Tag Archives: Latin Pop Airplay

Eladio Carrión Earns First No. 1 on Billboard’s Latin Airplay Chart with “TQMQA”

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Eladio Carrión is celebrating a first…

The 29-year-old Puerto Rican Latin trap and reggaeton rapper and singer has earned his first No. 1 on Billboard‘s Latin Airplay chart as “TQMQA” climbs 4-1 to lead the April 13-dated list.

Eladio CarriónCarrión crosses off a new achievement with the dembow-pop tune — whose title stands for “Te Quiero Más Que Ayer — as it tops the overall Latin radio ranking. “TQMQA” lands at the summit seven weeks after it earned the Latin rapper his maiden champ on any Billboard chart (hit No. 1 on Latin Pop Airplay in March).

“The intention behind ‘TQMQA’ was to give my parents the recognition that they deserve,” Carrión said. “It’s an honor for me that the track landed at No. 1, but when I make music, I’m never thinking about what numbers or awards I’m gonna get. My main intention is always to be authentic to myself and share that with my fans. Everything else that comes after that is just a bonus that I’m extremely grateful for. It never gets old.”

“TQMQA” advances to the lead with a 26% gain in audience impressions, to 9.5 million, earned in the U.S. during the March 29-April 4-tracking week, according to Luminate.

“TQMQA” is the first cut from Carrión’s fifth studio album, Sol María (released via Rimas Entertainment). The 17-track set, an ode to his mother, debuted at Nos. 6 and 3, respectively, on Top Latin Albums and Latin Rhythm Albums (February 3-dated rankings).

“When I first told my parents about the concept for ‘TQMQA,’ they were taken aback by how personal the song and video were,” Carrión shares. “But it was special to us because we pieced together all these old clips from our home movies to make this time capsule of my upbringing. It’s emotional to see how far we’ve come and how they’ve been there for me every step of the way. But none of us were prepared for how many people the song would resonate with.”

Carrión breaks the No. 1 barrier on Latin Airplay as a soloist and on his fourth try.

Plus, he bests his first and only top 10: “Nunca y Pico” with Yandel and Maluma, which took the Puerto Rican-American to No. 6 in November 2022.

Carrión has charted two other times on Latin Airplay: “Alejarme De Ti” with Jay Wheeler (No. 22 in March 2022) and “Coco Chanel” with Bad Bunny (No. 42 in June 2023).

Of the 15 songs that have been No. 1 on Latin Airplay in 2024, a third of them were credited to a singular artist with no accompanied acts, including Carrion’s new No. 1. Here they are:

Peak Date, Title, Artist, Weeks at No. 1
Jan. 27, 2024, “Monaco,” Bad Bunny, one
Feb. 10, 2024, “La Diabla,” Xavi, two
Feb. 24, 2024, “La Falda,” Myke Towers, one
March 30, 2024, “Baccarat,” Ozuna, one
April 13, 2024, “TQMQA,” Eladio Carrión

Elsewhere, “TQMQA” rebounds to its No. 1 high on Latin Pop Airplay for its third week in charge (rising 2-1).

Further, thanks to its radio gain, it re-enters at No. 44 on the multimetric Hot Latin Songs chart, which blends airplay, digital sales, and streaming data.

Eladio Carrión Earns First No. 1 on Any Billboard Chart with “TQMQA”

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Eladio Carrión has earned a special first…

Following multiple Top 10s across the Billboard charts, the 29-year-old Puerto Rican rapper and Latin trap singer has attained his first No. 1 on any ranking with “TQMQA,” a song outside of his usual rhythmic realm.

Eladio Carrión“TQMQA,” a Latin pop-tinged song — short for “Te Quiero Más Que Ayer” — rises 2-1 on the Latin Pop Airplay chart dated March 2 with 5.4 million audience impressions, up 9%, earned in the U.S. during the February16-22 tracking week, according to Luminate.

The song is the first single from Carrión’s fifth studio album, Sol María, which debuted and peaked at No. 6 on Top Latin Albums and at No. 3 on Latin Rhythm Albums charts (February 3).

“TQMQA,” released and promoted via Rimas Entertainment, yields Carrion his first Latin Pop Airplay No. 1 with his third chart appearance. His breakthrough Latin Pop Airplay song, “Alejarme De Ti” with Jay Wheeler, earned Carrión his first top 10 on that chart, peaking at No. 9 in March 2022, while “No Puede Ser,” with Mau y Ricky, reached No. 22 a month later, in April 2022.

