The 45-year-old Guatemalan film director and screenwriter, whose most recent film La Llorona made the Oscar international film shortlist, is partnering with Panama’s award-winning Hypatia Films and Jonathan Keasey of Mind Riot Entertainment to make the World War II drama Down Wind.
The film marks a rare collaboration between two major Central American filmmakers and an American writer-producer.
Bustamante will direct based on a screenplay by Keasey, who has also boarded as a producer.
The drama’s lead production company, Hypatia Films, run by Pituka Ortega Heilbron and Marcela Heilbron, is an associate producer on Claire Denis’ Cannes Film Festival competition contender The Stars at Noon, which was filmed in Panama and on which Hypatia provided production services.
Inspired by true events, Down Wind (a working title) is sourced from an article concerning incidents that transpired in the U.S. Southwest towards the end of World War II.
Ortega Heilbron who hopes to shoot the film on location in New Mexico and tap its robust incentives.
For Bustamante, for what would be his first film in English, albeit with some Spanish dialogue, the idea of making Down Wind immediately appealed to him.
“My career has always been tied to themes of discrimination against indigenous people,” said Bustamante, who’s in post on his fourth film and prepping his fifth.
Valery M. Ortiz is embracing the skeletons in the closet…
The 37-year-old Puerto Rican actress and model will star opposite Terrence Howard and Cuba Gooding Jr in the horror film Skeletons in the Closet.
Shooting is getting underway this week in Las Vegas on the film that will also star Clifton Powell.
The film is about the spirit of La Llorona granting a costly wish to the parents of a child by curing her of cancer. In saving the child, the mother of the child suffers the consequences by losing her beloved husband and becoming more evil until she pledges her allegiance to La Llorona. The father (Howard) spirals down the path of self-destruction after borrowing hard money from a ruthless mobster to pay the hospital bills for his daughter.
Lance Kawas is directing from a script by Koji Steven Sakai and Joshua A. Cohen.
The original story comes from Al Bravo.
Ortiz’s previous credits include South of Nowhere, Gabby Duran & the Unsittables, Hit the Floorand Diary of a Single Mom.
Diego Luna is being celebrated for his platinum career.
This year’s seventh edition of the Ibero-American Platino Awards (Premios Platinos) will honor the 41-year-old Mexican actor, director, producer and festival organizer with the Platino Award of Honor.
An itinerant award show by design, this year’s Platinos will be held on October 3 in Madrid.
Luna will be the youngest recipient of the career achievement honor, joining previous winners Miguel Rafael Martos Sánchez, often simply referred to as Raphael, one of Spain’s most iconic entertainers of the 20th century; Adriana Barraza, the Oscar nominated Spanish-English-language crossover star of Alejandro Iñárritu’s Babel and Amores Perros; Oscar and three time Primetime Emmy nominee Edward James Olmos (Stand and Deliver); Oscar nominee Antonio Banderas (Pain and Glory); and Primetime Emmy (The Burning Season) and BAFTA (“Dona Flor e Seus Dois Maridos) nominee Sonia Braga.
A child actor who excelled from an early age, Luna’s first film appearance was in Javier Bourges’ 1991 Mexican Academy Award-nominated short The Last New Year.” He appeared in several telenovelas throughout the ‘90s, joined on screen for the first time by his longtime collaborator and close friend Gael García Bernal in El abuelo y yo in 1992. Alternating between film and television over the next decade, his international breakout came with García Bernal and Spain’s Marbel Verdú in Alfonso Cuarón’s seminal coming-of-age road trip film “Y Tu Mamá También.”
Shortly after, Luna began his Hollywood career appearing alongside Bon Jovi in John Carpenter’s Vampires: Los Muertos and in Salma Hayek’s Oscar-winning biopic Frida.
In the decades since, Luna has continued to work on both Latin American and U.S. productions while also taking turns as a producer, writer and director. He also, again with García Bernal, launched the nomadic documentary film festival Ambulante, as well as their own production label, first Canana in 2005 and now La Corriente del Golfo.
Most recently, he created and hosts the Amazon Original conversation series Pan y Circo and is starring in the Disney+’s Andor, a spinoff series following his Rogue One: A Star Wars Story character Cassian Andor.
He was also recently confirmed as a voice actor for Netflix’s upcoming animated series Maya and the Three, where he will team with frequent collaborator Jorge Gutierrez (The Book of Life).
Last year’s ceremony was, like so many, forced online by the COVID-19 pandemic. But this time around, the Platinos are planning an in-person event to celebrate the best offerings from the Spanish, Portuguese and Latin American screen industries.
At 11 nominations each, the two standout titles are Fernando Trueba’s Colombian drama Memories of My Father and Jayro Bustamante’s Guatemalan thriller La Llorona.
