Aubrey Plaza to Make Stage Debut in Off Broadway Revival of “Danny and the Deep Blue Sea”

Posted on July 26, 2023 by Tom Castaneda

Aubrey Plaza is preparing to make her stage debut…

The 39-year-old half-Puerto Rican Emmy-nominated actress, comedian and producer will star opposite Christopher Abbott in an Off Broadway revival of John Patrick Shanley’s 1984 classic Danny and the Deep Blue Sea this fall, with a producing team that includes Sam Rockwell.

The revival will begin previews on Monday, October 20, at the Lucille Lortel Theatre, with an opening night set for Monday, November 13.

The 10-week limited engagement will be directed by Jeff Ward, in his stage directorial debut.

Rockwell said in a statement, “My life and career have been profoundly impacted by Off-Broadway theater – like John Malkovich and Gary Sinise in True West at the Cherry Lane; Stanley Tucci in Scapin at Classic Stage Company; Phil Hoffman and Justin Theroux in Shopping and F*cking at New York Theatre Workshop; and Blasted with Reed Birney and Marin Ireland at Soho Rep, to name a few. I really do believe it’s the beating heart of this city. I couldn’t be prouder to be downtown at the Lucille Lortel with this vital play.”

Rockwell will be producing via his and Mark Berger’s Play Hooky Productions, along with Seaview, Sue Wagner, and John Johnson, by special arrangement with the Lucille Lortel Theatre.

The original production of Danny and the Deep Blue Sea premiered Off Broadway at Circle in the Square Theatre Downtown in 1984 starring June Stein and John Turturro (who won an Obie Award for his performance).

The official synopsis: Have you ever been caught in an earthquake? A chance meeting. A dive bar. Some encounters are so dangerous and so beautiful, they redefine the meaning of love. Follow two desperate people in the Bronx, Danny and Roberta, as they walk the line between destruction and transcendence.

Danny and the Deep Blue Sea will feature scenic design by Scott Pask, lighting design by John Torres, costume design by Arianne Phillips, sound design by Kate Marvin, and movement by Bobbi Jene Smith and Or Schraiber.

Plaza is best known for her breakthrough role on Parks and Recreation and, more recently, The White Lotus.

Arturo Luís Soria Earns Obie Award for Performance in “Ni Mi Madre”

Posted on February 24, 2023 by Tom Castaneda

Arturo Luís Soria has landed the mother of all honors…

The Brazilian, Ecuadorian and Dominican American actor is among the recipients of the 66th Obie Awards, which honor Off and Off-Off Broadway productions.

Soria will be recognized for his performance in Ni Mi Madre, which he performed at the downtown theatre company Rattlestick Playwrights Theater.

Soria stars in his solo show about the stormy relationship between a Brazilian woman and her queer son. Steeped in the tradition of Umbanda ritual, and featuring the music of Gloria Estefan, Cher and Maria Bethânia, Ni Mi Madre examines themes of family, citizenship and identity as a queer Latino.

The play, which began as an improvisational one act, was developed into a full-length presentation through the partnership of Rattlestick Directing Fellow Danilo Gambini.

Presented by the American Theatre Wing, the Obies will be handed out Monday evening in a ceremony at Manhattan’s Terminal 5 venue. Sustained and Lifetime Achievement winners will accept their awards during the ceremony, while remarks of all other winners will premiere on the American Theatre Wing’s YouTube channel.

“For this OBIES, the judges reviewed over 400 productions over the last three seasons including digital and audio works made during the pandemic,” said Heather Hitchens, President & CEO, in a statement. “We look forward to finally gathering in person to celebrate the artistic excellence and resilience of the amazing artists and theatre companies that make up the Off- and Off-Off- Broadway community.”

