Bad Bunny Earns 19th No. 1 on Billboard’s Latin Airplay Chart with “Titi Me Preguntó”

There’s no questioning Bad Bunny’s popularity… 

The 28-year-old Puerto Rican superstar has notched his 19th No. 1 on Billboard’s Latin Airplay chart as “Titi Me Preguntó” climbs 7-1 on the September 24-dated ranking.

Bad BunnyIt’s the third track from Bad Bunny’s historic, chart-topping album Un Verano Sin Ti to lead the all-genre tally.

“Titi Me Preguntó” tops Latin Airplay just a month after “Me Porto Bonito,” with Chencho Corleone, ruled for one week (August 20-dated ranking).

Un Verano Sin Ti’s second single, “Moscow Mule,” earned the set its first champ (list dated July 30).

“Titi Me Preguntó” visits the summit for the first time after a 25% boost in audience impressions — to 9 million — earned in the U.S. in the week ending September 18, according to Luminate.

It sends Romeo Santos and Justin Timberlake’s “Sin Fin” to No. 3 after its debut at No. 1 the week prior.

His 19th No. 1 breaks Bad Bunny from a tie with Ricky Martin for the eighth-most champs among all acts since Latin Airplay launched in 1994.

Here’s a look at the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
27, Daddy Yankee
22, Wisin
21, Maluma
20, Romeo Santos
19, Bad Bunny
18, Ricky Martin

Further, “Titi Me Preguntó” reaches No. 1 on Latin Airplay in its fifth week. Notably, the only song out of his 19 hits to match “Me Porto Bonito’s” equal trek to the penthouse. Previously, “Qué Pretendes,” with J Balvin, reached the top in its sixth week (August 10, 2019).

In addition to its Latin Airplay coronation, “Titi Me Preguntó” advances 3-1 on Latin Rhythm Airplay, Bad Bunny’s also 19th champ there. With the move, he matches Wisin as a solo act and Wisin & Yandel for the fourth-most No. 1s, behind Daddy Yankee and J Balvin’s 34 leaders and Ozuna’s 27.

Elsewhere, “Titi Me Preguntó” holds strong at No. 13 for a third nonconsecutive week on the all-genre Billboard Hot 100 chart after its No. 5 debut and peak in May. Plus, it’s one of two titles still ranking in the list’s top 20 among the nine tracks from his No. 1 LP, Un Verano Sin Ti, currently on the chart.

Alejandro Fernández Earns Fifth No. 1 on Billboard’s Regional Mexican Airplay Chart with La Arrolladora-Collaboration “Nunca Dudes En Llamarme”

There’s no doubt Alejandro Fernández knows how to create hit music…

The 51-year-old Mexican singer, nicknamed El Potrillo, has reached No. 1 on Billboard’s Regional Mexican Airplay chart with “Nunca Dudes En Llamarme,” his collaboration with La Arrolladora Banda El Limón de Rene Camacho.

Alejandro Fernandez,The track rises from No. 3 to the summit on the chart dated September 17.

“Nunca Dudes En Llamarme” takes the Greatest Gainer honors of the week boosted by a 35% gain in audience impressions, to 6.54 million, earned in the U.S. in the week ending Sept. 11, according to Luminate.

The new champ, released July 15 via UMLE, reaches the penthouse in its eighth week on the chart, after its top 20 debut (at No. 16 on the July 30-dated ranking).

“Nunca Dudes En Llamarme” gives La Arrolladora its 17th No. 1 among 45 chart appearances. The band concurrently enters a tie with Intocable for the fourth-most.

Let’s take a look at the leaderboard:

22, Calibre 50
18, Banda El Recodo de Cruz Lizarraga
18, Banda MS de Sergio Lizarraga
17, Intocable
17, La Arrolladora Banda el Limon de Rene Camacho
16, Conjunto Primavera
16, Los Tigres del Norte

Meanwhile, Fernández scores his first champ in over a year – his fifth in total. He clocked his last No. 1 through another team-up: “Duele,” with Christian Nodal, in April 2021.

Elsewhere, “Nunca Dudes En Llamarme” takes La Arrolladora to the upper region on the all-genre Latin Airplay ranking with a 13-8 lift.

