Bad Bunny Earns Third No. 1 on Billboard Global 200 with “Where She Goes”

There’s only one place Bad Bunny goes… the top of the charts.

The 29-year-old Puerto Rican Grammy-winning superstar’s “Where She Goes” has debuted at No. 1 on the Billboard Global 200 chart dated June 3.

Bad Bunny“Where She Goes” launches atop the Billboard Global 200 with 71 million streams and 3,000 sold worldwide May 19-25, following its May 18 release.

The Spanish-language song arrives as his third No. 1 on the chart, after “Un x100to,” with Grupo Frontera, for two weeks earlier in May, and “Dakiti,” with Jhay Cortez (now Jhayco), for three weeks in November-December 2020.

Bad Bunny becomes the first soloist with three Global 200 No. 1s; overall, he’s second only to BTS, with six. Justin Bieber, BLACKPINK, Drake, Olivia Rodrigo and Taylor Swift each boast two.

“Where She Goes” marks Bad Bunny’s first Global 200 entry with no accompanying artists since he released his LP Un Verano Sin Ti, which dominated the U.S.-based Billboard 200 for 13 weeks in May-October 2022.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dips to No. 2 on the Global 200 after three weeks at No. 1, having become the chart’s first leader for the regional Mexican genre.

 

The Billboard Global 200, which started in September 2020, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Jhayco Reveals Date for 16-City “Vida Rockstar Tour” Through U.S.

Jhayco is bringing his rockstar life to the masss…

The 30-year-old Puerto Rican rapper/singer has revealed the dates, venues and cities for his 2023 Vida Rockstar Tour.

Jhayco,Presented by Loud And Live, the tour will take him to 16 major U.S. cities, kicking off on September 28 at the Agganis Arena in Boston and wrapping on December 10 at the Hertz Arena in Ft. Myers.

In between the opening and closing dates, Jhayco (born Jesús Manuel Nieves Cortés and formerly known as Jhay Cortez) will also visit his loyal fans in Newark, Washington DC, Chicago, San Antonio, Dallas, Seattle, Los Angeles, Phoenix, Atlanta, and Miami, to name a few.

Fully embracing his “vida rockstar” season, fans can expect the edgy reggaetón artist to perform some of his greatest and viral hits including his song “Dakiti” with Bad Bunny, which hit No. 1 on the Billboard Global 200 chart, and his latest singles “Cuerpecito” and the Quevedo-assisted “Mami Chula.”

In addition, the Vida Rockstar U.S. stint will offer VIP packages to give fans the ultimate concert experience.

Ticketmaster and AMEX pre-sale began on Tuesday, May 16; pre-sale for Spotify and Fan Club members begins at 10 a.m. (local time) on Wednesday, May 17; pre-sale for Loud And Live and venues begins at 10 a.m. (local time); and general public on-sale starts at 10 a.m. (local time) on Friday, May 19.

Jhayco, Vida RockstarFor more information on tickets and VIP packages, visit www.jhayco.com.

 

Keityn Named Songwriter of the Year at ASCAP Latin Music Awards

(Te) Felicito-ciones are in order for Keityn

The Colombian songwriter and musical artist who co-wrote Karol G’s “Provenza” and Shakira and Rauw Alejandro’s “Te Felicito,” was named songwriter of the year at the 2023 ASCAP Latin Music Awards.

Keityn

Me Porto Bonito” — performed by Bad Bunny & Chencho Corleone and co-written by ASCAP songwriter Master Joe — won song of the year, while Universal Music Publishing Music Group took the publisher of the year honor.

Winners at the American Society of Composers, Authors and Publishers’ annual awards — which recognize the songwriters, producers and publishers behind Latin music’s biggest hits — where announced on May 3 at an invitation-only event in San Juan, Puerto Rico.

A first-time ASCAP winner, Keityn (real name: Kevyn Mauricio Cruz Moreno) has also been behind chart-topping hits such as “Tusa” by Karol G and Nicki Minaj, Maluma‘s “Hawái” and J Balvin and Tainy’s “Agua,” to name a few.

