Ricky Martin’s “Livin’ La Vida Loca” Among Recordings Being Preserved as Part of Library of Congress’ National Recording Registry

Posted on April 17, 2022 by Tom Castaneda

Ricky Martin’s breakthrough single will be livin’ for eternity…

The 50-year-old Puerto Rican superstar’s “Livin’ La Vida Loca” will be preserved as part of the Library of Congress’ National Recording Registry.

Martin’s hit single, released in 1999 as part of the former Menudo singer’s English-language debut album, is part of the 2022 list of additions to the registry.

“Livin’ La Vida Loca” reached No. 1 in more than 20 countries, and it’s considered one of Martin’s biggest hits and best-selling singles of all time.

In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin’s first number one single on the chart. Additionally, it broke several records on Billboard charts.

At the 1999 MTV Video Music Awards, it won a total of five awards and was nominated for several other categories, including Video of the Year, making Martin the first Latin artist in history to receive a nomination in this category.

Linda Ronstadt’s Spanish-language album Canciones de Mi Padre is also being preserved.

Released in 1987, it was the 75-year-old half-Mexican American Grammy-winning singer’s first album of Mexican traditional mariachi music. The canciones were a big part of Ronstadt’s family tradition and musical roots.

At 2.5 million copies sold in the US, the album stands as one of the biggest selling non-English language albums in American record history. It has been RIAA certified double-platinum (for over 2 million US copies sold) and also won Ronstadt the Grammy for Best Mexican/Mexican-American Album.

The Buena Vista Social Club’s self-titled album has also been earmarked for preservation.

The ensemble of Cuban musicians, established in 1996, recorded the album in March 1996 and released it in September 1997. It quickly became an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. German director Wim Wenders captured the performance on film for a documentary—also called Buena Vista Social Club—that included interviews with the musicians conducted in Havana. Wenders’ film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.

The Library of Congress said its National Recording Preservation Plan provides a blueprint to implement a comprehensive national sound recording preservation program. The National Recording Preservation Board and members of the public have nominated recordings to the National Recording Registry every year since 2002. The depth and breadth of nominations received highlights the richness of the nations” audio legacy and underscores the importance of assuring the long-term preservation of that legacy for future generations.

Here’s the list of 2022 additions to the National Recordings Registry, in chronological order:

“Harlem Strut”, James P. Johnson (1921)
Franklin D. Roosevelt: Complete Presidential Speeches (1933-45)
“Walking the Floor Over You”, Ernest Tubb (1941, single)
“On a Note of Triumph” (May 8, 1945)
“Jesus Gave Me Water”, The Soul Stirrers (1950, single)
“Ellington at Newport”, Duke Ellington (1956, album)
“We Insist! Max Roach’s Freedom Now Suite”, Max Roach (1960, album)
“The Christmas Song”, Nat King Cole (1961, single)
“Tonight’s the Night”, The Shirelles (1961, album)
“Moon River”, Andy Williams (1962, single)
“In C”, Terry Riley (1968, album)
“It’s a Small World”, The Disneyland Boys Choir (1964, single)
“Reach Out, I’ll Be There”, The Four Tops (1966, single)
Hank Aaron’s 715th Career Home Run (April 8, 1974)
“Bohemian Rhapsody”, Queen (1975, single)
“Don’t Stop Believin’”, Journey (1981, single)
“Canciones de Mi Padre”, Linda Ronstadt (1987, album)
“Nick of Time”, Bonnie Raitt (1989, album)
“The Low End Theory”, A Tribe Called Quest (1991, album)
“Enter the Wu-Tang (36 Chambers)”, Wu-Tang Clan (1993, album)
“Buena Vista Social Club” (1997, album)
“Livin’ La Vida Loca”, Ricky Martin (1999, single)
“Songs in A Minor”, Alicia Keys (2001, album)
WNYC broadcasts for the day of 9/11 (Sept. 11, 2001)
“WTF with Marc Maron” (Guest: Robin Williams, 2010)

Rebecca Black Earns Libera Awards Nomination from American Association of Independent Music

Posted on March 26, 2022 by Tom Castaneda

It’s a Libera-ting moment for Rebecca Black…

This year’s A2IM Libera Awards nominations have been revealed, with the 24-year-old half-Mexican American singer earning a nod.

