Joss Favela Earns First-Ever No. 1 on Any Billboard Chart with Luis R. Conriquez-Collaboration “Con Todo Respetillo”

Joss Favela has earned a special first… 

The 33-year-old Mexican musician, singer and songwriter has achieved his first No. 1 on any Billboard chart as “Con Todo Respetillo” with Luis R. Conriquez rises 3-1 to top the November 9-dated Regional Mexican Airplay chart. 

Joss Favela“Con Todo Respetillo” ascends to the summit due to gains in audience impressions for the tracking week of October 25-31.

The single, released on Sony Music Latin/Azteca, generated 7.1 million impressions in the U.S., up 37% from the week prior, according to Luminate.

The track also takes the Greatest Gainer honors, awarded weekly to the song with the most airplay among the chart’s 40 titles.

Although “Con Todo Respetillo” secures Favela’s breakthrough to the No. 1 spot on any Billboard chart, the Sinaloan previously registered six other top 10s on Regional Mexican Airplay, reaching as high as No. 2 through “Me Hubiera Dicho” in June 2018.

Conriquez, meanwhile, returns for his third No. 1 with “Con Todo Respetillo.”

 

The corridos-bélicos singer last achieved his two other No. 1s two years ago, as “JGL,” with La Adictiva,” and “Ya Hiciste Mal,” with Jessie Uribe, both ruled for one week in 2022.

Four other male team-ups have achieved a No. 1 on Regional Mexican Airplay in 2024: Christian Nodal and Peso Pluma through “La Intención” (April 6), Oscar Ortiz and Edgardo Nuñez with “First Love” (April 27), Alejandro Fernandez and Alfredo Olivas with “Cobijas Ajenas” (June 8), and Leonardo Aguilar and Pepe Aguilar through “Bandido de Amores” (July 6).

Despite their different achievements on Regional Mexican Airplay, Favela and Conriquez, both score their third top 10 on the overall Latin Airplay tally, where “Con Todo Respetillo” soars 12-4 with the Greatest Gainer honors of the week.

“Con Todo Respetillo” is the only single that previewed Favela’s Mis Compas, Vol. 1 EP, released May 10 via Sony Music Latin. The album has not visited a Billboard chart yet.

Feid Earns 11th No. 1 on Billboard’s Latin Rhythm Airplay Chart with “Sorry 4 That Much”

It’s Lucky No. 11 for Feid.

The 32-year-old Colombian singer, songwriter and record producer has earned his 11th No. 1 on Billboard’s Latin Rhythm Airplay chart, and sixth this year, as “Sorry 4 That Much” rises 2-1 to lead the October 26-dated tally.

Feid“Sorry 4 That Much” leads thanks to a 6% gain in audience impressions, to 6.6 million, earned in the U.S. during the October 11-17 tracking week, according to Luminate.

As the song lands at the summit, it ejects J Balvin and Chencho Corleone’s “Polvo de Tu Vida” from the lead, after the latter falls with an 11% dip in audience, to 5.8 million.

Of the 16 No. 1s on Latin Rhythm Airplay in 2024, only five were by a soloist, unaccompanied by any other collaborator — including “Sorry 4 That Much.”

Here’s a review of that elite group:

Artist, Title, Peak Date, Weeks at No. 1
Bad Bunny, “Monaco,” Jan. 27, one
Myke Towers, “La Falda,” Feb. 24, one
Ozuna, “Baccarat,” March 30, one
Venesti, “Es Normal,” July 27, two
Feid, “Sorry 4 That Much,” Oct. 26

“Sorry 4 That Much” takes Feid to his sixth straight No. 1 on Latin Rhythm Airplay, and all have come in 2024 — the most No. 1s of any act this year.

Elsewhere, Feid nearly misses the No. 1 on the overall Latin Airplay chart, where “Sorry 4 That Much” jumps 3-2, just behind Karol G’s “Si Antes Te Hubiera Conocido,” for the latter’s 14th week in the lead.

Feid’s new achievement lands on the heels of the Billboard Latin Music Awards 2024, where the Colombian became a finalist in 11 categories, including Global 200 Latin Artist of the Year.

