Rauw Alejandro’s Romeo Santos-Collaboration “Khé?” Rises to No. 1 on Billboard’s Latin Airplay Chart

Rauw Alejandro is a man on top…

The 32-year-old Puerto Rican singer and songwriter has landed his first No. 1 single from Cosa Nuestra, his fifth studio album, on Billboard’s Latin Airplay chart, as “Khé?,” with Romeo Santos, rises from No. 3 for its first week at the summit dated March 29.

Rauw Alejandro, Romeo SantosThe song is the fourth from the set to rank on the overall tally, two of which previously reached the top 10.

“Khé?” is the most heard song among Latin-formatted radio stations thanks to a 5% bump in audience impressions, equating to 7.9 million earned in the U.S. during the March 14-20 tracking week, according to Luminate.

The song reigns over previous No. 1 “El Amor de Mi Herida” by Carín León, which drops to No. 8 with a 22% dip in impressions.

“Khé?” is Rauw Alejandro and Romeo Santos’ first collaboration and, coincidentally, their first No. 1 on Latin Airplay since 2023.

While Rauw Alejandro last led through “Party,” with Bad Bunny, Santos’ previous coronation arrived via another team-up, “El Pañuelo,” with Rosalía. The two leaders were only two weeks away from each other.

For Santos, while “Khé?” puts him in a tie with Wisin (22) for the ninth-most champs overall since Latin Airplay began in 1994, the new coronation expands his already-established No. 1 record among tropical acts –way ahead of his next competitor, Prince Royce, who has achieved 17 No. 1s to date.

Before “Khé?” topped the Latin Airplay chart, Rauw’s No. 1 album Cosa Nuestra delivered the No. 23-peaking “Touching The Sky” (Aug. 2024), while “Tú Con Él” landed at No. 7 and “Qué Pasaría,” with Bad Bunny, reached No. 3 high on the February 15- and the March 8-dated charts, respectively.

Pedro Tovar Signs Worldwide Publishing Deal with Kobalt Music

Pedro Tovar has a new deal…

The 22-year-old Mexican American lead vocalist, founding member and primary songwriter for Eslabón Armado has signed a worldwide publishing deal with Kobalt Music.

Pedro TovarThe agreement was done via Tovar’s Armado Publishing; Kobalt will administer his future songs globally.

“I’m excited to join the Kobalt Music family in this new career stage,” Tovar said in a statement. “As a songwriter, I have always sought a company that values creativity and provides the necessary support to elevate my music to a global audience. I know that with Kobalt, I’ll continue growing and sharing my stories through my songs.”

Since having a major breakthrough in 2020, the sierreño act has been on a winning streak and fueling the música mexicana (Regional Mexican) movement along the way.

Over the course of four years, Eslabon Armado released six consecutive chart-topping albums — all of which hit No. 1 on Billboard’Regional Mexican Albums chart. In 2022, the group made history, with Nostalgia becoming the first top 10-charting regional Mexican album ever on the Billboard 200. 

A year later, Eslabon Armado released its blockbuster hit “Ella Baila Sola” with Peso Pluma. The song was a runaway success and made history when it entered the Billboard Hot 100‘s top five.

Last week, Eslabon Armado released its eight studio album, Vibras de Noche II, a follow-up to the band’s 2020 set Vibras de Noche.

“Pedro Tovar is one of the most exciting artists and songwriters making music today,” added Nestor Casonu, president of Kobalt Music Latin America. “Through this partnership, we’ve had the privilege of understanding the values of an extraordinary family, led by Doña Nelly, with whom we’ve built both a professional and personal bond. I’m excited about the great things we’ll achieve together in the future.”

“At Kobalt, we want to sign songwriters who have singular voices that resonate with a wide audience,” said Teresa Romo, Kobalt’s senior creative director for Latin America. “Our partnership with Pedro Tovar represents an exciting new phase in his songwriting career, and we’re honored to support his creative independence and nurture  new opportunities.”

