Balvin and Castro, an emerging artist also from Medellín, deliver a new, sizzling summer single.
Together, they bring forth hypnotizing beats that will make you play this song on repeat.
The traditional perreo track thumping beats fused with reggaetón drums and the duo’s skills give life to the track.
Directed by Patricia Alfonso and Chris Cabrera, along with Film Heads, the single’s video artfully brings the music to life. From rooftop cookouts, to the corner store, to clandestine dance parties, the music video is quite energetic.
The Colombian duo, which has recorded trap, perreo and pop music, is now experimenting with bachata for the new single “La Carta.”
Las Villa, comprised of twins Laura and Lucia, present their new single composed by themselves alongside Vibarco, La Pardo, and Casta (who also produced the track).
“La Carta” fuses traditional bachata rhythms with edgy urbano beats, and tells the story of a letter where an ex-partner claims they have changed, but Las Villa believes not for the best. “Now I see you using Balenciaga when a year ago you didn’t care about that/ You’re not happy and soon you’ll realize that your movie will end,” the chorus goes.
“We came to the studio with the idea that we wanted to do a bachata,” the duo expressed in a statement. “It was clear to us that day that we wanted to do something different. The song ends up being about someone who changed from heaven to earth, overnight, and who you used to know and had a very strong bond with, and suddenly that person changes. Their tastes have changed, you don’t recognize them anymore, they now like fine and expensive things, and have completely turned their back on you and on all their values, changing all the fundamentals of life for superficial things.”
In the colorful music video, directed by Sergio de Avila and Jerome Lehoucq, the two sisters are shopping at a local clothing store and gossiping around the streets of Colombia.
Dimelo Flow is pulling the heartstrings with his latest single…
While the catalog of the 33-year-old Panamanian deejay and producer, whose real name is Jorge Valdés Vázquez, includes saucy perreo bangers, his new track “Winnie Pooh” is a certified heartbreak anthem.
And Dimelo Flow called in reinforcements: Reik, Jay Wheeler, and Boza.
“Winnie Pooh” unites the renowned Mexican trio, Puerto Rico’s romantic voice, and the Latin Grammy-nominated Panamanian act in a mid-tempo pop-reggaeton produced by Flow and presented by Rich Music.
Making reference to the lovable and beloved bear, the lyrics tell the story of a person who gave it their all in a relationship and was underappreciated. “I filled you with so many details that you couldn’t even see yourself/ I watered the rose every day until it drowned/ I did everything to have you, but it was the other way around/ Take off your makeup because that’s not who I fell in love with,” Reik sings to kick off the track.
The chorus later announces, “This Winnie Pooh has no honey left.”
Each artist adds a unique flow to the lyrics. Boza, for example, states how he’s “Gucci” and his ex-girlfriend left him for “Old Navy.” “I’m not with you and it feels great/ Even Cristiano [Rolando] loses the ball,” chants Wheeler over a chill reggae beat.
“Winnie Pooh” follows Dimelo Flow’s star-studded collaboration “Suelta” featuring Rauw Alejandro, Farruko,Maria Becerra, Mr. Vegas, and Fatman Scoop.
Both tracks will form part of his upcoming album, Always Dream.
After releasing a series of singles and collaborations with artists like Cazzu and J Balvin, the 21-year-old Argentine singer has officially released her debut album titled Animal.
The 11-song set drops with “Wow Wow” featuring Becky G as its focus track, a hard-knock reggaeton single that has female empowerment anthem potential.
It marks the first time Becky and Becerra have joined voices for a collab.
With a “who needs men” attitude, the track (and music video) find the pair living the best life and sharing a wealthy lifestyle with their BFFs.
“Once I woke up and realized you were no longer by my side, I thought, ‘What good luck, this story has finally ended,’” Becerra opens the song.
Near the minute-mark, Becky G joins Becerra on the track, singing, “Life is just one and it won’t wait for you … everything is cured with a perreo so don’t be embarrassed to get down.”
Maluma is hoping to put some up-and-coming talent on the map…
The 27-year-old Colombian singer/songwriter has joined voices with newcomers Kapla y Miky, Philip Ariaz and Blessd for the new single “L.N.E.M. (GATA).”
The new single comes on the heels of “Sobrio” and its star-studded video featuring Scott Disick and other celebs.
This time, Maluma reels in the newcomers, as he hopes to put “la nueva en el mapa” on their collaboration.
Co-produced by Golden Mindz and Rude Boyz, the track infectiously laces a slow-tempo perreo melody with hip-hop and reggaeton beats.
“This is what making history is all about,” Maluma wrote on his Instagram.
“He wants to raise the flag,” former BillboardLatin Artist on the Rise Blessd says of Maluma. “There is no other artist like him helping those of us who are emerging so much. He’s doing a job that no one else has done. I respect him as an artist and triple as a person because of that.”
