Tag Archives: IMCINE

Mexico Enters Fernando Frías de la Parra’s “I’m No Longer Here” into International Feature Film Oscar Race

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Fernando Frías de la Parra is representing…

The Mexican Academy of Cinematographic Arts and Sciences has chosen the Mexican filmmaker’s I’m No Longer Here as Mexico’s official entry for the International Feature Film Oscar race.

Fernando Frías de la Parra

The film centers on the young leader (Juan Daniel Garcia Trevino) of a small Monterrey street gang from the Cholombiano subculture who longs for home after being forced to move to Jackson Heights, Queens, after an altercation with a local cartel. It premiered at the 2019 Morelia Film Festival, where it won Best Feature and was a selection of this year’s truncated Tribeca Film Festival.

The film received 10 Ariel Awards, including Best Picture and Best Director, and is Mexico’s official submission for Spain’s Goya Awards.

I'm No Longer Here

Netflix acquired worldwide rights back in 2018, and it bowed on the streamer on May 27.

“The news took me by surprise, and I am overwhelmed with happiness and excitement,” said Frias. “I am enormously grateful to the Academy and its members and the entire industry that has supported us, such as Netflix and IMCINE, but also to the people. The public has shown us that they are ready to connect with our stories here in Mexico. That fills me with pride.”

Mexico has seen nine film nominated for the Academy Awards’ International Feature race (it was formerly known as Outstanding Foreign-Language Feature) with films from the likes of Alejandro González Iñárritu and Guillermo del Toro. It’s only one the top prize once, however, for Alfonso Cuarón’s Roma, also from Netflix, in 2018.

Celis Producing First TV Series, “Monstruos Perfectos”

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Nicolas Celis is ready for the small screen…

The 30-year old Mexican film producer is preparing for his first television series, Monstruos Perfectos, which recently received development support from the Mexican Film Institute (IMCINE) under the new TV series support scheme launched in late 2016.

Nicolas Celis

Meanwhile, Celis’ Pimienta Films, one of Mexico’s leading production outfits, is completing production on Alfonso Cuaron’s “Roma,” his first picture lensed in Mexico since “Y Tu Mama Tambien,” and “Birds of Passage,” from Colombia’s Oscar nominated Ciro Guerra (“Embrace of the Serpent”).

Monstruos Perfectos is set in Mexico and will be produced by Pimienta, with external producers Marion d’Ornato and Enrique M. Rizo. Rizo has worked with Celis as second assistant director on Semana Santa, and as production manager on Tempestad, Soy Nero and The Untamed.

“This will be my first experience in TV,” Celis revealed to Variety, although he refrained from outlining the story. “I’m really happy to jump aboard. For me this is completely new world. I really love that IMCINE is exploring new content opportunities. We want to make a TV series that’s much more cinematic, than TV series produced in Mexico so far.”

Celis said that it’s been great to work with Cuaron on Roma, having previously worked with his brother, Carlos, on “Rudo y Cursi,” early in his career, and having been one of the producers on the 2015 pic Desierto, by his son, Jonas.

“Roma” chronicles a year in the life of a middle-class family in Mexico City in the early 1970s and is produced by Cuaron, Celis, Gabriela Rodriguez (“Gravity”), and exec produced by Participant Media.

Roma is Celis’ first period movie. Its 1970s setting was prior to his own birth – in 1986 – which he says provoked some wisecracks during the shoot. “For me it’s been my most challenging and interesting project so far. I’m a big fan of Alfonso’s work since a kid and I loved that he wanted me to work on his new film.”

Guerra’s Birds of Passage is also set in the 1970s and is produced by Colombia’s Ciudad Lunar (Cristina Gallego and Katrin Pors), as well as Celis and Argentine producers MC Productions and Buffalo Films, with Colombia’s Caracol TV also on board.

Celis previously worked with Pors on The Untamed. “Working with Katrin has been a great discovery,” said Celis. “We’re trying to work with her on our next projects.”