Shakira’s Bizarrap-Collab “Bzrp Music Sessions, Vol. 53” Makes YouTube History

The music video for Shakira’s latest single is breaking YouTube

The clip for the 45-year-old Colombian superstar’s “Bzrp Music Sessions, Vol. 53,” in collaboration with hit Argentine producer Bizarrap, has broken a YouTube record.

ShakiraThe music video for the song was viewed more than 63 million times on YouTube in its 24 hours, making it the most watched Latin song in that time frame in the platform’s history.

The previous record was held by Luis Fonsi’s “Despacito” remix with Daddy Yankee and Justin Bieber, which reached 25 million views in that same time frame. Shakira and Bizarrap more than doubled that amount of views on their video’s first day out.

“Bzrp Music Sessions, Vol. 53” has taken the world by storm, as Shakira seemingly addresses the end of her 11-year relationship with Gerard Piqué, as well as his new girlfriend Clara Chía Marti.

Shakira and the former soccer player separated last year. They have two children.

In the song, Shakira sings that “I’m worth two 22-year-olds,” adding: “You swapped a Ferrari for a [Renault] Twingo/You swapped a Rolex for a Casio.”

She also declares that “a she-wolf like me isn’t for rookies” (in reference to her own 2009 single) and “I was out of your league, which is why you’re with someone just like you.”

Mariah Carey’s “All I Want for Christmas Is You” Continues Reign on Billboard Global 200 & Billboard Global Excl. U.S. Charts

Mariah Carey is still a global sensation this holiday season…

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” holds at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Mariah CareyThe insta-classic Christmas song adds a 12th total week at No. 1 on the former and a seventh week atop the latter, dating to the charts’ inceptions two years ago.

“All I Want for Christmas Is You” holds at No. 1 on the Billboard Global 200 with 108.1 million streams (up 16%) and 17,000 sold (up 6%) worldwide in the December 16-22 tracking week. The modern holiday classic, released in 1994, adds a 12th week at the summit, and fourth this holiday season, after it led for four weeks each over the 2020 and 2021 holidays.

With 12 weeks atop the Global 200, Carey’s “Christmas” passes The Kid LAROI and Justin Bieber’s “Stay” (11, 2021) for the sole second-longest reign since the chart began, trailing only Harry Styles’ “As It Was” (15, beginning this April).

Elsewhere in the Global 200’s top 10, José Feliciano’s 1970 carol “Feliz Navidad” dashes 13-10 (50 million streams, up 22%; 5,000 sold, up 18%, worldwide); it hit a No. 9 high in the 2020 holiday season.

“All I Want for Christmas Is You” also continues atop the Billboard Global Excl. U.S. chart, with 65.1 million streams (up 14%) and 6,000 downloads sold (up 11%) in territories outside the U.S. December 16-22. The song adds a seventh total week at No. 1, and third this Yuletide season, after it ruled for a week during the 2020 holidays and for three frames over last year’s holiday season.

The two global charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Mariah Carey’s “All I Want for Christmas Is You” Returns to No. 1 on Billboard’s Holiday 100 Chart

Mariah Carey’s Christmas hit is back on top…

The 52-year-old half-Venezuelan American Grammy-winning singer, the self-proclaimed Queen of Christmas, rules Billboard’s Holiday 100 with “All I Want for Christmas Is You.

Mariah CareyCarey’s insta-classic holiday single notches its 52nd week at the top of the chart, which ranks the top seasonal songs of all eras via the same formula used for the Billboard 100, blending streaming, airplay and sales data.

“All I Want for Christmas Is You” has appeared on the chart for a total of 57 weeks since the list launched in 2011; it has topped the seasonal survey for 37 consecutive weeks, dating to the start of the 2015-16 holiday season.

The holiday single also surges from No. 25 to No. 5 on the Hot 100.

The only other Holiday 100 No. 1s to date: Justin Bieber’s “Mistletoe,” for a week in the 2011-12 holiday season; Pentatonix’s “Little Drummer Boy” (one, 2013-14) and “Mary, Did You Know?” (two, 2014-15); and Ariana Grande’s “Santa Tell Me” (one, 2014-15).

Carey’s 1994 carol crowns all three Holiday 100 component charts (with all surveys dated December 3): Holiday Streaming Songs (21.5 million streams, up 54%, in the Nov. 18-24 tracking week, according to Luminate); Holiday Airplay (20.6 million airplay audience impressions, up 80%); and Holiday Digital Song Sales (3,000 sold, up 57%).