Here is the complete list of Obies winners:

BEST NEW AMERICAN PLAY

Sanaz Toossi, English (Atlantic Theater Company, Roundabout Theatre Company)

PLAYWRITING

Martyna Majok, Sanctuary City (New York Theater Workshop)

DIRECTION

Taylor Reynolds, Man Cave (Page 73) and Tambo & Bones (Playwrights Horizons)
Awoye Timpo, Wedding Band (TFNA) and her work as founder of Classix
Matt Ray (Music Direction and Composition) The Hang (HERE)

SUSTAINED ACHIEVEMENT IN DIRECTING

Saheem Ali, Nollywood Dreams (MCC); Merry Wives (The Public); Romeo y Julieta (The Public); and Fat Ham (The Public | National Black Theater – NBT)
David Brimmer, Wolf Play (SoHo Repertory)

PERFORMANCE

Stephanie Berry and Lizan Mitchell, On Sugarland (NYTW)
Brittany Bradford, Wedding Band (Theatre For a New Audience)
Kara Young, Twelfth Night (Classical Theatre of Harlem)
Arturo Luís Soria, Ni Mi Madre (Rattlestick)

SUSTAINED ACHIEVEMENT IN PERFORMANCE

Billy Eugene Jones for On Sugarland (NYTW) and Fat Ham (The Public)
Andrea Patterson, for Cullud Wattah (Public Theater); Confederates (Signature); and Seize the King (The Classical Theatre of Harlem)

DESIGN

Reza Behjat (Lighting Design), for English (Atlantic Theater Company, Roundabout Theatre Company) and Wish You Were Here (Playwrights Horizons)

SUSTAINED ACHIEVEMENT IN DESIGN

Jeanette Oi-Suk Yew (Lighting Design) for Cullud Wattah (The Public), Oratorio for Living Things (Ars Nova), The Nosebleed (Lincoln Center Theater), Golden Shield (MTC), Snow in Midsummer (CSC), Fairycakes (Greenwich House), and What You Are Now (EST)
Nikiya Mathis (Hair and Wig Design) for Nollywood Dreams (MTC)
Machine Dazzle (Set and Costume Designer)

SPECIAL CITATIONS

Heather Christian (Composer, Vocal Arrangements, Orchestration); Ben Moss (Music Director, Orchestration); Nick Kourtides (Sound Design); and the musical team of Oratorio For Living Things (Ars Nova)
Creative Team and Ensemble of Fat Ham (The Public) James Ijames (Playwright), Saheem Ali (Director); Maruti Evans (Set Design); Dominique Fawn Hill (Costume Design); Stacey Derosier (Lighting Designer); Mikaal Sulaiman (Sound Design); Darrell Grand Moultrie (Choreographer); Earon Chew Nealey (Hair and Wig Design); Skylar Fox (Illusions Design); Nikki Crawford, Chris Herbie Holland, Billy Eugene Jones, Adrianna Mitchell, Calvin Leon Smith, Marcel Spears, and Benja Kay Thomas (ensemble)
Creative Team and Ensemble of English (The Atlantic Theater, Roundabout Theatre Company) Knud Adams (Directing), Marsha Ginsberg (Set Design), Enver Chakartash (Costume Design), Reza Behjat (Lighting Design), Sinan Refik Zafar (Sound Design) Tala Ashe, Ava Lalezarzadeh, Pooya Mohseni, Marjan Neshat, and Hadi Tabbal (Ensemble)
Aya Ogawa for the Creation, Writing, and Direction of The Nosebleed (Lincoln Center Theater | Japan Society)
Qween Jean (Costume Designer) for Corsicana (Playwrights Horizons), Soft (MCC), Wedding Band (TFNA), Black No More (The New Group), The Fever (Audible | The New Group), What To Send Up When it Goes Down (Playwrights Horizons), and Semblance (NYTW)
Digital+Virtual+Hybrid Production: Michael Breslin, Patrick Foley, Ariel Sibert, Cat Rodríguez and Rory Pelsue (Creators, Writers, Director) in collaboration with David Bengali (Video Designer) Circle Jerk (Fake Friends and Jeremy O. Harris)
Laurie Woolery (Director) and Shaina Taub (Music and Lyrics) for their collaboration in the adaptation of As You Like It (The Public)
Alex Edelman (Creator and Performer), Just For Us (Mike Birbiglia | Greenwich House Theater)
Digital+Virtual+Hybrid Production: Modesto Flako Jimenez (Creator and Writer) Taxilandia (Oye Group | NYTW | Bushwick Starr | The Tank)
Digital+Virtual+Hybrid Production: Sarah Gancher (Writer), Jared Mezzocchi and Elizabeth Williamson (Directors) Russian Troll Farm (The Civilians, Theater Works Hartford, and TheatreSquared)
Richard Nelson (Playwright), for the completion and producing of The Rhinebeck Panorama

