Ivan Cornejo Releases Highly Anticipated New Album “MIRADA”

Ivan Cornejo is offering a new look into his music…

The 20-year-old Mexican American singer-songwriter has released his highly anticipated album MIRADA, his first major-label debut via Interscope Records.

Ivan Cornejo,

The full album releases comes after Cornejo offered a preview to the project with single releases like “Intercambio Injusto,” “Dónde Estás” and “Baby Please,” which debuted at No. 8 on Billboard‘s Hot Latin Songs chart in March — his first top 10 on the tally since 2021.

Last month, the hitmaker from Riverside, Calif., announced the album with a cryptic post.

“Ivan, do you think you’ll fall in love again?” a voice asks him as the pensive artist sits in front of a bonfire. “I don’t want to,” Cornejo quickly responds.

Two years ago, Cornejo released Dañado, the album that peaked at No. 1 on Billboard’s Regional Mexican Albums for 37 nonconsecutive weeks, the fourth-most since the chart launched in 1985.

In his Billboard digital cover story from January, Cornejo teased his third studio album saying it would be “bigger” than Dañado due to the “improvements musically and lyrically” he made.

Cornejo broke out in 2021 with his first single, “Está Dañada,” which landed him a No. 1 entry on Billboard’s Latin Songwriters chart dated October 30, 2021, while also becoming the second Regional Mexican song to appear on the all-genre Hot 100.

So far, the singer-songwriter has placed 14 songs on the Hot Latin Songs chart, and he landed at No. 10 on Billboard’s 2023 year-end Top Latin Artists chart.

Currently, he’s on his Mirada Tour, which kicked off on July 6 at Summerfest in Milwaukee, Wisconsin.

Fuerza Regida Announces 37-Date “Pero No Te Enamores” Arena Tour of U.S. & Mexico

Fuerza Regida is hittin’ the road…

The Mexican American regional Mexican band will trek across the U.S. and Mexico for a 37-date arena tour called Pero No Te Enamores, which follows their successful Otra Peda tour last year.

Fuerza RegidaThe five-piece band from San Bernardino, California, will kick off its summer stint on June 6, starting in Austin, Texas, at the Moody Center.

Fuerza Regida will also make stops in Oklahoma City; Kansas City, Missouri.; San Diego; Phoenix; Portland; Dallas; Atlanta; Salt Lake City; Anaheim, California and more.

They will also hit up Mexico and perform in Monterrey, Mexico City and Oaxaca, and will wrap up in Inglewood, Calif., at the Intuit Dome on November 16.

The tour announcement comes on the heels of the group’s latest EP, Dolido Pero No Arrepentido, which dropped on February 9, followed by the single “Money Edition” with Edén Muñoz.

The EP debuted in the top 10 of the Top Latin Albums and Regional Mexican Albums charts; plus, every song on the album premiered on Hot Latin Songs.

In the 2023 year-end charts, Fuerza Regida made Billboard history by becoming the first Latin band to be No. 1 on the Top Artists – Duo/Group list, followed by Grupo Frontera and Fleetwood Mac. (Previous No. 1 artists on the list have included Destiny’s Child, Green Day, The Black Eyed Peas, One Direction, Jonas Brothers and BTS.) The group also won at the 2023 Billboard Music Awards for Top Duo/Group and Top Latin Duo/Group.

“I’m speechless, really. Coming from where we come from, not many people get out [of the hood], whether they get out alive, are dead, or go to jail,” frontman Jesús Ortiz Paz told Billboard Español in December. “I just have to say that I am grateful to God, and to all my family, my mom, my dad, and all my friends. If it wasn’t for everyone’s help, and also the fans, we wouldn’t be here. Fuerza Regida and I are in charge of continuing to give [fans] great music and, God willing, I will continue to give until the last straw.”

The U.S. dates are produced by Live Nation. General on sale tickets will be available beginning on Friday, April 12, at 10 am local time at livenation.com.