The song also boasts top honors on Billboard’s Greatest of All Time Holiday 100 Songs chart.

“When I wrote [it], I had absolutely no idea the impact the song would eventually have worldwide,” Carey marveled of “Christmas” last year. “I’m so full of gratitude that so many people enjoy it with me every year.”

Bad Bunny’s “Me Porto Bien,” with Chencho Corleone, Logs Milestone 20th Week at No. 1 on Billboard’s Hot Latin Songs Chart

Bad Bunny is still behaving well… And, he’s earning a place in Latin music history.

The 28-year-old Puerto Rican superstar and Chencho Corleone’s “Me Porto Bonito” has logged a milestone 20th week at No. 1 on BillboardHot Latin Songs chart dated October 8, becoming the 12th song to spend at least 20 weeks atop the tally in its 36-year history.

Bad BunnyThe song’s 20th week at No. 1 benefits from 8 million U.S. audience impressions earned in the week ending Sept. 29 (up 18%), according to Luminate. 

Meanwhile, though it dips 4% in streams to 12 million earned in the week ending September 29, it holds strong at No. 1 on the Latin Streaming Songs chart and moves 4-2 on the overall Streaming Songs chart.

On the sales front, “Me Porto Bonito” falls 14%, to 1,000 downloads sold, in the same tracking period.

As it drops 1-2 on Latin Digital Song Sales, it cedes the No. 1 spot to another one of Bad Bunny’s songs: “MIA,” featuring Drake — which last took over atop the chart for one week in October 2018.

As mentioned, “Me Porto Bonito” joins 11 other tracks that have held strong at No. 1 on Hot Latin Songs for at least 20 weeks or more since the chart’s inception in 1986.

Here’s the leaderboard:

Weeks At No. 1, Title, Artist
56, “Despacito” Luis Fonsi & Daddy Yankee, featuring Justin Bieber
41, “Bailando,” Enrique Iglesias featuring Descemer Bueno & Gente de Zona
30, “El Perdón,” Nicky Jam & Enrique Iglesias
27, “Dakiti,” Bad Bunny & Jhay Cortez
26, “Pepas,” Farruko
25, “La Tortura,” Shakira featuring Alejandro Sanz
24, “RITMO (Bad Boys for Life),” Black Eyed Peas & J Balvin
22, “Ginza,” J Balvin
20, “Me Porto Bonito,” Bad Bunny & Chencho Corleone
20, “Te Quiero, Flex”
20, “Me Enamora,” Juanes
20, “A Puro Dolor,” Son By Four

Further, Bad Bunny is the third act to have two different songs spend at least 20 weeks at No. 1 on Hot Latin Songs (he previously notched 27 weeks at No. 1 with “Dakiti,” with Jhay Cortez). Both Enrique Iglesias and J Balvin have also logged a pair of 20-week No. 1s. Iglesias did it with “Bailando” (41 in 2014-15, featuring Descemer Bueno and Gente de Zona) and “El Perdon” (30 in 2015, with Nicky Jam), while J Balvin ruled with “RITMO (Bad Boys for Life)” (24, 2020; with Black Eyed Peas) and “Ginza” (22, 2015).

Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber, has the most weeks at No. 1 on Hot Latin Songs, with 56 weeks in 2017-18.

Elsewhere, “Me Porto Bonito” rebounds to No. 4 on Latin Airplay for a second week (7-4). The track led the all-genre tally for one week on the Aug. 20-dated ranking.

J Balvin Reclaims Crown as Artist with Most Videos in YouTube’s Billion Views Club

J Balvin is YouTube’s ’s Billion baller…

The 37-year-old Colombian singer’s “Ritmo (Bad Boys for Life)” music video in collaboration with Black Eyed Peas has surpassed 1 billion views, officially making him the artist with the most videos in YouTube’s Billion Views Club once again, according to the video platform.

J Balvin“Ritmo,” which was released on October 11, 2019, on YouTube, marks Balvin’s 12th entry as a lead, featured artist or collaborator. Prior to reclaiming the crown this week, Balvin was tied with Justin Bieber with 11 music videos each with a billion views.

