Peter Lanzani to Make Directorial Debut with Biopic About Argentine ‘80s Rock Icon Luca Prodan

Peter Lanzani is set to make his directorial debut…

The 32-year-old Argentine actor, singer and former child model – star of some of the greatest films and series to come out of Argentina of late, including Argentina, 1985, El Angel, The Clan, 4X4, and Un Gallo Para Esculapio – will helm a biopic of Argentine ‘80s rock icon Luca Prodan.

Peter LanzaniLanzani will also play Prodan.

Two other movers and shakers on Argentina’s film-TV scene, Argentina’s Armando Bo, an Academy Award winner for the screenplay of Alejandro González Inárritu’s “Birdman, and Luis Ortega, the multi-awarded director of Lulu and El Angel, will serve as executive producers.

The bio pic will center on the early years of Prodán, an extraordinary figure on Argentina’s ‘80s rock scene, educated like British king Charles III at Scotland’s Gordonstoun boarding school, a Virgin music exec in London and founder in Argentina of Sumo, whose combination of Joy Division-style rock, post-punk funk and reggae-ska took Buenos Aires youth by storm.

Highly cultured, though a gentleman with flashes of punkish aggro on stage, even by the time that Prodán hit Argentina in 1981 he had developed two addictions: Gin and heroine. The combination left him dead in 1987 at the age of 34.

Lanzani will co-direct the film with Martín Fisner, an assistant DP on El Marginal. Rodolfo Palacios, Sergio Olguín, Lanzani and Fisner are writing the screenplay.

The big question is what through line they will drive between ‘70s class-bound, punk-energized Britain and an Argentina of the early ‘80s emerging from a bloody dictatorship.

The biopic is set up at Bo’s Rebolución, behind his 2012 Sundance hit, The Last Elvis, and his second feature as a director, Animal, and Bo’s About Entertainment, founded in 2020 to focus on high quality entertainment for broad audiences such as El Presidente Season 2, for Prime Video.

Ortega will produce out of El Despacho, launched in 2020 in Buenos Aires by Ortega, Esteban Perroud and Palacios to develop original ideas, independent formats and big scale work, whose auteur work stands out in the international market.

Its first project, directed by Ortega, The Jockey, starring Úrsula Corberó and Nahuel Pérez Biscayart, is now in post-production.

Guerra’s “Embrace of the Serpent” Sweeps Platino Ibero-American Film Awards

Ciro Guerra continues to slither his way to the awards stage…

The 35-year-old film director and screenwriter’s critically acclaimed Embrace of the Serpent, which earned an Academy Award nomination, swept the 3rd Platino Ibero-American Film Awards on Sunday night in Uruguay, taking home seven of the eight categories for which it was nominated.

Ciro Guerra's Embrace of the Serpent

Although the awards had no clear favorite, Embrace of the Serpent, with Ixcanul, had scored the most nominations and its plaudit sweep did not seem to surprise many.

Shot in widescreen in 35 mm and in black and white Serpent claimed best picture, director, editing (Etienne Boussac, Cristina Gallego), art direction (Angélica Perea), original music (Nascuy Linares), cinematography (the film was shot by David Gallego) and sound (Carlos García, Marco Salavarría).

The story of Karamakate, a shaman who is the last survivor of his tribe and asked, 30 years apart, by two explorers – based on the figures of Theodor Koch-Gruenberg and Richard Evans Schultes – to help them discover the yakuna plant, Embrace of the Serpent charts the devastation of the Amazon by colonial powers, whether Colombian rubber companies or a crazed Spanish priest, but more particularly the loss of indigenous knowledge as whole peoples disappeared under the influx of invasion.

“The ravages of colonialism cast a dark pall over the stunning South American landscape in Embrace of the Serpent, he latest visual astonishment from the gifted Colombian writer-director Ciro Guerra,” Variety wrote in its Cannes Film Festival review.

Ciro Guerre’s third movie has won a string of significant festival, Academy and pan Latin American awards, including a Mexican Silver Ariel, Fénix Film Awards, and plaudits at the Mar del Plata and Palm Springs fests, among others.

Platino acting awards went to two Argentine talents who most certainly deserve wider recognition, Dolores Fonzi, star of Santiago Mitre’s Cannes Critics’ Week winner Paulina, who plays a young lawyer who refuses to compromise her principles when raped while working as a rural teacher, and Guillermo Francella, who portrays a real-life family patriarch and psychopath in Pablo Trapero’s The Clan, who continues for personal profit Argentina’s Dirty War practice of kidnapping and murder after the fall of Argentina’s military junta.

