The London Film Critics’ Circle’s Latino Nominees…

The London Film Critics’ Circle has showered praise on several Hispanics this awards season.

The Critics’ Circle announced its nominees this Tuesday, with the Cold War drama Tinker Tailor Soldier Spy and the heist-gone-wrong film Drive leading the pack with six nominations each.

Film Reel

Even though no Hispanics were nominated in the acting and directing categories, two films directed by Latinos were nominated in the Foreign-Language Film of the Year category.

Spanish-director Pedro Almodóvar’s The Skin I Live In, which stars Antonio Banderas, will face off against the late Chilean filmmaker Raúl Ruiz’s Mistérios de Lisboa (Mysteries of Lisbon), the winner for best foreign film at this year’s Satellite Awards.

Meanwhile, three Latinos have been nominated for The Sky 3D Award, which recognizes technical achievements in film.

Manuel Alberto Claro was nominated for his exceptional cinematography in Melancholia, about two weeks after receiving the Carlo Di Palma European Cinematographer Award at the European Film Awards.

Alberto Iglesiaswho received the Hollywood Film Composer Award this year for his body of work—received a nod for his work on the original score for The Skin I Live In.

Cliff Martinez was cited for his work on the original score for Drive. He’s also received a Satellite Award nomination and a Critics’ Choice nod for his work on Drive.

The London Film Critics’ Circle winners will be announced on January 19, 2012.

Claro Receives Cinematographer Award for “Melancholia”

It’s definitely not the end of the world for Manuel Alberto Claro

The 41-year-old Chilean cinematographer picked up the Carlo Di Palma European Cinematographer Award at the European Film Awards—the continent’s version of the Oscars—for his mesmerizing lensing of the planet’s final days in Lars Von Trier’s Melancholia.

Melancholia - Manuel Alberto Claro

The apocalyptic drama stars Kirsten Dunst as a chronically depressed, self-involved bride getting married at the same time that a mysterious new planet threatens to collide into the Earth.

Claro, who has lived in Denmark since his early childhood, has received critical acclaim since the film’s release for his oh-so-stunning imagery, which includes an eight-minute visual overture consisting of a gorgeous, slow-motion montage set to Wagner’s Tristan and Isolde, which helps underscore and enrich the entire film.

It could be first of many honors this awards season for Claro, who studied still photography at Milan’s Istitutto Europeo di Design and worked as an assistant photographer in Milan, New York and Copenhagen before enrolling at the National Film School of Denmark. He graduated in 2001. Claro’s previous award-winning projects include: Allegro, Dark Horse and Reconstruction.