The Spanish pop singer, considered one of Spain’s most promising acts, has released her new EP Contragolpe.
Cendejas, who gained attention through her covers on social media, has lately collaborated with Latin music’s edgiest stars including C.Tangana, Piso 21, Feid and Jesse Baéz, to name a few.
Her musical proposal and crisp vocals shine on the new EP, which is home to seven gems including sultry R&B fusions (“803”), flamenco undertones (“Nada Lo Cambia”), futuristic boleros (“Diferente”) and more.
A standout track is focus single “Nosotras,” a pop-reggaeton meshed with mesmerizing acoustic guitars.
Contragolpe, according to Cendejas, was born after discovering herself during the pandemic.
“It’s a rebellion,” she expressed in a statement. “All last year and part of this one I was in an internal struggle with myself, looking for help to feel better. All the bad things that I had inside I brought out in the form of a song.”
Christian Nodal’s next collaboration is very close to his heart…
The 22-year-old Mexican singer is preparing to unveil his first-ever collaboration with his love, Belinda.
The Regional Mexican star and renowned pop songstress are behind the theme song of Univision’s upcoming telenovelaSi Nos Dejan, bringing to life a new version of José Alfredo Jiménez’s mariachi-bolero classic of the same name.
“Nodeli,” as they are referred to by fans, recorded the song in Spain and will be released as a single, Billboard can confirm.
The lovebirds met in 2020 on the set of TV Azteca‘s La Vozand even sealed their relationship with matching tattoos. “Si Nos Dejan” is their first collaborative effort.
Si Nos Dejan, starring Mayrín Villanueva, Marcus Ornellas and Alexis Ayala and marking Gaby Spanic’s novela comeback, premieres at 9:00 pm ET on June 1 via Univision.
The story of the Buena Vista Social Club’s effort to revive the music of pre-revolutionary Cuba is being celebrated.
The Library of Congress has unveiled its annual list of 25 movies to make the cut for the National Film Registry, with the documentary named after the ensemble of Cuban musicians, Buena Vista Social Club, making the cut.
The Buena Vista Social Club project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members’ club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, many of whom had been retired for many years.
Wim Wenders captured the performance on film for a documentary that included interviews with the musicians conducted in Havana. The film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.
Lourdes Portillo’s The Devil Never Sleepsis part of a record number of films directed by women that make the list this year.
The 76-year-old Mexican film director’s mystery/documentary centers on Oscar, who is found dead from a gunshot wound. His wife believes he committed suicide. But his nephew, Portillo, suspects that it was murder and investigates the death with no help from the authorities.
Librarian of CongressCarla Hayden said, “With the inclusion of diverse filmmakers, we are not trying to set records but rather to set the record straight by spotlighting the astonishing contributions women and people of color have made to American cinema, despite facing often-overwhelming hurdles.”
This year’s list brings the number of films selected for preservation in the registry to 800.
Turner Classic Movies will host a television special from 8:00 pm ET on December. 15 to screen a selection of motion pictures named to the registry. Among the films to air are The Battle of the Century, Lilies of the Field, Illusions, The Joy Luck Club, Cabin in the Skyand The Man with the Golden Arm.
Here’s the full rundown of this year’s additions:
The Battle Of The Century (1927)
The Blues Brothers (1980)
Buena Vista Social Club (1999)
Cabin In The Sky (1943)
A Clockwork Orange (1971)
The Dark Knight (2008)
The Devil Never Sleeps (1994)
Freedom Riders (2010)
The Ground (1993-2001)
The Hurt Locker (2008)
The Joy Luck Club (1993)
Kid Auto Races At Venice (1914)
Lilies Of The Field (1963)
Losing Ground (1982)
The Man With the Golden Arm (1955)
Mauna Kea: Temple Under Siege (2006)
Sweet Sweetback’s Baadasssss Song (1971)
With Car And Camera Around The World (1929)
The 44-year-old Mexican singer has released his latest album Canciones Que Recuerdo.
In the well-crafted production, Frankie J revamps 15 timeless hits by José José, Juan Gabriel, Vicente Fernandez and Selena, to name a few, showcasing his powerhouse vocals as he taps into the bolero and mariachi genres.
“I’ve always loved hearing these kinds of songs, from Juan Gabriel, Jose Jose, Vicente Fernandez, Javier Solis, Pedro Infante,” says Frankie J. “I’m paying a tribute to a lot of artists that I grew up listening to because of my parents and my grandparents. These were the records that they were always listening to.”
Changing the game one song at a time, Frankie J kicked off his career in the late 90’s/early 2000’s as part of the wave of new Latinx artists producing pop-R&B songs in both Spanish and English.
He gained international success with hits like “Obsession,” “Suga Suga,” and “How To Deal,” which form part of The One, his third studio album that debuted and peaked at No. 3 on the Billboard 200 chart dated April 9, 2005, and spent 36 weeks on the chart.
Now, Frankie J returns with Canciones Que Recuerdo, marking his comeback production following his 2013 Grammy-nominated Faith, Hope y Amorand Sangria, a duet album with Baby Bash released in 2017.