The Platino Awards are promoted by EGEDA (Spain’s Entity for the Rights Management of Audiovisual Producers) and FIPCA (the Ibero-American Federation of Film and Audiovisual Producers) and have the support of the Ibero-American film academies and institutes as well as numerous sponsors in Europe and Latin America.
The 44-year-old Guatemalan film director and screenwriter has won a Peabody Award for his critically acclaimed horror film La Llorona.
The Peabody Awards recognize the year’s most compelling and empowering stories in broadcasting and streaming media, with topics that in the year 2020 included COVID-19, racial equality, immigration and social justice.
Bustamante’s La Llorona is a reworking of the well-known Latin American folk tale about a weeping woman. The film relies on the lyrical potential of the ghost story genre. The power of this gripping project is its inventive approach to visualizing the pains of a nation’s collective memory.
“It’s a quietly powerful indictment of justice delayed and a visceral embodiment of accountability politics that rightly centers Guatemala’s indigenous population,” said the jurors of Bustamante’s film.
A total of 30 awards were handed out this year for the Peabodys, presented by the Grady College of Journalism and Mass Communication at the University of Georgia.
There were 60 nominees this year, with winners selected by 19 jurors who considered 1,300 entries across TV, podcasts/radio and the web in entertainment, news, documentary, arts, children’s/youth, public service and multimedia programming.
Here’s the full 2020 winners list with Peabody jurors’ comments:
Small Axe (Amazon Studios)
BBC Studios Americas Inc. and Amazon Studios
This anthology series by Steve McQueen focuses on Black West Indian immigrant stories in post-war Britain. It honors the sacrifices made, hardships endured, culture asserted, and battles fought—the small and large acts of courage and confidence—all for the dreams of possibility and becoming. Portrayed through the poetics and intimacies of everyday life, the richness of culture and music, and the collective power of social movement and political action, Small Axe is a stunning emotional testament, offered as both political prism and intellectual history.
I May Destroy You (HBO)
HBO in association with BBC, Various Artists Limited, and FALKNA
One of the year’s most critically-acclaimed series is the provocative brainchild of British screenwriter, director, producer, and actor, Michaela Coel. The story centers on her character Arabella, who awakens from a night on the town with fragmented memories of having been sexually assaulted. With a compelling narrative that mirrors the structural rhythms of psychological trauma, the show defines the emergent subgenre of consent drama and takes center stage in a developing cultural conversation around complex issues of sexuality and consent, freedom and abuse, friendship and trust.
La Llorona (Shudder)
La Casa de Producción
Jayro Bustamante’s reworking of that well-known Latin American folk tale about a weeping woman relies on the lyrical potential of the ghost story genre. The power of this gripping film is its inventive approach to visualizing the pains of a nation’s collective memory. It is a quietly powerful indictment of justice delayed and a visceral embodiment of accountability politics that rightly centers Guatemala’s indigenous population.
The Good Lord Bird (Showtime)
Showtime Presents Blumhouse Television, Mark 924 Entertainment, Under the Influence Productions
Part fiction, part history, and part dramatic satire, this Showtime limited series boldly yet humorously examines the enigmatic abolitionist John Brown. With Ethan Hawke’s rich and complex portrayal of a madman who would become a martyr, Brown’s competing legacies are given ample room to coexist. The miniseries can’t help but follow in his wake and give us an irreverent history lesson that feels fresh and pressing for our times.
Studio Airlift and RealFilm for Netflix
A riveting thriller, the series takes a hard look at how a religious community enforces strict gender roles to maintain its identity no matter the human cost. With the raw and authentic Shira Haas as Esty, Unorthodox merges a stark portrayal of religious oppression with a coming-of-age story that resonates with gritty, desperate innocence.
The Late Show with Stephen Colbert (CBS)
With filming restrictions in place, Stephen Colbert decided to move production of his CBS Late Show to his home outside of Charleston, a remarkably successful transformation of the late-night television model by a host inviting us into his home, rather than his typical comforting presence in our living rooms and bedrooms. Amidst suffering in a global pandemic, a public fed up with police violence against African Americans, and a morally contemptuous president fighting for his political life, Colbert’s kindness, gentle spirit, and deeply felt ethical nature provided a nightly salve the nation desperately needed.
Ted Lasso (Apple TV+)
Apple/Doozer Productions in association with Warner Bros Television and Universal Television
What this presumably Ugly American, fish-out-of-water tale offers us is a charming dose of radical optimism, with an equally endearing Jason Sudeikis as Ted Lasso. It turns out that more than simply a sports coach, Ted is remarkably good at honest communication with others, affecting change by being a deeply good human, one with his own quiet anxieties and pain. The Apple TV+ series is the perfect counter to the enduring prevalence of toxic masculinity, both on-screen and off, in a moment when the nation truly needs inspiring models of kindness.