Black, who rose to acclaim with 2011’s viral sensation single “Friday,” earned a nomination in the Self-Released Record of the Year category for the latest album Rebecca Black Was Here, a six-track album that offers a clear sense of who Black is as an artist, stringing together the weirdness of hyper-pop with the melodic heft of mainstream pop.

Adrian Quesada has three Libera nominations…

The 45-year-old Mexican American Grammy-winning producer/guitarist and his Black Pumas band mate Eric Burton earned a nod for Best Live/Livestream Act for their performance of “Colors” at the U.S. presidential inauguration of Joe Biden, as well as Best Rock Record for Capitol Cuts (Live from Studio A) and Best Sync Usage for the use of their song “Colors” in the Concrete Cowboy trailer.

The 25 anniversary edition of Buena Vista Social Club, from the ensemble of Cuban musicians of the same name, earned a nod for Best Reissue.

Madi Diaz is nominated in the Best Americana Record category.

The 35-year-old half Peruvian American singer-songwriter and musician earned the nod for her album History of a Feeling.

The Linda Lindas, comprised of Asian-American and Latino singers Bela Salazar, Eloise Wong and Lucia de la Garza and Mila de la Garza, are up for Best Punk Record for “Racist, Sexist Boy” (Live at LA Public Library), which became a viral sensation.

Jose Gonzalez earned a nod in the Best Folk/Bluegrass Record category for the 43-year-old Argentine-Swedish singer-songwriter’s Local Valley project.

João Donato is nominated in the Best World Record category for the 87-year-old Brazilian jazz and bossa nova pianist’s João Donato JID007 album.

Meanwhile, the nominees in the Best Latin Record category are Alejandro Escovedo (La Cruzada), Arca (KICK ii), Cimafunk (El Alimento), Helado Negro (Far In), Los Retros (Looking Back) and Xenia Rubinos (Una Rosa).

The American Association of Independent Music (A2IM) sponsors the Libera Awards. A2IM is a not-for-profit trade organization headquartered in New York City that works to support the independent recorded music sector. Membership includes nearly 700 independently-owned American music labels.

This year’s Libera Awards will include both a virtual broadcast exclusively streamed on YouTube and an in-person ceremony held on June 16 in New York City. The in-person gala will be held at an “iconic New York venue” and will include dinner and drinks as well as live award presentations.

Each year, the Libera Awards serve as the culmination of A2IM’s Indie Week, an international conference that brings together leaders from the independent music world for four days of keynotes, workshops, and panels. This year’s Indie Week will take place June 13-16 as a hybrid event — both online and in-person.

Here’s the full list of 2022 Libera Awards nominees:

Record of the Year
Arlo Parks – Collapsed in Sunbeams (Transgressive/[PIAS])
Dry Cleaning – New Long Leg (4AD)
Japanese Breakfast – Jubilee (Dead Oceans)
Jason Isbell and the 400 Unit – Georgia Blue (Southeastern Records/Thirty Tigers)
Low – Hey What (Sub Pop)
Snail Mail – Valentine (Matador Records)

Self-Released Record of the Year
Cautious Clay – Deadpan Love (Cautious Clay)
Emma-Jean Thackray – Yellow (Movementt)
Jackson Wooten – A New Child (The Assembly LLC)
Rebecca Black – Rebecca Black Was Here (Rebecca Black)
Sinéad Harnett – Ready Is Always Too Late (Thairish Limited)
Wiki – Half God (Wikset Enterprise)

Breakthrough Artist/Release, Presented by Ingrooves
Black Country, New Road – For the first time (Ninja Tune)
girl in red – if i could make it go quiet (World in Red/AWAL)
Japanese Breakfast – Jubilee (Dead Oceans)
Mdou Moctar – Afrique Victime (Matador Records)
Wet Leg – “Chase Longue” (Domino)

