Jhayco Earns First No. 1 as a Soloist on Billboard’s Latin Airplay Chart

Posted on August 9, 2022 by Tom Castaneda

It’s a special first for Jhayco…

The 29-year-old Puerto Rican singer and rapper rises to No. 1 on Billboard’s Latin Airplay chart with “Sensual Bebe” on the August 13-dated ranking.

The song marks his fifth champ on the all-Latin genre list, and his first as a soloist, unaccompanied by another act.

“Hitting No. 1 with a solo song was an overdue milestone for my career,” Jhayco tells Billboard. “We’ve been working towards that for quite some time and there are more to come. I don’t doubt it.”

“Sensual Bebe” climbs from No. 7 to lead Latin Airplay after a 29% surge in audience impressions, to 9.3 million, earned in the U.S. in the July 1-7 tracking week, according to Luminate.

The track simultaneously takes the Greatest Gainer honors of the week on two charts, as it advances 5-1 on Latin Rhythm Airplay.

“Sensual” gives JhayCo — who formerly performed as Jhay Cortez — his fifth leader on both lists, and first unaccompanied by any other collaborator. Jhayco’s first Latin Airplay No. 1 arrived through “Dakiti,” a co-billed collaboration with Bad Bunny, which spent two weeks at No. 1 (December 2020-January 2021). It also earned him three Billboard Latin Music Awards in 2021. The song concurrently won him the fourth-longest command in the history of the all-metric Hot Latin Songs, ruling for 27 weeks, behind only Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber (56 weeks); Enrique Iglesias’ “Bailando” (41 weeks); and Nicky Jam and Iglesias’ “El Perdón” (30 weeks).

Back on Latin Airplay, Jhayco leads for the first time as a soloist, unassisted by any other act.

Here’s a recap of his wins:

Peak Date, Title, Artist (if other than Jhayco):
Dec. 26, 2020, “Dakiti,” with Bad Bunny
June 12, 2021, “Fiel,” Los Legendarios, Wisin & Jhay Cortez
Feb. 5, 2022, “Ley Seca,” with Anuel AA
Jan. 8, 2022, “Emojis De Corazones,” with Wisin & Ozuna featuring Los Legendarios
August 13, 2022, “Sensual Bebe”

While a now-established radio champ, “Sensual” debuted at No. 44 on the Latin Airplay chart dated March 26 and snatches the No. 1 spot in its 21st week (following three weeks in the top 10); it’s the longest climb to No. 1 in 2022 thus far. Let’s take a look at the tracks with the most weeks to No. 1:

Weeks to No. 1, Song Title, Artist, Date Reached No. 1
21 weeks, “Sensual Bebe,” Jhayco, August 13
19, “Buenos Días,” Wisin & Camilo, July 23
19, “Ley Seca,” Jhay Cortez & Anuel AA, Feb. 5
18, “Remix,” Daddy Yankee, August 6

“Sensual’s” Latin Airplay domination arrives days after he performed in Las Vegas on August 3 as part of his Timelezz world tour — which kicked off May 7 in the same city — in support of his sophomore effort Timelezz, the No. 2-peaking set on Top Latin Albums (September 18, 2021).

“Sensual Bebe” is the first single from Jhayco’s next studio album.

Daddy Yankee Earns 26th No. 1 on Billboard’s Latin Airplay Chart with “Remix”

Posted on August 3, 2022 by Tom Castaneda

Daddy Yankee is remixing his way to the top of the charts…

The 45-year-old Puerto Rican rapper, singer and composer has reached the summit of Billboard’s Latin Airplay chart as “Remix” reaches the No. 1 spot after 18 weeks to lead the August 6-dated ranking.

The veteran singer now has 26 No. 1s on the chart, still the fourth-most among all acts.

“Remix” soars 11-1 with a 63% increase in audience impressions (rising to 10.58 million for the week) in the tracking week ending July 31, according to Luminate. It also takes the Greatest Gainer trophy among the 50-title deep list.

Among the song’s greater radio supporters were New York and Washington, D.C. markets, starting with WSKQ with 1.4 million impressions (up 27%) and WXNY with 843,000 (up 93%), both in NY. Meanwhile WLZL and WDCN in D.C. showed an increment of 147% (121,000) and 400% (300,000), respectively.

The tracking week included Daddy Yankee’s La Última Vuelta tour launch on July 25 in Denver, which likely fueled promotion around the track in radio stations.