The Cave (National Geographic)
A Danish Documentary Production, in Co-Production with Ma.Ja.De Hecat Studio Paris Madam Films for National Geographic Documentary Films
Director Feras Fayyad’s astonishing documentary tells the story of a subterranean network of tunnels that function as a hospital in Syria, where the besieged residents of war-torn Al-Ghouta come for relatively safe medical care. Most are greeted by Dr. Amani Ballour, a female doctor in her late 20s, who serves as the hospital’s managing physician. The hospital endures everything from the constant fear of daily bombing raids to the heartbreak of children suffocating in war-crime chemical attacks. These haunting and harrowing images are necessary cries for help for these seemingly forgotten victims.
Welcome to Chechnya (HBO)
Public Square Films, Ninety Thousand Words, Maylo Films, BBC Storyville and HBO Documentary Films
Filmed in secret with the use of hidden cameras and cell phones, David France’s documentary details the brutal ongoing purge of LGBTQ Chechens in the closed Russian republic by a government-directed system of abduction, torture, and execution. The film follows undercover activists who risk their own safety to deliver rescued victims to safe houses and provide visa assistance for their refuge. The film employs innovative techniques of artificial intelligence and facial replacement visual effects to protect the identities of the subjects while delivering a harrowing story of ruthless persecution, audacious courage and human survival.
Collective (HBO Europe)
Alexander Nanau Production, Samsa Film
In the aftermath of a nightclub fire in Bucharest, the survivors suffering from non-life threatening burn injuries mysteriously begin dying. Journalists from the Gazeta Sporturilor newspaper probe into why, and their enterprising investigation, supported by key whistleblowers, is captured by director Alexander Nanau’s intimate and breathtaking cinema vérité film. What unfolds is a staggering exposure of official corruption that reaches from the highest levels of government and infects the entire health care system.
Immigration Nation (Netflix)
A Reel Peak Films Production for Netflix
Christina Clusiau and Shaul Schwarz’s six-part documentary on the Immigration and Customs Enforcement agency shows how bureaucrats and officers working across different, seemingly unconnected domains make up a complex and terrorizing system. With rare access to detention facilities, ICE agents on duty, immigrant families, and lawyers and activists, the filmmakers reveal how individual and collective justifications of “we are just doing our job” rationalize a punishing system.
Crip Camp (Netflix)
A Higher Ground and Rusted Spoke Production in association with Little Punk/JustFilms/Ford Foundation
Nicole Newnham and James LeBrecht’s film features a group of summer campers who first met at Camp Jened in upstate New York in the early 1970s and went on to become key players and activists in the Disability Rights Movement in the U.S. With an unapologetic spirit and a welcome cheekiness found in its archival footage, the documentary gives us a glimpse into the warmth of the teenagers’ discovery of independence, romance, and themselves, while also offering an inspiring history of a space where people found the strength and the sense of community to take on a fight to change the very world around us.
76 Days LLC/MTV Documentary Films
This is a hopeful film that does more than just document the beginning of the global pandemic in the lockdown period of Wuhan, China—the city in which cases of the coronavirus were first reported. It is a film about resilience, compassion, empathy, improvisation, the power of human touch and caring hearts as much as it is about panic, suffering, and indiscriminate victims. Using a direct cinema technique across four hospitals, the film captures frontline workers and the sick and dying while eschewing the story of politics and government action and statistics.
Renee Tajima-Peña’s five-part documentary series places Asian communities at the center of debates about belonging and citizenship in America. The series asks us to consider who gets to be at the center of these American stories, offering the requisite national, ethnic, religious, political, linguistic, and cultural diversity that make up Asian American communities across the country today. In turn, we move beyond a singular representative testimony and bear witness to varying, complex, and touching portraits of individuals, identities, enclaves, and movements, collectively born in the face of tragedy and in spite of the burdens of trauma.
Time (Amazon Studios)
Concordia Studio, GB Feature LLC and Amazon Studios
This remarkable story of love and the impact of incarceration on a family is detailed through the multiple, often elusive registers of time—slow time, long time, happy time, missed time, hopeful time, and arrested time. In this brilliantly conceived, beautifully realized, and brutally honest chronicle, we travel with Fox Rich and her family toward her husband’s release and their collective freedom. Carefully building and then mining the archive of family memories, home movies, prison visits, high school and college graduations, filmmaker Garrett Bradley proffers viewers the power of dreams and the struggle to shape and sustain love and life across the divides of incarceration.
The Promise: Season 2 (Nashville Public Radio)
Nashville Public Radio
Host Meribah Knight examines Warner Elementary, one of the most racially and economically lopsided schools in Nashville, especially when compared with the high-performing, almost all-white school just one mile away. Taking aim at nice, well-meaning white parents in an increasingly gentrified neighborhood, season 2 of The Promise chronicles the decades-long fight against desegregation as well as Warner’s uphill battle to turn itself around. The podcast carefully lays out how the current school system is inherently dependent on the resources white households provide, both creating and perpetuating systemic inequality in the process that most affects Black students.