LIFETIME ACHIEVEMENT

Ping Chong (Director, Choreographer, Video + Installation Artist, and Founder of Ping Chong and Company)
Anne Bogart (Director and co-Founder of SITI Company)
Ralph Lee and Casey Compton (Artistic and Managing Director, Mettawee River Theatre Company)

THEATRE COMPANIES

The Sol Project
Theatre in Quarantine
See Lighting Foundation
Anticapitalism for Artists

ROSS WETZSTEON AWARD

The Classical Theatre of Harlem

MICHAEL FEINGOLD AWARD

Maestra Music

Oscar Isaac to Star in New York Revival of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window”

Posted on October 7, 2022 by Tom Castaneda

Oscar Isaac is embracing the sign…

The 43-year-old Cuban-Guatemalan actor will star opposite Rachel Brosnahan in the first major New York revival of Lorraine Hansberry’s The Sign in Sidney Brustein’s Window this February at the Brooklyn Academy of Music.

The production, running February 4-23, 2023, at the BAM Harvey Theater, will be directed by Obie Award winner Anne Kauffman.

Described by BAM as a “sweeping drama of identity, idealism, and love,” The Sign in Sidney Brustein’s Window is set in 1960s Greenwich Village and focuses on a diverse group of friends “whose loudly proclaimed progressive dreams can’t quite match up with reality. At the center are Sidney and Iris Brustein, fighting to see if their marriage – with all its crackling wit, passion, and petty cruelty – will be the final sacrifice to Sidney’s ideals.”

The play debuted on Broadway in 1964, five years after Hansberry’s masterpiece A Raisin in the Sun and shortly before her death in 1965 at age 34.

The Sign in Brustein’s Window has not been produced on a major New York stage since then.

Kauffman presented an acclaimed revival of the work in 2016 at Chicago’s Goodman Theatre.

“We are in dire need of Hansberry’s voice…we know so little of her and define her by one play: A Raisin in the Sun,” Kauffman said in a statement. “Without a doubt Raisin is a masterpiece, but Hansberry’s evolution and contribution to this country’s culture, history and political motion stretches way beyond that astonishing accomplishment. Her work as an artist and activist is varied and deep. The Sign in Sidney Brustein’s Window, written four years after A Raisin in the Sun, embraces human complexity and frailty while aggressively shaking us free of our delusions, yet very few people know of it. Now they’ll know.”

David Binder, BAM Artistic Director, said, “During the five years I spent working to produce the first Broadway revival of A Raisin in the Sun (in 2004), I fell in love with The Sign in Sidney Brustein’s Window. I shared this passion for Lorraine’s play with Anne and the two of us spent many, many years working together to mount the show in New York. It’s an honor to present Lorraine’s beautiful, and rarely seen, play, finally, at BAM.”

The creative team and full company will be announced soon.

In addition to his numerous screen credits, Isaac has appeared on the New York stage in Hamlet, We Live Here, Romeo and Juliet and Two Gentlemen of Verona and Beauty of the Father, among others.

The original 1964 production of The Sign in Brustein’s Window starred Gabriel Dell and Rita Moreno. A short-lived 1972 revival starred Hal Linden and Zohra Lampert.

Tessa Thompson’s Viva Maude Partners with Gaumont to Develop Raven Leilani’s Novel “Luster” for HBO

Posted on October 25, 2021 by Tom Castaneda

Tessa Thompson is celebrating her luster…

Gaumont has teamed up with the 38-year-old half-Afro-Panamanian and part Mexican American actress’ Viva Maude production company to develop for HBO Luster, the bestselling debut by Raven Leilani.