Bruno Mars & Lady Gaga’s “Die With a Smile” Tops Billboard’s Global 200 Charts for Eighth Week

Bruno Mars officially has the world’s biggest hit of the year…

The 39-year-old part-Puerto Rican Grammy-winning artist and Lady Gaga’s smash “Die With a Smile” rules both the Billboard Global 200 and Billboard Global Excl. U.S. charts for an eighth week.

Bruno MarsThe ballad now solely claims the longest Global 200 reign of 2024, surpassing the seven weeks that Benson Boone’s “Beautiful Things” posted at No. 1 in February-April.

It also equals the longest Global Excl. U.S. command in 2024, tying the eight-week stays for “Beautiful Things” (February-April) and Sabrina Carpenter’s “Espresso” (May-July).

“Die With a Smile” leads the Global 200 with 110.3 million streams and 8,000 sold (down 5% week-over-week in each metric) worldwide October 11-17. The song, which became Lady Gaga and Bruno Mars’ first No. 1 each since the chart began, has drawn over 100 million streams globally in each of the last seven weeks, the most such frames in a row since Miley Cyrus’ “Flowers” also linked seven triple-digit weeks from its chart start in January 2023.

“Die With a Smile” tops Global Excl. U.S. with 89.7 million streams (down 4%) and 4,000 sold (down 7%) outside the U.S. October 11-17. As on the Global 200, the ballad became Gaga and Mars’ first No. 1 each since the survey launched.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

The chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Logs Fifth Week at No. 1 on Billboard’s Global Charts with Lady Gaga-Collab “Die With a Smile”

Bruno Mars is still celebrating a global hit…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has tallied a fifth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno MarsThe song is a stand-alone single by Mars and Gaga.

“Die With a Smile” rules the Global 200 with 117.8 million streams (up less than 1% week-over-week) and 9,000 sold (down 2%) worldwide September 20-26. The song is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.

Notably, the duet has drawn over 100 million streams globally in each of the last four weeks – the most such frames for a song this year; it one-ups Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July).

Plus, “Die With a Smile” has gained in streams in each of its six Global 200 chart weeks, having started (at No. 2) with 75.2 million worldwide on the Aug. 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million, 117.4 million and 117.8 million. It’s the first non-holiday song to link as many as four consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 93.9 million streams (up 1%) and 5,000 sold (down 2%) outside the U.S. September 20-26.

As on the Global 200, the team-up became Lady Gaga and Bruno Mars’ first No. 1 each since the list launched.

The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Scores Fourth Week at No. 1 on Billboard Global 200 & Billboard Global Excl. U.S. Charts with Lady Gaga-Collab “Die With a Smile”

Bruno Mars is still smiling at top the charts…

The 38-year-old part-Puerto Rican Grammy-winning artist’s collaboration with Lady Gaga, “Die With a Smile,” has notched a fourth total and consecutive week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno Mars“Die With a Smile” tops the Global 200 with 117.4 million streams (up 5% week-over-week) and 9,000 sold (up 1%) worldwide September 13-19. The ballad, released August 16, is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began in September 2020.

Notably, the duet has drawn over 100 million streams globally in each of the last three weeks. It joins only Sabrina Carpenter’s “Please Please Please” (three weeks, June-July) and Kendrick Lamar’s “Not Like Us” (three, May-July) as the only songs to achieve three such weeks this year.

Plus, “Die With a Smile” has gained in each of its chart weeks, having started with 75.2 million on the August 31 survey and rising, respectively each week, to 97.2 million, 105.8 million, 111.4 million and 117.4 million; it’s the first non-holiday song to link at least three consecutive weeks of 100 million streams with gains in each week since The Kid LAROI and Justin Bieber’s “Stay” did so for four straight frames in August-September 2021.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. September 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

“Die With a Smile” leads Global Excl. U.S. with 92.9 million streams (up 8%) and 6,000 sold (up 2%) outside the U.S. Sept. 13-19. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Bruno Mars Remans at No. 1 on Billboard Global Charts with Lady Gaga-Collab “Die With a Smile”

Bruno Mars is still smiling atop the charts…

The 38-year-old part-Puerto Rican Grammy-winning superstar and Lady Gaga’s “Die With a Smile” has scoree a second week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bruno MarsTwo weeks earlier, the duet debuted at the runner-up rank on each list.