In 2016, he became the first Latin urban artist to reach 10 digits with a video on the platform with “Ay Vamos.” He was only the third Latin artist to reach a billion views, following Enrique Iglesias’ “Bailando,” featuring Gente de Zona and Descemer Bueno, and Romeo Santos’ “Propuesta Indecente,” both in 2014.

Balvin also has one of the top five fastest videos to reach the billion-view mark with “Mi Gente,” surpassing the number in 103 days.

“Ritmo (Bad Boys for Life)” samples Corona’s ’90s hit “Rhythm of the Night,” fusing hip-hop and pop with Balvin’s incendiary and infectious take on reggaeton.

The track topped the Billboard Hot Dance/Electronic Songs and Hot Latin Songs

charts in 2020, becoming the Peas’ first leader on each ranking and Balvin’s first on the dance chart.

The video, which shows scenes from the Bad Boys for Life movie, now joins the Willy William-assisted “Mi Gente”; “X (Equis)” with Nicky Jam; “Con Altura” with Rosalia; “China” alongside Anuel AA, Daddy Yankee, Karol G, and Ozuna; “No Me Conoce (Remix)” with Jhayco and Bad Bunny; “Ay Vamos”; “I Like It” with Cardi B and Bad Bunny; “Ahora Dice” with Chris Jedi, Ozuna, and Arcangel; the Farruko-assisted “6AM”; and “Safari” featuring Pharrell Williams, BIA, and Sky in the billion-views club.

Kehlani Releases Third Full-Length Album “Blue Water Road”

Kehlani is letting the new music flow

The 26-year-old part-Mexican American singer-songwriter has released Blue Water Road, her third full-length album.

KehlaniKehlani, a two-time Grammy-nominated singer and songwriter, has described her latest effort as an exploration of an “emotional, sexual and spiritual journey,” and features assists from Justin Bieber, Blxst, Jessie Reyez, Syd and others.

Pop Wansel of Pop & Oak executive produced the new set, which dropped at the stroke of midnight and collects 13 tracks, including the previously-released “altar,” “little story,” and “Up At Night,” featuring Bieber.

“I want you to hear the time we put into it, the dedication we put into it, the joy we put into it, and the heart we put into it. There’s a serious pulse. I’m at peace now,” Kehlani explains of the LP.

“I’m just a hard-working mom who is only focused on creating my own little world with my family. I’m a completely different person than I could’ve been, even in my wildest dreams. When you listen to this, I really hope you feel like you went to Blue Water Road and were there with me.”

Blue Water Road is the follow up to 2020’s star-studded It Was Good Until It Wasn’t, which bowed at No. 2 on the Billboard 200 chart and led the Billboard’s Top R&B Albums chart.

Kehlani broke through with her 2017 debut SweetSexySavage, which peaked at No. 3 on the Billboard 200. In the same year, she collected the “Rule Breaker” award at Billboard’s Women in Music.

Bruno Mars Ties Paul Simon for Most Record of the Year Wins as Silk Sonic Claims Four Grammy Awards.

The third time is the historical charm for Bruno Mars.

The 36-year-old part-Puerto Rican singer-songwriter and his Silk Sonic group mate Anderson .Paak claimed four Grammy Awards gramophones during Sunday’s awards show, including Record of the Year, for their chart-topping single “Leave the Door Open.”

Bruno Mars, Anderon .Paak, Silk SonicWith his latest win in one of the top Grammys categories, Mars becomes only the second artist in Grammy history to win record of the year three times, tying Paul Simon. He previously won as featured artist on Mark Ronson‘s “Uptown Funk!” and on his own single for “24K Magic.”

Mars’ other Silk Sonic wins of on Grammy night included Song of the Year, Best R&B Song and Best R&B Performance, in a tie with Jazime Sullivan, for “Leave the Door Open.”

In all, Mars has won 14 Grammys during his career, dating back to 2011.

Bad Bunny has claimed a Grammy for the second year in a row…

The 28-year-old Puerto Rican rapper, singer and record producer won in the Best Música Urbana Album category for El Último Tour Del Mundo. He won in 2021 for Best Latin Pop or Urban Album for YHLQMDLG.

Juanes claimed the Best Latin Rock or Alternative Album for Origen, the third win of the 49-year-old Colombian superstar’s career.

Esperanza Spalding, who beat out Justin Bieber for Best New Artist in 2011, won the Grammy for Best Jazz Vocal Album for Songwrights Apothecary Lab.