With the move, the Sinaloans claim their 22nd top 10, the fifth-most among regional Mexican acts. Plus, Fernández captures his 21st, also the fifth-most among Latin pop acts.

Natti Natasha Earns 10th No. 1 on Billboard’s Latin Airplay Chart with “Mayor Que Usted,” Featuring Daddy Yankee & Wisin y Yandel

It’s a perfect 10 for Natti Natasha

The 35-year-old Dominican singer has captured her 10th chart-topper on Billboard’s Latin Airplay chart dated September 3 with “Mayor Que Usted,” her hit collaboration with Daddy Yankee and Wisin & Yandel.

Natti NatashaThe track rose 5-1 on the chart.

Yankee earned his 27th No. 1 while Wisin & Yandel clocked their 15th champ as a duo.

“Mayor Que Usted” laps all competitors in the No. 1 race boosted by a 31% in audience impressions, to 9.47 million, earned in the U.S. in the week ending August 28, according to Luminate.

The track, released June 16 via Pina/Sony Music Latin, reaches the No. 1 slot as the Greatest Gainer of the week, in its 10th frame.

Here’s the overall chart leaderboard:
35, J Balvin
32, Enrique Iglesias
28, Ozuna
27, Daddy Yankee
22, Wisin
21, Maluma
19, Romeo Santos
18, Bad Bunny
18, Ricky Martin

For Natti, “Mayor” marks her third No. 1 on the chart through a Daddy Yankee collaboration. The pair previously partnered up with two back-to-back champs: “No Lo Trates,” with Pitbull, and “Runaway,” with Sebastián Yatra and Jonas Brothers, both one-week rulers in 2019. “Otra Cosa,” her first collaboration with Daddy Yankee, narrowly missed the No. 1 slot, hitting No. 11 in 2017.

“Mayor Que Usted” also climbs to the Latin Rhythm Airplay summit in its 10th week with the most increased audience honors.

While Natti continues to rank second among female acts with nine No. 1s (Karol G continues at the helm with 13 champs), Daddy Yankee ties with J Balvin for the most overall, both with 34 hits.

Bad Bunny Earns 18th No. 1 on Billboard’s Latin Airplay Chart with Chencho Corleone-Collab “Me Porto Bonito”

Bad Bunny continues his chart-topping ways…

The 28-year-old Puerto Rican rapper and singer’s collaboration with Chencho Corleone, “Me Porto Bonito,” leads another Billboard Latin chart as the track ascends from No. 9 to lead the Latin Airplay ranking dated August 20.

Bad Bunny

It comes just three weeks after Bad Bunny topped the list with “Moscow Mule,” which jumped 11-1 on the July 30 chart (it’s No. 4 on the new chart).

“Me Porto Bonito” rallies 9-1 on Latin Airplay in its fifth week, the fastest trek to the top between Bad Bunny’s collection of 18 No. 1s among 36 career appearances.

On the tracking week ending in Aug. 14, “Me Porto Bonito” earned 9 million in audience impressions, up 35%.

With 18 leaders on his account, Bad Bunny breaks a tie with Ricky Martin as the act with the eighth-most No. 1s on Latin Airplay.

Here’s the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
26, Daddy Yankee
22, Wisin
21, Maluma
19, Romeo Santos
18, Bad Bunny
17, Ricky Martin

The song concurrently takes over Latin Rhythm Airplay with a 7-1 lift in its eighth week.

The new leader gifts Bad Bunny his 18th No. 1 on both surveys. Meanwhile, Chencho Corleone scores his second Latin Airplay ruler and third on Latin Rhythm Airplay, dating back to his first offering, the five-week ruler which arrived through his featured role in Tito El Bambino’s “A Que No te Atreves,” in 2014.

In addition to the new chart-topper, Bad Bunny also ranks in the top 10 with one more song. Former champ “Moscow Mule” darts 5-4 after a 9% drop in weekly audience impressions.

“Me Porto Bonito’s” Latin Airplay coronation arrives 13 weeks after the song conquered the No. 1 spot on the multi-metric Hot Latin Songs chart, which blends airplay, streaming data, and digital sales. The song has since held steady atop the tally thanks to its continued streaming success. In the tracking week ending Aug. 11, the song generated 20.22 million U.S. streams, a 1% decline from the week prior, according to Luminate.