A third Argentine actor, Ricardo Darin, took the Platino Lifetime Achievement Award.

“We have the talent. We just need to have confidence in ourselves,” Darin said on stage, receiving the plaudit. ”That’s why we and Ibero-America need these awards,” he added.

A searing but crafted indictment of the tribulations of a young pregnant and unmarried girl in rural Guatemala, Berlin Silver Bear winner Ixcanul, the feature debut of Jayro Bustamante, once more confirmed its audience appeal, at least with the who have seen it, taking the Platinos’ Audience Award, plus best first feature.

BEST PICTURE
“Embrace of the Serpent,” (Colombia, Argentina, Venezuela)

BEST DIRECTOR
Ciro Guerra (“Embrace of the Serpent”)

BEST ACTOR
Guillermo Francella (“The Clan,” Argentina, Spain)

BEST ACTRESS
Dolores Fonzi (“Paulina,” Argentina)

ORIGINAL MUSIC
Nascuy Linares (“Embrace of the Serpent”)

BEST ANIMATION MOVIE
“Capture the Flag,” (Enrique Gato, Spain)

BEST DOCU FEATURE
“The Pearl Button,” (Patricio Guzmán, Chile, Spain)

BEST SCREENPLAY
Pablo Larraín, Guillermo Calderón, Daniel Villalobos (“The Club”)

FIRST FEATURE
“Ixcanul” (Jayro Bustamante, Guatemala, France)

EDITING
Etienne Boussac, Cristina Gallego (“Embrace of the Serpent”)

ART DIRECTION
Angélica Perea (“Embrace of the Serpent”)

BEST CINEMATOGRAPHY
David Gallego (“Embrace of the Serpent”)

SOUND
Carlos García, Marco Salavarría (“Embrace of the Serpent”)

LIFETIME ACHIEVEMENT AWARD
Ricardo Darín

PLATINO AWARD FOR FILM AND EDUCATION IN VALUES
“The Second Mother,” (Anna Muylaert, Brazil)

AUDIENCE AWARDS

FEATURE
“Ixcanul,” (Guatemala, France)

ACTRESS
Penélope Cruz (“Ma ma,” Spain)

ACTOR
Ricardo Darín (“Truman,” Spain, Argentina)

Trapero to Direct Fox Searchlight’s “The Man In The Rockefeller Suit”

Pablo Trapero is ready to Rock(efeller)…

The 44-year-old Argentine filmmaker has been tapped to direct The Man In The Rockefeller Suit for Fox Searchlight Pictures.

Pablo Trapero

The film tells the true story of Christian Karl Gerhartsreiter, an imposter who conned his way into various jobs on Wall Street — as well a marriage — posing as a member of the Rockefeller family. After achieving a life in rarefied social circles, his past finally catches up with him and he fears losing custody of his only daughter.

David Barr Katz has adapted the book by Mark Seal.

This part weekend, Trapero won the Goya Award for Best Ibero-American film for The Clan, which will have a platform release in the U.S. beginning March 19 through Fox. He won the Silver Lion for the picture at last year’s Venice Film Festival, just at it broke the record for largest local-language opening of all time in Argentina.
Trapero has twice had films nominated for Best Foreign Language Film Oscars, for Lion’s Den and Carancho.

Trapero, whose White Elephant premiered in Un Certain Regard at the 2012 Cannes Film Festival, chaired the Cannes jury for Un Certain Regard at the 2014 Cannes Film Festival.

Argentina Submits Trapero’s “The Clan” as Its Foreign Language Oscar Entry

Pablo Trapero’s latest project is representin’…

The 43-year-old Argentine filmmaker’s The Clan, which won the Best Director Silver Lion at the Venice Film Festival after its world premiere there, has been selected as Argentina‘s entry in this year’s Foreign Language Oscar race.

Pablo Trapero

The film about Argentina’s notorious Puccio crime family is produced by Spain’s Agustín Almodóvar and Pedro Almodóvar and their El Deseo production company.

It’s already a box office hit at home as El Clan, beating the record set by Argentina’s last Academy Award-winning film, 2009’s The Secret In Their Eyes.

And it played well in its North American premiere in the Toronto International Film Festival’s Platform sidebar earlier this month.

Days after Trapero’s Venice win, he was signed by CAA; Trapero has had two films nominated for Best Foreign Language Film Oscars, Lion’s Den and Carancho.

The film was released by 20th Century Fox with Fox International Pictures in Latin America, and Fox will release it in the U.S.