.
He performed all four songs at the Super Bowl, with the top three from his 2025 album Debí Tirar Más Fotos; “Tití Me Preguntó” is from his 2022 set Un Verano Sin Ti.
Meanwhile, “DtMF” tallied 52.2 million streams (down 18%) and 2,000 sold (down 45%) outside the U.S. in the tracking week. Bad Bunny also places in the Global Excl. U.S. top five with “Nuevayol,” up 3-2 for a new high; “Baile Inolvidable,” down to No. 3 from its No. 2 best; and Tití Me Preguntó,” which rises 13-5, after hitting No. 4.
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
The 31-year-old Puerto Rican Grammy-winning superstar’s DeBÍ TiRAR MáS FOToS returns to No. 1 on the Billboard 200 albums chart for a fifth nonconsecutive week on top, rising a spot to lead the February 28-dated chart.
The ascent comes after the 2025 set spent two weeks in the runner-up slot following his Super Bowl halftime show performance (February 8), a week after its win for album of the year at the Grammy Awards (February 1).
In the tracking week ending Februrary 19, the effort earned 135,000 equivalent album units in the United States, according to Luminate (down 46%).
The album reached No. 1 in its second week (and first full tracking week) on the list, dated January 25, 2025, and then spent the next two weeks at No. 1. It returned to the top for a fourth week (May 17), following its initial vinyl release.
The 41-week span between weeks at No. 1 for DeBÍ TiRAR MáS FOToS is the longest since Ariana Grande’s Eternal Sunshine returned to No. 1 for its third week on top, after a 54-week wait, on the April 12, 2025-dated chart. Eternal Sunshine spent its first two weeks at No. 1 (March 23 and 30, 2024) and then went back to No. 1 on the April 12, 2025, chart after a deluxe reissue.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album.
Of DeBÍ TiRAR MáS FOToS’s 135,000 equivalent album units earned in the latest tracking week, SEA units comprise 106,000 (down 43%, equaling 112.54 million on-demand official streams of the set’s tracks; it holds at No. 1 on Top Streaming Albums for a sixth nonconsecutive week), album sales comprise 28,000 (it climbs 3-1 on Top Album Sales for its second week atop the list) and TEA units comprise 1,000.
Bad Bunny’s former No. 1 Un Verano Sin Ti, from 2022, slips a spot to No. 7 on the latest Billboard 200 with 52,000 equivalent album units earned (down 35%).
The 42-year-old Dominican-American writer, comedian, television host, actor and internet personality, whose real name is Joel Armogasto Martinez, will be hosting the morning show at New York City’s Hot 97 following Ebro in the Morning‘s dismissal in December.
Mero won’t be wasting any time as Mornings With Mero is set to debut on Tuesday, January 13.
The morning show will be Monday through Friday from 6 a.m. ET to 10 a.m. ET going forward.
“I will be with y’all faithfully every Monday through Friday from six to 10, you know what I mean. The most consistent voice in your life,” Mero said in the announcement clip. “More consistent than your parents, which is crazy to say as a radio host because you might have good parents, but if you got bad parents, I’m your daddy now. Mornings With Mero, baby, lock in.”
Mero added in a press statement: “Hot 97 is the station — it’s been the voice of NYC hip-hop and culture for decades. I grew up listening to Hot 97, so to get the morning slot here isn’t just a job—it’s a responsibility to continue that legacy while bringing it into this next era of media. We’re gonna laugh, we’re gonna get into it, but it’s always gonna be real, and a real good time!”
Funk Flex lent his stamp of approval in the comment section. “We all family! We rolling,” he wrote. NBA Hall-of-Famer Carmelo Anthony, Nems and Cousin Stizz also saluted the move.
Mero saw his profile rise while co-hosting Desus & Mero from 2016 through 2022, when the comedic duo split. Mero is currently a co-host of the 7PM in Brooklyn showwith NBA legend Carmelo Anthony and Kazeem Famuyide.