The trek in support of his Legendaddy album which debuted at No. 1 on Top Latin Albums (April 9) — his seventh champ.

Here are the five acts with the most No. 1s on Latin Airplay:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
26, Daddy Yankee
22, Wisin

“Remix” is the first of three singles from the Legendaddy album to secure a spot on the all-genre Latin Airplay chart. It was succeeded by “Por Última Vez,” with Bad Bunny (No. 44 debut and peak, April 23) and “Hot,” with Pitbull, which hits a new high of No. 25 on the current chart week.

As “Remix” rallies to the summit after 18 weeks, it becomes Daddy Yankee’s second-longest climb to No. 1 among a collection of 26 champs (dating back to “Rompe” in 2005).

Here’s a look at his longest marches to the top during his Latin Airplay 17-year career history:

Weeks to No. 1, Peak Date, Title, Artist (if other than Daddy Yankee)

19 weeks, Nov. 17, 2018, “Zum Zum,” with, RKM & Ken-Y & Arcangel
18 Weeks, August 6, 2022, “Remix”
17 weeks, Feb. 25, 2012, “Lovumba (Prestige)”
16 weeks, Jan. 23, 2016, “Vaiven”
14 Weeks, July 13, 2019, “Soltera” with Lunay & Bad Bunny
14 Weeks, Sept. 14, 2019, “No Lo Trates,” with Pitbull & Natti Natasha
14 Weeks, May 30, 2020, “Definitivamente,” with Sech
14 Weeks, Dec. 5, 2020, “La Santa,” with Bad Bunny

Bad Bunny’s “Moscow Mule” Soars to No. 1 on Billboard’s Latin Airplay Chart

Posted on July 27, 2022 by Tom Castaneda

Bad Bunny has racked up another chart-topper…

The 28-year-old Puerto Rican rapper and singer returns to the summit on Billboard’s Latin Airplay chart as “Moscow Mule” soars 11-1 on the July 30-dated chart.

It’s the 17th champ for Bad Bunny, who first secured a No. 1 in February 2018.

“Moscow Mule” rallies to the top of the all-genre Latin chart in its 11th week with a 49% gain in audience impressions, to 9.9 million, earned in the U.S. in the week ending July 24, according to Luminate.

The song’s growth makes it the chart’s Greatest Gainer.

Some of the greatest radio supporters of “Moscow Mule” during the July 18-24 tracking week were in New York and Philadelphia, leading with New York’s WSKQ (2 million impressions, up 50%) and WXNY (1.3 million, up 49%) and Philadelphia’s WHAT (749,000, a 43% gain).

As “Moscow Mule” takes over Latin Airplay, the previous champ, Wisin and Camilo’s “Buenos Días,” vacates the top spot after a one-week reign, with a 34% decline in audience impressions, falling 1-13. It’s the second-largest positional fall from No. 1 in 2022 after “SG,” by the all-star team of DJ Snake, Ozuna, Lisa and Megan Thee Stallion, which dipped 1-16 on the April 19-dated ranking.

With his 17th No. 1 on Latin Airplay, Bad Bunny ties Ricky Martin for the eighth-most No. 1s since the chart’s launch in 1994.

Here’s a look at the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
25, Daddy Yankee
22, Wisin
21, Maluma
19, Romeo Santos
17, Bad Bunny
17, Ricky Martin

“Moscow” cracks the Latin Airplay No. 1 spot eight months after Bad Bunny captured his last champ, “Volví,” with Aventura, a one-week ruler in October 2021. The song also topped Tropical Airplay for 13 weeks and has ranked in the top 10 within its 51-week run (and counting).

In line with its Latin Airplay coronation, “Moscow Mule” powers to No. 1 on Latin Rhythm Airplay, also Bad Bunny’s 17th win there.

The song previously ruled Hot Latin Songs and Latin Streaming Songs for one week on the May 21-dated survey.

Elsewhere, “Moscow Muke” is back in the top 25 on the Billboard Hot 100 with a 27-25 lift, after its No. 4 debut and peak, also on May 21.

Christian Nodal Earns 14th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Vivo En El 6”

Posted on July 27, 2022 by Tom Castaneda

Make that 14 hits for Christian Nodal…

The 23-year-old Mexican singer has extended his record for the most No. 1s on Billboard’s Regional Mexican Airplay chart as his latest single “Vivo En El 6” rises from No. 4 to rule the July 30-dated survey.