Post Reports: The Life of George Floyd (The Washington Post)
George Floyd’s death ignited a global movement to end the plague of state violence against African Americans. Rather than focus on his death, The Washington Post sought to answer a simple but enlightening question: “What about his life?” Rather than a straightforward biography, their special podcast episode offers a more expansive view of Floyd’s life, keenly laying out how systemic racism operates across many institutions, creating sharply disparate outcomes in housing, education, the economy, law enforcement, and health care. The Post Reports team sketches a moving portrait of a man and of a nation, one that feels all the more archetypal for its familiar trappings.
Floodlines (The Atlantic)
This captivating podcast is a comprehensive story of Hurricane Katrina and its social, cultural, psychological, political, economic, and environmental aftermath and impact. From the national media’s ready-made criminalization of Black residents and their worthiness to be rescued, to the insensitive early response of national government officials, Floodlines also asks us to consider what happens to place, home, relationships, and community when politics, incompetence, and indifference are at the core of how we regard each other.
ABC News 20/20 in collaboration with The Courier Journal: Say Her Name: Breonna Taylor (ABC)
ABC News 20/20 + Courier Journal
ABC News 20/20 and The Courier Journal’s two-hour documentary special presents a holistic picture of the events that led to the police killing of Breonna Taylor on March 13, 2020. Tracing the botched police investigations and operation that resulted in officers arriving at Taylor’s apartment building, this report is a lucid investigation that goes for the granular without losing sight of the systemic and structural fissures that led to her death. Exhaustive forensic reporting paints Taylor as more than the symbol she’s become, yet also reminds us why this case symbolizes how the demands for justice and police reform are so necessary.
The plight of migrants and refugees is often fraught with danger, but the Darien Gap, a treacherous and lawless 66-mile trail through the wilderness on the border of Columbia and Panama, might be the most dangerous path to freedom on the planet. PBS special correspondent Nadja Drost and videographer Bruno Federico put themselves at great risk to join this caravan. What could be more consequential in helping viewers to understand the desperation of these migrants than the image of them stepping over the skeletal remains of those who have gone before them and failed?
PBS NewsHour: Coverage of the COVID-19 Pandemic (PBS)
Relentless and comprehensive reporting from PBS NewsHour gave us the best news coverage of a once-in-a-century global pandemic. Their work on “Global Pandemic” covered the pandemic’s human toll on five continents, in countries already hit hard by war, famine, and death. In the United States, “Making Sense: The Victims of COVID” put a spotlight on the millions who lost their jobs, the devastating impact on restaurants, and the near shutdown of the travel industry, while shedding new light on how the pandemic revealed and exacerbated astonishing racial disparities in American health outcomes.
Whose Vote Counts (PBS/GBH)
Frontline, Columbia Journalism Investigations, USA Today Network
From the legal battles over primary election absentee ballots to how the pandemic would exacerbate unfounded concerns over “rampant voter fraud” in November, Whose Vote Counts presents a clear breakdown of the way racial inequities, COVID-19, and voter suppression became interlinked crises in 2020. In collaboration with Columbia Journalism Investigations, the Milwaukee Journal Sentinel, and USA Today, the team at FRONTLINE and writer Jelani Cobb offer a probing and thorough investigation into the simple question of the piece’s title.
Vice on Showtime: Losing Ground (Showtime)
Correspondent Alzo Slade explores how a little-known type of ownership known as “heirs property” leaves African Americans especially vulnerable to losing their property to unscrupulous developers through arcane and ethically questionable legal mechanisms. The abstract maneuvers occur in piecemeal, hard-to-follow fashion, but the cumulative result is that entire families are displaced and inheritances lost. Losing Ground dramatizes how the law so often favors the ruthless and illuminates a dark side of American property rights.
Muslim in Trump’s America (Exposure) (ITV)
In this rigorously reported film that chronicles the dangerous climate created around Muslims and other groups targeted during Trump’s presidency, director Deeyah Khan investigates the connection between rising hate crimes and state-sponsored racism with stories of those at the center of the storm: the downward spiral of a Kansas farmer serving 30 years for an anti-Muslim bomb plot; the conspiracy-filled world of right wing, armed militia who believe that Islam is infiltrating the United States; the painful reality of Muslims whose loved ones were hunted and killed by white supremacists; and the complex duties of embattled lawmakers such as Minnesota’s Congresswoman Ilhan Omar.
Full Disclosure (KNXV-TV)
Digging into Arizona’s “Brady list,” a system designed to track police officers with histories of lying and committing crimes in hopes of keeping police accountable, this hour-long special from ABC15 Arizona offers a stark portrait not only of why the system is broken, but why it has never been fixed. The yearlong investigation, with exhaustive reporting and damning video footage, demonstrates how law enforcement agencies rarely adhere to their own legal standards in keeping and disseminating such misconduct reports.