“Hot 97 has always been about representing the culture of New York, and Mero is New York,”said Kudjo Sogadzi, evp of content & growth at MediaCo. “He’s authentic, hilarious, fearless, and deeply connected to the community. Hot 97 Mornings with Mero is going to set the tone for the city every morning and create must-listen moments for our audience.”
Ebro in the Morning came to a close in December after 13 years on the Hot 97 airwaves. Ebro Darden led the program alongside co-hosts Peter Rosenberg and Laura Stylez.
After Mero, DJ Drewski will be on the air from 11 a.m. to 1 p.m., followed by Nessa from 1 p.m. to 5 p.m. and then Funk Flex will take over for the 5 p.m. to 11 p.m. shift.
Mariah Carey‘s “All I Want for Christmas Is You, ” is extending its record on Billboard’s Billboard Global 200, rebounding a spot to the summit for the 20th time.
The 56-year-old half-Venezuelan American Grammy-winning singer’s 1994 modern classic widens its lead over HUNTR/X’s “Golden” and Lady Gaga and Bruno Mars’ “Die With a Smile,” each in second place with 18 weeks on top, for the longest command since the chart began in September 2020.
“All I Want for Christmas Is You” tops the Global 200 with 101.6 million streams (up 8% week-over-week) and 7,000 sold (up 2%) worldwide in the week ending December 18.
The Billboard Global 200 ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
Bad Bunny is inching closer to another Latin music record…
After securing his record-extending seventh consecutive win atop Billboard’s year-end top Latin Artist of the year in 2025, the 31-year-old Puerto Rican Grammy-winning superstar is thisclose to another record.
His hit “DTMF” logs its 41st week at No. 1 on the Hot Latin Songs chart dated December 27, tying for the second-most weeks at No. 1 with Enrique Iglesias’ “Bailando” (featuring Descemer Bueno and Gente de Zona), which concluded its 41-week streak atop the chart in February 2015.
The songs trail only Luis Fonsi and Daddy Yankee’s “Despacito” (featuring Justin Bieber), which continues to lead with 56 weeks at No. 1.
The Hot Latin Songs chart launched in 1986.
“DTMF,” the fourth single from Benito’s album Debí Tirar Más Fotos, banks its 41st week at the summit on Hot Latin Songs fueled by 6 million official U.S. streams and 2.6 million in radio airplay audience during the December 12-18 tracking week, as reported by Luminate.
It’s the second song from the album to have achieved the No. 1 slot, following “Nuevayol” (one week in January), which sits at No. 5.
Additionally, two other tracks hold strong on the chart’s top 10: “Baile Inolvidable” at No. 3 and “EOO” at No. 4.
In the 39-year history of the Hot Latin Songs chart, 11 songs have logged 20 or more weeks at No. 1. Among those artists with more than one track achieving the feat are Bad Bunny, J Balvin and Iglesias.
Here are the longest-leading No. 1s on Hot Latin Songs since its inception:
Weeks at No. 1, Title, Artist, Peak Date 56, “Despacito,” Luis Fonsi & Daddy Yankee, feat. Justin Bieber (Feb. 18, 2017)
41, “DTMF,” Bad Bunny (Jan. 25, 2025)
41, “Bailando,” Enrique Iglesias, feat. Descemer Bueno & Gente de Zona (May 17, 2014)
30, “El Perdón,” Nicky Jam & Enrique Iglesias (March 21, 2015)
27, “Dákiti,” Bad Bunny & Jhayco (Nov. 14, 2020)
26, “Pepas” Farruko (Aug. 28, 2021)
25, “La Tortura,” Shakira, feat. Alejandro Sanz (June 4, 2005)
24, “RITMO (Bad Boys for Life),” Black Eyed Peas & J Balvin (January 4, 2020)
22, “Ginza,” J Balvin (Oct. 17, 2015)
20, “Me Porto Bonito,” Bad Bunny & Chencho Corleone (May 28, 2022)
20, “Te Quiero,” Flex (April 5, 2008)
The 56-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” adds a record-extending 21st week at No. 1 on the Billboard Hot 100.
