Bruno Mars Rises to No. 1 on Billboard’s Radio Songs Chart with “Risk It All”

It’s all risk, all reward for Bruno Mars

The 40-year-old part-Puerto Rican Grammy-winning superstar’s “Risk It All” has taken over as the most-heard song on radio, rising two spots to No. 1 on Billboard’s all-format Radio Songs chart.

Bruno MarsThe ballad becomes Mars’ 12th leader on the list, extending his record for the most among male artists.

The track rules the chart dated August 15 with 67.7 million audience impressions July 31-August 6, a 5% week-over-week gain, according to Luminate.

Here’s an updated look at the acts with the most No. 1s since Radio Songs began in December 1990:

13, Rihanna
12, Bruno Mars
11, Mariah Carey
8, Taylor Swift
7, Maroon 5
7, Katy Perry
7, Usher

“Risk It All” concurrently climbs one place to No. 1 on the mainstream top 40-based Pop Airplay chart, where Mars adds his 13th No. 1, also widening his lead for the most among male acts.

Here’s a recap of the artists with the most No. 1s at the format, since the chart began in October 1992:

15, Taylor Swift
13, Bruno Mars
11, Justin Bieber
11, Maroon 5
11, Katy Perry
11, Rihanna
10, Ariana Grande

Mars boasts two No. 1s on each chart from his latest album, The Romantic, which opened at No. 1 on the Billboard 200in March.

Lead single “I Just Might” dominated Radio Songs for 21 weeks, his longest reign on the ranking, and topped Pop Airplay for six weeks, matching Mark Ronson’s “Uptown Funk!,” on which he’s featured, for his best.

Mars joins Mariah Carey as the only artists with four albums that have each produced at least two Radio Songs No. 1s.

Meanwhile, thanks to its Spanish version, “Risk It All” reached No. 3 on Latin Pop Airplay in June, Mars’ best career placement on the chart.

Jay Wheeler Earns First No. 1 on Billboard’s Latin Pop Airplay Chart with Morat-Collab “Sin Ti”

It’s a special first for Jay Wheeler

The 31-year-old Puerto Rican singer and songwriter has earned his first No. 1 on Billboard’s Latin Pop Airplay chart with “Sin Ti,” his collaboration with Morat.

Jay Wheeler

The track leaps from No. 4 to the top spot, earning the week’s Greatest Gainer honors, which recognize the song with the largest increase in audience impressions.

“Sin Ti” advances after a 56% gain across U.S. Latin pop radio, to 7.1 million, earned during the tracking period.

This marks Wheeler’s maiden No. 1.

Previously, the Puerto Rican came closest through “Extrañándote,” with wife Zhamira Zambrano, which peaked at No. 3 in 2024.

Colombian group Morat, meanwhile, claims its second chart-topper, four months since the pop band earned its first with “Me Toca a Mí,” with Camilo, in August.

The song flies 18-6 on other overall Latin Airplay chart, the highest rank for Wheeler since “Si Te Preguntan,” with Prince Royce and Nicky Jam, in 2022.

Selena Gomez’s Collaboration with Benny Blanco & The Marias Reaches No. 1 on Billboard’s Latin Pop Airplay Chart

Selena Gomez has nothing to be triste about…

Four months after its No. 1 debut on Billboard’s inaugural Hot Latin Pop Songs chart, the 33-year-old Mexican American actress and singer’s track “Ojos Tristes,” featuring benny blanco and The Marias, tops an airplay chart for the first time, as the song jumps 2-1 on the Latin Pop Airplay chart.

Selena Gomez“Ojos Tristes” claims the No. 1 spot with 8.3 million audience impressions earned in the United States during the August 8-14 tracking week, according to Luminate; that’s a 21% growth from the prior week.

“Ojos Tristes” first bowed at No. 1 on the introductory Hot Latin Pop Songs chart dated April 12, largely fueled by 8.7 million official on-demand U.S. streams. The chart employs the same methodology as the multi-metric Hot Latin Songs chart, where streaming data, airplay audience and digitals sales are included into its formula.

During that chart-topping week, the three-way collab also generated 1,000 downloads and retained its spot at the summit on Latin Digital Songs Sales, despite a substantial 40% decline in sales.

Now, four months later, “Ojos Tristes” has become the biggest song on Latin pop stations across the U.S. after a 17-week journey to the top.