China Undercover (PBS/GBH)
This documentary uncovers the story of China’s arresting an estimated two million Uyghur Muslims and putting them in concentration camps—what experts says is the largest mass incarceration of an ethnic group since the Holocaust. But the report also makes the case that this is a massive experiment in developing the most complete surveillance state in history, as the government employs technologies such as advanced algorithmic facial recognition software and houses marked with digital barcodes to monitor and ultimately detain Muslims whose behavior is “predicted” as threatening.
Cops and Robbers (Netflix)
Chemical Soup, Lawrence Bender Productions, Netflix
Timothy Ware-Hill and Arnon Manor’s animated short film, derived from the Ware-Hill poem, evokes the make-believe childhood game that rings quite differently for young Black kids, whose interactions with police officers do not make for such lighthearted play. Ruminating on his younger years, Ware-Hill paints a portrait of the innocence young Black boys like him are seldom afforded. But if the poem centers on his singular memories, the animated visuals that accompany this piece—produced by 30 individual artists, students and VFX companies from around the world—encompass many distinct animated styles, speaking to the shared, lived experience of many.
Facing Race (KING-TV)
This audacious series tackles the deep-rooted subject of racial inequality, racism, racial privilege, and the systematic ways in which race structures and impacts the public and personal life of Seattle residents. From criminal justice to health disparities, environmental racism to land policy ramifications for Native American communities, the reporting team covers the magnitude and depth of the story sensitively yet critically. In particular, the series is attentive as well to the powerful emotional and psychological impact of racism and racial trauma, particularly among parents, trans-racial adoptees, and multiracial youth.
Designed to get its young audience to embrace mindfulness, empathy, and kindness, and to rejoice in the chance to rejoice in the quiet wonders of the world around them, Stillwater is a calm and soothing balm in the typically frenetic world of children’s television. Its essence is best captured by the patience of voice actor James Sie, who makes the titular character as much a role model for kids as for those parents watching. Structured around a number of parables told by the affable panda bear to his three young neighbors, every episode feels like an engrossing painting come to life that demands you slow down and take care to relish its every brushstroke.
The Owl House (Disney Channel)
Disney Television Animation
Alice in Wonderland. Dorothy in Oz. Coraline in Other World. To that list we should now add: Luz in Boiling Isles. Luz crosses a mysterious threshold and finds herself in a magical, colorful land where she finds both the strength and the support group she needs to become who she’s meant to be. The Dana Terrace-created animated series builds a wildly inventive other world that makes room for everyone and gives queer kids a welcome template alongside which to explore their own budding creative energies.
Founded in 2011 by filmmaker Ava DuVernay, ARRAY is as much a center for disruptive institutional and narrative change as it is a production house. Indeed, its creative campus in Filipinotown, Los Angeles is itself a rejection of antiquated Hollywood thinking, not just in foregrounding absent voices and missing representations in front of and behind the camera by people of color and women, but in reimagining how projects are greenlit, created, produced, and distributed, and by whom. In ten short years, ARRAY has built the institutional infrastructure to produce award-winning content. Yet ARRAY is also deeply invested in the social impact of its work, creating educational and learning materials for much of its content. It’s easy to see that DuVernay and her women-led team at ARRAY have not waited for permission to build, create, grow, and envision a different and more equitable future for neglected filmmakers, artists, and social activists. Through brilliant visioning and old-fashioned sweat equity, ARRAY has crafted a new way forward in an industry heavily resistant to change.
CAREER ACHIEVEMENT AWARD
A renowned editor, director and producer across film and television, Sam Pollard’s remarkable work critically conveys the historical reach of anti-Blackness, racial injustice and the enduring power of black freedom struggles. With tremendous insight and sensitivity, he mines the rich archives of African American life and culture portraying indomitable stories of struggle and determination. In the process he elevates the ordinary, stresses the pleasures, care, and compassion of Black people and ultimately serves as our guide to the power of Black freedom dreams. A Professor at the NYU Tisch School of the Arts, Pollard’s mentorship and teaching of a new generation of documentary storytellers continues his impact in the field and in the world. With his indomitable energy and insatiable curiosity, his generosity as a colleague, mentor, collaborator, his acute sensitivity to the complex modalities of black life and his undying commitment to social justice, Pollard is a virtuoso who continues to identify, document, curate and shape some of the most important and enduring stories that matter.
PEABODY AWARD FOR JOURNALISTIC INTEGRITY
With an award-winning career that spans more than five decades, Judy Woodruff, the anchor and managing editor of the PBS NewsHour, represents the best of television news and is one of the most trusted broadcast journalists in America. In a world where “opinion” programs and personalities often dominate the media landscape, Woodruff has earned her reputation for delivering unbiased, fact-based news stories without the hype. From the beginning of her career, Woodruff rose quickly through the ranks of TV newsrooms, from local Atlanta television news to NBC to CNN to PBS. In 2016, Woodruff became the sole anchor and managing editor of the PBS NewsHour. Throughout her career, Woodruff has been an outspoken advocate of the First Amendment, upholding the importance of a free and unfettered press as critical to the survival of our democracy. Never has that been more critical—never has journalistic integrity been more critical—than where we find ourselves today. For her extraordinary contributions to American television, for her groundbreaking work, and for her commitment to telling us the truth, the Board of Jurors is proud to salute Judy Woodruff with the first-ever Peabody Award for Journalistic Integrity.