Despite its 1% streaming decline, “Me Porto Bonito” remains strong atop Latin Streaming Songs also for a 13th week (and counting). Further, it dips 2-3 on the overall Streaming Songs, after its two-week coronation for Bad Bunny’s first and only champ on that survey.

Jhayco Earns First No. 1 as a Soloist on Billboard’s Latin Airplay Chart

It’s a special first for Jhayco

The 29-year-old Puerto Rican singer and rapper rises to No. 1 on Billboard’Latin Airplay chart with “Sensual Bebe” on the August 13-dated ranking.

JhaycoThe song marks his fifth champ on the all-Latin genre list, and his first as a soloist, unaccompanied by another act.

“Hitting No. 1 with a solo song was an overdue milestone for my career,” Jhayco tells Billboard. “We’ve been working towards that for quite some time and there are more to come. I don’t doubt it.”

“Sensual Bebe” climbs from No. 7 to lead Latin Airplay after a 29% surge in audience impressions, to 9.3 million, earned in the U.S. in the July 1-7 tracking week, according to Luminate.

The track simultaneously takes the Greatest Gainer honors of the week on two charts, as it advances 5-1 on Latin Rhythm Airplay.

“Sensual” gives JhayCo — who formerly performed as Jhay Cortez — his fifth leader on both lists, and first unaccompanied by any other collaborator. Jhayco’s first Latin Airplay No. 1 arrived through “Dakiti,” a co-billed collaboration with Bad Bunny, which spent two weeks at No. 1 (December 2020-January 2021). It also earned him three Billboard Latin Music Awards in 2021. The song concurrently won him the fourth-longest command in the history of the all-metric Hot Latin Songs, ruling for 27 weeks, behind only Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber (56 weeks); Enrique Iglesias’ “Bailando” (41 weeks); and Nicky Jam and Iglesias’ “El Perdón” (30 weeks).

Back on Latin Airplay, Jhayco leads for the first time as a soloist, unassisted by any other act.

Here’s a recap of his wins:

Peak Date, Title, Artist (if other than Jhayco):
Dec. 26, 2020, “Dakiti,” with Bad Bunny
June 12, 2021, “Fiel,” Los Legendarios, Wisin & Jhay Cortez
Feb. 5, 2022, “Ley Seca,” with Anuel AA
Jan. 8, 2022, “Emojis De Corazones,” with Wisin & Ozuna featuring Los Legendarios
August 13, 2022, “Sensual Bebe”

While a now-established radio champ, “Sensual” debuted at No. 44 on the Latin Airplay chart dated March 26 and snatches the No. 1 spot in its 21st week (following three weeks in the top 10); it’s the longest climb to No. 1 in 2022 thus far. Let’s take a look at the tracks with the most weeks to No. 1:

Weeks to No. 1, Song Title, Artist, Date Reached No. 1
21 weeks, “Sensual Bebe,” Jhayco, August 13
19, “Buenos Días,” Wisin & Camilo, July 23
19, “Ley Seca,” Jhay Cortez & Anuel AA, Feb. 5
18, “Remix,” Daddy Yankee, August 6

“Sensual’s” Latin Airplay domination arrives days after he performed in Las Vegas on August 3 as part of his Timelezz world tour — which kicked off May 7 in the same city — in support of his sophomore effort Timelezz, the No. 2-peaking set on Top Latin Albums (September 18, 2021).

“Sensual Bebe” is the first single from Jhayco’s next studio album.

Daddy Yankee Earns 26th No. 1 on Billboard’s Latin Airplay Chart with “Remix”

Daddy Yankee is remixing his way to the top of the charts…

The 45-year-old Puerto Rican rapper, singer and composer has reached the summit of Billboard’Latin Airplay chart as “Remix” reaches the No. 1 spot after 18 weeks to lead the August 6-dated ranking.

Daddy YankeeThe veteran singer now has 26 No. 1s on the chart, still the fourth-most among all acts.