The achievement matches with Farruko’s “Cables Cruzados” (February 22), marking it the longest trek to the top on Latin Pop Airplay in 2025 and the slowest ascent since Carlos Vives and Juanes’ “Las Mujeres” also took 17 weeks to claim the top slot in December 2023.

Gomez finds her third leader on the chart, following her featured turn on DJ Snake’s “Taki Taki,” which also features Ozuna and Cardi B (2018) and “Baila Conmigo,” with Rauw Alejandro (2021).

As for benny blanco and The Marias, they each claim their first No. 1 on Latin Pop Airplay through “Ojos Tristes,” the fourth single from Gomez’s and blanco’s collaborative project, I Said I Love You First. The set took the pair to a No. 2 debut on the overall Billboard 200 (April 5 list).

Building on its success atop the Latin Pop Airplay chart, “Ojos Tristes” makes progress on the overall Latin Airplay chart, where it climbs from No. 6 to No. 3, a new peak. This is Gomez’s highest position on the chart since her No. 1-peaking “Baila Conmigo” in 2021.

Returning to where “Ojos Tristes” first began its reign, the song secures a 13th week at No. 1 on Hot Latin Pop Songs.

Thalía Earns First No. 1 on Billboard’s Regional Mexican Airplay Chart with Los Ángeles Azules-Collab “Yo Me Lo Busqué”

Thalía is celebrating a Regional Mexican music first…

The 53-year-old Mexican Latin Grammy-winning singer’s collaboration with Los Ángeles Azules, Yo Me Lo Busqué,” rises 9-1 on Billboard’s Regional Mexican Airplay list dated May 3.

Thalia, Los Angeles Azules“Yo Me Lo Busqué” ascends to the summit with the Greatest Gainer honors, awarded weekly to the song with the largest weekly gain in audience among the chart’s 40 songs.

The song earned 6.4 million audience impressions, up 47%, in the U.S. in the week ending April 24, according to Luminate.

“Yo Me Lo Busqué” was released January 18 via Promotodo. The Mexican label achieves its second No. 1 on the Regional Mexican Airplay chart, thanks to another collaboration featuring Los Ángeles Azules.

Their previous hit, “Perdonarte Para Qué?” with Emilia, reached the top spot for one week in September 2024.

As “Yo Me Lo Busqué” takes over Regional Mexican Airplay, Thalia scores her first No. 1, besting her previous No. 5 high through “Tú y Yo” in July 2002.

With their latest chart-topper, Los Ángeles Azules secure their sixth No. 1 on Regional Mexican Airplay, among 17 career top 10 hits. The group’s breakthrough classic, “El Listón De Tu Pelo,” remains their longest-reigning No. 1, holding atop the list for seven weeks in 2000.

Here’s a look at their collection of No. 1 hits since the chart’s inception in 1994:

Title, Artist, Peak Date, Weeks at No. 1
“El Listón De Tu Pelo,” Feb. 5, 2000, seven
“Nunca Es Suficiente,” featuring Natalia Lafourcade, Jan. 26, 2019, three
“Túi Y Tú,” with Cazzu & Santa Fe Klan, May 20, 2023, one
“La Cumbia Triste,” with Alejandro Fernández, April 13, 2024, one
“Perdonarte Para Que?” with Emilia, July 20, 2024, one
“Yo Me Lo Busqué,” with Thalia, May 3

Notably, as “Yo Me Lo Busqué” also takes the lead on the Latin Pop Airplay chart –where it jumps 2-1 with a 39% increase in audience, to 7.2 million– Los Ángeles Azules and Thalia swap successes in new chart achievements.

While Thalia scores her first-ever No. 1 on the Regional Mexican Airplay chart, Los Ángeles Azules claim the top spot on the Latin Pop Airplay chart, marking their first No. 1 there. It’s the third No. 1 for Thalia on Latin Pop Airplay, who in addition to her new airplay achievement, has also secured No. 1s on Tropical Airplay, twice, in 2000 and 2002.

Maluma Earns 13th No. 1 on Billboard’s Latin Pop Airplay Chart with “Cosas Pendientes”

It’s Lucky No. 13 for Maluma

The 31-year-old Colombian superstar has earned his 13th No. 1 on Latin Pop Airplay chart with “Cosas Pendientes.”