Jayro Bustamante is one step closer to having a date with Oscar…
The Academy of Motion Picture Arts and Sciences (AMPAS) has revealed its shortlist of International Feature Film potential nominees, with the Guatemalan film director and screenwriter’s supernatural horror drama La Llorona making the grade.
The 37-year-old Chilean writer/director’s documentary centers on a private investigator in Chile hires someone to work as a mole at a retirement home where a client of his suspects the caretakers of elder abuse.
Fernando Frías de la Parra’s I’m No Longer Here, representing Mexico, still has an Oscar shot as well…
Written and directed by the 42-year-old Mexican filmmaker, the film has been called “a thoughtful portrait of cultural identity.” It centers on a teen from Monterrey, Mexico who forges a new life in Queens, New York.
The full Oscar nominations will be announced on March 15, and ABC will air the 93rd annual Academy Awards live on April 25.
Here are the shortlisted films:
INTERNATIONAL FEATURE FILM
Bosnia and Herzegovina, Quo Vadis, Aida?
Chile, The Mole Agent
Czech Republic, Charlatan
Denmark, Another Round
France, Two of Us
Guatemala, La Llorona
Hong Kong, Better Days
Iran, Sun Children
Ivory Coast, Night of the Kings
Mexico, I’m No Longer Here
Russia, Dear Comrades!
Taiwan, A Sun
Tunisia, The Man Who Sold His Skin
Nominations for the 78th annual Golden Globe Awards have been revealed by the Hollywood Foreign Press Association for the best in film and television, with the 41-year-old Puerto Rican actor, singer, composer, lyricist and playwright earning two nods.
Miranda is nominated in the Best Performance by an Actor in a Motion Picture – Musical or Comedy category for his work in the filmed version of his Tony Award-winning Broadway musical Hamilton.
Miranda also earned a nod as the film’s producer when Hamilton was nominated in the Best Picture – Musical or Comedy category.
With this year’s nominations, Miranda has received five nominations in his career, including a previous nod in the Best Performance by an Actor in a Motion Picture – Musical or Comedy category for his work in Mary Poppins Returns.
Jared Leto is celebrating a Little acknowledgement…
The 49-year-old part-Spanish American actor picked up a nod in the Best Performance by an Actor in a Supporting Role in any Motion Picture for his work in The Little Things.
Leto previously won a Golden Globe for his performance in Dallas Buyers Club.
Jayro Bustamante has earned his first-ever Golden Globe nominated…
The 46-year-old Guatemalan film director and screenwriter earned a nod in the Best Motion Picture – Foreign Language category for his helming La Llorona.
Helena Bonham Carter is back in the running again…
The 54-year-old part-Spanish actress has earned her second consecutive nod in the Best Supporting Actress – Series, Miniseries or TV Movie category for her performance as Princess Margaret on Netflix’s The Crown.
Like the rest of the award-show staples this year, the pandemic has forced shifts to both timelines and eligibility rules.
The 78th annual Golden Globes ceremony on NBC is usually in January, but with the Oscars’ movie to April 25, this year’s awards show is set for February 28.
Tina Fey and Amy Poehler return to host and will do so separately in a ceremony hosted live in New York (by Fey) and in Los Angeles (by Poehler).