It’s the fifth Grammy of her career for the 37-year-old part-Latina jazz bassist, singer, songwriter, and composer.

Vicente Fernandez claimed a posthumous Grammy for Best Regional Mexican Music Album (Including Tejano) for the late Mexican singer’s A Mis 80’s.

Gonzalo Rubalcaba won the Grammy for Best Jazz Instrumental Album alongside Ron Carter and Jack DeJohnette. It’s the third Grammy win of his career.

The 58-year-old Afro-Cuban jazz pianist and composer won the award for his Skyline project with Carter and DeJohnette.

Eliane Elias claimed the second Gramm of her career…

The 62-year-old Brazilian jazz pianist, singer, composer and arranger was awarded the Best Latin Jazz Album gramophone alongside Chick Corea and Chucho Valdés for Mirror Mirror.

It’s the seventh win of the 80-year-old Cuban pianist Valdes’ career.

Alex Cuba won the first Grammy of his career, winning the award for Best Latin Pop Album for Mendó.

Carlos Rafael Rivera won the Grammy for Best Score Soundtrack For Visual Media for The Queen’s Gambit in a tie with Disney‘s Soul.

Los Lobos claimed the Grammy for Best Americana Album for “Native Sons;” Rubén Blades y Roberto Delgado & Orquesta won Best Tropical Latin Album for Salswing!, Louis C.K. was awarded the Best Comedy Album award for Sincerely Louis CK; Vince Mendoza claimed the Grammy for Best Arrangement, Instruments and Vocals for “To The Edge of Longing (Edit Version);” and Gustavo Dudamel claimed the Best Choral Performance Grammy for Mahler: Symphony No. 8, ‘Symphony Of A Thousand.

Here’s the full list of 2022 Grammy winners:

General Field

Record of the Year
“Leave the Door Open” – Silk Sonic
Dernst “D’Mile” Emile II and Bruno Mars, producers; Serban Ghenea, John Hanes and Charles Moniz, engineers/mixers; Randy Merrill, mastering engineer

Album of the Year
“We Are” – Jon Batiste (WINNER)

Song Of The Year
“Leave the Door Open”
Brandon Anderson, Christopher Brody Brown, Dernst Emile II & Bruno Mars, songwriters (Silk Sonic)

Best New Artist
Olivia Rodrigo

Field 1 – Pop

Best Pop Solo Performance
“Drivers License”
Olivia Rodrigo 

Best Pop Duo/Group Performance
“Kiss Me More”
Doja Cat Featuring SZA 

Best Traditional Pop Vocal Album
“Love For Sale” (WINNER)
Tony Bennett & Lady Gaga 

Best Pop Vocal Album
“Sour”
Olivia Rodrigo

Field 2 – Dance/Electronic Music 

Best Dance/Electronic Recording
“Alive”
Rüfüs Du Sol 

Best Dance/Electronic Music Album
“Subconsciously”
Black Coffee

Field 3 – Contemporary Instrumental Music

Best Contemporary Instrumental Album
“Tree Falls”
Taylor Eigsti

Field 4 – Rock

Best Rock Performance
“Making a Fire”
Foo Fighters 

Best Metal Performance
“The Alien”
Dream Theater 

Best Rock Album
“Medicine at Midnight”
Foo Fighters

Best Rock Song
“Waiting on a War”
Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, songwriters (Foo Fighters)

Field 5 – Alternative

Best Alternative Music Album
“Daddy’s Home”
St. Vincent

Field 6 – R&B

Best R&B Performance
“Leave the Door Open” (TIE)
Silk Sonic

“Pick Up Your Feelings” (TIE)
Jazmine Sullivan

Best Traditional R&B Performance
“Fight for You”
H.E.R. 

Best Progressive R&B Album
“Table for Two”
Lucky Daye

Best R&B Song
“Leave the Door Open”
Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic) 

Best R&B Album
“Heaux Tales”
Jazmine Sullivan

Field 7 – Rap

Best Rap Performance
“Family Ties”
Baby Keem featuring Kendrick Lamar 

Best Melodic Rap Performance
“Hurricane”
Kanye West featuring the Weeknd and Lil Baby 

Best Rap Album
“Call Me If You Get Lost”
Tyler, the Creator 

Best Rap Song
“Jail”
Dwayne Abernathy, Jr., Shawn Carter, Raul Cubina, Michael Dean, Charles M. Njapa, Sean Solymar, Kanye West and Mark Williams, songwriters (Kanye West featuring Jay-Z)

