It’s another double for Bizarrap.
The 23-year-old Argentinian record producer and DJ’s collaboration with Quevedo, “Bzrp Music Sessions, Vol. 52” is the biggest song in the world, spending a fourth week at No. 1 on the Billboard Global 200 and a fifth frame atop the Billboard Global Excl. U.S. chart.
“Bzrp Music Sessions, Vol. 52,” by Bizarrap and freestyler Quevedo, spends a fourth week at No. 1 on the Billboard Global 200, as it drew 74.1 million streams and sold 1,200 downloads worldwide in the August 12-18 tracking week.
Harry Styles’ “As It Was” drops to No. 2 after a record 13 weeks at No. 1 on the Global 200; Bad Bunny and Chencho Corleone’s “Me Porto Bonito” holds at No. 3 after reaching No. 2.
Bad Bunny’s own “Tití Me Preguntó” is steady at its No. 4 high.
“Bzrp Music Sessions, Vol. 52” by Bizarrap and Quevedo rules the Billboard Global Excl. U.S. chart for a fifth week, with 68.8 million streams and 800 downloads sold in territories outside the U.S. in the Aug. 12-18 tracking week.
Harry Styles’ “As It Was” holds at No. 2 on the Global Excl. U.S. chart, following a record 13 weeks at No. 1; Rosalía’s “Despechá” rises 5-3 for a new best; Bad Bunny and Chencho Corleone’s “Me Porto Bonito” slips 3-4, after reaching No. 2; and Bad Bunny’s “Tití Me Preguntó” drops to No. 5 from its No. 4 high.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 27, 2022) will update on Billboard.com tomorrow (Aug. 23). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
The two charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.