“Die With a Smile” tops the Global 200 with 105.8 million streams, up 9% week-over-week, and 10,000 sold (down 13%) worldwide August 30-September 5. The ballad, released August 16, is Lady Gaga and Mars’ first No. 1 each since the chart began.

“Die With a Smile” concurrently leads Global Excl. U.S. with 79.2 million streams, up 18%, and 5,000 sold (down 7%) outside the U.S. August 30-September 5. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.

The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Oscar Maydon Earns First No. 1 on Any U.S.-Based Billboard Chart with Becky G-Collab “Mercedes”

Oscar Maydon is celebrating his first-ever U.S. chart-topping single…

The 24-year-old Mexican singer’s Becky G-collaboration “Mercedes” has accelerated to No. 1 on Billboard’s Regional Mexican Airplay chart dated August 3.

Oscar Maydon,The track marks Maydon’s his No. 1 on any U.S.-based tally; it’s Becky G’s second leader on the survey.

“Mercedes,” released April 11 on Kemosabe/RCA/Sony Music Latin, speeds 7-1 on Regional Mexican Airplay with a 49% vault to 6.4 million audience impressions in the week ending July 25, according to Luminate.

Becky G previously topped Regional Mexican Airplay with “Por El Contrario,” with the Aguilar siblings, Leonardo and Angela, for a week in March.

Narcocorridos singer Maydon, meanwhile, reigns in his second visit to the chart, after logging a No. 33 high through “Fin De Semana,” with Junior H, in August 2023.

The Mexicali, Mexico, native has tallied two prior No. 1s on the Mexico Songs ranking (part of Billboard’s Hits of the World charts menu).

Volver Al Futuro,” with Junior H, led for a week in June after “Madonna,” with Natanael Cano, dominated for 11 weeks beginning in March. He made his first chart appearance when “Los Collares,” with El Padrinito Toys, entered Mexico Songs in January 2023. As “Fin De Semana” grew, he also hit a No. 36 high on the Emerging Artists chart that February.

Elsewhere, the gains in audience help “Mercedes” motor 11-4 on the overall Latin Airplay chart for its first week in the upper region. Maydon posts his first top 10 on the list, while Becky G secures her eighth and first since “Por El Contrario,” which became her sixth No. 1 in March.

Ivan Cornejo Earns First No. 1 on Billboard’s Top Latin Albums Chart with “Mirada”

Ivan Cornejo is sitting on top of the world…

The 20-year-old Mexican American singer-songwriter has achieved his first No. 1 on Billboard’s Top Latin Albums chart with Mirada, his third studio album, which debuts atop the August 3-dated ranking.

Ivan Cornejo,The 12-track effort follows two other top 10 albums for Cornejo, both within a year, between 2021-22.

Mirada starts at the summit on Top Latin Albums with 34,000 equivalent album units earned in the U.S. during the July 19-25 tracking week, according to Luminate. The set was released July 19, the first day of the tracking period, on Zaragoza/Insterscope/ICLG.

Of Mirada’s 34,000 units in its coronation week, 25,000 of those derive from streaming activity, which represent 35 million official on-demand U.S. streams of the album’s songs. Album sales comprise 9,000, while the remainder negligible amount stem from track sales. On Top Latin Albums, one unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.

In the process, Cornejo joins an elite group of Regional Mexican acts whose projects launched at the summit on Top Latin Albums in the 20s decade. Alejandro Fernández’s Hecho En México debuted at No. 1 in February 2020, while Eslabon Armado enlisted two No. 1 debuts, through Vibras de Noche and Desvelado in August 2020 and May 2023, respectively.

Further, Cornejo captures his third top 10 on Top Latin Albums with a third appearance. The singer-songwriter visited the chart with the No. 7-peaking set Alma Vacía (October 2021) and Dañado, which peaked at No. 2 (December 2022) and earned him a first Billboard Latin Music Award for Regional Mexican album of the year in 2023.