Prior to its radio impact, “TQMQA” debuted and peaked at No. 39 on the multimetric Hot Latin Songs chart, which blends airplay, digital sales, and streaming activity.

Elsewhere, the song climbs 22-19 on the overall Latin Airplay chart, Carrión’s highest entry since “Nunca y Pico,” with Yandel and Maluma, earned him his first top 10, peaking at No. 6 in November 2022.

Chayanne’s “Bailando Bachata” Rises to No. 1 on Billboard’s Tropical Airplay Chart

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Chayanne is back at the summit…

Nine weeks after capturing his first top 10 in more than 14 years on Billboard’s Tropical Airplay chart, the 55-year-old Puerto Rican Latin pop singer and actor is back in command – with his first No. 1 since 2008 – as “Bailando Bachata” rises 2-1 to rule the August 5-dated list.

Chayanne The song earns Greatest Gainer honors for the week fueled by an 18% increase in audience impressions, to 8.9 million, earned in the week ending July 27, according to Luminate.

“Honestly, I always do things because I feel them and since we started working on the album, bachata was considered,” Chayanne tells Billboard. “With the excessive amount of competition these days I wasn’t expecting it, but I am very grateful for this No. 1.”

“Bailando Bachata” is the third single from Chayanne’s forthcoming studio album (released date TBD). It follows two top 10 singles: “Te Amo y Punto” and “Como Tú y Yo” reached No. 6 and No. 7, respectively on Latin Pop Airplay in late 2022.

“Bailando Bachata” tops the list 14 years after Chayanne’s last leader, “Amor Inmortal,” dominated for five weeks in late 2008. The over 14-year window between new rulers is the longest gap by any artist since December 2016, when Jennifer Lopez ended a 17-year wait between No. 1s when “Olvídame y Pega La Vuelta,” with Marc Anthony, topped the list. It was her first No. 1 since “No Me Ames,” also with Marc Anthony, in 1999.

As bachata proliferates on a global level, more artists are basking on its popularity.

Notably, five of the six songs that have arrived at the summit on Tropical Airplay in 2023 belong to the genre. Here’s the recap:

Title, Artist, Peak Date, Total Weeks at No. 1
“Monotonia,” Shakira & Ozuna, Jan. 7 (nine)
“El Pañuelo,” Romeo Santos & Rosalia, Feb. 4 (four)
“La Bachata,” Manuel Turizo, Feb. 11 (14)
“Me EnRD,” Prince Royce, July 8 (four)
“Bailando Bachata,” Chayanne, Aug. 5

About the genre’s craze, Chayanne feels differently: “I love both bachata as much as all tropical rhythms. All the songs on the new album are special, I always surround myself with professionals and I only record what I feel I like, that suits me and that the public may like, not necessarily because there is a trend.”

As “Bailando Bachata” takes charge of Tropical Airplay, it ejects Prince Royce’s “Me EnRD” from its four-week command with a 17% dip in audience, to 8.4 million.

Further, “Bailando Bachata” concurrently delivers extra goods for Chayanne with a 5-3 lift on the overall Latin Airplay list, matching his career-high for almost a decade, as “Humanos a Marte” landed and at an equal No. 3 high in August 2014.

“In my case, inspirations go hand-in hand with rhythm and lyrics,” Chayanne adds. “I like songs that denote joy and invite to dance. This one most certainly will be included on my next tour; I want all to dance it with me.”

Shakira Becomes First Artist to Hold Top Three Spots on Billboard’s Latin Pop Airplay Chart in Single Week

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Shakira has earned another mention in the Latin music record books… 

The 46-year-old Colombian superstar has become the first artist to occupy the top three ranks on Billboard’s Latin Pop Airplay chart in a single week.

ShakiraOn the survey dated July 29, “TQG,” with Karol G, holds strong at No. 1 for a 10th week; Shakira’s own “Acróstico” rises 3-2, returning to its best rank; and the Colombian superstar’s latest single “Copa Vacía,” with Manuel Turizo, advances 4-3 for a new high.

The Latin Pop Airplay chart, which began in 1994, reflects weekly audience impressions from a panel of over 150 Latin-formatted U.S. radio stations, as monitored by Mediabase, which provides Luminate data for Billboard charts.)