Scripting the project will be handled by Pulitzer Prize-winning playwright Jackie Sibblies Drury, and Lileana Blain-Cruz, recipient of the Lincoln Center Emerging Artist Award. They are joint winners of the Obie Award for Marys Seacole, and are among the founders of the exploratory theatre collaboration, Afrofemononomy.

Edie is a young Black artist living a precarious existence in New York City when she takes a white lover in an open marriage, eventually moving in with him and his wife in the suburbs. There she not only finds herself in an increasingly tense relationship with the couple, but also becoming an unlikely mentor to their adopted Black daughter Akila. The debut novel quickly became a number one bestseller on the New York Times, Los Angeles Times and other lists.

The potential English language drama series for HBO marks the first collaboration between Gaumont and Viva Maude’s Thompson and Kishori Rajan.

Nicolas Atlan, President of Gaumont US said company toppers are “beyond thrilled to be developing Luster with HBO and Viva Maude’s Tessa Thompson and Kishori Rajan. We were riveted by this groundbreaking book, written by the incredibly talented Raven Leilani, and are blown away at how quickly the series creative team which includes our writers, Lileana Blain-Cruz and Jackie Sibblies Drury, has come together. We can’t wait to get started.”

It’s not clear at this point if Thompson will star. She has a strong relationship with HBO from Westworld. She is generating awards buzz for the Sundance hit Passing, and wrapped the lead role of Valkyrie in the Taiki Waititi film Thor: Love and Thunder.

Said Thompson of the book: “Luster marks the daring debut by Raven Leilani, a seminal voice for her generation. In her work, which defies categorization, there is an astonishingly singular quality that speaks to spirit of the types of narratives Viva Maude aims to showcase — bold, beautifully crafted, unapologetically human, imaginative and unconventional — it is thrilling to be teamed with Gaumont and the stunning talents of Jackie Sibblies Drury and Lileana Blain-Cruz to develop this story at HBO, the perfect home.”

Sean Carvajal Wins Obie Award for “Jesus Hopped the ‘A’ Train”

Posted on May 22, 2018 by Tom Castaneda

Sean Carvajal has a new award on his mantel…

The American Theatre Wing and The Village Voice revealed the winners of the 63rd Annual Obie Awards on Monday night, with the Latino actor picking up a trophy.

Carvajal won his award for his acclaimed performance in Jesus Hopped the ‘A’ Train, a darkly comic meditation on redemption and faith.

Hosted by Emmy and Obie-winning actor John Leguizamo, the ceremony was held at Terminal 5 in New York and was live streamed on the official Obie Awards Twitter account. Presenters included Matthew Broderick, Lucy Liu, Oliver Platt, and many others.

The ceremony also included a special performance by Stephen Trask who performed “Wig in a Box” honoring the 20th Anniversary of Hedwig and the Angry Inch. Laura Osnes also performed “What Matters Most” as part of the In Memoriam segment.

Here’s the complete list of winners:

Best New American Play ($1,000 prize)
Rajiv Joseph, Describe the Night (Atlantic Theater Company)

Playwriting
Aleshea Harris, Is God Is (Soho Rep)
Amy Herzog, Mary Jane (New York Theatre Workshop)
Abe Koogler, Fulfillment Center (Manhattan Theatre Club)
Dominique Morisseau, Pipeline (Lincoln Center Theater)Directing
Jesse Berger, The Government Inspector (Red Bull Theater)
Anne Kauffman, Mary Jane (New York Theatre Workshop)
Taibi Magar, Is God Is (Soho Rep)

Performance
Sean Carvajal & Edi Gathegi, Jesus Hopped the ‘A’ Train (Signature Theatre
Company)
Carrie Coon, Mary Jane (New York Theatre Workshop)
Alfie Fuller & Dame-Jasmine Hughes, Is God Is (Soho Rep)
Denise Gough, People, Places & Things (National Theatre/Headlong/St. Ann’s
Warehouse)
Will Swenson, Jerry Springer – The Opera (The New Group)
Chukwudi Iwuji, The Low Road (The Public Theater)
Robert Sean Leonard, At Home at the Zoo (Signature Theatre Company)
Jessica Hecht, Admissions (Lincoln Center Theater)
Ben Edelman, Admissions (Lincoln Center Theater)
Billy Crudup, Harry Clarke (Vineyard Theatre/Audible)