In October 2021, he signed an exclusive deal with Warner Music Latina, and since then, he has released songs as a performer like “El Egoísmo” with Mike Bahía and Dekko, “Anoche” and “Nueva Versión.”

Song of the year honoree “Me Porto Bonito” — a reggaetón track infused with Latin pop and sandungueo, in which two men promise to behave nicely if the woman they’re after asked them to — spent 20 weeks at the top of Billboard’s Hot Latin Songs chart. It also reached No. 1 on Latin Airplay, peaked at No. 2 on the Billboard Global 200 and Billboard Global Excl. U.S. charts, and hit the top 10 of the Billboard Hot 100.

Universal Music Publishing Music Group was recognized as publisher of the year for hits including “Después de la Playa,” “Efecto,” “La Corriente,” “Me Porto Bonito,” “Moscow Mule,” “Neverita,” “Ojitos Lindos,” “Party,” “Tarot,” “Tití Me Preguntó” and “Un Ratito” — all part of Bad Bunny’s uber-successful Un Verano Sin Ti, the second album in Spanish to ever top the Billboard 200.

Other 2023 ASCAP Latin Music Award-winning songwriters include Daddy Yankee (“Remix”), Jhayco (“Sensual Bebé”), Marc Anthony (“Mala”), Marco Antonio Solís (“Si Te Pudiera Mentir”), GALE (her first ASCAP Latin Award for “Ley Seca”) and Lin-Manuel Miranda (“Dos Oruguitas”).

Bad Bunny Earns Second No. 1 on Billboard Global 200 and Billboard Global Excl. U.S. Charts with Grupo Frontera-Collab “Un x100to”

Bad Bunny is back atop the global charts…

The 29-year-old Puerto Rican superstar’s Grupo Frontera-collaboration “Un x100to” rises to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts dated May 6.

Bad Bunny x Grupo FronteraIt’s the second leader for Bad Bunny on each list and the first for Grupo Frontera.

The track is the second Global 200 No. 1 and first Global Excl. U.S. leader for the Regional Mexican genre — as it dethrones the first such No. 1 on the former chart: Eslabon Armado and Peso Pluma’s “Ella Baila Sola” jumped to the top of the Global 200 a week earlier.

Meanwhile, thanks to “Un x100to,” “Ella Baila Sola” and Yng Lvcas and Peso Pluma’s “La Bebe,” Regional Mexican (and Spanish-language) songs rank at Nos. 1, 2 and 3 simultaneously on both charts for the first time since the surveys began in September 2020.

Grupo Frontera and Bad Bunny’s “Un x100to” leaps from No. 5 to No. 1 on the Billboard Global 200, with 110.2 million streams (up 64%) and 4,000 sold (down 13%) worldwide April 21-27.

Bad Bunny adds his second, after “Dákiti,” with Jhay Cortez (now Jhayco), led for three weeks in November-December 2020.

It’s also the fifth all-Spanish-language leader on the list, after “Ella Baila Sola”; Karol G and Shakira’s “TQG,” which ruled for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (four weeks, 2022); and “Dakiti.”

“Ella Baila Sola” drops to No. 2 on the Global 100, although up 9% to 104.2 million streams and 5% to 3,000 sold worldwide.

Yng Lvcas and Peso Pluma’s “La Bebe” holds at its No. 3 Global 200 best.

Grupo Frontera and Bad Bunny’s “Un x100to” concurrently climbs 4-1 on the Billboard Global Excl. U.S. chart, with 82.3 million streams (up 73%) and 1,000 sold (up 17%) outside the U.S. April 21-27.

Grupo Frontera earns its first Global Excl. U.S. No. 1, while Bad Bunny tallies his second, after “Dakiti” (five weeks, November-December 2020).

“Un x100to” becomes the Global Excl. U.S. chart’s first Regional Mexican No. 1.

It’s additionally the sixth all-Spanish-language leader on the ranking, after Karol G and Shakira’s “TQG,” which reigned for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (six weeks, 2022); Anitta’s “Envolver” (one, 2022); “Dakiti”; and Maluma and The Weeknd’s “Hawái” (one, 2020).