“Vivo En El 6” leads with 8.1 million in audience impressions, up 32%, earned in the U.S. in the week ending July 24, according to Luminate.

“Vivo En El 6” ensures Nodal’s unbroken record of chart-toppers among solo acts on Regional Mexican Airplay with 14 No. 1s. Gerardo Ortiz, with 11, has the second-most No. 1s. Among all acts, Calibre 50 continues to lead with 22 champs.

As “Vivo” jumps 4-1, it captures the week’s Greatest Gainer honor within the 40-deep title ranking.

Here’s a recap of Nodal’s No. 1s since his first Regional Mexican Airplay win in 2017:

Peak Date, Title, Artist (if other than Nodal)
April 8, 2017, “Adios Amor”
Sept. 30, 2017, “Probablemente,” featuring David Bisbal
March 10, 2018, “Me Deje Llevar”
August 11, 2018, “Te Falle”
Dec. 22, 2018, “No Te Contaron Mal”
May 4, 2019 “Nada Nuevo”
August 24, 2019, “De Los Besos Que Te Di”
May 9, 2020 “Se Me Olvido”
Sept. 12, 2020, “Aqui Abajo”
Jan. 30, 2021, “Dime Como Quieres,” with Angela Aguilar
April 24, 2021, “Duele,” with Alejandro Fernandez
May 22, 2021, “2 Veces,” with Los Plebes Del Rancho De Ariel Camacho
Nov. 27, 2021, “La Sinverguenza,” with Banda Ms
July 30, 2022, “Vivo En El 6”

Beyond its Regional Mexican Airplay coronation, “En El 6” cracks the top 10 on the all-genre Latin Airplay chart as the song rallies 12-4 in its ninth week.

With its growing airplay performance, Nodal enters a tie with Ortiz for the third-most top 10s among regional Mexican solo performers, trailing Marco Antonio Solis’ 27 leaders and Alejandro Fernández’s 20.

Don Omar Earns 11th No. 1 on Billboard‘s Latin Airplay Chart with “Soy Yo,” with Wisin & Gente de Zona

Posted on July 13, 2022 by Tom Castaneda

It’s Lucky No. 11 for Don Omar…

The 44-year-old Puerto Rican reggaeton singer, songwriter, rapper, record producer and actor has risen to the No. 1 spot on Billboard‘s Latin Airplay chart dated July 16 with his latest single “Soy Yo” with Wisin and Gente de Zona.

With the new chart-topper, Don Omar adds an 11th No. 1 career total to his account.

The new win arrives a week after “Soy Yo” cracked the No. 1 spot on Tropical Airplay for the first time to rule in its 12th week (July 9-dated ranking).

“Reaching No. 1 for the 11th time in my career is a blessing!” Don Omar shares with Billboard. “The love and appreciation from my fans who have stood by me all these years inspires me to bring more music to them! I dedicate this achievement to them!”

“Soy Yo” rules Latin Airplay with a 38% gain in audience impressions, to 11.17 million, logged in the U.S. in the week ending July 10, according to Luminate.

The airplay surge earns the song the week’s Greatest Gainer trophy, while the percentage gain becomes the second-largest increase following another Wisin collaboration: “Buenos Días,” with Camilo, with a 44% boost, to 5.2 impressions.

With the move, Don Omar claims an 11th career No. 1 total on Latin Airplay. The champ arrives six months after he ruled with “Se Menea,” with Nio García, for two weeks.

Here’s Don Omar’s No. 1 recap:

Peak Date, Title, Artist (if other than Don Omar), Weeks At No. 1
July, 22, 2006, “Angelito Vi,” one
Nov. 13, 2010, “Danza Kuduro,” with Lucenzo, 15
July 16, 2011, “Taboo,” five
April 07, 2012, “Dutty Love,” featuring Natti Natasha, one
July 21, 2012, “Hasta Que Salga El Sol,” three
March 02, 2013, “Zumba,” nine
Feb. 14, 2015, “Soledad,” one
Feb. 11, 2017, “Sin Contrato,” Maluma featuring Fifth Harmony or Don Omar & Wisin, one
Dec. 24, 2016, “Te Quiero Pa’Mi ,” with Zion & Lennox, four
Jan. 15, “Se Menea,” with Nio Garcia, two
July 16, “Soy You,” with Wisin & Gente de Zona

As “Soy Yo” leads, collaborators Wisin and Gente de Zona, concurrently add chart achievements. Wisin continues his No. 1 career expansion as a solo act with 21 champs, tying with Maluma for the fifth-most among all Latin acts. Gente de Zona, meanwhile, pounces to the No. 1 rank after almost seven years. The duo last took the top spot on Latin Airplay with “La Gozadera,” featuring Marc Anthony, in August 2015 for one week.