Design
Lap Chi Chu, Sustained Excellence of Lighting Design
Sarah Laux, Costume Design, Jerry Springer – The Opera (The New Group)
The Design Team, He Brought Her Heart Back in a Box (Theatre for a New Audience) Christopher Barreca (Set Design), Justin Ellington (Sound Design), Donald Holder (Lighting Design), Montana Levi Blanco (Costume Design), Austin Switser (Video Design)

Special Citations
Ariane Mnouchkine & Theatre du Soleil, A Room in India (Park Avenue Armory)
The Cast and Creative Team, Yerma (Park Avenue Armory) Simon Stone (Director), Lizzie Clachan (Set Design), Alice Babidge (Costume Design), James Farncombe (Lighting Design), Stefan Gregory (Sound Design); Maureen Beattie, Brendan Cowell, John MacMillan, Billie Piper, Charlotte Randle, Thalissa Teixeira (Cast)
David Greenspan, Jack Cummings III, & Transport Group, Strange Interlude(Transport Group)

The Ross Wetzsteon Award ($3,000 prize)
Ma-Yi Theater Company
Obie Grants ($6,000 prize each)
Pan-Asian Repertory Theatre
York Theatre Company, for its Musicals in Mufti Series

Lifetime Achievement Award
Kathleen Chalfant

Leguizamo Receives Lucille Lortel Award Nomination for His “Latin History for Morons” Play

Posted on April 5, 2017 by Tom Castaneda

John Leguizamo is reaping the critical acclaim for his return to the theater…

The 52-year-old Colombian American actor, stand-up comedian and playwright – who has earned Drama Desk Awards for his plays Ghetto Klown and Freak, along with other theater prizes – has earned a nomination at this year’s Lucille Lortel Awards, which salute commercial and nonprofit off-Broadway productions.

Leguizamo, who earned a Lucille Lortel Award for Outstanding Lead Actor back in 1993 for his one-man play Spic-O-Rama, is nominated in the Outstanding Solo Show category for his Latin History for Morons, which he wrote and stars in. It was produced by The Public Theater in a co-production with Berkeley Repertory Theatre.

Joel Perez earned a nomination in the Outstanding Featured Actor in a Musical category for his performance in Sweet Charity, the New Group revival starring Sutton Foster.

The Latino actor’s theater work includes Fun Home (Broadway and The Public Theater), as well as national and international tours of In the Heights and Fame.

María Irene Fornés, a multiple Obie Award winner, has received a nomination in the Outstanding Revival category.

The 86-year-old Cuban-American avant garde playwright and director is nominated for penning Drowning, one of the three plays that make up the Signature Theatre-produced Signature Plays: Edward Albee’s The Sandbox, María Irene Fornés’ Drowning, and Adrienne Kennedy’s Funnyhouse of a Negro.

Montana Blanco picked up a nod in the Outstanding Costume Design category for his work on The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead.

The awards will be presented on May 7 at an event hosted by ex-SNL company member Taran Killam to benefit The Actors Fund.

The complete list of nominations follows:

Outstanding Play
Indecent
Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre
Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman

Oslo
Produced by Lincoln Center Theater
Written by J.T. Rogers

Underground Railroad Game
Produced by Ars Nova
Written by Jennifer Kidwell and Scott R. Sheppard

Vietgone
Produced by Manhattan Theatre Club in association with South Coast Repertory
Written by Qui Nguyen

The Wolves
Produced by The Playwrights Realm in association with New York Stage and Film and Vassar’s Powerhouse Theatre Season
Written by Sarah DeLappe

Outstanding Musical
The Band’s Visit
Produced by Atlantic Theater Company
Music and Lyrics by David Yazbek, Book by Itamar Moses, Based on the screenplay by Eran Kolirin