The 21-year-old Puerto Rican and Cuban American singer-songwriter, known as “La Princesa de Miami,” has joined voices with urbana newcomers Mariah Becerra and Bad Gyal for the single “Bobo.”
Co-produced by DJ Chino and her longtime producer Nely El Arma Secreta, “Bobo” gives TLC’s ’90s anthem “No Scrubs” a reggaeton twist with a touch of Mariah’s perreo, Becerra’s urban-pop sounds, and Bad Gyal’s dancehall vibes.
Mariah does not hesitate to describe it as a “lit” collaboration overall.
“This song is going to make a big impact in the industry because we’re three girls,” she affirms.
“Honestly, I have loved this song since I was little,” she says. “I love R&B, and I think that’s one of the reasons that when Chino presented the idea to me I said, ‘Hell yeah!’ because I have that music in my soul.”
Mariah became a household name with her saucy 2019 single “Perreito.” In only two years, she captured the attention of her colleagues, landing major collaborations with Arcangeland Anuel AA, to name a few.
In March, Mariah joined forces with Karol G on “El Makinon,” a focus track from Karol’s KG0516 album. “It has definitely made my career grow,” Mariah tells Billboard, explaining that the Colombian star began supporting her music on social media before extending an invite to work together.
“This song has a lot of elements that identify me and that’s why I believe Karol wanted to do the song with me,” she recalls. “I was sharing my story when we were writing the song and I mentioned that I ran away at 16 to chase my dreams, so for sure, that’s why the song makes reference to that. Karol’s the same. She’s a fighter and she’s been working hard for her dreams since she was young. That’s why we connected on this song.”
“El Makinon,” slang for a big machine, also earned Mariah her first No. 1 on any Billboard chart when it topped the Latin Airplay chart dated June 5, becoming only the third female pairing to rule since the chart’s inception in 1994.
“Everything happened so quickly,” Mariah recalls. “I’m super happy because what’s better than to collaborate with one of the most important women in the industry? I took this as a blessing.”
Up next, Mariah is reportedly working on a full-length album and has 40 to 50 dates confirmed for an upcoming tour that will soon be announced.
The 27-year-old Puerto Rican superstar doesn’t speak Japanese, but he sings a few words of it on his new single, “Yonaguni,” to heal a broken heart.
The track, Bad Bunny’s first official single since he releases his album El Último Tour del Mundolast November, is named after an island in Japan. And although Bad Bunny has never been there, something clicked at a distance.
The song is basically about trying to overcome a breakup but missing that special person no matter how hard he tries.
Putting aside his Latin trap roots and newfound alternative perreo sound, Bad Bunny returns to his vulnerable and emo lyrics, bringing to life a down-tempo, chill reggaeton song.
“Yonaguni” was released, as all things Bunny, in surprise fashion at midnight on Thursday.
As for the track’s video, Bad Bunny insiders say it’s one of the least expensive he’s ever done, with production kept to a minimum.
Only three months after releasing “Como Tu Me Querias,” the Puerto Rican singer has joined voices with De La Ghettofor a saucy remix.
The track tells the story of a good girl whose looks are deceiving and falls for the bad boy in town. Cue De La Geezy, the bad boy, who brings his distinguishable voice and seductive lyrics to the track.
“Como Tu Me Querias” is an infectious, uptempo reggaeton with hints of old-schoolperreoand dancehall melodies.
The music video, filmed by Mimi Labisi of Stellarhead in LA, shows both artists’ onscreen chemistry in a futuristic and vibrant setting. Chesca is also seen flaunting her killer dance moves.
Chesca, who’s a two-time nominee at the 2021 Premio Lo Nuestro, crowned Billboard’sLatin Airplay chart on December 12, 2020, with her Pitbulland Frankie Valli-assisted “Te Quiero Baby.”
Days after being nominated for two Latin Grammys, including best new artist, the 25-year-old Argentine singer-songwriter has released her sophomore studio album Calambre.
Featuring 12 tracks, including the Latin Grammy nominated-“Buenos Aires,” Calambre was produced by Rafa Arcaute, Illmind, Fede Vindver, among other world-class producers.
It’s box full of surprises, all showcasing Peluso’s vocal and rhythmic versatility.
Primarily known for her hip-hop-meets-neo-soul vibe, the rising Argentine artist experiments withperreofusions as heard in “Amor Salvaje,” old-school 90’s rap as heard in “Sugga,” infectious salsa beats as heard in “Puro Veneno,” and a heartfelt hip-hop-tango blend as heard in the closing track “Agarrate.”
The bilingual Calambre, is described as “seductive, fierce, and unapologetic” by Billboard.