Field 8 – Country

Best Country Solo Performance
“You Should Probably Leave”
Chris Stapleton 

Best Country Duo/Group Performance
“Younger Me”
Brothers Osborne 

Best Country Album
“Starting Over”
Chris Stapleton 

Best Country Song
“Cold”
Dave Cobb, J.T. Cure, Derek Mixon and Chris Stapleton, songwriters (Chris Stapleton) 

Field 9 – New Age

Best New Age Album
“Divine Tides”
Stewart Copeland and Ricky Kej

Field 10 – Jazz 

Best Jazz Vocal Album
“Songwrights Apothecary Lab”
Esperanza Spalding

Best Improvised Jazz Solo
“Humpty Dumpty (Set 2)”
Chick Corea 

Best Jazz Instrumental Album
“Skyline”
Ron Carter, Jack DeJohnette and Gonzalo Rubalcaba

Best Large Jazz Ensemble Album
“For Jimmy, Wes and Oliver”
Christian McBride Big Band 

Best Latin Jazz Album
“Mirror Mirror”
Eliane Elias with Chick Corea and Chucho Valdés 

Field 11 – Gospel/Contemporary Christian Music

Best Gospel Performance/Song
“Never Lost”
CeCe Winans
Chris Brown, Steven Furtick and Tiffany Hammer, songwriters 

Best Contemporary Christian Music Performance/Song
“Believe for It”
CeCe Winans
Dwan Hill, Kyle Lee, CeCe Winans and Mitch Wong, songwriters 

Best Gospel Album
“Believe for It”
CeCe Winans 

Best Contemporary Christian Music Album
“Old Church Basement”
Elevation Worship and Maverick City Music 

Best Roots Gospel Album
“My Savior”
Carrie Underwood

Field 12 – Latin

Best Latin Pop Album
“Mendó”
Alex Cuba

Best Música Urbana Album
“El Último Tour Del Mundo”
Bad Bunny 

Best Latin Rock or Alternative Album
“Origen”
Juanes 

Best Regional Mexican Music Album (Including Tejano)
“A Mis 80’s”
Vicente Fernández 

Best Tropical Latin Album
“Salswing!”
Rubén Blades y Roberto Delgado & Orquesta

Field 13 – American Roots Music 

Best American Roots Performance
“Cry”
Jon Batiste 

Best American Roots Song
“Cry”
Jon Batiste and Steve McEwan, songwriters (Jon Batiste) 

Best Americana Album
“Native Sons”
Los Lobos

Best Bluegrass Album
“My Bluegrass Heart”
Béla Fleck 

Best Traditional Blues Album
“I Be Trying”
Cedric Burnside

Best Contemporary Blues Album
“662”
Christone “Kingfish” Ingram 

Best Folk Album
“They’re Calling Me Home”
Rhiannon Giddens with Francesco Turrisi 

Best Regional Roots Music Album
“Kau Ka Pe’a”
Kalani Pe’a

Field 14 – Reggae

Best Reggae Album
“Beauty in the Silence”
SOJA

Field 15 – Global Music

Best Global Music Performance
“Mohabbat”
Arooj Aftab 

Best Global Music Album
“Mother Nature”
Angélique Kidjo

Field 16 – Children’s

Best Children’s Music Album
“A Colorful World”
Falu

Field 17 – Spoken Word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
“Carry On: Reflections for a New Generation from John Lewis”
Don Cheadle

Field 18 – Comedy 

Best Comedy Album
“Sincerely Louis CK” (WINNER)
Louis C.K.

Field 19 – Musical Theater

Best Musical Theater Album
“The Unofficial Bridgerton Musical”
Emily Bear, producer; Abigail Barlow and Emily Bear, composer and lyricist
(Barlow and Bear)

Field 20 – Music for Visual Media

Best Compilation Soundtrack For Visual Media
“The United States vs. Billie Holiday”
Andra Day
Salaam Remi, compilation producer; Lynn Fainchtein, music supervisor 

Best Score Soundtrack For Visual Media
“The Queen’s Gambit” (TIE)
Carlos Rafael Rivera, composer

“Soul” (TIE)
Jon Batiste, Trent Reznor and Atticus Ross, composers 

Best Song Written For Visual Media
“All Eyes on Me” (from Bo Burnham: Inside)
Bo Burnham (Bo Burnham)