Peso Pluma ranks at Nos. 2 and 3 on Global Excl. U.S.: “Ella Baila Sola,” with Eslabon Armado, holds at its No. 2 high and “La Bebe,” with Yng Lvcas, keeps at No. 3, also after reaching No. 2.

As on the Global 200, thanks to “Un x100to,” “Ella Baila Sola” and “La Bebe,” Regional Mexican, and Spanish-language, songs rank at Nos. 1-3 simultaneously for the first time since the Global Excl. U.S. chart originated.

The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Eslabon Armado Releases Sixth Studio Album “Desvelado”

It’s a sleepless time for Eslabon Armado.

The Regional Mexican band has released its latest studio album Desvelado.

Eslabon Armado’s sixth studio album — which follows their five back-to-back No. 1s on Billboard’s Regional Mexican Albums chart — drops when the Mexican-American sierreño band’s “Ella Baila Sola” with Peso Pluma is No. 1 on the Billboard Global 200 (dated April 29).

It’s the first regional Mexican song to top the tally, and it’s also the first one from that genre to enter the top five on the Hot 100. Of course, the track is found on Desvelado, and while that might be the song that will draw you to listen to this album, you’re going to stay for all the other gems that Eslabon Armado delivers.

Mostly written by frontman Pedro Tovar (who is currently No. 1 on the Hot 100 Songwriters Chart), Desvelado further cements Tovar’s ability to adapt the classic genre to Gen Z, with super-modern lyrics — like in the opening track, “Quién Es El?” where he sings, “Who is he, the one you’re posting on social media, hanging out in the same places I once took you and kissed you?”

Throughout the album, Eslabon Armado sticks to the sad sierreño, guitar-driven sound that’s not only worked for them but marks a new generation of Mexican music hitmakers. The LP includes eight collabs, including the norteña-tinged cumbia “Quédate Conmigo” with Grupo Frontera (fresh off a Bad Bunny team-up) and the soon-to-be breakup anthem “Tomando Tequila,” with Jhayco’s raspy vocals taking center stage. Eslabon Armado reels in artists the group has previously recorded with, including Junior H and DannyLux, for duets. If you’re barely discovering Eslabon Armado because you’ve listened to “Ella Baila Sola,” you’ve arrived just in time. This album is a treat to new and loyal fans alike.

Peso Pluma & Eslabon Armado Make History as “Ella Bala Sola” Reaches No. 1 on Billboard Global 200 Chart

Peso Pluma is officially a global phenomenon…

The 23-year-old Mexican singer’s collaboration with Eslabon ArmadoElla Baila Sola” has surged to No. 1 on the Billboard Global 200 chart dated April 29.

Eslabon Armado x Peso PlumaIt’s the first leader on the list for each act, as well as the first for the Regional Mexican genre.

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” ascends 3-1 to crown the Billboard Global 200, with 95.2 million streams (up 27%) and 3,000 sold (up 74%) worldwide April 14-20.

It’s also the fourth all-Spanish-language leader on the list, following Karol G and Shakira’s “TQG,” which ruled for a week upon its debut in March; Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” (four weeks, 2022); and “Dákiti” by Bad Bunny and Jhay Cortez (now Jhayco; three, 2020).

“We didn’t expect for the song to make so much noise!” Pedro Tovar, Eslabon Armado lead singer and sole author of “Ella Baila Sola,” recently told Billboard of the track, which concurrently becomes the first regional Mexican top five hit ever on the Billboard Hot 100. “I really liked the song when I first wrote it, but I didn’t really expect it to be such a big hit. I previewed it on my stories on Instagram and, two days after, it went viral on TikTok, and that’s when I knew that the song was going to do big numbers.”

“Normally I don’t expect to chart with songs,” Peso Pluma marveled. “We just enjoyed the process of doing it.”

Meanwhile, marking more moves for Regional Mexican, Grupo Frontera and Bad Bunny’s “Un x100to” launches in the top five on the tally.

“Un x100to” blasts onto the Global 200 at No. 5 with 67.4 million streams and 4,000 sold worldwide in its first week. Regional Mexican sextet Grupo Frontera, from Texas, achieves its first top 10 on the chart, while Bad Bunny adds his 13th.