“Remix” soars 11-1 with a 63% increase in audience impressions (rising to 10.58 million for the week) in the tracking week ending July 31, according to Luminate. It also takes the Greatest Gainer trophy among the 50-title deep list.

Among the song’s greater radio supporters were New York and Washington, D.C. markets, starting with WSKQ with 1.4 million impressions (up 27%) and WXNY with 843,000 (up 93%), both in NY. Meanwhile WLZL and WDCN in D.C. showed an increment of 147% (121,000) and 400% (300,000), respectively.

The tracking week included Daddy Yankee’s La Última Vuelta tour launch on July 25 in Denver, which likely fueled promotion around the track in radio stations.

The trek in support of his Legendaddy album which debuted at No. 1 on Top Latin Albums (April 9) — his seventh champ.

Here are the five acts with the most No. 1s on Latin Airplay:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
26, Daddy Yankee
22, Wisin

“Remix” is the first of three singles from the Legendaddy album to secure a spot on the all-genre Latin Airplay chart. It was succeeded by “Por Última Vez,” with Bad Bunny (No. 44 debut and peak, April 23) and “Hot,” with Pitbull, which hits a new high of No. 25 on the current chart week.

As “Remix” rallies to the summit after 18 weeks, it becomes Daddy Yankee’s second-longest climb to No. 1 among a collection of 26 champs (dating back to “Rompe” in 2005).

Here’s a look at his longest marches to the top during his Latin Airplay 17-year career history:

Weeks to No. 1, Peak Date, Title, Artist (if other than Daddy Yankee)

19 weeks, Nov. 17, 2018, “Zum Zum,” with, RKM & Ken-Y & Arcangel
18 Weeks, August 6, 2022, “Remix”
17 weeks, Feb. 25, 2012, “Lovumba (Prestige)”
16 weeks, Jan. 23, 2016, “Vaiven”
14 Weeks, July 13, 2019, “Soltera” with Lunay & Bad Bunny
14 Weeks, Sept. 14, 2019, “No Lo Trates,” with Pitbull & Natti Natasha
14 Weeks, May 30, 2020, “Definitivamente,” with Sech
14 Weeks, Dec. 5, 2020, “La Santa,” with Bad Bunny

Bad Bunny’s “Moscow Mule” Soars to No. 1 on Billboard’s Latin Airplay Chart

Bad Bunny has racked up another chart-topper…

The 28-year-old Puerto Rican rapper and singer returns to the summit on Billboard’s Latin Airplay chart as “Moscow Mule” soars 11-1 on the July 30-dated chart.

Bad Bunny

It’s the 17th champ for Bad Bunny, who first secured a No. 1 in February 2018.

“Moscow Mule” rallies to the top of the all-genre Latin chart in its 11th week with a 49% gain in audience impressions, to 9.9 million, earned in the U.S. in the week ending July 24, according to Luminate.

The song’s growth makes it the chart’s Greatest Gainer.

Some of the greatest radio supporters of “Moscow Mule” during the July 18-24 tracking week were in New York and Philadelphia, leading with New York’s WSKQ (2 million impressions, up 50%) and WXNY (1.3 million, up 49%) and Philadelphia’s WHAT (749,000, a 43% gain).

As “Moscow Mule” takes over Latin Airplay, the previous champ, Wisin and Camilo’s “Buenos Días,” vacates the top spot after a one-week reign, with a 34% decline in audience impressions, falling 1-13. It’s the second-largest positional fall from No. 1 in 2022 after “SG,” by the all-star team of DJ Snake, Ozuna, Lisa and Megan Thee Stallion, which dipped 1-16 on the April 19-dated ranking.

With his 17th No. 1 on Latin Airplay, Bad Bunny ties Ricky Martin for the eighth-most No. 1s since the chart’s launch in 1994.

Here’s a look at the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
25, Daddy Yankee
22, Wisin
21, Maluma
19, Romeo Santos
17, Bad Bunny
17, Ricky Martin

“Moscow” cracks the Latin Airplay No. 1 spot eight months after Bad Bunny captured his last champ, “Volví,” with Aventura, a one-week ruler in October 2021. The song also topped Tropical Airplay for 13 weeks and has ranked in the top 10 within its 51-week run (and counting).