Here’s the complete dates for the No Te Enamores Tour below:

Jun. 6            Austin, Texas                   Moody Center
Jun. 9            Edinburg, Texas              Bert Ogden Arena
Jun. 14          Oklahoma City, Okla.     Paycom Center
Jun. 15          Ridgedale, Mo.            Thunder Ridge Nature Arena
Jun. 16          Kansas City, Mo.          T-Mobile Center
Jun. 21          San Diego, Calif.             Viejas Arena
Jun. 22          Phoenix, Ariz.                 Footprint Center
Jun. 29          Portland, Ore.               Moda Center
Jun. 30          Seattle, Wash.                Climate Pledge Arena
Jul. 6              San Jose, Calif.              SAP Center
Jul. 7              Fresno, Calif.                  Save Mart Center at Fresno State
Jul. 13            Houston, Texas              Toyota Center
Jul. 20            Dallas, Texas                  Dos Equis Pavilion
Jul. 26            Atlanta, Ga.                  State Farm Arena
Jul. 27            Tampa, Fla                   Amalie Arena
Jul. 28            Sunrise, Fla                  Amerant Bank Arena
Aug. 2             Greensboro, N.C.          Greensboro Coliseum Complex
Aug. 4             Belmont Park, N.Y.        UBS Arena
Aug. 16           Milwaukee, Wis.            Fiserv Forum
Aug. 17           Indianapolis, Ind.          Gainbridge Fieldhouse
Sep. 1             Tinley Park, Ill.             Credit Union 1 Amphitheatre
Sep. 6             Salt Lake City, Utah      Delta Center
Sep. 8             Denver, Colo.                 Ball Arena
Sep. 15            Las Vegas, Nev.            T-Mobile Arena
Sep. 20           San Antonio, Texas       Frost Bank Center
Sep. 21            El Paso, Texas                UTEP Don Haskins Center
Sep. 28           Anaheim, Calif.               Honda Center
Sep. 29           Palm Desert, Calif.         Acrisure Arena
Oct. 05           Sacramento, Calif.          Golden 1 Center
Oct. 11            Leon, Mexico                   Mega Velaria*
Oct. 12           Mexico City, Mexico        Plaza De Toros*
Oct. 31            Monterrey, Mexico          Arena Monterrey*
Nov. 1              Monterrey, Mexico          Arena Monterrey*
Nov. 2             Torreon, Mexico               Coliseo Centenario*
Nov. 7             Oaxaca, Mexico               Auditorio GNP*
Nov. 9             San Luis Potosi, Mexico   El Domo
Nov. 16           Inglewood, Calif.            Intuit Dome

*Not a Live Nation date

Espinoza Paz Signs Global Deal with Virgin Music Group

Espinoza Paz has a new global deal…

The 42-year-old Latin Grammy-nominated Mexican musician and composer has signed a global deal with Virgin Music Group.

Espinoza PazBorn Isidro Chávez Espinoza in Sinaloa, Mexico, the prolific singer-songwriter is known for his deep and emotional songs penned for other artists – such as Jenni Rivera and Banda MS – and for himself.

“What I value most about this music company, Virgin Music, is that they respect my artistic vision and my career,” Paz said in a statement. “From the first moment, I was certain that they not only believed in my music, but also in my ability to create, grow and evolve as an artist.”

After spending years as songwriter for regional Music artists, he released his first album as a singer in 2008 and since, he’s scored a total of five No. 1 albums on Billboard’s Regional Mexican Albums chart. And five top 10 hits on the Hot Latin Songs chart, including “Lo Intentamos,” “Un Hombre Normal,” and “El Culpable.”

“Espinoza Paz has proven for more than a decade to be one of the most prolific Mexican singer-songwriters of the genre. Being able to have his entire catalog and his future projects within Virgin Music represents having a large part of the history of the Regional Mexican genre of the last 15 years,” added Victor González, president of Virgin Music Group Latin America & Iberian Peninsula. “We are very proud to be part of this new stage in his career where he will undoubtedly continue to surprise us with his talent.”

In 2021, Paz released three back-to-back albums titled Que Te Duela Más Que a Mí, volumes one, two and three.