Gloria Estefan Releases New Single “Raíces” from First Spanish-Language Album in 18 Years

Gloria Estefan is embracing her raíces

In the lead up to the release of her first Spanish-language album in 18 years, the 67-year-old Cuban Grammy-winning singer, actress and businesswoman has released the first single from the set, written by her producer-husband Emilio Estefan and aptly titled “Raíces.”

Gloria Estefan“Always enjoy the moments because you never know what surprises life will bring,” Estefan sings, expressing how love and life are very much like planting seeds. “If you want a good harvest, you need to know how to sow/ With faith and dedication, that tree will grow roots.”

“The song ‘Raíces’ touched my soul the first moment I heard it,” Gloria Estefan tells Billboard Español. “Being a Virgo, my connection with nature is strong, and I see life as a garden, with love as the seed. I believe that what you cultivate with kindness, patience, and faith will one day bloom into joy.”

She adds: “It is important not to miss the opportunity to express love because every sincere word and gesture plants the roots of a beautiful tomorrow — and that is what this song is all about.”

Recorded at their Crescent Moon Studios in Miami, “Raíces” is a tribute to the rhythms that have defined Estefan’s sound: salsa, tropical beats, classic Latin music.

The song will also give its title to her new album — the 30th in a 50-year career — which will be released at the end of May under Sony Music. It will be her first fully Spanish-language album in 18 years, since 90 Millas, which debuted and spent three weeks at No. 1 on the Billboard Top Latin Albums chart in October 2007.

“For me, recording in Spanish again was a contribution to our music,” Emilio Estefan tells Billboard Español, noting that they worked with “great musicians, engineers, and industry professionals” and that he personally wrote almost the entire album because “I wanted it to reflect our essence: Gloria’s sound and mine.”

“[When we started], I remember people telling us that our sound would never work and that we should change our last name. But we understood the value of our culture and our roots,” he explains, referring to their beginnings in the mid-1970s with the Miami Sound Machine. “When Gloria reached the top of the charts worldwide [singing in English], we took a big risk and decided to record Mi Tierra, an album that represented one of our greatest victories.”

The iconic first LP by Gloria Estefan in Spanish from 1993, which included hits like “Mi Tierra” and “Con Los Años Que Me Quedan,” spent a whooping 58 weeks at No. 1 on Top Latin Albums.

More than three decades later, the renowned Cuban producer and musician along with the singer-songwriter present “a letter of gratitude to the fans, to the press, to those who believed in us, and to the city of Miami, which watched us grow and then allowed us to bring our music to the whole world.”

“It is a moment full of emotions for Gloria and me, a celebration of our culture and our audience,” Emilio Estefan says. “The most beautiful thing about a career is being able to leave a legacy of gratitude.”

Bruno Mars’ Lady Gaga-Collaboration “Die With a Smile” Tops Billboard Global 200 & Billboard Global Excl. U.S. Charts

Bruno Mars’ global domination isn’t dying down…

The 39-year-old part-Puerto Rican Grammy-winning singer-songwriter’s Lady Gaga-collaboration “Die With a Smile” remains atop the Billboard Global 200 chart, adding a 12th week at No. 1.

Bruno Mars,Lady Gaga, Die With a SmileIt also rebounds for an 11th week atop Billboard Global Excl. U.S. 

The ballad first led both lists last September.

“Die With a Smile” leads the Global 200 with 116.9 million streams (up 4%) and 9,000 sold (up 17%) worldwide March 7-13.

Nos. 2-4 on the Global 200 hold in place, with ROSÉ and Mars’ “APT.” at No. 2, after 12 weeks at No. 1 starting in November; Kendrick Lamar and SZA’s “Luther” at its No. 3 high; and Lamar’s “Not Like Us” at No. 4, following four weeks at No. 1 beginning last May.

On Global Excl. U.S., “Die With a Smile” rises 2-1 with 92.3 million streams (up 2%) and 4,000 sold (up 17%) outside the U.S. March 7-13.