MalumaIt’s Maluma’s first champ in two years.

Maluma’s song improves due to 12% gain in audience impressions, to 6.4 million, per Luminate.

The song, written by Maluma alongside Edgar Barrera, Keityn and Casta, is a warm nod to his day-one fans.

It’s the first single from upcoming +Pretty +Dirty album.

Luis Fonsi Earns 11th No. 1 on Billboard’s Latin Pop Airplay Chart with Carlos Vives-Collab “Santa Marta”

Luis Fonsi has returned to No. 1 on the Billboard music charts…

The 46-year-old Puerto Rican Latin Grammy-winning singer is back at No. 1 on Billboard’s Latin Pop Airplay chart with “Santa Marta,” his first collaboration with Carlos Vives.

Luis Fonsi
The track climbs 3-1 to lead the August 31-dated ranking.

It’s Fonsi’s 11th chart-topper and Vives’ seventh.

“It’s like an anniversary song,” Fonsi previously told Billboard of “Santa Marta,” which praises genuine love and empathy.

The song — released on May 17 as one of 12 songs on Fonsi’s 11th studio album El Viaje, which earned the Puerto Rican his 15th entry on Latin Pop Albums in June — was written by Fonsi alongside Mauricio Rengifo and Andres Torres, also producers of the album.

“Santa Marta” crowns Latin Pop Airplay after a 1% gain in audience impressions, to 3.3 million, earned in the U.S. in the tracking week of August 9-15, according to Luminate.

As the song lands at the summit, Fonsi manages his 11th No. 1 on Latin Pop Airplay and seventh through a collaboration.

His first collaboration to hit No. 1 was “Despacito” with Daddy Yankee featuring Justin Bieber, which ruled the tally for 18 weeks in 2017.

All of his No. 1s since have been collaborations. His first four leaders were all solo No. 1s, unaccompanied by any other artist, including his first No. 1, the five-week champ “Nada Es Para Siempre” in 2005.

Vives, however, raced to the No. 1 slot for the first time in 1995 when “La Tierra Del Olvido” ruled for two weeks.

The song, a core vallenato track, then made it to the pop radio ranking before it switched from a station-based tally to a genre-based survey.

Since then, Vives has crowned Latin Pop Airplay six more times, his last through “Mujeres,” a collab with fellow country singer Juanes, for one week on top in December 2023.

“Santa Marta” places Luis Fonsi back at the lead on Latin Pop Airplay after almost three years, as the Puerto Rican last occupied the No. 1 spot with “Bésame,” with Myke Towers, in November 2021.

He managed, though, three top 10s in between: “Vacaciones” with Manuel Turizo (No. 6 high in 2022), “Buenos Aires” (No. 10, September 2023) and “Pasa La Página” and “Panamá” (No. 6 high in January) The latter two (along with “Santa Marta”) are all from El Viaje.

Elsewhere, despite its 1% lift in audience impressions, “Santa Marta” dips to No. 32 on the overall Latin Airplay chart, after its No. 31 high (August 31-dated list) during its nine-week run so far.

Venesti’s “Es Normal” Rises to No. 1 on Billboard’s Latin Rhythm Airplay & Latin Pop Airplay Charts

Venesti is celebrating a double win… 

The 29-year-old Colombian singer, composer and producer’s latest single “Es Normal” rules Billboard’Latin Rhythm Airplay and Latin Pop Airplay charts dated July 27.

VenestiThe track is the fourth single from his album De La Nada to enter a Billboard chart.

“It’s really important to lead the Latin Rhythm Airplay and Latin Pop Airplay charts, both for me and my team,” Venesti tells Billboard. “Actually, it’s the song we picked as (the) first single and the one I listen to the most.”

On Latin Rhythm Airplay, “Es Normal” ascends from No. 3 to crown the 25-song ranking with a 21% gain in audience impressions, up 6.6 million, logged during the July 12-18 tracking week, according to Luminate. With the ascension, Venesti picks up his second No. 1, after the one-week takeover of “Umaye” last October.

Further, the new champ also takes indie label AP Global to its second coronation on Latin Rhythm Airplay –and third top 10 overall– after it secured its first top 10 through “Pura Maldad” in June 2023.