“Working with Wisin and Gente De Zona, two outstanding artists, was great fun and I feel that enthusiasm showed through on ‘Soy Yo,’ Don Omar adds. “Thanks, Billboard, for giving me a reason to celebrate and acknowledge a special song!”

As Wisin enters a new tie for the fifth-most Latin Airplay No. 1s, let’s look at the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
25, Daddy Yankee
21, Maluma
21, Wisin
19, Romeo Santos

Elsewhere, despite its dip in streams and digital sales, “Soy Yo” pushes up the all-metric Hot Latin Songs chart with a 49-40 climb, after its No. 38 debut and peak.

Karol G Earns 14th No. 1 on Billboard’s Latin Airplay Chart with “Provenza”

Posted on July 8, 2022 by Tom Castaneda

Karol G has another airplay chart-topper on her resume…

The 31-year-old Colombian singer, songwriter and businesswoman has conquered the No. 1 spot on Billboard’s Latin Airplay chart for a 14th time as “Provenza” rises from No. 4 to lead the July 9-dated list.

Holding strong at No. 2 (after its No. 1 high) is Karol G’s single with Becky G, “Mamiii.”

With the one-two punch Karol G logs a new career achievement, becoming just the second woman, after Selena in 1995, to hold Nos. 1 and 2 at the same time since the chart launched in 1994.

“Provenza” rallies 4-1 on Latin Airplay thanks to a 23% gain in audience impressions, to 10.9 million, earned in the U.S. in the week ending July 3, according to Luminate.

It’s Karol G’s 14th champ overall on the tally which measures audience totals across all Latin-monitored stations in the U.S.

It’s concurrently her fourth No. 1 as a solo act, unaccompanied by any other artist, two of which stem from her Top Latin Albums No. 1 set KG0516 (April 14, 2021-dated ranking): “Ay, Dios Mío! (Oct. 2020) and “Bichota” (Feb. 2021).

Further, Karol G sends Rauw Alejandro and Chencho Corleone’s “Desesperados” to No. 5 after its one-week reign (July 2-dated survey) with a 23% dip in audience impressions.

The last female to claim the top two spots together was the late Selena, when “Tú Sólo Tú” and “I Could Fall in Love” ranked at Nos. 1 and 2 respectively, on the Sept. 9, 1995-dated tally. (Selena logged a total of six weeks at Nos. 1 and 2 with those titles beginning that August.)

Further, having already asserted its strength with a No. 1 on Hot Latin Songs, Latin Digital Song Sales, and Latin Streaming Songs charts for at least one week, “Provenza” concurrently pounces to the top on the current Latin Pop Airplay survey.

Elsewhere, “Provenza” holds at No. 4 on the all-metric Hot Latin Songs chart for a third week, after its one-week reign (May 14). It concurrently rebounds 40-32 on the all-genre Billboard Hot 100 chart.

Banda MS Earns 18th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Hay Que Hacer Dinero,” Featuring Eden Muñoz

Posted on July 1, 2022 by Tom Castaneda

Banda MS is celebrating another chart-topper…

The Mexican banda group rises to No. 1 for an 18th time on Billboard’s Regional Mexican Airplay chart with “Hay Que Hacer Dinero,” featuring Eden Muñoz, which rises to the summit on the July 2-dated ranking.

“Hay Que Hacer Dinero” ascends 5-1 with a 34% increase in audience impressions, to 6.9 million, earned in the U.S. in the week ending June 26, according to Luminate.

With the new champ, the Sinaloan band breaks from a tie with Banda El Recodo for the second-most No. 1 titles among all acts on Regional Mexican Airplay. Calibre 50 leads the category with 22 leaders. Muñoz, who scored his first No. 1 as a solo act less than two months ago with the three-week ruler “Chale!” (starting with the May 21-dated chart), captures his second.