Carey claims her unprecedented and milestone 100th career week at No. 1 on the Hot 100, having accumulated her haul over 19 leaders, dating to her first, “Vision of Love,” in 1990.
Rihanna ranks second with 60 weeks at No. 1, followed by The Beatles (59) and Drake (56).
“All I Want for Christmas Is You” secures another notable record as it logs its 78th week on the Hot 100, surpassing Dua Lipa’s “Levitating” as the longest-charted title ever by a woman artist.
Two weeks earlier, “All I Want for Christmas Is You” returned to No. 1 on the Hot 100 to lead in a record-extending seventh holiday season.
It arrived on Carey’s album Merry Christmas in November 1994 and, as streaming grew and holiday music became more prominent on streaming services’ playlists, it first hit the top 10 in December 2017 and the top five in the 2018 holiday season.
It led at last, prior to its three weeks this season, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four), 2023 (two) and 2024 (four). (Older holiday songs are eligible to appear on the chart each season.)
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations.
“All I Want for Christmas Is You,” on Columbia Records/Legacy Recordings, drew 43.6 million streams (up 10%) and 28 million radio airplay audience impressions (up 24%) and sold 3,000 downloads (up 1%) in the U.S. December 12-18, according to Luminate.
The single holds for a record-extending 25th week atop the Streaming Songs chart; dashes 23-15 on Radio Songs, where it has hit a No. 7 best; and stays at No. 5 on Digital Song Sales, following six weeks on top.
Here’s a rundown of all of Carey’s Hot 100 No. 1s and their weeks spent at the summit:
21, “All I Want for Christmas Is You” (2019-25)
16, “One Sweet Day,” with Boyz II Men (1995-96)
14, “We Belong Together” (2005)
8, “Fantasy” (1995)
8, “Dreamlover” (1993)
4, “Hero” (1993-94)
4, “Vision of Love” (1990)
3, “Honey” (1997)
3, “Emotions (1991)
3, “Love Takes Time” (1990)
2, “Touch My Body” (2008)
2, “Don’t Forget About Us” (2005-06)
2, “Heartbreaker,” feat. Jay-Z (1999)
2, “Always Be My Baby” (1996)
2, “I’ll Be There” (1992)
2, “I Don’t Wanna Cry” (1991)
2, “Someday” (1991)
1, “Thank God I Found You,” feat. Joe & 98 Degrees (2000)
1, “My All” (1998)
Longest-Charted Hot 100 Hits by Women (in lead roles): 78 weeks, “All I Want for Christmas Is You,” Mariah Carey (No. 1 peak for 21 weeks, 2019-25)
77, “Levitating,” Dua Lipa (No. 2, 2021)
72, “Wildflower,” Billie Eilish (No. 17, 2024)
69, “Rockin’ Around the Christmas Tree,” Brenda Lee (No. 1, three weeks, 2023-24)
69, “How Do I Live,” LeAnn Rimes (No. 2, 1997)
“All I Want for Christmas Is You” concurrently tops Billboard’s multimetric Holiday 100 chart for a 70th week, of the chart’s 78 total weeks since the survey originated in 2011.
It leads the Holiday Streaming Songs, Holiday Airplay and Holiday Digital Song Sales charts concurrently for the first time this season, and triples up as the top Yuletide title in all three metrics simultaneously for a record 28th time. Since the three charts began coexisting in December 2013, no other song has led them all at the same time even once.
The 44-year-old Dominican American singer-songwriter has logged his 23rd No. 1 on Billboard’s Latin Airplay chart with “Lokita Por Mí,” alongside Prince Royce, extending his own record for the most No. 1s among acts that primarily record tropical music.
The track surges 5-1 on the chart dated December 27.