Adding to Cornejo’s triumphs this week, the Riverside, Calif.-born artist likewise scores the largest debut sales week for a Regional Mexican album since 2020, with 9,000 sold. The last regional Mexican album to start with a bigger sales figure was Fernández’s Hecho En México, which debuted at No. 1 on the Feb. 29, 2020-dated Top Latin Albums chart with 10,000 sold. Mirada’s first-week sales were supported by a signed CD exclusive to his webstore, and a standard CD.

Mirada is just the second Regional Mexican album to debut within the top 10 on the all-genre Top Album Sales chart, which began in 1991. In total, 33 Latin albums have opened in the top 10. The only other Regional Mexican album to debut in the top 10 was Fernández’s Hecho En México, with a No. 8 debut in 2020.

Eleven cuts from Mirada have landed on the multi-metric Hot Latin Songs chart, led by “Baby Please,” which bowed and reached a No. 8 high last March. Here’s a look at the album tracks on Hot Latin Songs, including two already ranked songs, a reentry, plus seven debuts on the current survey:

No. 7, “Intercambio Injusto”
No. 9, “Sale Para Ser Feliz”
No. 14, “Mirada”
No. 19, “Baby Please”
No. 21, “Herida Abierta”
No. 23, “Vuelve”
No. 27, “Donde Estás”
No. 29, “Atención”
No. 31, “Aquí Te Espero”
No. 41, “Interlude”

Adding to Mirada’s breakthrough week, Cornejo reaches the top 20 for the first time on the overall Billboard 200, as the new album debuts at No. 17. He previously peaked at No. 28 with his last album, Dañado, in 2022. Plus, Mirada also debuts at No. 1 on Regional Mexican Albums, for Cornejo’s second No. 1 there.

Karol G Tops Multiple Billboard Charts at Once with “Si Antes Te Hubiera Conocido”

Karol G is pulling triple duty…

The 33-year-old Colombian singer has attained a new milestone across the Billboard charts as her latest single, “Si Antes Te Hubiera Conocido,” lands at No. 1 on the Hot Latin Songs and Latin Airplay charts, while ruling the Tropical Airplay chart for a second week, on the rankings dated July 29.

Karol GThe new chart achievements land as Karol G wrapped up her Mañana Será Bonito Tour, with four sold-out shows at the Estadio Santiago Bernabéu in Madrid on July 23.

On the multimetric Hot Latin Songs chart, “Si Antes Te Hubiera Conocido” ascends 2-1 with streaming and radio gains. In the tracking week of June 12-18, the song collected 12 million official U.S. streams, up 15%, according to Luminate.

The sum yields a 47-44 rise on the overall Streaming Songs chart, plus her ninth No. 1 on Latin Streaming Songs with the Greatest Gainer award of the week.

Despite a 1% slip in digital sales, “Si Antes Te Hubiera Conocido” remains at No. 1 on Latin Digital Song Sales, with 1,000 downloads sold during the same tracking frame.

In the radio world, the song reinforces its position as a summer hit, lifting 2-1 on the overall Latin Airplay tally with an 8% gain in audience impressions, to 8.2 million logged in the tracking window.

There, Karol collects an 18th champ, placing her closer to her only female contender among acts with the most No. 1s: Shakira, who continues to rule among women, with 23 No. 1 songs since the overall radio ranking launched in 1994.

Diving further into the new champ, the merengue-based track wins a new term atop Tropical Airplay –and its fourth week in the upper region– after the song jumped 3-1 and Karol became the second solo woman to rule Tropical Airplay on her own this decade.

As if the new No. 1s weren’t enough, as “Si Antes Te Hubiera Conocido” makes a splash across Billboard charts, Karol becomes the first artist to be No. 1 simultaneously on Hot Latin Songs, Latin Airplay and Tropical Airplay charts in over a decade.

The last artist to pull the trick was Romeo Santos when “Odio,” featuring Drake, took over the three charts on the May 10, 2014-dated recap.

Notably, just seven months prior, Santos also seized the No. 1 slot across the three surveys with the ubiquitous “Propuesta Indecente,” on the chart dated Oct. 5, 2013.