Here’s a rundown of the Regional Mexican Airplay No. 1 scoreboard:

22, Calibre 50
18, Banda MS de Sergio Lizarraga
17, Banda El Recodo de Cruz Lizarraga
16, Conjunto Primavera
16, Intocable
16, La Arrolladora Banda el Limon de Rene Camacho
16, Los Tigres del Norte
13, Christian Nodal
11, Gerardo Ortiz
11, La Adictiva Banda San Jose de Mesillas

Concurrently, “Hay Que Hacer Dinero” breaks into the top tier on the all-genre Latin Airplay chart with a 15-6 climb in its sixth week.

The push prompts a 23rd top 10 for Banda MS, which now ties with Banda El Recodo de Cruz Lizarraga for the third-most, trailing Marco Antonio Solis’ 27 top 10s and Calibre 50’s 25.

Elsewhere, “Hay Que Hacer Dinero” debuts at No. 49 on Hot Latin Songs, which blends airplay, digital sales and streaming data. With the new arrival, Banda MS adds a 32nd career entry, while Muñoz his second as a soloist.

Chencho Corleone Earns First No. 1 in a Lead Role on a Billboard Radio Chart with “Desesperados” with Rauw Alejandro

Posted on June 30, 2022 by Tom Castaneda

Chencho Corleone has earned a special first…

The 43-year-old Puerto Rican singer, composer and actor has earned his first No. 1 in a lead role on a Billboard radio chart as “Desesperados,” with Rauw Alejandro, tops the Latin Airplay chart dated July 2.

“Desesperados,” promoted to radio through Duars/Sony Music Latin, rises 4-1 it its 14th week thanks to a 22% boost in audience impressions, to 10.6 million, earned in the U.S. in the week ending June 26, according to Luminate.

The track displaces another Sony Music Latin title from the lead: Prince Royce and Maria Becerra’s “Te Espero,” sending it to No. 5 after its one-week reign.

While Corleone claims his best performance among three Latin Airplay entries, Rauw clocks his ninth No. 1, all earned within a two-year period, dating back to “TBT,” with Sebastian Yatra and Manuel Turizo, in July 2020.

The surge in “Desesperados” impressions gives the song its corresponding lift on Latin Rhythm Airplay, which measures the most-heard Latin rhythmic songs also through audience impressions metrics. There, the song jumps 2-1 in its 15th week.

The move also secures Corleone his first leader in a lead role on Latin Rhythm Airplay and second overall. His maiden champ arrived almost eight years ago, through his featured role in Tito El Bambino’s five-week ruler “A Que No Te Atreves” in September 2014. As the song held atop the survey in its third week, it concurrently topped Tropical Airplay for one week (October 2014).

Corleone’s chart rewards continue across Latin charts. His first collaboration with compatriot Bad Bunny has sustained his Hot Latin Songs domination for a seven-week run (and counting): “Me Porto Bonito” leads the all-metric tally (a blend of airplay, streaming activity, and digital sales) thanks to 22.7 million official streams, up 5%, in the week ending June 23.

While “Me Porto” holds strong at No. 1 on Latin Streaming Songs, it’s the only Spanish-language track in the top 10 on the overall Streaming Songs survey, at No. 6, among a collection of five Drake debuts and four other English-language songs.

In addition to its streaming count, “Me Porto” traces its Hot Latin Songs domination to 1,000 downloads sold. The song remains at No. 2 on Latin Digital Song Sales for a second week.

Maria Becerra Earns First No. 1 on Billboard’s Latin Airplay Chart with Prince Royce-Collab “Te Espero”

Posted on June 21, 2022 by Tom Castaneda

It’s a special first for Maria Becerra…

The 22-year-old Argentine singer and former YouTuber has notched her first No. 1 on Billboard’s Latin Airplay chart as “Te Espero,” her collaboration with Prince Royce, rises 3-1 on the June 25-dated ranking.

“Te Espero” reaches the top of the all-genre tally, concurrent with its third week at No. 1 on the Tropical Airplay chart, due in part to a 19% gain in audience impressions, to 10.5 million, earned in the U.S. in the week ending June 19, according to Luminate.

Released via Sony Music Latin on March 3, the song rises to No. 1 in its 15th week on the list and displaces another Sony Music Latin title from the top spot as Carlos Vives and Camilo’s “Baloncito Viejo” falls 1-7 after its one-week lead.