The Billboard Global 200 survey ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data, including the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Feid Earns First No. 1 on Billboard’s Hot Trending Songs Chart with “Remix Exclusivo”

Feid is officially on trend

The 30-year-old Colombian singer and songwriter’s “Remix Exclusivo” debuts at No. 1 on Billboard’s Hot Trending Songs chart dated April 1.

FeidBillboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days.

A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running March 17-23.

“Remix Exclusivo” bows as Feid’s first No. 1 on Hot Trending Songs. Previously, he reached No. 14 with “Si Te La Encuentras Por Ahi” in March.

“Remix Exclusivo” premiered March 16 as Feid’s first release of 2023, following 2022 album Feliz Cumpleanos Ferxxo Te Pirateamos El Album and EP Sixdo.

Concurrently, the song earned 2.8 million official U.S. streams March 17-23 en route to a No. 38 debut on the Hot Latin Songs chart. Internationally, it starts at Nos. 78 and 102 on the Billboard Global Excl. U.S. and Billboard Global 200 lists, respectively.

“Remix Exclusivo” reigns over Salman Khan’s new release, “Jee Rahe the Hum (Falling in Love),” from the upcoming Hindi-language film Kisi Ka Bhai Kisi Ki Jaan, at No. 2. Khan is also a star of the film, set for release April 21.

Karol G & Shakira Earn First No. 1 on Billboard Global 200 & Billboard Global Excl. U.S. Charts with “TQG”

Karol G is a global sensation…

The 32-year-old Colombian singer’s Shakira-collab “TQG” has launched as the biggest song in the world, debuting at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts dated March 11.

Shakira & Karol GThe song is Karol G and Shakira’s first No. 1 on the rankings.

Karol G and Shakira’s “TQG” debuts at No. 1 on the Billboard Global 200, with 158.4 million streams and 10,000 sold worldwide in the February 24-March 2 tracking week. The collaboration is from Karol G’s new album Mañana Será Bonito, which debuts at No. 1 on the U.S.-based Billboard 200, becoming the first all-Spanish-language leader by a woman in the chart’s history.

Notably, the song starts with the ninth-best streaming week since the Global 200 began (with seven of the top 10 such frames by female acts).

Biggest Worldwide Streaming Weeks in Global 200 History:
289.2 million, “Butter,” BTS, June 5, 2021
217.1 million, “Flowers,” Miley Cyrus, Feb. 4, 2023
212.1 million, “Pink Venom,” BLACKPINK, Sept. 3, 2022
185.6 million, “Flowers,” Miley Cyrus, Feb. 11, 2023
179.1 million, “Flowers,” Miley Cyrus, Jan. 28, 2023
178.2 million, “Easy on Me,” Adele, Oct. 30, 2021
170.8 million, “Permission To Dance,” BTS, July 24, 2021
169.8 million, “Butter,” BTS, June 12, 2021
158.4 million, “TQG,” Karol G & Shakira, March 11, 2023
152.8 million, “Shut Down,” BLACKPINK, Oct. 1, 2022

Karol G claims her first Global 200 No. 1 among four top 10s, following “Provenza” (No. 6, May 2022); “MAMIII,” with Becky G (No. 4, March 2022); and “Bichota” (No. 7, January 2021).

Shakira also scores her first Global 200 leader since the list began, after her and Bizarrap’s “Bzrp Music Sessions, Vol. 53” debuted at its No. 2 peak (where it ranked for three weeks) in January, marking her first top 10; it slips 5-7 on the latest list.

Karol G and Shakira are the third and fourth artists from Colombia to top the Global 200; Carolina Gaitán and Mauro Castillo are among the seven credited acts on Disney’s Encanto smash “We Don’t Talk About Bruno,” which led for three weeks beginning in February 2022.

As on the Global 200, Karol G and Shakira’s “TQG” debuts at No. 1 on the Billboard Global Excl. U.S. chart, with 129.7 million streams and 3,000 sold outside the U.S. Feb. 24-March 2. It’s likewise each act’s first Global Excl. U.S. leader, among five and three top 10s, respectively.