“APT.” descends to No. 2 after a record 17 weeks atop Global Excl. U.S. beginning in November.

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Yandel Unveils Four-Date U.S. Sinfónico Tour

Yandel is hitting the road with his sinfónico concept.

The 48-year-old Puerto Rican Grammy-winning singer and reggaetón hitmaker has unveiled a four-date U.S. stint.

YandelIt will launch on May 30 in Miami and make stops in Orlando, New York and Chicago.

The trek will be preceded by his special Sinfónico show in San Juan, Puerto Rico, on May 10, where he’ll be joined by the Orquesta Filarmónica de Puerto Rico, directed by Maestro Angel “Cuco” Peña.

The U.S. Sinfónico Tour, produced by Live Nation, is billed as an “innovative live experience” with a live philharmonic orchestra powering Yandel’s reggaetón hits, including “Encantadora,” “Nunca Me Olvides,” and “Noche de Entierro,” to name a few.

The songs are also part of his upcoming Sinfónico En Vivo album, scheduled for release on April 3.

For the U.S. shows — directed by Javier Mendoza, professor of the FIU Symphonic Orchestra — Yandel will perform alongside local symphony orchestras.

Music arrangements will be done by Rodner Padilla.

Yandel’s band and dancers will join with each orchestra in all cities, traveling with a team of around 40 people.

The U.S. trek follows Yandel’s concert in Miami in October, where he performed for the first time a few of his hits in a classical format, a different approach to música urbana in general fusing reggaetón and symphony.

Yandel launched his solo career in 2013 after countless hits as part of reggaetón pioneering duo Wisin & Yandel.

He’s released a total of 11 solo albums, including his latest, ELYTE, which peaked at No. 15 on Billboard‘s Latin Rhythm Albums chart.

Tickets to Yandel’s U.S. Sinfónico Tour will go on sale on Thursday, March 20 at 12 p.m. local time at Yandel.com.

Here are the dates:

May 10: San Juan, Puerto Rico (Coliseo José Miguel Agrelot)*
May 30: Miami (Adrienne Arsht Center for the Performing Arts)
June 1: Orlando, Fla. (Dr. Phillips Center for the Performing Arts)
June 7: New York (SummerStage in Central Park)
June 8: Chicago (The Auditorium)

*Not a Live Nation date

Bad Bunny Releases Music Video for “La Mudanza,” A Love Letter to His Beloved Puerto Rico

Bad Bunny is expressing his encanto for his homeland…

In celebration of his 31st birthday on Monday, March 10, the Puerto Rican Grammy-winning superstar released new music video “La Mudanza,” which further cements his everlasting love for his homeland and family heritage.

Bad Bunny, La MudanzaThe song – the outro track of his latest album, Debí Tirar Más Fotos – tells the story of Benito, a man who grew up in Vega Baja, Puerto Rico, as the eldest of six siblings and worked hard from a young age, driving trucks like his father and grandfather, despite his dream of becoming an engineer.

The video begins by showing a nostalgic collection of old photos of his ancestors. Soon after, the visual depicts the birth of baby Benito. Halfway through, a the infant appears in a car seat, singing along to the song against a robust salsa rhythm.

“Calle Sol, Calle Luna, estoy en la noche oscura/ Yo no canto reggae, pero soy cultura,” the baby spits, referencing Puerto Rican reggae band Cultura Profética.

The video transitions to a scene where the present-day Bad Bunny is seen running through a field, proudly waving the Puerto Rican flag, before arriving at a local community gathering.

“A mí me quieren como a Tito y soy serio como Cotto/ Lugia, Ho-Oh, cabrón, hoy soy legendario,” he raps, drawing parallels between himself and revered Puerto Rican boxers Tito Trinidad and Miguel Cotto, while also invoking Lugia and Ho-Oh from the Pokémon series.

Debí Tirar Más Fotos reached No. 1 on multiple all-genre charts, including the Billboard 200 and Top Streaming Albums.