In line with its Latin Airplay coronation, “Moscow Mule” powers to No. 1 on Latin Rhythm Airplay, also Bad Bunny’s 17th win there.

The song previously ruled Hot Latin Songs and Latin Streaming Songs for one week on the May 21-dated survey.

Elsewhere, “Moscow Muke” is back in the top 25 on the Billboard Hot 100 with a 27-25 lift, after its No. 4 debut and peak, also on May 21.

Christian Nodal Earns 14th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Vivo En El 6”

Make that 14 hits for Christian Nodal

The 23-year-old Mexican singer has extended his record for the most No. 1s on Billboard’s Regional Mexican Airplay chart as his latest single “Vivo En El 6” rises from No. 4 to rule the July 30-dated survey.

Christian Nodal,“Vivo En El 6” leads with 8.1 million in audience impressions, up 32%, earned in the U.S. in the week ending July 24, according to Luminate.

“Vivo En El 6” ensures Nodal’s unbroken record of chart-toppers among solo acts on Regional Mexican Airplay with 14 No. 1s. Gerardo Ortiz, with 11, has the second-most No. 1s. Among all acts, Calibre 50 continues to lead with 22 champs.

As “Vivo” jumps 4-1, it captures the week’s Greatest Gainer honor within the 40-deep title ranking.

Here’s a recap of Nodal’s No. 1s since his first Regional Mexican Airplay win in 2017:

Peak Date, Title, Artist (if other than Nodal)
April 8, 2017, “Adios Amor”
Sept. 30, 2017, “Probablemente,” featuring David Bisbal
March 10, 2018, “Me Deje Llevar”
August 11, 2018, “Te Falle”
Dec. 22, 2018, “No Te Contaron Mal”
May 4, 2019 “Nada Nuevo”
August 24, 2019, “De Los Besos Que Te Di”
May 9, 2020 “Se Me Olvido”
Sept. 12, 2020, “Aqui Abajo”
Jan. 30, 2021, “Dime Como Quieres,” with Angela Aguilar
April 24, 2021, “Duele,” with Alejandro Fernandez
May 22, 2021, “2 Veces,” with Los Plebes Del Rancho De Ariel Camacho
Nov. 27, 2021, “La Sinverguenza,” with Banda Ms
July 30, 2022, “Vivo En El 6”

Beyond its Regional Mexican Airplay coronation, “En El 6” cracks the top 10 on the all-genre Latin Airplay chart as the song rallies 12-4 in its ninth week.

With its growing airplay performance, Nodal enters a tie with Ortiz for the third-most top 10s among regional Mexican solo performers, trailing Marco Antonio Solis’ 27 leaders and Alejandro Fernández’s 20.

Don Omar Earns 11th No. 1 on Billboard‘s Latin Airplay Chart with “Soy Yo,” with Wisin & Gente de Zona

It’s Lucky No. 11 for Don Omar

The 44-year-old Puerto Rican reggaeton singer, songwriter, rapper, record producer and actor has risen to the No. 1 spot on Billboard‘s Latin Airplay chart dated July 16 with his latest single “Soy Yo” with Wisin and Gente de Zona.

Don OmarWith the new chart-topper, Don Omar adds an 11th No. 1 career total to his account.

The new win arrives a week after “Soy Yo” cracked the No. 1 spot on Tropical Airplay for the first time to rule in its 12th week (July 9-dated ranking).

“Reaching No. 1 for the 11th time in my career is a blessing!” Don Omar shares with Billboard. “The love and appreciation from my fans who have stood by me all these years inspires me to bring more music to them! I dedicate this achievement to them!”

“Soy Yo” rules Latin Airplay with a 38% gain in audience impressions, to 11.17 million, logged in the U.S. in the week ending July 10, according to Luminate.

The airplay surge earns the song the week’s Greatest Gainer trophy, while the percentage gain becomes the second-largest increase following another Wisin collaboration: “Buenos Días,” with Camilo, with a 44% boost, to 5.2 impressions.

With the move, Don Omar claims an 11th career No. 1 total on Latin Airplay. The champ arrives six months after he ruled with “Se Menea,” with Nio García, for two weeks.