“When we were composing the song, I was going through a real-life situation about mistrust and chatter, so we decided to write it because so many people go through the same thing,” Venesti remembers. “When the person involved heard it, she started questioning whether I had changed. But nothing, it’s been proven that such is the case, and yes, that makes the song even more special for both, me and my team.”

The Pop-Afrobeat “Es Normal” also stands steady at No. 1 for a second week on Latin Pop Airplay. There, it joins Venesti’s first champ, “No Es Normal,” with Nacho and Maffio, which held strong at the summit for 10 weeks, the longest-leading song in 2024 so far.

“Es Normal” joins three other songs stemming from Venesti’s debut studio album De La Nada, released Sept. 28 on AP Global. Those songs are the No. 11-peaking “Necesidad” (Latin Rhythm Airplay, Dec. 2022), and top 10s “Pura Maldad” (No. 10 high, June 2023) and as mentioned, “Umaye,” which granted Venesti his first ruler on any chart.

Beyond Latin Rhythm Airplay and Latin Pop Airplay, Venesti reaches for his third top 10 on the overall Latin Airplay, where “Es Normal,” produced by Milo Beat, jumps 8-4. He landed two champs previously on the overall radio ranking, both in less than a year: “Umaye” (Dec. 2023) and “No Es Normal,” with Nacho and Maffio, in March.

Danny Ocean Earns First-Ever No. 1s on Billboard Charts with “Amor”

It’s a special, long-awaited first for Danny Ocean. 

The 32-year-old Venezuelan singer, songwriter and record producer, whose real name is Daniel Alejandro Morales Reyes, has earned his first No. 1 on a Billboard chart with “Amor.”

Danny OceanThe pop-dembow tune surges 10-1 on the overall Latin Airplay chart and 2-1 on the Latin Pop Airplay ranking dated June 15.

“What makes me happiest, beyond my name being there, is that a Venezuelan is at No. 1,” Ocean tells Billboard. “This is a project that has always honored love.”

“Amor” takes the crown with 8.7 million audience impressions, up 54%, on U.S. reporting radio stations during the May 31-June 6 tracking week, according to Luminate.

Thanks to the 54% percentage surge on airplay, “Amor” wins the Greatest Gainer honor, awarded weekly to the song with the largest gain in impressions among the chart’s 50 titles. Among the song’s biggest supporters, New York’s WXNY leads the way in the latest tracking week, Puerto Rico’s WKAQ comes second, while Los Angeles’ KXOL rounds out the top three.

“Amor,” one of 12 tracks on Ocean’s third studio albumReflexa, completes a five-week journey to the top on Latin Airplay, having debuted at No. 45 on the chart dated May 18.

Thus, it takes second-fastest rise to the summit among the ranking’s 21 rulers in 2024, after Xavi’s “La Diabla” which reached the penthouse in its third week (chart dated February 10).

Only one song achieved the feat faster: Shakira and Cardi B’s “Puntería” debuted atop the list dated April 6. Here’s the recap of those songs that needed the least weeks to land at No. 1 on Latin Airplay in 2024:

Weeks To Position, Title, Artist, Reached On
1, “Puntería,” Shakira & Cardi B, April 6 (debut)
3, “La Diabla,” Xavi, Feb. 10
5, “Amor,” Danny Ocean, June 15
7, “Por El Contrario,” Becky G with Leonardo Aguilar & Angela Aguilar, March 9
7, “(Entre Paréntesis),” Shakira & Grupo Frontera, May 18

As “Amor” hits No. 1 on Latin Airplay, it pushes Alejandro Fernández and Alfredo Olivas’Cobijas Ajenas” from the lead, with a 33% drop in impressions, to 5.9 million.

Over on Latin Pop Airplay, with “Amor” Ocean outdoes his prior best showing of No. 5 for “Miedito o Qué?,” with Ovy On The Drums and Karol G, in January 2021.

Eladio Carrión Earns First No. 1 on Billboard’s Latin Airplay Chart with “TQMQA”

Eladio Carrión is celebrating a first…

The 29-year-old Puerto Rican Latin trap and reggaeton rapper and singer has earned his first No. 1 on Billboard‘s Latin Airplay chart as “TQMQA” climbs 4-1 to lead the April 13-dated list.