Most recently, he’s released collaborations with Memo Garza (“La Sonrisa Obligatoria”), Luis R Conriquez (“Ciega Por El”) and Pipe Bueno (“El Original”).

Grupo Frontera to Perform in Mexico City’s Zócalo During This Year’s Grito de Independencia

Grupo Frontera will be making a special visit to Mexico’s most iconic plaza…

The Regional Mexican group will perform at Mexico City’s Zócalo — the country’s most important public square — on September 15 for the annual Grito de Independencia event, President Andrés Manuel López Obrador has announced.

Grupo Frontera“The members of Grupo Frontera will be there on September 15 at night in the Zócalo,” said the Mexican president at the end of his usual morning conference, where he played Frontera’s cover of “No Se Va,” originally by Colombian group Morat.

López Obrador reiterated his taste for the music of the Regional Mexican group, which he has included in his playlist to challenge corridos tumbados, a musical genre that although he has said he will not prohibit, he considers to glorify drug traffickers.

Grupo Frontera joins a long list of national and international artists who have set foot in the second-largest public square in the world, only behind Tiananmen in Beijing. Musicians such as Paul McCartneyJustin Bieber, Manu ChaoShakira, Café Tacvba and the late icon of regional Mexican music Vicente Fernández, among many others, have performed at the Zócalo.

The attendance record for free concerts held in the so-called Primer Cuadro in the Mexican capital is held by the Argentine rock band Los Fabulosos Cadillacs, which achieved the milestone of gathering 300,000 people on the night of June 3, beating Grupo Firme, who held the record after summoning 280,000 people in September 2022, according to figures from the government of Mexico City.

This week, the sextet scored their first top 10 hit on a Billboard album chart with El Comienzo, which jumped 39-4 on the Top Latin Albums chart on August 19 after its first full week of activity.

El Comienzo also jumped 12-2 on Regional Mexican Albums and debuted at No. 39 on the Billboard 200 all-genre chart.

Carin León Earns Fourth No. 1 on Billboard’s Regional Mexican Airplay Chart with “Indispensable”

Carin León has another indispensible hit…

The 34-year-old Mexican singer-songwriter has earned his fourth No. 1 on Billboard’s Regional Mexican Airplay chart as his latest single, “Indispensable,” climbs 5-1 to lead the August 19-dated ranking.

Carin Leon“Indispensable” is the only song from León’s third studio album Colmillo de Leche to enter Regional Mexican Airplay so far.

The 18-track set, a collage of genres that have influenced the Hermosillo-born singer-songwriter, took him to a top 10 on both Top Latin Albums and Regional Mexican Albums charts, at No. 5 high and No. 10, respectively, on charts dated June 3.

“Indispensable” takes the lead on Regional Mexican Airplay with Greatest Gainer honors, thanks to a 22% gain in audience impressions, to 7.7 million, earned in the U.S. during the August 4-10 according to Luminate.

With the leap, the song ejects Yahritza y Su Esencia’s “Frágil,” with Grupo Frontera, from the top slot following a one-week reign. The track falls to No. 5.

With “Indispensable,” León earns his fourth No. 1 on the radio list and first as a soloist, unaccompanied by any other collaborator. He previously ruled with the six-week champ “Que Vuelvas,” with Grupo Frontera (between January-March), and through a guest spot on Banda MS’ “Ojos Cerrados” for three weeks in 2022. His first ruler, though, arrived with “El Tóxico,” with Grupo Firme, which dominated for two weeks in 2021.

Beyond its Regional Mexican Airplay coronation, “Indispensable” rises from No. 11 to its new No. 6 peak on the overall Latin Airplay survey, giving León his sixth top 10 there.

Peso Pluma Earns First No. 1 on Any Billboard Album Chart with “Genesis”

Peso Pluma is celebrating his first No. 1 on any Billboard album chart…

The 24-year-old Mexican singer/songwriter’s album Génesis rises to No. 1 (from No. 35) on the Top Latin Albums chart dated July 8 after its first full tracking week.

Peso Pluma

It also advances 10-1 on the Regional Mexican Albums chart.