Despite “TQG” dipping 7% in audience impressions to 8.6 million in the latest tracking week, ending July 20, the team-up’s 10 weeks at No. 1 mark the second-most of 2023 – trailing only another Shakira song: Her Bizarrap collab “Bzrp Music Sessions, Vol. 53” dominated for 12 weeks beginning in February (and currently holds at No. 7).

As “Acróstico” and “Copa Vacía” ascend to Nos. 2 and 3, respectively, radio airplay continues to grow for the songs. “Acróstico” takes the runner-up slot with a 2% gain in audience impressions, to 5.7 million, while “Copa Vacia” rises with a 33% boost, to 5.4 million, procuring the track the week’s Greatest Gainer honor.

Previously, Shakira and 16 other acts had held the top two on Latin Pop Airplay simultaneously.

The full list of such artists: Rauw Alejandro, Bad Bunny, Camilo, Daddy Yankee, Luis Fonsi, Juan Luis Guerra 440, Enrique Iglesias, J Balvin, Juanes, Karol G, Maluma, Nicky Jam, Don Omar, Ozuna, Pitbull, Shakira and Tainy.

Shakira’s Bizarrap-Collab “Bzrp Music Sessions, Vol. 53” Hits No. 1 on Billboard’s Latin Airplay Chart

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Shakira is on cloud nine with the success of her latest single…

The 45-year-old Colombian Grammy– and Latin Grammy-winning singer and songwriter’s collaboration with Bizarrap “Bzrp Music Sessions, Vol. 53” has hit No. 1 on Billboard’s Latin Airplay on the chart dated February 4.

Bizarrap, ShakiraTheir in-studio diss track has now topped nine U.S. Billboard charts, including Latin Digital Song Sales, Latin Pop Digital Song Sales, Dance/Electronic Streaming Songs, Dance/Electronic Digital Song Sales, Hot Latin Songs, Latin Streaming Songs, Latin Pop Airplay, Latin Pop Streaming Songs, and now Latin Airplay.

“Bzrp Music Sessions, Vol. 53” advances 5-1 in its second week on Latin Airplay after a strong 35% gain in audience impressions, to 10 million, earned in the week ending January 26, according to Luminate.

The new coronation extends Shakira’s record among women, with 18 No. 1s. Bizarrap clocks his second after “Bzrp Music Sessions, Vol. 52,” with Quevedo, reached the top of the chart last November where it remained for four weeks.

Shakira, meanwhile, replaces herself at No. 1 as “Bzrp Music Sessions, Vol. 53” sends “Monotonía,” with Ozuna, to No. 5, after six weeks in charge, the most since Daddy Yankee’s “Con Calma,” featuring Snow, dominated the tally for eight weeks in 2019. Notably, it’s the first time a woman replaces herself at No. 1 since the chart launched in 1994.

Plus, the last time an act replaced itself at No. 1 on Latin Airplay was Farruko when “Pepas” dethroned his featured turn on Enrique Iglesias’ “Me Pasé” in October 2021.

“Bzrp Music Sessions, Vol. 53” continues its winning streak across Billboard charts.

It remains at No. 1 on Dance/Electronic Streaming Songs, Hot Latin Songs, Latin Pop Airplay, and Latin Streaming Songs and Latin Pop Streaming Songs for a second week, while on Latin Digital Song Sales and Latin Pop Digital Song Sales, the track holds atop for a third week.

Over on the all-genre Billboard Hot 100, the track dips 9-13. Further, it holds steady at No. 2 on both Billboard Global 200 and Global Excl. U.S. charts.

Carlos Vives & Camilo Reach No. 1 on Billboard’s Latin Airplay Chart with “Baloncito Viejo”

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Carlos Vives’ latest single has reached the summit of another Billboard chart…

A week after rising to No. 1 on Billboard’s Tropical Airplay chart, the 60-year-old Colombian singer, songwriter and actor’s collaboration with Camilo has reached the No. 1 rank on the overall Latin Airplay chart as “Baloncito Viejo” rules the June 18-dated list.

Carlos Vives, Camilo,Vives and Camilo’s first collaboration lifts 2-1 in its 11th week with a 13% gain in audience impressions, earned in the U.S. in the week ending June 12, according to Luminate.

“Baloncito Viejo” becomes Vives’ 16th No. 1 on Latin Airplay, and first in almost three years.

He last achieved a No. 1 with “Si Me Das Tu Amor,” with Wisin, in August 2019.

In between, he’s scored four other entries, including “Canción Bonita” with Ricky Martin, the only other single — along with “Baloncito Viejo” — that appears on his latest studio album, Cumbiana II, which has secured a spot on the overall genre tally (the album debuted and peaked at No. 14 on the May 28-dated Tropical Albums chart).