Video of the Year, Presented by YouTube Music
Danny Elfman – “True” (Epitaph Records)
IDLES – “CAR CRASH” (Partisan Records)
Japanese Breakfast – “Savage Good Boy” (Dead Oceans)
Sharon Van Etten & Angel Olsen – “Like I Used To” (Jagjaguwar)
Wet Leg – “Chaise Longue” (Domino Recording Co.)
Yves Tumor – “Jackie” (Warp Records)

Best Reissue
Buena Vista Social Club – Buena Vista Social Club (25th Anniversary Edition) (World Circuit Records/BMG)
Gang Of Four – 77-81 (Matador Records)
Radiohead – Kid A Mnesia (XL Recordings)
Spiritualized – Ladies and Gentlemen We Are Floating in Space (Fat Possum Records)
Thundercat – The Golden Age of Apocalypse (Ten Year Anniversary Edition) (Brainfeeder/Ninja Tune)
Tom Tom Club – The Good, The Bad and The Funky (Nacional Records)

Best Live/Livestream Act
Amyl and The Sniffers – Live on KEXP at Home
Black Pumas – “Colors” – Biden Inauguration Performance
Japanese Breakfast – “Be Sweet” – The Tonight Show Starring Jimmy Fallon
Jason Isbell and the 400 Unit – “Driver 8” – Live from Athens, GA
Mdou Moctar – “Live at the Niger River”
St. Vincent – “At the Holiday Party” – Austin City Limits

Best Outlier Record, Presented by The Orchard
Bo Burnham – Inside (The Songs) (Bo Burnham/Imperial/Ingrooves)
L’Rain – Fatigue (Mexican Summer)
Moor Mother – Black Encyclopedia of the Air (ANTI-)
Spirit of the Beehive – Entertainment, Death (Saddle Creek)
Tirzah – Colourgrade (Domino Recording Co.)

A2IM Humanitarian Award
Common – (for work with) A Rebirth of Sound
Margo Price – (for work with) Farm Aid
Recording Artists and Music Professionals with Disabilities (RAMPD)
Rev. Moose – (for work with) National Independent Venue Association (NIVA)
Secretly Group – SC25: Every Light On This Side Of The Town
Hopeless Records / Sub City Records – Songs That Saved My Life

Best Alternative Rock Record
Cautious Clay – “Wildfire” (Cautious Clay)
Courtney Barnett – Things Take Time, Take Time (Mom + Pop Music)
Dry Cleaning – New Long Leg (4AD)
girl in red – if i could make it go quiet (AWAL)
Japanese Breakfast – Jubilee (Dead Oceans)
Low – Hey What (Sub Pop Records)
Snail Mail – Valentine (Matador Records)

Best Americana Record
Fruit Bats – The Pet Parade (Merge Records)
Hiss Golden Messenger – Quietly Blowing It (Merge Records)
Jason Isbell and the 400 Unit – Georgia Blue (Southeastern Records/Thirty Tigers)
John Hiatt with The Jerry Douglas Band – Leftover Feelings (New West Records)
Leo Nocentelli – Another Side (Light in the Attic)
Madi Diaz – History of a Feeling (ANTI-)
Steve Gunn – Other You (Matador Records)

Best Blues Record
Cedric Burnside – I Be Trying (Single Lock Records)
Christone “Kingfish” Ingram – 662 (Alligator Records)
Eric Bibb – Dear America (Provogue Records/Mascot Label Group)
Neal Francis – “Can’t Stop The Rain” (ATO Records)
Nick Waterhouse – Promenade Blue (Innovative Leisure)
Teresa James & The Rhythm Tramps – Rose-Colored Glasses, Vol. 1 (Blue Heart Records)

Best Classical Record
Bryce Dessner, Australian String Quartet, Sydney Dance Company – Impermanence/Disintegration (37d03d)
Canadian Brass – Canadiana (Linus Entertainment)
Grandbrothers – All the Unknown (City Slang)
Jeremiah Fraites – Piano Piano (Dualtone Music Group)
Theo Alexander – Sunbathing Through A Glass Screen (Arts & Crafts)
Vitamin String Quartet – Our Flashback Wedding (CMH Label Group)