Karol G and Shakira are the second and third acts from Colombia to command Global Excl. U.S.; Maluma led, with The Weeknd, on “Hawái,” the week that the chart began in 2020.

The Billboard Global 200 and Billboard Global Excl. U.S. surveys, which launched in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Shakira’s Bizarrap-Collab “Bzrp Music Sessions, Vol. 53” Hits No. 1 on Billboard’s Latin Airplay Chart

Shakira is on cloud nine with the success of her latest single…

The 45-year-old Colombian Grammy– and Latin Grammy-winning singer and songwriter’s collaboration with BizarrapBzrp Music Sessions, Vol. 53” has hit No. 1 on Billboard’Latin Airplay on the chart dated February 4.

Bizarrap, ShakiraTheir in-studio diss track has now topped nine U.S. Billboard charts, including Latin Digital Song Sales, Latin Pop Digital Song Sales, Dance/Electronic Streaming Songs, Dance/Electronic Digital Song Sales, Hot Latin Songs, Latin Streaming Songs, Latin Pop Airplay, Latin Pop Streaming Songs, and now Latin Airplay.

“Bzrp Music Sessions, Vol. 53” advances 5-1 in its second week on Latin Airplay after a strong 35% gain in audience impressions, to 10 million, earned in the week ending January 26, according to Luminate.

The new coronation extends Shakira’s record among women, with 18 No. 1s. Bizarrap clocks his second after “Bzrp Music Sessions, Vol. 52,” with Quevedo, reached the top of the chart last November where it remained for four weeks.

Shakira, meanwhile, replaces herself at No. 1 as “Bzrp Music Sessions, Vol. 53” sends “Monotonía,” with Ozuna, to No. 5, after six weeks in charge, the most since Daddy Yankee’s “Con Calma,” featuring Snow, dominated the tally for eight weeks in 2019. Notably, it’s the first time a woman replaces herself at No. 1 since the chart launched in 1994.

Plus, the last time an act replaced itself at No. 1 on Latin Airplay was Farruko when “Pepas” dethroned his featured turn on Enrique Iglesias’ “Me Pasé” in October 2021.

“Bzrp Music Sessions, Vol. 53” continues its winning streak across Billboard charts.

It remains at No. 1 on Dance/Electronic Streaming SongsHot Latin SongsLatin Pop Airplay, and Latin Streaming Songs and Latin Pop Streaming Songs for a second week, while on Latin Digital Song Sales and Latin Pop Digital Song Sales, the track holds atop for a third week.

Over on the all-genre Billboard Hot 100, the track dips 9-13. Further, it holds steady at No. 2 on both Billboard Global 200 and Global Excl. U.S. charts.

Mariah Carey’s “All I Want for Christmas Is You” Tops Billboard Global Charts in First 2023 List

The world is still Mariah Carey‘s (holiday) stage…

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” leads the first all-holiday top 10 on the Billboard Global 200 chart and tops the Billboard Global Excl. U.S. survey.

Mariah CareyCarey’s insta-classic holiday song adds a 13th total week at No. 1 on the former and an eighth week atop the latter, dating to the charts’ inceptions two years ago.

“All I Want for Christmas Is You” holds at No. 1 on the Billboard Global 200 with 124.9 million streams (up 16%) and 12,000 sold (down 31%) worldwide in the December 23-29 tracking week.

The modern holiday classic, released in 1994, adds a 13th week at the summit, and a single-season-best fifth frame this holiday season, after it led for four weeks each over the 2021 and 2020 holidays.

Mariah Carey’s “All I Want for Christmas Is You” keeps atop the Billboard Global Excl. U.S. chart, with 82.8 million streams (up 27%) and 6,000 downloads sold (essentially even week-over-week) in territories outside the U.S. Dec.ember 23-29.

The song scores an eighth total week at No. 1, and a single-season-high fourth frame this Yuletide season, after it ruled for three weeks over last year’s holidays and for a week during the 2020 holiday season.

The two global charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.