Bad Bunny’s “DtMF” Maintains No. 1 Position on Billboard Global 200 & Billboard Global Excl. U.S. Charts

Bad Bunny remains atop the global charts… 

The 31-year-old Puerto Rican Grammy-winning superstar’s “DtMF” holds at No. 1 on the Billboard Global 200, adding a fourth week atop the chart, after it first led for two weeks in January-February 2025.

Bad BunnyIt concurrently scores its second total and consecutive week at No. 1 on Billboard Global Excl. U.S.

Bad Bunny monopolizes the top four spots on the Global 200 and the top three on Global Excl. U.S., a week after he claimed the top five and three ranks, respectively, following his Super Bowl LX halftime show performance February 8 in Santa Clara, Calif., with “DtMF” the closing song in his set.

“DtMF” drew 76.4 million streams (down 28% week over week) and sold 6,000 (down 65%) worldwide February 13-19.

Bad Bunny’s “Baile Inolvidable” holds at its No. 2 Global 200 high; “Nuevayol” repeats at its No. 3 best; and “Tití Me Preguntó” rises a spot, returning to its No. 4 peak.

He performed all four songs at the Super Bowl, with the top three from his 2025 album Debí Tirar Más Fotos;Tití Me Preguntó” is from his 2022 set Un Verano Sin Ti.

Meanwhile, “DtMF” tallied 52.2 million streams (down 18%) and 2,000 sold (down 45%) outside the U.S. in the tracking week. Bad Bunny also places in the Global Excl. U.S. top five with “Nuevayol,” up 3-2 for a new high; “Baile Inolvidable,” down to No. 3 from its No. 2 best; and Tití Me Preguntó,” which rises 13-5, after hitting No. 4.

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

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