Further, “Te Espero” becomes the sixth song to reach the summit in 15 weeks or more in 2022.

Here’s a look at the ascent of these titles:

Number of weeks to the top, Title, Artist, Label
19, “Ley Seca,” Jhay Cortez & Anuel AA (Feb. 5)
17, “Mala,” Marc Anthony (March 12)
17, “Cúrame,” Rauw Alejandro (March 5)
17, “Sejodioto,” Karol G (Feb. 12)
16, “Medallo,” Blessd, Justin Quiles & Lenny Tavarez (May 21)
15, “Te Espero,” Prince Royce & Maria Becerra (June 25)

Becerra scores her first champ in her first try, all of which arrived in 2022. She’s also posted a pair of other titles, none of which hit top 20. Becerra, concurrently, becomes the eighth artist to claim a first leader this year.

Here’s the recap:

Artist, Title, Artists, Peak Date
Victor Cárdenas, “El Incomprendido,” with Farruko & DJ Adoni (Jan. 29)
DJ Adoni, “El Incomprendido,” with Farruko & Victor Cárdenas (Jan. 29)
Lisa, “SG,” with DJ Snake, Ozuna & Megan Thee Stallion (April 2)
Megan Thee Stallion, “SG,” with DJ Snake, Ozuna and Lisa (April 2)
Ed Sheeran, “Forever My Love” and “Sigue,” both with J Balvin (April 9 and April 16, respectively)
Blessd, “Medallo,” with Justin Quiles and Lenny Tavarez (May 21)
Lenny Tavarez, “Medallo,” with Justin Quiles and Blessd (May 21)
Maria Becerra, “Te Espero,” with Prince Royce (June 25)

Royce, meanwhile, captures his 15th hit on Latin Airplay, the third-most among tropical acts, trailing only Romeo Santos’ 19 No. 1s and Vives’ 16 champs. J Balvin continues at the helm with 35 leaders.

The surge in “Te Espero” plays also gives the tune a corresponding ascent on the all-metric Hot Latin Songs chart, which measures airplay, streaming data, and digital sales.

There, the bachata hit rises 38-36, after its No. 26 peak on the May 14-dated survey.

Carlos Vives & Camilo Reach No. 1 on Billboard’s Latin Airplay Chart with “Baloncito Viejo”

Posted on June 16, 2022 by Tom Castaneda

Carlos Vives’ latest single has reached the summit of another Billboard chart…

A week after rising to No. 1 on Billboard’s Tropical Airplay chart, the 60-year-old Colombian singer, songwriter and actor’s collaboration with Camilo has reached the No. 1 rank on the overall Latin Airplay chart as “Baloncito Viejo” rules the June 18-dated list.

Vives and Camilo’s first collaboration lifts 2-1 in its 11th week with a 13% gain in audience impressions, earned in the U.S. in the week ending June 12, according to Luminate.

“Baloncito Viejo” becomes Vives’ 16th No. 1 on Latin Airplay, and first in almost three years.

He last achieved a No. 1 with “Si Me Das Tu Amor,” with Wisin, in August 2019.

In between, he’s scored four other entries, including “Canción Bonita” with Ricky Martin, the only other single — along with “Baloncito Viejo” — that appears on his latest studio album, Cumbiana II, which has secured a spot on the overall genre tally (the album debuted and peaked at No. 14 on the May 28-dated Tropical Albums chart).

Camilo, meanwhile, clocks his sixth leader and first of the year. It follows “Millones” which ruled for one week in July 2021. Along with “Baloncito Viejo,” Camilo also charts with “Pegao” on Latin Airplay, at No. 42 on the current chart week.

Elsewhere, “Baloncito Viejo” rises to a new peak on Latin Pop Airplay with an equal 2-1 ascent. The move marks Vives first No. 1 in almost six years, since “La Bicicleta,” with Shakira, topped the ranking for 12 consecutive weeks, starting the July 9, 2016-dated chart.

Notably, both artists capture their fifth champ on Latin Pop Airplay.

Further, “Baloncito Viejo” holds its No. 1 rank on Tropical Airplay for a second week.

Airplay gains likewise push the song up the all-metric Hot Latin Songs, which factors radio airplay, song sales and streaming into its calculations. “Baloncito Viejo” climbs 50-41 and takes home the Greatest Gainer/Airplay honors.

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