Here’s Don Omar’s No. 1 recap:

Peak Date, Title, Artist (if other than Don Omar), Weeks At No. 1
July, 22, 2006, “Angelito Vi,” one
Nov. 13, 2010, “Danza Kuduro,” with Lucenzo, 15
July 16, 2011, “Taboo,” five
April 07, 2012, “Dutty Love,” featuring Natti Natasha, one
July 21, 2012, “Hasta Que Salga El Sol,” three
March 02, 2013, “Zumba,” nine
Feb. 14, 2015, “Soledad,” one
Feb. 11, 2017, “Sin Contrato,” Maluma featuring Fifth Harmony or Don Omar & Wisin, one
Dec. 24, 2016, “Te Quiero Pa’Mi ,” with Zion & Lennox, four
Jan. 15, “Se Menea,” with Nio Garcia, two
July 16, “Soy You,” with Wisin & Gente de Zona

As “Soy Yo” leads, collaborators Wisin and Gente de Zona, concurrently add chart achievements. Wisin continues his No. 1 career expansion as a solo act with 21 champs, tying with Maluma for the fifth-most among all Latin acts. Gente de Zona, meanwhile, pounces to the No. 1 rank after almost seven years. The duo last took the top spot on Latin Airplay with “La Gozadera,” featuring Marc Anthony, in August 2015 for one week.

“Working with Wisin and Gente De Zona, two outstanding artists, was great fun and I feel that enthusiasm showed through on ‘Soy Yo,’ Don Omar adds. “Thanks, Billboard, for giving me a reason to celebrate and acknowledge a special song!”

As Wisin enters a new tie for the fifth-most Latin Airplay No. 1s, let’s look at the scoreboard:

35, J Balvin
32, Enrique Iglesias
28, Ozuna
25, Daddy Yankee
21, Maluma
21, Wisin
19, Romeo Santos

Elsewhere, despite its dip in streams and digital sales, “Soy Yo” pushes up the all-metric Hot Latin Songs chart with a 49-40 climb, after its No. 38 debut and peak.

Karol G Earns 14th No. 1 on Billboard’s Latin Airplay Chart with “Provenza”

Karol G has another airplay chart-topper on her resume…

The 31-year-old Colombian singer, songwriter and businesswoman has conquered the No. 1 spot on Billboard’s Latin Airplay chart for a 14th time as “Provenza” rises from No. 4 to lead the July 9-dated list.

Karol G

Holding strong at No. 2 (after its No. 1 high) is Karol G’s single with Becky G, “Mamiii.”

With the one-two punch Karol G logs a new career achievement, becoming just the second woman, after Selena in 1995, to hold Nos. 1 and 2 at the same time since the chart launched in 1994.

“Provenza” rallies 4-1 on Latin Airplay thanks to a 23% gain in audience impressions, to 10.9 million, earned in the U.S. in the week ending July 3, according to Luminate.

It’s Karol G’s 14th champ overall on the tally which measures audience totals across all Latin-monitored stations in the U.S.

It’s concurrently her fourth No. 1 as a solo act, unaccompanied by any other artist, two of which stem from her Top Latin Albums No. 1 set KG0516 (April 14, 2021-dated ranking): “Ay, Dios Mío! (Oct. 2020) and “Bichota” (Feb. 2021).

Further, Karol G sends Rauw Alejandro and Chencho Corleone’s “Desesperados” to No. 5 after its one-week reign (July 2-dated survey) with a 23% dip in audience impressions.

The last female to claim the top two spots together was the late Selena, when “Tú Sólo Tú” and “I Could Fall in Love” ranked at Nos. 1 and 2 respectively, on the Sept. 9, 1995-dated tally. (Selena logged a total of six weeks at Nos. 1 and 2 with those titles beginning that August.)

Further, having already asserted its strength with a No. 1 on Hot Latin Songs, Latin Digital Song Sales, and Latin Streaming Songs charts for at least one week, “Provenza” concurrently pounces to the top on the current Latin Pop Airplay survey.

Elsewhere, “Provenza” holds at No. 4 on the all-metric Hot Latin Songs chart for a third week, after its one-week reign (May 14). It concurrently rebounds 40-32 on the all-genre Billboard Hot 100 chart.