Field 21 – Composing/Arranging

Best Instrumental Composition
“Eberhard” (WINNER)
Lyle Mays, composer (Lyle Mays) 

Best Arrangement, Instrumental or A Cappella
“Meta Knight’s Revenge (From “Kirby Super Star”)”
Charlie Rosen and Jake Silverman, arrangers (The 8-Bit Big Band featuring Button Masher)

Best Arrangement, Instruments and Vocals
“To The Edge of Longing (Edit Version)”
Vince Mendoza, arranger (Vince Mendoza, Czech National Symphony Orchestra and Julia Bullock)

Field 22 – Package, Notes, and Historical

Best Recording Package
“Pakelang”
Li Jheng Han and Yu, Wei, art directors (2nd Generation Falangao Singing Group and the Chairman Crossover Big Band) 

Best Boxed Or Special Limited Edition Package
“All Things Must Pass: 50th Anniversary Edition” (WINNER)
Darren Evans, Dhani Harrison and Olivia Harrison, art directors (George Harrison) 

Best Album Notes
“The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966”
Ricky Riccardi, album notes writer (Louis Armstrong) 

Best Historical Album
“Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967)” (WINNER)
Patrick Milligan and Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)

Field 23 – Production 

Best Engineered Album, Non-Classical
“Love for Sale” (WINNER)
Dae Bennett, Josh Coleman and Billy Cumella, engineers; Greg Calbi and Steve Fallone, mastering engineers (Tony Bennett and Lady Gaga) 

Producer Of The Year, Non-Classical
Jack Antonoff
• Chemtrails Over the Country Club (Lana Del Rey) (A)
• Daddy’s Home (St. Vincent) (A)
• Gold Rush (Taylor Swift) (T)
• Sling (Clairo) (A)
• Solar Power (Lorde) (A)
• Take the Sadness Out of Saturday Night (Bleachers) (A) 

Best Remixed Recording
“Passenger” (Mike Shinoda remix) (WINNER)
Mike Shinoda, remixer (Deftones) 

Best Immersive Audio Album
“Alicia”
George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Ann Mincieli, immersive producer (Alicia Keys) 

Best Engineered Album, Classical
“Chanticleer Sings Christmas”
Leslie Ann Jones, engineer (Chanticleer) 

Producer Of The Year, Classical
Judith Sherman
• Alone Together (Jennifer Koh) (A)
• Bach & Beyond Part 3 (Jennifer Koh) (A)
• Bruits (Imani Winds) (A)
• Eryilmaz: Dances Of The Yogurt Maker (Erberk Eryilmaz & Carpe Diem String Quartet) (A)
• Fantasy – Oppens Plays Kaminsky (Ursula Oppens) (A)
• Home (Blythe Gaissert) (A)
• Mendelssohn, Visconti & Golijov (Jasper String Quartet & Jupiter String Quartet) (A)
• A Schubert Journey (Llŷr Williams) (A)
• Vers Le Silence – William Bolcom & Frederic Chopin (Ran Dank) (A)

Field 24 – Classical

Best Orchestral Performance
“Price: Symphonies Nos. 1 & 3”
Yannick Nézet-Séguin, conductor (Philadelphia Orchestra) 

Best Opera Recording
“Glass: Akhnaten” (WINNER)
Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) 

Best Choral Performance
“Mahler: Symphony No. 8, ‘Symphony Of A Thousand’”
Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale) 

Best Chamber Music/Small Ensemble Performance
“Beethoven: Cello Sonatas – Hope Amid Tears”
Yo-Yo Ma and Emanuel Ax 

Best Classical Instrumental Solo
“Alone Together
Jennifer Koh

Best Classical Solo Vocal Album
“Mythologies”
Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler) 

Best Classical Compendium
“Women Warriors – The Voices Of Change”
Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers 

Best Contemporary Classical Composition
“Shaw: Narrow Sea”
Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)

Field 25 – Music Video/Film

Best Music Video
“Freedom”
Jon Batiste
Alan Ferguson, video director; Alex P. Willson, video producer 

Best Music Film
“Summer of Soul” – (Various Artists)
Ahmir “Questlove” Thompson, video director; David Dinerstein, Robert Fyvolent & Joseph Patel, video producers

Kehlani Teams Up with Justin Bieber for New Single “Up At Night”

Kehlani’s stayin’ up with a special guest…

The 26-year-old part-Mexican American singer-songwriter has joined voices with Justin Bieber for the stunning new single “Up At Night.”