Camilo, meanwhile, clocks his sixth leader and first of the year. It follows “Millones” which ruled for one week in July 2021. Along with “Baloncito Viejo,” Camilo also charts with “Pegao” on Latin Airplay, at No. 42 on the current chart week.

Elsewhere, “Baloncito Viejo” rises to a new peak on Latin Pop Airplay with an equal 2-1 ascent. The move marks Vives first No. 1 in almost six years, since “La Bicicleta,” with Shakira, topped the ranking for 12 consecutive weeks, starting the July 9, 2016-dated chart.

Notably, both artists capture their fifth champ on Latin Pop Airplay.

Further, “Baloncito Viejo” holds its No. 1 rank on Tropical Airplay for a second week.

Airplay gains likewise push the song up the all-metric Hot Latin Songs, which factors radio airplay, song sales and streaming into its calculations. “Baloncito Viejo” climbs 50-41 and takes home the Greatest Gainer/Airplay honors.

Carlos Vives Earns Ninth No. 1 on Billboard’s Tropical Airplay Chart with Camilo Collaboration “Baloncito Viejo”

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Carlos Vives is celebrating another chart-topper…

The 60-year-old Colombian singer, songwriter and actor’s collaboration with Camilo, “Baloncito Viejo” has reached No. 1 on Billboard’s Tropical Airplay chart as the song rises 2-1 on the June 11-dated ranking.

Carlos Vives, Camilo,

The move puts Vives back atop the tally. He last scored a champ in August 2019 when “Si Me Das Tu Amor,” with Wisin, climbed 3-1 in its 20th week.

He registers his ninth No. 1 on the chart, meanwhile, Camilo secures his second.

“Baloncito Viejo” jumps from No. 2 after a 42 percent surge in audience impressions, to 9.1 million, earned in the U.S. in the week ending June 5, according to Luminate.

The duo sends another pair to the runner-up slot: Prince Royce and Maria Becerra’s “Te Espero” dips 1-2 with 8.5 million impressions after its two-week reign.

“Baloncito Viejo,” released March 2 via Sony Music Latin/WK, leads in 13th week. It’s the fourth track in 2022 to have landed at the summit in at least 10 weeks or more.

Here’s the recap:

Weeks to No. 1, Title, Artist, Peak Date
12, “Te Espero,” Prince Royce & Maria Becerra, May 28
13, “Baloncito Viejo,” Carlos Vives & Camilo, June 11
17, “Mala,” Marc Anthony, March 12
17 weeks, “La Fama,” Rosalia Featuring The Weeknd, May 14

Over on Latin Airplay, “Baloncito Viejo” barely misses the top, climbing 10-2 in its 10th week.

It’s the closest Vives has been to No. 1 since also “Si Me Das Tu Amor” gifted him his 15th win in 2019. It’s a different setting for Camilo as he last captured a No. 1 less than a year ago when “Millones” ruled the overall Latin survey for one week in July 2021.

“Baloncito Viejo” concurrently makes progress on Latin Pop Airplay. It rises 2-1 as the Greatest Gainer of the week.

Becky G & Karol G’s “Mamiii” Track Hits No. 1 on Six Billboard Latin Charts

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It’s a hot mami-ment for Becky G and Karol G.

The 25-year-old Mexican American singer/rapper and the 31-year-old Colombian singer’s sew single “Mamiii” has hit No. 1 on two new Billboard Latin charts.

Becky G & Karol G

A week after conquering the Latin Pop Airplay chart (dated March 19), their first collaboration takes over the all-genre Latin Airplay chart as it jumps 3-1 on the March 26-dated ranking. It concurrently ascends 2-1 on Latin Rhythm Airplay.

With the move, “Mamiii” now tops six Latin charts concurrently: Hot Latin Songs, Latin Airplay, Latin Pop Airplay, Latin Rhythm Airplay, Latin Digital Song Sales, and Latin Streaming Songs.

The previous instance of that six-chart simultaneous domination occurred almost three years ago when Daddy Yankee’s “Con Calma,” featuring Snow, topped all six of the May 25, 2019-dated tallies and the surveys dated June 15-29, 2019.

“Mamiii” ascends to lead Latin Airplay with an 11% increase in audience impressions, to 8.97 million, earned in the U.S. in the week ending March 20, according to MRC Data.

