Celia Cruz to Become First Afro-Latina Depicted on U.S. Quarter

The late Celia Cruz is still making money moves…

The face of the legendary Cuban singer will be depicted on a U.S. quarter, according to the United States Mint.

Celia CruzWidely known as the Queen of Salsa, Cruz was chosen along with four other exemplary women from history to be featured on the U.S. quarter as part of the American Women Quarters Program in 2024. She’ll also make history as the first Afro-Latina to appear on the coin.

Cruz, who is considered one of the most influential Latin singers of all time and a cultural icon, is remembered for her lively expression of “¡Azúcar!,” and for her highly influential body of work consisting of 37 albums.

The other honorees include Patsy Takemoto Mink, the first women of color to serve in the U.S. Congress; Dr. Mary Edwards Walker, women’s rights advocate and Civil War era surgeon; poet, activist, and lawyer Pauli Murray; and Native American writer, composer, educator Zitkala-Ša.

The four-year program “celebrates the accomplishments and contributions made by women of the United States,” states the official website.

From joining La Sonora Matancera in the early ’50s up until her death in 2003 due to cancer, Cruz was unquestionably one of the most exuberant performers of Latin music. Her larger-than-life onstage presence coupled with her captivating charisma made her a legend in Latin America and beyond.

In the 1970s, she became a leading force in salsa music and joined Fania All Stars alongside Johnny Pacheco, Willie Colón, Tito Puente and other icons of the genre, a cultural phenomenon that took place in New York City and beyond.

She later explored other tropical genres such as merengue and reggaetón. Some of her most memorable hits in history include “La Vida Es Un Carnaval,” “La Negra Tiene Tumbao,” and “Químbara” also featuring Johnny Pacheco.

She never lip-synched, and when asked to do it for TV performances, she refused. Cruz was also incredibly influential for many of today’s Latin stars. Her last 2003 album, Regalo del Alma, remained at No. 1 on the Top Latin Albums chart for three weeks.

“I’ve never thought of retiring. I’m healthy, I’m rolling, I’m rolling. I remember Celia Cruz,” reggaetón pioneer Ivy Queen previously told Billboard, who has long idolized and emulated Cruz. “Her last Premios Lo Nuestro performance, she had cancer. She walked from her chair to the stage, she sang, and … she sang. That’s what I’m doing. F–k it. She did it, I’m gonna do it.”

Although Cruz died two decades ago, her legacy continues to appear in various corners of pop culture.

Last year, the estate of the salsa legend partnered with Archetype-IO to release her first NFT collection, which debuted in Art Basel 2022. In 2016, an 80-part series about her life became available for streaming on Netflix, titled Celia, by Telemundo.

For each year commencing in 2022 and running through 2025, the U.S. mint will issue five new reverse designs, and the obverse of the coin will still feature George Washington, but with a slightly different design from the previous quarter program.

This year celebrates Bessie Colemen, Edith Kanaka’ole, Eleanor Roosevelt, Jovita Idar and Maria Tallchief.

Lucrecia’s “Celia Cruz: The Musical!” to Open in New York City’s Lehman Center in November

Lucrecia is ready to bring a legend’s story to life in the Big Apple…

The Lehman Center for the Performing Arts has just announced the New York premiere of Celia Cruz: The Musical!, starring the 52-year-old Cuban singer as the late Queen of Salsa, scheduled for November 16. 

lucrecia-as-celia-cruz-the-musical

The show, which premiered at the Starlite Festival in Marbella, Spain, and has been performed at Miami’s Adrienne Arscht Center, was written and directed by Gonzalo Rodríguez and Jeffry Batista, with Omer Pardillo-Cid, the executor of the Celia Cruz Estate, as executive producer.

Pardillo has described Cruz as “a black woman, who was poor, who left Cuba and conquered the world,” becoming, he says, “the Lady Gagaof her time.” 

The musical, which Pardillo ensures tells the true story of the woman known all over the world as the “salsa queen,” re-creates Cruz’s final concert before her death in 2003 at age 77, flashing back to episodes cued by well-known songs, from “Quimbara”to “La Negra Tiene Tumbao.”

Celia Cruz

“Celia conquered the world with her voice and her huge heart,” Lucrecia says. “She was noble, a woman of the old school. She remembered everyone’s name. You’d meet her once and she’d be sending you postcards for the rest of her life.”

During the show, Lucrecia makes 18 costume changes, wearing dresses and wigs that a Miami seamstress painstakingly copied from Cruz’s original show wardrobe. The singer performs monologues that encapsulate different periods of Cruz’s life, setting up songs that took her career from Cuba, where as a young woman she had her big break with La Sonora Matancera, to the heady days of New York salsa with the Fania All Stars, to her later years as an international icon.

“My admiration, respect and love for Celia runs very deep,” Lucrecia says. “I do the show with love, without any sense of rivalry or trying to take her place. I come out on stage to bring her alive.”

Lucrecia, whose given name is Lucrecia Pérez-Saéz, became known in Cuba as a lead vocalist and pianist with the iconic all-women band Anacaona. In 1993, she settled in Barcelona and formed her own group. The Latin Grammynominee (for 2010’s Álbum de Cuba), frequently recognized on the street by her trademark colored braids, is now a household name in Spain for her role as the singing host of the children’s television series Los Lunnis; she also appears in movie based on the series that premiered in Spanish theaters early this year. 

Lucrecia is set to receive recognition as the Best Latin American Children’s Movie Actress and Best Children’s Music Singer at the Premios Latino 2019 awards in Marbella in September.

In 1998, Lucrecia appeared with Cruz, the great bassist Israel “Cachao” Lopez and actor, musician and producer Andy Garcia at an event organized by Bacardi rum in Marbella.

 “I met her at the press conference,” she recalls. “I was so nervous.” During that presentation, Cruz called Lucrecia her successor.  Lucrecia wrote a song in Cruz’s honor, “Agua con Azucar y Ron.”

Lucrecia recalls Cruz calling her when she was pregnant, and later bringing gifts for her son. “La Vida Es un Carnaval” was the first song that Lucrecia sang to him in the hospital. They remained friends until the end of Cruz’s life.

Celia’s career was long, and when you have a career like that you can start on one path and then take another,” notes Lucrecia. “Of course, there are evolutions,” she says, pointing to Cruz’s 2001, “La Negra Tiene Tumbao,” which has an urban beat and premiered accompanied by a fabulous video by Cuban director Ernesto Fundora

“Reggaeton was just coming out at that time, and there she was, doing reggaeton!

“They called her the queen of salsa,” Lucrecia adds, “but she was always the guarachera de Cuba. It was always about her Cuba, and taking it with her around the world.”