Eladio CarriónCarrión crosses off a new achievement with the dembow-pop tune — whose title stands for “Te Quiero Más Que Ayer — as it tops the overall Latin radio ranking. “TQMQA” lands at the summit seven weeks after it earned the Latin rapper his maiden champ on any Billboard chart (hit No. 1 on Latin Pop Airplay in March).

“The intention behind ‘TQMQA’ was to give my parents the recognition that they deserve,” Carrión said. “It’s an honor for me that the track landed at No. 1, but when I make music, I’m never thinking about what numbers or awards I’m gonna get. My main intention is always to be authentic to myself and share that with my fans. Everything else that comes after that is just a bonus that I’m extremely grateful for. It never gets old.”

“TQMQA” advances to the lead with a 26% gain in audience impressions, to 9.5 million, earned in the U.S. during the March 29-April 4-tracking week, according to Luminate.

“TQMQA” is the first cut from Carrión’s fifth studio album, Sol María (released via Rimas Entertainment). The 17-track set, an ode to his mother, debuted at Nos. 6 and 3, respectively, on Top Latin Albums and Latin Rhythm Albums (February 3-dated rankings).

“When I first told my parents about the concept for ‘TQMQA,’ they were taken aback by how personal the song and video were,” Carrión shares. “But it was special to us because we pieced together all these old clips from our home movies to make this time capsule of my upbringing. It’s emotional to see how far we’ve come and how they’ve been there for me every step of the way. But none of us were prepared for how many people the song would resonate with.”

Carrión breaks the No. 1 barrier on Latin Airplay as a soloist and on his fourth try.

Plus, he bests his first and only top 10: “Nunca y Pico” with Yandel and Maluma, which took the Puerto Rican-American to No. 6 in November 2022.

Carrión has charted two other times on Latin Airplay: “Alejarme De Ti” with Jay Wheeler (No. 22 in March 2022) and “Coco Chanel” with Bad Bunny (No. 42 in June 2023).

Of the 15 songs that have been No. 1 on Latin Airplay in 2024, a third of them were credited to a singular artist with no accompanied acts, including Carrion’s new No. 1. Here they are:

Peak Date, Title, Artist, Weeks at No. 1
Jan. 27, 2024, “Monaco,” Bad Bunny, one
Feb. 10, 2024, “La Diabla,” Xavi, two
Feb. 24, 2024, “La Falda,” Myke Towers, one
March 30, 2024, “Baccarat,” Ozuna, one
April 13, 2024, “TQMQA,” Eladio Carrión

Elsewhere, “TQMQA” rebounds to its No. 1 high on Latin Pop Airplay for its third week in charge (rising 2-1).

Further, thanks to its radio gain, it re-enters at No. 44 on the multimetric Hot Latin Songs chart, which blends airplay, digital sales, and streaming data.

Eladio Carrión Earns First No. 1 on Any Billboard Chart with “TQMQA”

Eladio Carrión has earned a special first…

Following multiple Top 10s across the Billboard charts, the 29-year-old Puerto Rican rapper and Latin trap singer has attained his first No. 1 on any ranking with “TQMQA,” a song outside of his usual rhythmic realm.

Eladio Carrión“TQMQA,” a Latin pop-tinged song — short for “Te Quiero Más Que Ayer” — rises 2-1 on the Latin Pop Airplay chart dated March 2 with 5.4 million audience impressions, up 9%, earned in the U.S. during the February16-22 tracking week, according to Luminate.

The song is the first single from Carrión’s fifth studio album, Sol María, which debuted and peaked at No. 6 on Top Latin Albums and at No. 3 on Latin Rhythm Albums charts (February 3).

“TQMQA,” released and promoted via Rimas Entertainment, yields Carrion his first Latin Pop Airplay No. 1 with his third chart appearance. His breakthrough Latin Pop Airplay song, “Alejarme De Ti” with Jay Wheeler, earned Carrión his first top 10 on that chart, peaking at No. 9 in March 2022, while “No Puede Ser,” with Mau y Ricky, reached No. 22 a month later, in April 2022.

Prior to its radio impact, “TQMQA” debuted and peaked at No. 39 on the multimetric Hot Latin Songs chart, which blends airplay, digital sales, and streaming activity.

Elsewhere, the song climbs 22-19 on the overall Latin Airplay chart, Carrión’s highest entry since “Nunca y Pico,” with Yandel and Maluma, earned him his first top 10, peaking at No. 6 in November 2022.