Here’s the full list of nominees:
BEST MOTION PICTURE – DRAMA
The Father (Trademark Films; Sony Pictures Classics)
Mank (Netflix; Netflix)
Nomadland (Highwayman / Hear/Say / Cor Cordium; Searchlight Pictures)
Promising Young Woman (LuckyChap Entertainment / FilmNation Entertainment; Focus Features)
The Trial Of The Chicago 7 (Marc Platt Productions / Dreamworks Pictures; Netflix)
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
Viola Davis, Ma Rainey’s Black Bottom
Andra Day, The United States Vs. Billie Holiday
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Riz Ahmed, Sound of Metal
Chadwick Boseman, Ma Rainey’s Black Bottom
Anthony Hopkins, The Father
Gary Oldman, Mank
Tahar Rahim, The Mauritanian
BEST MOTION PICTURE – MUSICAL OR COMEDY
Borat Subsequent Moviefilm (Four By Two Films; Amazon Studios)
Hamilton (Walt Disney Pictures / Radicalmedia / 5000 Broadway Productions / Nevis Productions / Old 320 Sycamore Pictures; Walt Disney Studios Motion Pictures)
Music (Pineapple Lasagne Productions / Landay Entertainment; Vertical Entertainment / Imax)
Palm Springs (Party Over Here / Limelight Productions; Neon / Hulu)
The Prom (Netflix / Dramatic Forces / Storykey Entertainment; Netflix)
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Maria Bakalova, Borat Subsequent Moviefilm
Kate Hudson, Music
Michelle Pfeiffer, French Exit
Rosamund Pike, I Care A Lot
Anya Taylor-Joy, Emma
BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
Sacha Baron Cohen, Borat Subsequent Moviefilm
James Corden, The Prom
Lin-Manuel Miranda, Hamilton
Dev Patel, The Personal History of David Copperfield
Andy Samberg, Palm Springs
BEST MOTION PICTURE – ANIMATED
The Croods: A New Age (Dreamworks Animation; Universal Pictures)
Onward (Walt Disney Pictures / Pixar Animation Studios; Walt Disney Studios Motion Pictures)
Over The Moon
(Netflix / Pearl Studio / Glen Keane Productions; Netflix)
Soul (Walt Disney Pictures / Pixar Animation Studios; Walt Disney Studios Motion Pictures)
Wolfwalkers (Cartoon Saloon / Melusine; Apple / Gkids)
BEST MOTION PICTURE – FOREIGN LANGUAGE
Another Round (Denmark) (Zentropa Entertainments; Samuel Goldwyn Films)
La Llorona (Guatemala / France) (La Casa De Producción / Les Films Du Volcan; Shudder)
The Life Ahead (Italy) (Palomar; Netflix)
Minari (Usa) (Plan B; A24)
Two Of Us (France / Usa) (Paprika Films; Magnolia Pictures)
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Glenn Close, Hillbilly Elegy
Olivia Colman, The Father
Jodie Foster, The Mauritanian
Amanda Seyfried, Mank
Helena Zengel, News Of The World
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Sacha Baron Cohen, The Trial of The Chicago 7
Daniel Kaluuya, Judas and The Black Messiah
Jared Leto, The Little Things
Bill Murray, On The Rocks
Leslie Odom Jr, One Night In Miami
BEST DIRECTOR – MOTION PICTURE
Emerald Fennell, Promising Young Woman
David Fincher, Mank
Regina King, One Night In Miami
Aaron Sorkin, The Trial of The Chicago 7
Chloé Zhao, Nomadland
BEST SCREENPLAY – MOTION PICTURE
Emerald Fennell, Promising Young Woman
Jack Fincher, Mank
Aaron Sorkin, The Trial of The Chicago 7
Florian Zeller, Christopher Hampton, The Father
Chloé Zhao, Nomadland
BEST ORIGINAL SCORE – MOTION PICTURE
Alexandre Desplat, The Midnight Sky
Ludwig Göransson, Tenet
James Newton Howard, News Of The World
Trent Reznor, Atticus Ross, Mank
Trent Reznor, Atticus Ross, Jon Batiste, Soul
BEST ORIGINAL SONG – MOTION PICTURE
“Fight For You” — Judas And The Black Messiah
Music By: H.E.R., Dernst Emile Ii
Lyrics By: H.E.R., Tiara Thomas
“Hear My Voice” — The Trial Of The Chicago 7
Music By: Daniel Pemberton
Lyrics By: Daniel Pemberton, Celeste Waite
“Io Sì (Seen)” — The Life Ahead
Music By: Diane Warren
Lyrics By: Diane Warren, Laura Pausini, Niccolò Agliardi
“Speak Now” — One Night In Miami
Music By: Leslie Odom Jr, Sam Ashworth
Lyrics By:Vleslie Odom Jr, Sam Ashworth
“Tigress & Tweed” — The United States Vs. Billie Holiday
Music By: Andra Day, Raphael Saadiq
Lyrics By:Vandra Day, Raphael Saadiq
BEST TELEVISION SERIES – DRAMA
The Crown – Netflix (Left Bank Pictures / Sony Pictures Television)
Lovecraft Country – HBO (HBO / Afemme / Monkeypaw / Bad Robot / Warner Bros. Television)
The Mandalorian – Disney+ (Lucasfilm Ltd.)