Best Country Record
Caitlin Rose – Own Side Now (Deluxe Anniversary Edition) (ATO Records)
Emily Scott Robinson – American Siren (Oh Boy Records)
Morgan Wade – Reckless (Ladylike Records/Thirty Tigers)
Sturgill Simpson – The Ballad of Dood & Juanita (High Top Mountain Records/Thirty Tigers)
Fancy Hagood – Southern Curiosity (Mick Music/Downtown Music Services)
Lainey Wilson – Sayin’ What I’m Thinkin’ (Broken Bow Records/BMG)

Best Dance Record, Presented by edm.com
Brittany Howard – “Stay High again..” (Fred again.. & Joy Anonymous Remix) (ATO Records)
Dawn Richard – “Loose Your Mind” (Merge Records)
Disclosure – DJ-Kicks: Disclosure (!K7 Records)
Jungle – Loving in Stereo (AWAL)
Keys N Krates – “Original Classic” (Last Gang Records)
Logic1000 – You’ve Got the Whole Night to Go (Therapy distributed by Because Music)

Best Electronic Record, Presented by Redeye Worldwide
Arca – KicK iii (XL Recordings)
Caribou – “You Can Do It” (Merge Records)
Dawn Richard – Second Line (Merge Records)
Flying Lotus – Yasuke (Warp Records)
박혜진 Park Hye Jin – Before I Die (Ninja Tune)

Best Folk/Bluegrass Record
Aisha Badru – The Way Back Home (Nettwerk Records)
Hand Habits – Fun House (Saddle Creek)
Jose Gonzalez – Local Valley (Mute Records)
Shannon Lay – Geist (Sub Pop Records)
The Weather Station – Ignorance (Fat Possum Records)
Various Artists – Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2 (Oh Boy Records)

Best Heavy Record
Babymetal – 10 Babymetal Budokan (Cooking Vinyl)
Deafheaven – Infinite Granite (Sargent House)
Every Time I Die – Radical (Epitaph)
Quicksand – Distant Population (Epitaph)
Spiritbox – Eternal Blue (Rise Records / BMG)

Best Hip-Hop/Rap Record, Presented by Virgin Music
Injury Reserve – By the Time I Get to Phoenix (Self-Released/Stem)
Joyner Lucas & J. Cole – “Your Heart” (Twenty Nine Music Group)
Little Simz – Sometimes I Might Be Introvert (AWAL)
Mick Jenkins – Elephant in the Room (Cinematic Music Group/Ingrooves)
Mykki Blanco – Broken Hearts and Beauty Sleep (Transgressive/[PIAS])
Young M.A – Off the Yak (M.A Music/3D)

Best Jazz Record
Adrian Younge – The American Negro (Jazz Is Dead)
BadBadNotGood – Talk Memory (XL Recordings)
John Carroll Kirby – Septet (Stones Throw Records)
Nala Sinephro – Space 1.8 (Warp Records)
Jihye Lee Orchestra – Daring Mind (Motéma Music)
Nick Hakim – “Qadir” (Badbadnotgood Remix) (ATO Records)

Best Latin Record
Alejandro Escovedo – La Cruzada (Yep Roc Records)
Arca – KICK ii (XL Recordings)
Cimafunk – El Alimento (Terapia Productions/Thirty Tigers)
Helado Negro – Far In (4AD)
Los Retros – Looking Back (Stones Throw Records)
Xenia Rubinos – Una Rosa (ANTI-)

Best Pop Record
Arlo Parks – Collapsed in Sunbeams (Transgressive/[PIAS])
Ashe – Ashlyn (Mom + Pop Music)
Big Red Machine – How Long Do You Think It’s Gonna Last? (Jagjaguwar)
Chai – Wink (Sub Pop Records)
Noga Erez – Kids (City Slang)

Best Punk Record
Amyl and The Sniffers – Comfort to Me (ATO Records)
Chubby and the Gang – The Mutt’s Nuts (Partisan Records)
illuminati hotties – Let Me Do One More (Hopeless Records)
Sleaford Mods – Spare Ribs (Rough Trade Records)
The Linda Lindas – “Racist, Sexist Boy” (Live at LA Public Library) (Epitaph)