Génesis’ coronation arrives a week after the album debuted on both lists dated July 1 with only one day of activity. The original version of the album, comprising 14 tracks, was released on an off-cycle Thursday (June 22), the final day of the June 16-22 tracking week.

The new Génesis, containing three bonus tracks, was released on June 30. Both versions of the album have been combined for tracking and charting purposes, while the original version has been removed from platforms.

According to LuminateGénesis earned 73,000 equivalent album units in the U.S. during its first official tracking week ending June 29. It becomes the biggest week by units earned for a regional Mexican album ever, dating back to when the all-genre Billboard 200 chart began ranking by units in December 2014. The previous largest week by total units arrived just less than two months ago, when Eslabon Armado’s Desvelado launched with 44,000 units (May 13-dated list).

An equivalent album unit equals one album sale, or 10 individual tracks sold from an album (track equivalent album units, TEA), or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album (streaming equivalent album units, SEA).

As is standard among new artists, streaming powers nearly all of Génesis’ first-week totals. Out of its 73,000 units, 72,000 stem from SEA units. That figure equals to 101.18 million on-demand official streams of the set’s songs. Traditional album sales contribute just under 1,000 of the remaining balance, with a slice of negligible units deriving from TEA.

With 101.8 million streams, Génesis boasts the largest streaming week ever for a regional Mexican album. Previously, Eslabon Armado’s Desvelado drew the largest, with 63.51 million official U.S. streams (May 13).

Génesis becomes only the fifth Latin album to garner at least 100 million on-demand streams for its songs in a single week, following multiple weeks by Bad Bunny’s Un Verano Sin Titwo for Bunny’s YHLQMDLG, one for Bunny’s El Último Tour del Mundo, and one for Karol G’s Mañana Será Bonito.

Further, Génesis becomes the fourth regional Mexican effort to lead Top Latin Albums this decade, after Alejandro Fernández’s Hecho en México (one week, Feb. 29, 2020) and two Eslabon Armado albums, Vibras de Noche (one week, Aug. 2020) and Desvelado (one week, May13).

Elsewhere, Génesis launches at No. 3 on the all-genre Billboard 200, his first entry and top 10 there. The set concurrently outpaces the two other regional Mexican albums which have seized a spot in the top 10, both by Eslabon Armado: Nostalgia (No. 9 debut and peak, May 2022) and Desvelado (No. 6 debut and peak, May 13).

Eslabon Armado Releases Sixth Studio Album “Desvelado”

It’s a sleepless time for Eslabon Armado.

The Regional Mexican band has released its latest studio album Desvelado.

Eslabon Armado’s sixth studio album — which follows their five back-to-back No. 1s on Billboard’s Regional Mexican Albums chart — drops when the Mexican-American sierreño band’s “Ella Baila Sola” with Peso Pluma is No. 1 on the Billboard Global 200 (dated April 29).

It’s the first regional Mexican song to top the tally, and it’s also the first one from that genre to enter the top five on the Hot 100. Of course, the track is found on Desvelado, and while that might be the song that will draw you to listen to this album, you’re going to stay for all the other gems that Eslabon Armado delivers.

Mostly written by frontman Pedro Tovar (who is currently No. 1 on the Hot 100 Songwriters Chart), Desvelado further cements Tovar’s ability to adapt the classic genre to Gen Z, with super-modern lyrics — like in the opening track, “Quién Es El?” where he sings, “Who is he, the one you’re posting on social media, hanging out in the same places I once took you and kissed you?”

Throughout the album, Eslabon Armado sticks to the sad sierreño, guitar-driven sound that’s not only worked for them but marks a new generation of Mexican music hitmakers. The LP includes eight collabs, including the norteña-tinged cumbia “Quédate Conmigo” with Grupo Frontera (fresh off a Bad Bunny team-up) and the soon-to-be breakup anthem “Tomando Tequila,” with Jhayco’s raspy vocals taking center stage. Eslabon Armado reels in artists the group has previously recorded with, including Junior H and DannyLux, for duets. If you’re barely discovering Eslabon Armado because you’ve listened to “Ella Baila Sola,” you’ve arrived just in time. This album is a treat to new and loyal fans alike.