Karol G adds a 13th No. 1 in her 22nd appearance, the second-most for a woman after Shakira’s 15 leaders. Meanwhile, Becky G captures her fourth No. 1.

With the latest success, ‘Mamiii” joins a group of four other tracks which have ruled all six Latin charts concurrently in the last five years. Here’s a recap of the champs:

Title, Artist, Date Reached No. 1
“Chantaje,” Shakira featuring Maluma, Jan. 14, 2017
“Despacito,” Luis Fonsi and Daddy Yankee, featuring Justin Bieber, March 25, 2017; April 8, 2017, April 22 – July-1, 2017
“Mi Gente,” J Balvin and Willy Williams, featuring Beyoncé, Oct. 21, 2017; Nov. 4-25, 2017
“Con Calma,” Daddy Yankee, featuring Snow, May 25, 2019; June 15-29, 2019
“Mamiii,” Becky G & Karol G, March 26, 2022

Thanks to its growing airplay across Latin stations in the U.S., “Mamiii” holds strong at the summit on the all-metric Hot Latin Songs chart despite a dip in both streams and digital sales for the tracking week ending in March 17. On the former, it registered 11.3 million U.S. clicks with a 2% decline, which removes it from the top 10 on the overall Streaming Songs survey (9-17) but enough to continue at the lead on Latin Streaming Songs. On the latter, it likewise holds steady at the penthouse with a little over 1,000 downloads sold.

Adding to Karol G’s triumph “Mamiii” becomes the first song to rule the hybrid Hot Latin Songs chart and three airplay charts (Latin Airplay, Latin Pop Airplay, and Latin Rhythm Airplay) in over two years. Who did it prior? Well, herself, as “Tusa,” with Nicki Minaj, led all four rankings on the Feb. 15, 2020-dated list.

Becky G’s Collaboration with Karol G, “Mamiii,” Reaches No. 1 on Billboard’s Latin Pop Airplay Chart

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Becky G is celebrating a pop-tastic honor…

The 25-year-old Mexican American singer, rapper and actress has scored a No. 1 on Billboard’s Latin Pop Airplay chart with “Mamiii,” her collaboration with Karol G, jumping from No. 3 on the chart to lead the March 19-dated survey.

Becky G & Karol GThe rise to the summit comes four weeks after the song debuted in the top spot on the Billboard Hot Latin Songs chart, giving Becky G her first No. 1 on Billboard’s the chart.

The new win trails two other Latin charts where the tune concurrently rules for a fourth week: Latin Digital Song Sales and Latin Streaming Songs.

On the former, it leads with 1,700 downloads sold, despite a 17% dip in sales, in the week ending March 10, according to MRC Data. On the latter, it holds at the summit despite a 10% decline in streams: the track logged 11.5 million U.S. streams in the same tracking period.

Back on Latin Pop Airplay, “Mamiii” reigns in its fifth week thanks to a 25% gain in audience impressions, to 8 million, earned in the week ending March 13.

It marks the fastest ascent in over a year. Rauw Alejandro’s “Todo De Ti” was the last champ to hit No. 1 quicker, with just four weeks before its coronation in June 2021.

Among female artists, Becky G and Karol G’s sprint to the speediest rise to No. 1 list since Shakira when “La Bicicleta,” her collaboration with Carlos Vives, took four weeks to reach the top spot in 2016.

In total, “Mamiii” becomes the 35th of 307 Latin Pop Airplay No. 1s to reach the penthouse in five weeks or better.

While Becky G scores her second No. 1 on Latin Pop Airplay (after “Sin Pijama,” with Natti Natasha, in 2018), Karol G clocks her sixth.

Here’s a recap of Karol G’s No. 1s:

Song Title, Artist, Weeks at No. 1, Date Reached No. 1
“Créeme,” with Maluma, one, March 2, 2019
“China,” with Anuel AA, Daddy Yankee, Karol G, Ozuna and J Balvin, two, Oct. 12, 2019
“Tusa,” with Nicki Minaj, 15, Feb. 15, 2020
“Ay, Dios Mio!” one, Oct. 10, 2020
“Location,” four, April 3, 2021
“Mamiii,” Becky G x Karol G, March 19

Enrique Iglesias Reclaims Record for Most No. 1s on Billboard Latin Airplay Chart with “Me Pasé,” Featuring Farruko

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Enrique Iglesias is back in the lead…

The 46-year-old Spanish singer, songwriter, record producer, philanthropist and actor has recaptured his record for the most No. 1s on Billboard’s Latin Airplay chart as “Me Pasé,” featuring Farruko, ascends 4-1 on the October 2-dated survey.