Royce, meanwhile, banks his 20th champ.
“Lokita Por Mí” was released on November 28 on I Love Amiguita/Sony Music Latin, as one of 13 bachatas on Santos and Royce’s collaborative album Better Late Than Never.
The set debuted at No. 1 on the Top Tropical Albums and at No. 2 on the Top Latin Albums charts (dated Dec. 13).
“Lokita Por Mi” rises to No. 1 after an 11% increase in audience impressions, to 8.2 million, earned in the United States on the December 12-18 tracking week, as reported by Luminate.
t sends Feid’s “Se Lo Juro Mor” to No. 7, after the latter’s 32% dip in impressions (to 6.1 million).
With the latest achievement, Santos strengthens his record for the most No. 1s among tropical acts, with 23 champs. This comes just eight months after his “Khé?” with Rauw Alejandro, claimed the top spot for a week in March.
Royce, meanwhile, holds the second spot among tropical acts with 20 No. 1s. He also ties with Karol G for the 10th-most No. 1s across all genres.
Additionally, the song climbs from No. 3 to No. 1 on the Tropical Airplay chart.
Here are the 11 acts with the largest collection of No. 1s on the overall Latin Airplay chart since its inception in 1994:
Count, Artist
39, J Balvin
36, Ozuna
32, Enrique Iglesias
30, Bad Bunny
29, Daddy Yankee
25, Maluma
24, Shakira
24, Wisin
23, Romeo Santos
20, Karol G
20, Prince Royce
The 31-year-old Puerto Rican singer and songwriter has earned his first No. 1 on Billboard’s Latin Pop Airplay chart with “Sin Ti,” his collaboration with Morat.
The track leaps from No. 4 to the top spot, earning the week’s Greatest Gainer honors, which recognize the song with the largest increase in audience impressions.
“Sin Ti” advances after a 56% gain across U.S. Latin pop radio, to 7.1 million, earned during the tracking period.
This marks Wheeler’s maiden No. 1.
Previously, the Puerto Rican came closest through “Extrañándote,” with wife Zhamira Zambrano, which peaked at No. 3 in 2024.
Colombian group Morat, meanwhile, claims its second chart-topper, four months since the pop band earned its first with “Me Toca a Mí,” with Camilo, in August.
The song flies 18-6 on other overall Latin Airplay chart, the highest rank for Wheeler since “Si Te Preguntan,” with Prince Royce and Nicky Jam, in 2022.
The 33-year-old Colombian singer, songwriter and record producer has added a 12th No. 1 on Billboard’s Latin Airplay chart as “Se Lo Juro Mor” jumps 3-1 on the chart dated December 20.
“Se Lo Juro Mor” – and its music video – debuted on August 20 via Universal Music Latino/UMLE.
Produced by Medellín, Colombia-based producer and engineer Wain, the song became the highlight of Feid’s 33rd birthday celebration, when the Colombian took over Tokyo’s vibrant Shibuya commercial center, where more than 500 fans attended, all dressed in his signature green.
“Se Lo Juro Mor” leaps 3-1 on the December 5-11 tracking week, fueled by 9.1 million audience impressions in the United States, as reported by Luminate. That’s a 22% surge from the previous week, during which the song garnered 7.4 million impressions.
The new chart-topper brings Feid his 12th No. 1 on Latin Airplay, just three weeks after he claimed his first chart leader through a Karol G collab with her single “Verano Rosa,” one of 15 tracks on her No. 1 album Tropicoqueta.
With this achievement, Feid ties Daddy Yankee and Rauw Alejandro for the sixth-most No. 1s among all acts on Latin Airplay in the 2020s decade, when the Colombian secured his first champ through “Porfa,” with J Balvin, Maluma, Nicky Jam, Sech and Justin Quiles, in August 2020.
Xavi recently gave a solo performance of the track at Premios Lo Nuestro on February 19 in Miami.