Dear Evan Hansen
Produced by Second Stage Theatre in association with Stacey Mindich Productions
Book by Steven Levenson, Music and Lyrics by Benj Pasek and Justin Paul

Hadestown
Produced by New York Theatre Workshop
Written by Anaïs Mitchell

Ride the Cyclone
Produced by MCC Theater
Book, Music, and Lyrics by Brooke Maxwell and Jacob Richmond

The Total Bent
Produced by The Public Theater
Text by Stew, Music by Stew and Heidi Rodewald

Outstanding Revival
The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead
Produced by Signature Theatre
Written by Suzan-Lori Parks

Othello
Produced by New York Theatre Workshop
Written by William Shakespeare

Signature Plays: Edward Albee’s The Sandbox, María Irene Fornés’ Drowning, and Adrienne Kennedy’s Funnyhouse of a Negro
Produced by Signature Theatre
Written by Edward Albee, María Irene Fornés, and Adrienne Kennedy

Sweeney Todd: The Demon Barber of Fleet Street
Produced by Rachel Edwards, Jenny Gersten, Seaview Productions, Nate Koch, Fiona Rudin, Barrow Street Theatre, Jean Doumanian, Rebecca Gold, and Tooting Arts Club
Music and Lyrics by Stephen Sondheim, Book by Hugh Wheeler, Adaptation by Christopher Bond

Sweet Charity
Produced by The New Group in association with Kevin McCollum
Book by Neil Simon, Music by Cy Coleman, Lyrics by Dorothy Fields

Outstanding Solo Show
Chris Gethard: Career Suicide
Produced by Judd Apatow, Mike Berkowitz, Brian Stern, Mike Lavoie, and Carlee Briglia
Written and Performed by Chris Gethard

Latin History for Morons
Produced by The Public Theater in a co-production with Berkeley Repertory Theatre
Written and Performed by John Leguizamo

Notes From The Field
Produced by Second Stage Theatre and American Repertory Theater
Created, Written, and Performed by Anna Deavere Smith

The Outer Space
Produced by The Public Theater
Book and Lyrics by Ethan Lipton, Music by Ethan Lipton, Vito Dieterle, Eben Levy, and Ian M. Riggs
Performed by Ethan Lipton

Sell/Buy/Date
Produced by Manhattan Theatre Club
Written and Performed by Sarah Jones

Outstanding Director
Will Davis, Men On Boats
Anne Kauffman, A Life
Lila Neugebauer, The Wolves
Bartlett Sher, Oslo
Rebecca Taichman, Indecent

Outstanding Choreographer
Joshua Bergasse, Sweet Charity
David Dorfman, Indecent
Georgina Lamb, Sweeney Todd: The Demon Barber of Fleet Street
David Neumann, Hadestown
David Neumann, The Total Bent

Outstanding Lead Actor in a Play
Reed Birney, Man From Nebraska
Michael Emerson, Wakey, Wakey
Lucas Hedges, YEN
Joe Morton, Turn Me Loose
David Hyde Pierce, A Life

Outstanding Lead Actress in a Play
Johanna Day, Sweat
Jennifer Ehle, Oslo
Jennifer Kidwell, Underground Railroad Game
Kecia Lewis, Marie and Rosetta
Maryann Plunkett, Women of a Certain Age

Outstanding Featured Actor in a Play
Michael Aronov, Oslo
Charlie Cox, Incognito
Matthew Maher, Othello
Justice Smith, YEN
Paco Tolson, Vietgone

Outstanding Featured Actress in a Play
Jocelyn Bioh, Everybody
Hannah Cabell, The Moors
Randy Graff, The Babylon Line
Ari Graynor, YEN
Nana Mensah, Man From Nebraska

Outstanding Lead Actor in a Musical
Ato Blankson-Wood, The Total Bent
Shuler Hensley, Sweet Charity
Patrick Page, Hadestown
Ben Platt, Dear Evan Hansen
Jeremy Secomb, Sweeney Todd: The Demon Barber of Fleet Street