Preceding Santos, four other artists accomplished the multilateral ruling in 2013 through three songs: Prince Royce with “Darte Un Beso” (Sept. 7, 2013), Marc Anthony through “Vivir Mi Vida” (11 weeks at No. 1, June 1-Aug. 10, 2023-dated lists), and Tito El Bambino and El Patron by “Por Qué Les Mientes,” where Marc is also featured (Jan. 19, 2013).

With “Si Antes Te Hubiera Conocido” hitting No. 1 on Hot Latin Songs, Karol G racks up another chart-topper unaccompanied by another artist – a rarity for a female act. On the airplay-, streaming data- and digital sales-blended list, only three women have ruled the 50-deep tally on her own since 2010.

Here’s a review of the four female solo occupants of the summit since 2010:

Artist, Title, Peak Date, Weeks at No. 1
Gloria Estefan, “Hotel Nacional,” Jan. 14, 2012, one
Paulina Rubio, “Me Gustas Tanto,” Feb. 11, 2012, one
Kali Uchis, “Telepatía,” May 22, 2021, eight
Karol G, Provenza,” May 14, 2022, one
Karol G, “Mi Ex Tenía Razón,” Aug. 26, 2023, one
Karol G, “Si Antes Te Hubiera Conocido,” July 27

Beyond its Latin charts’ coronation, “Si Antes Te Hubiera Conocido” makes worldwide improvements, moving from No. 7 to its new No. 5 peak on the Billboard Global Excl. U.S. tally, with 53.8 million non-U.S. weekly streams, up 10%.

On the Billboard Global 200, the song boasts 65 million worldwide streams, but slips 12-13 despite a 10% gain.

Venesti’s “Es Normal” Rises to No. 1 on Billboard’s Latin Rhythm Airplay & Latin Pop Airplay Charts

Venesti is celebrating a double win… 

The 29-year-old Colombian singer, composer and producer’s latest single “Es Normal” rules Billboard’Latin Rhythm Airplay and Latin Pop Airplay charts dated July 27.

VenestiThe track is the fourth single from his album De La Nada to enter a Billboard chart.

“It’s really important to lead the Latin Rhythm Airplay and Latin Pop Airplay charts, both for me and my team,” Venesti tells Billboard. “Actually, it’s the song we picked as (the) first single and the one I listen to the most.”

On Latin Rhythm Airplay, “Es Normal” ascends from No. 3 to crown the 25-song ranking with a 21% gain in audience impressions, up 6.6 million, logged during the July 12-18 tracking week, according to Luminate. With the ascension, Venesti picks up his second No. 1, after the one-week takeover of “Umaye” last October.

Further, the new champ also takes indie label AP Global to its second coronation on Latin Rhythm Airplay –and third top 10 overall– after it secured its first top 10 through “Pura Maldad” in June 2023.

“When we were composing the song, I was going through a real-life situation about mistrust and chatter, so we decided to write it because so many people go through the same thing,” Venesti remembers. “When the person involved heard it, she started questioning whether I had changed. But nothing, it’s been proven that such is the case, and yes, that makes the song even more special for both, me and my team.”

The Pop-Afrobeat “Es Normal” also stands steady at No. 1 for a second week on Latin Pop Airplay. There, it joins Venesti’s first champ, “No Es Normal,” with Nacho and Maffio, which held strong at the summit for 10 weeks, the longest-leading song in 2024 so far.

“Es Normal” joins three other songs stemming from Venesti’s debut studio album De La Nada, released Sept. 28 on AP Global. Those songs are the No. 11-peaking “Necesidad” (Latin Rhythm Airplay, Dec. 2022), and top 10s “Pura Maldad” (No. 10 high, June 2023) and as mentioned, “Umaye,” which granted Venesti his first ruler on any chart.

Beyond Latin Rhythm Airplay and Latin Pop Airplay, Venesti reaches for his third top 10 on the overall Latin Airplay, where “Es Normal,” produced by Milo Beat, jumps 8-4. He landed two champs previously on the overall radio ranking, both in less than a year: “Umaye” (Dec. 2023) and “No Es Normal,” with Nacho and Maffio, in March.