Best R&B Record
Brittany Howard – Jaime (Reimagined) (ATO Records)
Charlotte Day Wilson – Alpha (Stone Woman Music Inc.)
Durand Jones & The Indications – Private Space (Dead Oceans)
Hiatus Kaiyote – Mood Valiant (Brainfeeder (Ninja Tune))
serpentwithfeet – Deacon (Secretly Canadian)
Tkay Maidza – Last Year Was Weird, Vol. 3 (4AD)

Best Rock Record, Presented by MSK (Mitchell; Silberberg & Knupp, LLP)
Black Pumas – Capitol Cuts (Live from Studio A) (ATO Records)
Idles – Crawler (Partisan Records)
Parquet Courts – Sympathy for Life (Rough Trade Records)
shame – Drunk Tank Pink (Dead Oceans)
The The – The Comeback Special (earMUSIC)

Best Spiritual Record
Blind Boys of Alabama feat. Bela Fleck – “I Wish I Knew How It Would Feel To Be Free” (Single Lock Records)
Hiss Golden Messenger – O Come All Ye Faithful (Merge Records)
Natalie Bergman – Mercy (Third Man Records)
Oak Ridge Boys – Front Porch Singin’ (Lightning Rod Records / Thirty Tigers)
Wande feat. Porsha Love – “Don’t Worry Bout It” (Reach Records)

Best Sync Usage
Adele – “Hello” – NFL/Tom Brady’s Return (XL Recordings)
Black Pumas – “Colors” – Concrete Cowboy Trailer (ATO Records)
Fela Kuti – “Zombie’” – Gucci 100 Promo Campaign (Knitting Factory Records)
John Prine – “Caravan of Fools” – Ep 3 Yellowstone (Oh Boy Records)
Phoebe Bridgers – “I Know the End” – Ep 106 Mare of Easttown (Dead Oceans)
The Rolling Stones – “She’s a Rainbow” – Ep 205 Ted Lasso (ABKCO)
Wet Leg – “Chaise Longue” – Ep 5 Gossip Girl (Domino Recording Co.)

Best World Record
Altin Gün – Yol (ATO Records)
Femi Kuti and Made Kuti – Legacy + (Partisan Records)
João Donato – João Donato JID007 (Jazz Is Dead)
Mdou Moctar – Afrique Victime (Matador Records)
Pachyman – The Return of Pachyman (ATO Records)

Creative Packaging
Buzzcocks – Complete UA Singles 1977-1980 (Domino)
Erroll Garner – Liberation in Swing: Centennial Collection (Mack Avenue Music Group / Octave Music Licensing, LLC)
Fela Kuti – Box Set #5 Co-Curated by Chris Martin & Femi Kuti (Knitting Factory Records)
Gang Of Four – 77-81 (Matador Records)
Gary Numan 45X15 – The Singles Collection 1978-1983 (Beggars Arkive)
Japanese Breakfast – Jubilee (Dead Oceans)

Independent Champion, Presented by Merlin
Bandcamp
FUGA
Light in the Attic Distribution
Redeye Worldwide
SoundExchange

Label of the Year (Big), Presented by ADA
ATO Records
Matador Records
Merge Records
Mom + Pop Music
Ninja Tune
Polyvinyl Record Co.
Third Man Records

Label of the Year (Medium)
City Slang
Hopeless Records
New West Records
Sacred Bones Records
Saddle Creek
Yep Roc Records

Label of the Year (Small)
Don Giovanni Records
Innovative Leisure
Oh Boy Records
Sargent House
Sundazed

Marketing Genius
Bicep – Isles (Ninja Tune)
Various Artists – Death Row Records 30th Anniversary (Death Row Records)
Eyedress – Mulholland Drive (Lex Records)
Helado Negro – Helado Negro Ice Cream Tricycle (4AD)
Japanese Breakfast – Jubilee (Dead Oceans)
King Gizzard & The Lizard Wizard – Official Bootlegger Series (KGLW/Virgin Music)

Library of Congress Adds “Buena Vista Social Club” Documentary to National Film Registry

Posted on December 17, 2020 by Tom Castaneda

The story of the Buena Vista Social Club’s effort to revive the music of pre-revolutionary Cuba is being celebrated.