Outstanding Lead Actress in a Musical
Sutton Foster, Sweet Charity
Amber Gray, Hadestown
Jo Lampert, Joan of Arc: Into the Fire
Katrina Lenk, The Band’s Visit
Siobhan McCarthy, Sweeney Todd: The Demon Barber of Fleet Street

Outstanding Featured Actor in a Musical
Nathan Lee Graham, The View UpStairs
Gus Halper, Ride the Cyclone
Joel Perez, Sweet Charity
Ari’el Stachel, The Band’s Visit
Chris Sullivan, Hadestown

Outstanding Featured Actress in a Musical
Asmeret Ghebremichael, Sweet Charity
Rachel Bay Jones, Dear Evan Hansen
Betsy Morgan, Sweeney Todd: The Demon Barber of Fleet Street
Emily Rohm, Ride the Cyclone
Karen Ziemba, Kid Victory

Outstanding Scenic Design
Scott Davis, Ride the Cyclone
Rachel Hauck, Hadestown
Laura Jellinek, A Life
Mimi Lien, Signature Plays: Edward Albee’s The Sandbox, María Irene Fornés’ Drowning, and Adrienne Kennedy’s Funnyhouse of a Negro
Jason Sherwood, The View UpStairs

Outstanding Costume Design
Montana Blanco, The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead
Tilly Grimes, Underground Railroad Game
Susan Hilferty, Love, Love, Love
Sarah Laux, The Band’s Visit
Emily Rebholz, Indecent

Outstanding Lighting Design
Mark Barton, Signature Plays: Edward Albee’s The Sandbox, María Irene Fornés’ Drowning, and Adrienne Kennedy’s Funnyhouse of a Negro
Jane Cox, Othello
Greg Hofmann, Ride the Cyclone
Amy Mae, Sweeney Todd: The Demon Barber of Fleet Street
Ben Stanton, YEN

Outstanding Sound Design
Mikhail Fiksel, A Life
Robert Kaplowitz, Hadestown
Stowe Nelson, Small Mouth Sounds
Nevin Steinberg, Wakey, Wakey
Matt Stine, Sweeney Todd: The Demon Barber of Fleet Street

Outstanding Projection Design
Elaine McCarthy, Notes From The Field
Duncan McLean, Privacy
Jared Mezzochi, Vietgone
Peter Nigrini, Dear Evan Hansen
Peter Nigrini, Wakey, Wakey

HONORARY AWARDS
Lifetime Achievement Award
William Ivey Long

Playwrights’ Sidewalk Inductee
Lynn Nottage

Edith Oliver Service to Off-Broadway Award
Harold Wolpert

Ortiz Earns Obie Award for His “The Woodsman” Puppet Designs

Posted on May 24, 2016 by Tom Castaneda

James Ortiz is a real puppet master…

The Latino actor, director, writer and puppet designer has received an award at the 61st annual Obie Awards, established by the Village Voice to acknowledge achievement in off-Broadway theater.

Ortiz picked up the award for his puppet designs for New World Stages’ production of The Woodsman, the one-of-a-kind show Ortiz created that tells the tale of the Tin Man, the woman he loved, and the witch that would stop at nothing to keep them apart.

It’s Strangemen and Co.’s critically acclaimed take on one of America’s original fairy tales, the Wizard of Oz.

The Village Voice now runs the Obies with the American Theatre Wing, which also co-presents the Tony Awards (with the Broadway League).

The ceremony was held Monday evening at Webster Hall and hosted by Lea DeLaria.

Ortiz serves as the co-artistic director of Strangemen & Co. His design/directorial credits include The Tempest (DC Shakespeare), SeaWife (Naked Angels), Mercury Fur (The New Group), King Lear (Delacorte Theater in Central Park), Ludic Proxy (Soho Rep), King Lear (Theatre for a New Audience), A Midsummer Night’s Dream (New Place Players), Miss Lilly Gets Boned (Studio 42), My Base and Scurvy Heart (Studio 42) and An Intimate Evening with Typhoid Mary (Glass Bandits).

Hispanically Yours

Celebrating the Latino Influence

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