Kehlani

The grooving R&B jam, with Bieber stopping in for a guest verse, is the second single the pair has collaborated on, following their 2020 duet “Get Me” off of Bieber’s Changes.

At the onset, “Up At Night” sounds like many of Kehlani’s recent singles leading up to her new album — ethereal, smooth, and sultry. But by the time it reaches the chorus, the song ratchets up, with a kicked-back beat and some slick guitars bringing a vibe-driven dance feel to the track.

Once Kehlani’s finished letting their vocals shine on the infectious chorus, Bieber takes over, crooning about his romantic obsession, his energy perfectly matching Kehlani’s. “You’rе the light of my life, you’re my mеanin’/ Girl, you got what I want, what I needed,” Bieber sings.

In a statement, Kehlani gave fans some insight on the song’s meaning, while also offering props to Bieber for joining her on the single. “It’s about having a healthily obsessed relationship. You’re telling someone, ‘I love you so much it keeps me awake at night,’” she said. “I love what Justin did, and it’s such a fun one to dance to.”

“Up All Night” is the latest single off of Blue Water Road, Kehlani’s hotly anticipated third studio album.

Last week, the star announced that the album would drop April 29 via Atlantic Records, and shared that the album would be an “emotional journey, a sexual journey, and a spiritual journey.”

Bad Bunny: This Year’s Most-Streamed Artist Globally on Spotify

It’s a second consecutive year at the top for Bad Bunny.

Spotify has revealed its annual end-of-year list of the platform’s most-streamed artists, songs, albums and podcasts, with the 27-year-old Puerto Rican Latin trap and reggaeton superstar named the most-streamed artist globally.

Bad Bunny

Bad Bunny notched more than 9.1 billion streams on the platform globally to top the list ahead of Taylor SwiftBTSDrake and Justin Bieber.

In the United States, Drake dominated all artists on the platform, while Swift, Juice WRLDKanye West and Bad Bunny rounded out the top five.

The most-streamed song of the year globally was Olivia Rodrigo’s “drivers license,” which racked up more than 1.1 billion streams worldwide. Lil Nas X’s “Montero (Call Me By Your Name)” earned second place, followed by The Kid Laroi and Bieber’s “Stay,” Rodrigo’s “good 4 u” and Dua Lipa’s “Levitating” feat. DaBaby.

Rodrigo dominated the top two spots on the U.S. list with “drivers license” and “good 4 u,” marking the first time a woman has ever done so. Doja Cat’s “Kiss Me More” feat. SZAGlass Animals’ “Heat Waves” and “Levitating” rounded out the top five.

Rodrigo’s dominance extended to the global and U.S. albums tally, with her debut album Sour finishing in first place on both charts.

For additional details on Wrapped 2021, visit Spotify’s For the Record blog.

Mariah Carey’s “All I Want for Christmas Is You” Tops Billboard’s Holiday 100 Chart

Mariah Carey is back in familiar territory…

Billboard’s Holiday 100 has returned to the charts menu, with the half-Venezuelan American Grammy-winning singer back at the summit.

Mariah CareyCarey‘s “All I Want for Christmas Is You” rules the Holiday 100 for a 46th week of the chart’s 51 total weeks since the list launched in 2011; it has topped the tally for 31 consecutive weeks, dating to the start of the 2015-16 holiday season.

The Holiday 100 ranks the top seasonal songs of all eras via the same formula used for the Billboard Hot 100, blending streaming, airplay and sales data.

The only other Holiday 100 No. 1s to date are Justin Bieber’s “Mistletoe,” for a week in the 2011-12 holiday season; Pentatonix’s “Little Drummer Boy” (one, 2013-14) and “Mary, Did You Know?” (two, 2014-15); and Ariana Grande’s “Santa Tell Me” (one, 2014-15).

Carey’s 1994 carol crowns all three Holiday 100 component charts (with all surveys dated Dec. 4): Holiday Streaming Songs (17.5 million U.S. streams, up 57%, in the Nov. 19-25 tracking week, according to MRC Data), Holiday Airplay (15.2 million audience impressions, up 87%) and Holiday Digital Song Sales (3,800 sold, up 42%).