Benito told Billboard a few weeks after releasing the album, “This project isn’t mine. It belongs to many people: everyone who worked with me, it belongs to Puerto Rico, my friends, my family. This project belongs to all of us who feel proud of being from Puerto Rico and being Latin.”

Bad Bunny is set to embark on a historic residency in Puerto Rico, which is expected to boost the island’s economy.

Carín León Earns 7th No. 1 on Billboard’s Regional Mexican Airplay Chart with “El Amor de Mi Herida”

It’s Lucky No. 7 for Carín León.

The 35-year-old Mexican singer-songwriter and Regional Mexican music superstar has added his seventh No. 1 on Billboard’Regional Mexican Airplay chart with his latest single, “El Amor de Mi Herida.”

Carin LeonThe song jumps from No. 3 for its first week atop the ranking dated March 15.

“El Amor de Mi Herida” crowns Regional Mexican Airplay after a 40% surge in audience impressions, to 8.2 million, earned in the U.S. during the February 28-March 6 tracking week, according to Luminate.

That swell makes it the Greatest Gainer of the week, a weekly award for the song with the greatest increase in plays at the format.

Before “El Amor de Mi Herida,” León managed six other champs among 13 top 10s and a total of 17 career entries on Regional Mexican Airplay. His breakthrough cut “Me La Aventé” reached No. 6 high in 2019. He has placed at least one top 10 every year since.

“El Amor de Mi Herida” races to No. 1 in four weeks, the fastest for any track this year, and the fastest among all of León’s seven rulers on Regional Mexican Airplay.

The next-fastest climb to No. 1 this year came when Calibre 50 reached the summit in six weeks, through “El Sueño Americano” (chart dated March 1). Four other songs captured the top spot in 2025, all in seven weeks or more.

Here’s a look at Leon’s collection of No. 1s, from the fastest to the slowest climb to the top:

Weeks to No. 1, Title, Artist, Peak Date, Weeks at No. 1
4, “El Amor De Mi Herida,” March 15, one (so far)
six, “Que Vuelvas,” with Grupo Frontera, Jan. 28, 2023, six
six, “Alch Si,” with Grupo Frontera, March 2, 2024, one
seven, “Ojos Cerrados,” with Banda MS, March 5, 2022, three
12, “Indispensable,” Aug. 19, 2023, three
13, “Según Quién,” with Maluma, Dec. 16, 2023, one
14, “El Tóxico,” with Grupo Firme, Sept.11, 2021, two

Elsewhere, “El Amor de Mi Herida” rallies 11-2 on the overall Latin Airplay chart.

There the single reached 8.2 million in audience, up 32%, León’s highest rank since “Según Quién,” with Maluma, parked at No. 1 for four weeks in December 2023.

J Balvin Logs 37th No. 1 on Billboard’s Latin Airplay Chart with Feid-Collaboration “Doblexxo”

J Balvin has extended his chart-topping record…

The 39-year-old Colombian superstar and Feid’s “Doblexxo” rises to the No. 1 spot on Billboard’s Latin Airplay chart as the song climbs 6-1 for its first week atop the March 15-dated list.

J BalvinThe song lands at the summit in its 13th week.

“I feel super excited to know that our fans have embraced this song in such a way,” Balvin tells Billboard. “Feid’s talent is undeniable and our chemistry when it comes to making music has always been amazing. I can’t wait to sing ‘Doblexxo’ live during my upcoming Rayo tour.”

In the tracking week ending March 6, “Doblexxo” pulled 8.4 million audience impressions earned in the U.S., according to Luminate; that’s a 32% gain from the week prior when the song generated 6.1 million.

With “Doblexxo,” Balvin achieves his record-extending 37th No. 1s since the Latin Airplay chart began in 1994, opening a wider gap from his next competitor (Ozuna, 34 champs). Feid bags his ninth ruler. The latter last reached the top with “Si Sabe Ferxxo,” with Blessd, which spent a week at No. 1 in June 2024.