The Library of Congress has unveiled its annual list of 25 movies to make the cut for the National Film Registry, with the documentary named after the ensemble of Cuban musicians, Buena Vista Social Club, making the cut.

The Buena Vista Social Club project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members’ club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, many of whom had been retired for many years.

Wim Wenders captured the performance on film for a documentary that included interviews with the musicians conducted in Havana. The film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.

Lourdes Portillo’s The Devil Never Sleeps is part of a record number of films directed by women that make the list this year.

The 76-year-old Mexican film director’s mystery/documentary centers on Oscar, who is found dead from a gunshot wound. His wife believes he committed suicide. But his nephew, Portillo, suspects that it was murder and investigates the death with no help from the authorities.

Librarian of Congress Carla Hayden said, “With the inclusion of diverse filmmakers, we are not trying to set records but rather to set the record straight by spotlighting the astonishing contributions women and people of color have made to American cinema, despite facing often-overwhelming hurdles.”

This year’s list brings the number of films selected for preservation in the registry to 800.

Turner Classic Movies will host a television special from 8:00 pm ET on December. 15 to screen a selection of motion pictures named to the registry. Among the films to air are The Battle of the Century, Lilies of the Field, Illusions, The Joy Luck Club, Cabin in the Sky and The Man with the Golden Arm.

Here’s the full rundown of this year’s additions:

The Battle Of The Century (1927)
The Blues Brothers (1980)
Bread (1918)
Buena Vista Social Club (1999)
Cabin In The Sky (1943)
A Clockwork Orange (1971)
The Dark Knight (2008)
The Devil Never Sleeps (1994)
Freedom Riders (2010)
Grease (1978)
The Ground (1993-2001)
The Hurt Locker (2008)
Illusions (1982)
The Joy Luck Club (1993)
Kid Auto Races At Venice (1914)
Lilies Of The Field (1963)
Losing Ground (1982)
The Man With the Golden Arm (1955)
Mauna Kea: Temple Under Siege (2006)
Outrage (1950)
Shrek (2001)
Suspense (1913)
Sweet Sweetback’s Baadasssss Song (1971)
Wattstax (1973)
With Car And Camera Around The World (1929)

Trailer Released for Fernando Meirelles’ Climate Change Documentary “The Great Green Wall”

Posted on September 1, 2019 by Tom Castaneda

Fernando Meirelles is hitting a wall…

The first trailer has been released for the climate change documentary The Great Green Wall, which is being executive-produced by the 63-year-old Brazilian film director, producer and screenwriter.

Fronted by Malian-French singer and activist Inna Modjaand backed by the United Nations, the film focuses on the ongoing Africa-led project to grow an 8,000km wall of trees and plants across the width of the continent. The initiative will stretch from Senegal to Djibouti and is meant to provide food and jobs to millions.

The film, described as “Buena Vista Social Club meets Years of Living Dangerously”, follows Modja across Africa as she assembles leading musicians and singers to record an album that captures the spirit of the Wall, which once completed will be the largest living structure on earth, three times the size of the Great Barrier Reef.

The film is directed by Jared P. Scott, whose previous docs The Age of Consequences and Requiem for the American Dream debuted at HotDocsand the Tribeca Film Festival, respectively.

Former BBC investigative journalist Sarah Macdonald, who won a BAFTA for her work at nightly news show Newsnight, produces for Make Productions. Alexander Asen is executive producer for the UN’s Convention to Combat Desertification, which itself is a co-producer on the film.

Andy Garcia to Narrate the Documentary “Miss Angela” About 91-Year-Old Cuban Discovery Angela Alvarez

Posted on September 14, 2018 by Tom Castaneda

Andy Garcia is lending his voice to a special story…

The 62-year-old actor and musician will narrate Miss Angela, the working title of the feature documentary on Angela Alvarez, the 91-year-old Cuban singer-songwriter who had her lifetime’s work of songs discovered, and recently recorded her first album.

Filmmakers Paul Toogoodand Lloyd Stantoninterviewed Alvarez and her children about her life and recorded when she performed her music in a debut concert (on her 91st birthday) at Hollywood’s Avalon Theater, an event Garcia both played in the band and hosted.