Fuerza Regida Notches First No. 1 on Billboard’s Regional Mexican Airplay Chart with Grupo Frontera-Collab “Bebe Dame”

Fuerza Regida is celebrating a big first…

The Regional Mexican group continues its good fortune across Billboard’s Latin charts as “Bebe Dame,” with Grupo Frontera, jumps 2-1 on the Regional Mexican Airplay chart dated March 18.

Fuerza Regida & Grupo Frontera The song’s new coronation lands after it dominated on the Hot Latin Songs chart for two weeks.

“Bebe Dame” rises to the top of Regional Mexican Airplay thanks to a 15% increase in audience impressions, to 9.2 million, earned in the U.S. in the week ending March 9, according to Luminate.

The collaboration was released on December 16 and belongs to Fuerza Regida’s Sigan Hablando album, which earned the five-member ensemble its highest peaking set on Top Latin Albums (No. 2, Jan. 28) and a two-week reign on Regional Mexican Albums.

“Bebe Dame” is the second collaborative effort by Fuerza Regida and Grupo Frontera, following “911” which reached the top 25 on the multimetric Hot Latin Songs chart last December.

Back on Regional Mexican Airplay, as “Bebe Dame” leads the 29-year-old ranking, Fuerza Regida secures its first champ. Previously, the San Bernardino, Calif-based group reached the top five through the No. 5-peaking “Sigan Chambeando” in August 2019.

Grupo Frontera, meanwhile, claims its second leader in less than two months. The group replaces itself at No. 1, sending “Que Vuelvas,” with Carin León, to No. 5 following its six-nonconsecutive-week run on top, which began on the Jan. 28-dated list.

Further, “Bebe Dame” holds at No. 2 on Hot Latin Songs for a seventh frame after two weeks atop, despite dips in both streams and digital sales. It also leaps 6-2 on the all-genre Latin Airplay tally, granting Fuerza Regida its first top 10 there. Grupo Frontera picks up its third straight top 10.

La Maquinaria Norteña Earns Second No. 1 on Billboard’s Regional Mexican Airplay Chart with “Eres Ese Algo”

La Maquinaria Norteña is back on top…

The Mexican quintet’s “Eres Ese Algo” rises 3-1 to lead BillboardRegional Mexican Airplay chart dated February 25.

La Maquinaria Norteña“Eres Ese Algo” reaches the summit just six months after La Maquinaria Norteña claimed its first radio No. 1 during its 10-year-plus charting career on the Regional Mexican Airplay chart, which launched with the No. 40 debut and peak of “Ayer y Hoy” in 2011.

Before “Eres Ese Algo,” “50 y Cincuenta” earned the norteño ensemble its maiden champ on any airplay chart last August. In between the band scored a No. 38 high through “Mejor Ni Me La Nombren,” with Neto Bernal (Aug. 27).

“Eres Ese Algo” shoots to No. 1 on Regional Mexican Airplay in its 14th week on the chart.

It takes the lead boosted by 28% gain in audience impressions, to 10 million, earned in the U.S. in the week ending February 16, according to Luminate. The increase secures the track the Greatest Gainer honors of the week.

The song is the second single of Al Derecho y Al Reverso, the seven-track set released on October 14 via Azteca/Fonovisa/UMLE, which reached No. 10 high on Regional Mexican Albums on the January 21-dated ranking.

In addition to bringing La Maquinaria its second airplay No. 1, “Eres Ese Algo” also secures the Azteca label its third ruler on Regional Mexican Airplay, among its 72 chart entries spanning 12 years. Prior to “50 y Cincuenta” and “Eres Ese Algo” by La Maquinaria, Azteca scored its first leader, also last August, through La Fiera de Ojinaga’s “Luna de Miel.”

Beyond its Regional Mexican Airplay coronation, “Eres Ese Algo” ascends the all-genre Latin Airplay list, rallying 10-4, besting La Maquinaria Norteña’s previous peak of No. 9 with “50 y Cincuenta.”

“Eres” was written by Keith Nieto, founding member of the Chihuahua-based band.