Enrique Iglesias

With 32 No. 1s on the almost 27-year list, Iglesias pushes ahead of J Balvin for the most leaders. The latter notched his 31st leader as he locked up the No. 1 spot with “In Da Getto,” with Skrillex, on the September 11-dated tally.

“Me Pasé” takes over atop Latin Airplay thanks to a 26% boost in audience impressions, to 11.3 million, in the U.S. in the week ending September 26, according to MRC Data.

Notably, Iglesias has held the record for the most No. 1s on the Latin Airplay chart almost continuously since 1996, when he achieved his fifth No. 1, then passing Selena (who had a leading four No. 1s at that point).

The Latin Airplay chart began only two years earlier, in 1994. Since then, Iglesias has held the most No. 1s on the list except for a brief time earlier this year, when J Balvin tied with him for the most, when the former notched his 31st No. 1 on the September 11 chart with “In Da Getto.”

With “Me Pasé” at the summit, Farruko reaches his highest Latin Airplay ranking in 2021 as he’s scored two No. 3 high tracks (“Perfecta,” with Luis Fonsi, January 2; and “Pepas,” September 25).

Besides conquering Latin Airplay, Iglesias and Farruko also rule Latin Pop Airplay as “Me Pasé” lifts 2-1. Iglesias improves his career total to 25 No. 1s, extending his lead far ahead of second-place Shakira, with 19. Farruko captures his sixth leader.

Meanwhile, Final (Vol. 1), Iglesias’ 11th studio album, debuts at No. 2 on Latin Pop Albums. It’s his first studio effort since 2014’s No. 1 Sex and Love, and it earns him a 12th top 10. In between, Iglesias secured a No. 2 high with a Greatest Hits (2019) set, which has remained steady in the tally’s top 10 during all but one week of its 103-week run.

The 11-track Final (Vol. 1) includes five tracks that were originally released between 2015 and 2018 but were not previously released on an Iglesias album. Among them are a pair of No. 1s on Hot Latin Songs: “El Perdón,” with Nicky Jam, and “Duele El Corazón,” with Wisin.

“I took a pause in between albums because I was touring and because I wanted to enjoy the success of my previous album,” Iglesias tells Billboard. “I have never stopped writing and going to the studio though. The plan was to release the album at the beginning of last year, but once COVID hit, it delayed everything, obviously.”

Final, released September 17 via Sony Music Latin, starts with 4,000 equivalent album units earned in the week ending Sept. 23rd. Out of the 11-track set’s opening sum, 3,000 derive from streaming activity, which equates to 5 million U.S. streams of the set’s tracks. The remaining 1,000-unit sum stems from album sales and track equivalent album units.

“The biggest challenge was not being able to have everyone in the same studio and trying to follow all the precautions,” Iglesias continues. “We were trying to finish all the production aspects of the songs, which we managed to do being careful. Everyone involved wanted to see this bulk of work out and we managed to finish the process during COVID to have it ready so we could put it out now.”

On the overall Top Latin Albums chart, Final arrives at No. 12, also the Spaniard’s first appearance with a studio set since 2014. “When I work on an album, I start with 50 songs!” Iglesias adds. “Then it becomes 30, 20…so on. So, through the process, I relate to every single one in a way. I always say that if I’m going to put any music out, it must be something that I like and be willing to sing every single night, for years if needed. It’s hard to handpick just one, but I really enjoy ‘Chasing the Sun.’ It talks about staying young and staying positive. It’s a song that always puts me in a good mood.”

As Final arrives, one track launches on the all-metric Hot Latin Songs chart: “Pendejo” at No. 33. The set, however, was preceded by five songs, one of which ruled the tally for 30 weeks in 2015. Here’s the recap:

Title, Artist (if other than Iglesias), Peak Date, Peak Position
“El Perdón,” with Nicky Jam, March 21, 2015, No. 1 (30 weeks atop)
“Duele El Corazón,” with Wisin, May 14, 2016, No. 1 (14-week lead)
“Súbeme La Radio,” featuring Zion & Lennox and Descemer Bueno, April 22, 2017, No. 2
“El Baño,” featuring Bad Bunny, Jan. 27, 2018, No. 8
“Me Pasé,” featuring Farruko, Oct. 2, No. 15