The film follows the story of Alvarez’s flight from Cuba in the 1960’s and subsequent life as wife, mother and working woman who hid her childhood ambition to be a singer and songwriter. It was only when her grandson, composer Carlos José Alvarez, asked about the traditional Cuban folk songs she had been singing to generations of the family, she told him and unearthed a treasure trove of original songs.

Alvarez recorded her first album in collaboration with world-renowned Cuban musicians from Buena Vista Social Club and her grandson. So at the age of 90, Alvarez is finally living her dream.

“As a fanatical student of Cuban music it’s easy to recognize when you see someone that’s special, not only musically, but lyrically,” he said. “Angela Alvarez is a real discovery. I’m honored to be a part of it — to be asked to lend my support.”

The film charts Alvarez’s childhood in pre-revolutionary Cuba when she announced to her family she wanted to be a singer and songwriter which was expressly forbidden by her father and grandfather as an unsuitable career for a girl. So, she wrote songs in secret.

Their family became part of the Pedro Pan exodus where 14,500 unaccompanied children were spirited out of Cuba between 1960-62. It then took Alvarez four more long, frightening years to escape, and then reunite her family, finally settling down in the United States.

“This is a tale of second chances, where it is never too late to live your dreams,” said Toogood. “It’s the story of a strong woman, a refugee, who fought to make her family safe and a story about the power of music.”

The pinnacle of the film is a debut concert, with world-class Cuban musicians accompanying Alvarez on at the Avalon Theater.

Musicians who took part are Grammy winners Luis Conte, Jose Alvarez, Alberto Salas, Ramon Stagnaro, and Justo Almario with Grammy nominated musicians Danilo Lozano, Dayren Santamaria and Roberto Rosario. Other musicians include Carlos Jose Alvarez, Jorge Sawa-Perez, Roque Garcia, Mariano Dugatkin, and Jessicca Brizuela.

The film is now in postproduction.

The Late Ferrer Among the Cuban Artists Going Global Following Sony-EGREM Licensing Agreement

Posted on September 16, 2015 by Tom Castaneda

The late Ibrahim Ferrer’s music is going global…

Sony Music Entertainment and the Havana-based EGREM (Empresa de Grabaciones y Ediciones Musicales) have reached a global licensing agreement to release more than 20,000 recorded tracks by the likes of Ferrer, the Afro-Cuban singer, musician and former member of the Buena Vista Social Club who passed away in 2005, Irakere, Los Van Van, Bola de Nieve and Omara Portuondo, among many others.

Egrem’s catalog, the most extensive catalog of Cuban music in the world, encompasses audio and audiovisual recordings produced since the 1960s.

Although some portions of the catalog have been licensed before by various labels throughout the world, this is the first time a multinational label has access to the entire stock of recordings for the entire world as part of a multi-year agreement.

“We are delighted to be partnering with EGREM to share for the first time one of the largest and most acclaimed catalogs of Cuban music with fans across the globe,” Sony Music Entertainment CEO Doug Morris said in a statement. “This landmark agreement will help expand international awareness and appreciation of Cuban culture, Cuba’s rich musical heritage and its many wonderful artists.”

Although the deal between EGREM and Sony had been in the works for more than two years, it was only signed September 15 in Havana by Afo Verde, Sony’s chairman and CEO for Latin America, Spain and Portugal, and EGREM managing director Mario Angel Escalona Serrano. Edgar Berger, Sony’s chairman and CEO, International, was on hand for the signing, which took place at Areíto Studio 101, the historic Havana studio where legendary Cuban and international artists have recorded since the 1940s.

“We see these agreements as an opportunity for the joint management of our catalog over the coming years,” said Escalona Serrano.

“We are working on the release of this treasure of Cuban music so it will be available on all possible music and video platforms for music lovers to enjoy as soon as possible,” said Verde.

“Sony Music is honored to bring this iconic music — representing over five decades of Cuban culture — to all corners of the world,” said Berger. “We are thrilled to introduce these extremely talented artists to the global audience they so richly deserve.”