Ozark – Netflix (Mrc Television)
Ratched – Netflix (Fox21 Television Studios)
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Emma Corrin, The Crown
Laura Linney, Ozark
Sarah Paulson, Ratched
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
Jason Bateman, Ozark
Josh O’Connor, The Crown
Bob Odenkirk, Better Call Saul
Al Pacino, Hunters
Matthew Rhys, Perry Mason
BEST TELEVISION SERIES – MUSICAL OR COMEDY
Emily In Paris – Netflix (Darren Star Productions / Jax Media / Mtv Studios)
The Flight Attendant – HBO Max (HBO Max / Berlanti Productions / Yes, Norman Productions / Warner Bros. Television)
The Great – Hulu (Hulu / Civic Center Media / Mrc)
Schitt’s Creek – Pop TV
(Not A Real Company Productions / Canadian Broadcast Company / Pop TV)
Ted Lasso – Apple TV+ (Apple / Doozer Productions / Warner Bros. Television / Universal Television)
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY
Lily Collins, Emily In Paris
Kaley Cuoco, The Flight Attendant
Elle Fanning, The Great
Jane Levy, Zoey’s Extraordinary Playlist
Catherine O’hara, Schitt’s Creek
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
Don Cheadle, Black Monday
Nicholas Hoult, The Great
Eugene Levy, Schitt’s Creek
Jason Sudeikis, Ted Lasso
Ramy Youssef, Ramy
BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
Normal People – Hulu (Hulu / BBC / Element Pictures)
The Queen’s Gambit – Netflix (Netflix)
Small Axe – Amazon Studios (BBC Studios Americas, Inc / Amazon Studios)
The Undoing – HBO (HBO / Made Up Stories / Blossom Films/David E. Kelley Productions)
Unorthodox – Netflix
(Studio Airlift / Realfilm)
BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES, ANTHOLOGY SERIES OR A MOTION PICTURE MADE FOR TELEVISION
Cate Blanchett, Mrs. America
Daisy Edgar-Jones, Normal People
Shira Haas, Unorthodox
Nicole Kidman, The Undoing
Anya Taylor-Joy, The Queen’s Gambit
BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES OR A MOTION PICTURE MADE FOR TELEVISION
Bryan Cranston, Your Honor
Jeff Daniels, The Comey Rule
Hugh Grant, The Undoing
Ethan Hawke, The Good Lord Bird
Mark Ruffalo, I Know This Much Is True
BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SUPPORTING ROLE
Gillian Anderson, The Crown
Helena Bonham Carter, The Crown
Julia Garner, Ozark
Annie Murphy, Schitt’s Creek
Cynthia Nixon, Ratched
BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SUPPORTING ROLE
John Boyega, Small Axe
Brendan Gleeson, The Comey Rule
Daniel Levy, Schitt’s Creek
Jim Parsons, Hollywood
Donald Sutherland, The Undoing
Jayro Bustamante could be bringing the horror to the Oscars…
The 43-year-old Guatemalan film director and screenwriter’s politically charged horror film La Llorona, which won the Venice Days sidebar at last year’s Venice Film Festival, is Guatemala’s selection to the 2021 International Oscar race.
It’s the second film by Bustamante to get his country’s Academy Awards submission, after his debut feature Ixcanulin 2015.
His latest film fuses the Latin American Llorona myth and modern reality in an exposé of the genocidal atrocities against the Mayan community in Guatemala.
The plot delves into magical realism as it follows Enrique (Julio Diaz), a retired general who oversaw the Mayan genocide and is haunted by his devastating crimes, and possibly a wrathful supernatural force that is targeting him and his family.
Rigoberta Menchú Tum, a Nobel Peace Prize winner and survivor of the atrocities, also appears in the film.
The film, which had its U.S. bow this year at the Sundance Film Festival ahead of its August 6 premiere on Shudder, currently has a 97% fresh rating on Rotten Tomatoes.
Guatemala has yet to be nominated for the International Feature Film Oscar.
The 23-year-old Mexican singer-songwriterandmulti-instrumentalist has become the first Latin artist signed to Glassnote Records.
Estrada, who joins the indie label’s roster that includes award-winning artists like Phoenix and Mumford & Sons, signed with Glassnote after a quick visit to New York back in February.
“After meeting the team, and a spontaneous performance, both parties left mesmerized,” according to a statement issued by Glassnote. “She officially joined the Glassnote family shortly after.”
Born and raised in Veracruz, Mexico and inspired by artists like Billie Holiday and Sarah Vaughan, Estrada began her musical career at a young age experimenting with different instruments — both her parents were luthiers.
“My music is made of who I am,” she says. “When I wasn’t hearing musicians playing snippets of classical pieces to try out the sound of the instruments, I was listening to my parents singing traditional Mexican songs or Latin American popular music. To me, being a singer or composer was just a normal job.”
Her deep and impressive vocals are at the forefront of her coming-of-age, intimate songs that have caught the attention of Natalia Lafourcadeand Mon Laferte, who performed “La Llorona” with Estrada at Mexico City’s Teatro Metropolitan in 2018.
The Glassnote announcement comes ahead of Estrada’s Spanish-language cover of the CHVRCHES hit “Forever,” the Spanish-language “Para Siempre,” released on Friday, August 28. Marchita, her new full-length album, produced by Gustavo Guerrero, will be released by Glassnote Music.
“I’m making the music that I honestly want to do,” says Silvana, who can seem as susceptible to the power of her voice as her audiences are. “I sing my songs and I feel good. And the miraculous thing is that they make the people who hear them feel good too.”