Except for 2024, Balvin has placed at least one champ every year during his decade-long No. 1 chart career, dating back to “6AM,” featuring Farruko (May 2014). He completed his most lucrative period in 2022, placing nine No. 1 hits between February and October then. The year before, Balvin reached his second-best run, with six No. 1s in 2019.

Good reception across Latin rhythmic stations also spurs its coronation on the Latin Rhythm Airplay chart, where “Doblexxo” jumps 3-1.

There, Balvin also stands firmly ahead of the rest, with 37 No. 1s. (Daddy Yankee follows with 35.)

The song’s 13-week climb to No. 1 marks a longer stride to the top than Balvin and Feid’s past pair-up, “Porfa” — where Maluma, Nicky Jam, Sech and Justin Quiles are also part of the billing — as it ruled after eight weeks in August 2020.

“Doblexxo” is the fourth radio promoted single from Balvin’s sixth studio album Rayo, which debuted and peaked at No. 5 on Latin Rhythm Albums last August.

Bruno Mars Notches 17th Week at No. 1 on Billboard Global Excl. U.S. Chart with ROSÉ-Collaboration “APT.”

Bruno Mars is still leading the pack globally…

The 39-year-old part-Puerto Rican Grammy-winning singer-songwriter’s ROSÉ-collaboration “APT.” rules the Billboard Global Excl. U.S. chart for a record-extending 17th week.

Bruno Mars, RoseThe collaboration first led the list in November.

“APT.” holds atop Global Excl. U.S. with 84.2 million streams (down 5% week-over-week) and 7,000 sold (down 9%) outside the U.S. February 28-March 6.

Mars’ Lady Gaga-collab “Die With a Smile” is steady at No. 2 after 10 weeks atop Global Excl. U.S. beginning last September.

The Billboard Global Excl. U.S. ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bad Bunny Earns 27th No. 1 on Billboard’s Latin Airplay Chart with “Baile Inolvidable”

Bad Bunny has another No. 1 single on his resume…

The 30-year-old Puerto Rican Grammy-winning superstar has earned a second No. 1 on Billboard’Latin Airplay chart from his latest album Debí Tirar Más Fotos.

Bad BunnyIt’s Bad Bunny’s 27th overall No. 1 as “Baile Inolvidable” rises 3-1 on the chart dated March 1.

The tropical song follows two-week champ “El Clúb” (February 8-15 charts).

“Baile Inolvidable” rolls into the top spot on the overall Latin Airplay chart thanks to 8.3 million audience impressions earned in the U.S. during the February 14-20 tracking week, according to Luminate.

It scores an 11% boost from the week prior. The song ejects Myke Towers’ “Otra Noche,” featuring Darell, from the lead (falling to No. 2 with 7.8 million audience, down less than 1%)

“El Clúb,” the first single from his No. 1 album, Debí Tirar Más Fotos, continues its run in the top 10, falling 4-10.

Meanwhile, Benito has a third song in the region, as his collaboration with Rauw Alejandro, “Que Pasaria…,” jumps 8-4.

Bad Bunny, who first led Latin Airplay in February 2018, has managed to place at least two No. 1s every year since, with 2020 marking his most rewarding year, placing six rulers then.

As Bad Bunny’s collection grows, here’s a look at the number of chart-toppers during his seven-year No. 1 career:

2018, three
2019, four
2020, six
2021, three
2022, three
2023, four
2024, two
2025, two (so far)

Beyond its Latin Airplay coronation, the tropical “Baile Inolvidable” notches a second week at No. 1 on Tropical Airplay.

It also adds a seventh week at No. 2 on the multi-metric Hot Latin Songs chart, which blends airplay, digital sales and streaming data into its formula. There, it takes the Greatest Gainer/Sales honors, with a 2% gain in sales, to 500, which moves it 3-2 on Latin Digital Song Sales.

Not the same luck in streaming activity, as the song registers 11.3 million official U.S. streams, translating to an 11% dip in clicks for the tracking week.