Paulo Londra Releases Sophomore Album “Back to the Game”

Paulo Londra is back in the game…

After releasing a handful of singles throughout the year, the 24-year-old Argentine rapper and singer has officially released his highly anticipated album aptly titled Back to the Game.

Paulo LondraThe 16-track set marks Londra’s first album in three years, following his debut album Homerun (2019), which debuted and peaked at No. 12 on Top Latin Albums.

In his first album, Londra leaned more on his core urban sound using elements of trap, freestyle, dembow, hip-hop and reggaeton. This time around, while he stays true to his essence with a cheeky reggaeton single (“A Veces,” a collaboration with Feid), he also dabbles in punk rock (“Nublado” featuring Travis Barker) and R&B (“Noche de Novela” with Ed Sheeran).

“I’m back,” he wrote on social media. “This is from Paulo to those who’ve always been there, since when I would go to the plaza in Joaco to crossing paths for the second time with Ed Sheeran. As long as one follows their passion, no one can stop you. If you ever felt empty but today you want the people around you to smile or have fun, welcome to the club.”

Earlier this year, Londra officially announced his comeback after forging a new partnership with Warner Music Latin, which marked a new phase for his career.

He marked his grand return to music, dropping one of his punk-rock anthems “Plan A” in March, his first single in three years, with which he previewed the new album and presented a fresh new sound for the artist. Since, he’s released other singles such as “Chance,” “Julieta,” “Party En El Barrio” and “Luces.”

The eclectic, star-studded set also features collaborations with artists like Timbaland, Duki and LIT Killah.

Luis Fonsi & Daddy Yankee’s “Despacito” Video Hits 8 Billion Views on YouTube

Luis Fonsi and Daddy Yankee continue extending their reign…

The 44-year-old Puerto Rican singer and 45-year-old Puerto Rican reggaeton star’s music video for global sensation “Despacito” has logged 8 billion views on YouTube.

Luis Fonsi & Daddy YankeeIn the process Fonsi and Daddy Yankee’s video extends its reign as the most-viewed music video on YouTube — by a long shot.

The closest competitor to the nearly five-minute clip for the 2017 smash hit is Ed Sheeran’s “Shape of You,” which has raked in 5.8 billion views.

“Who would of thought that a melody over my guitar that morning in my house would be listened to in so many places, by so many people,” Fonsi wrote on social media celebrating the song’s new milestone. “It’s been almost six years and I still can’t believe it. The words THANK YOU don’t cover it. 8 billion views, sounds so nice.”

Fonsi continued thanking those who made it all possible, including Daddy Yankee, Justin Bieber who jumped on the remix, his co-writer Erika Ender, producers Andrés Torres and Mauricio Rengifo and video director Carlos Pérez, to name a few, and his island of Puerto Rico, where they filmed the video, featuring former Miss Universe Zuleyka Rivera.

“Despacito,” released via Universal Music Latino in January 2017, is the gift that keeps on giving. Four months after the music video made its debut on YouTube, it hit the 1 billion mark back when it got a boost from a bilingual remix that featured Bieber.

Five years ago in May, the remix with Bieber reached No. 1 on the Billboard Hot 100 and made global history. Furthermore, “Despacito” topped the Hot Latin Songs chart for a record 56 (non-consecutive) weeks, spending the most weeks at No. 1 for any title since the chart’s inception in 1986.

J Balvin Becomes First Latino Artist to Headline NFL Kickoff Concert

J Balvin has earned a place in NFL history…

The 37-year-old Colombian singer performed at Alamitos Beach in Long Beach, California, on Thursday, September 8 as part of the NFL Kickoff Experience to celebrate the beginning of the 2022 NFL season, becoming the first Latino artist to headline an NFL kickoff concert.

J BalvinJ Balvin performed ahead of the first game of the year, which saw the Buffalo Bills battle with reigning Super Bowl champs, the Los Angeles Rams.

Attendees defied the L.A. heat wave and made their way to the beach for a free day event that featured all sorts of activities and activations, including a beach football field.

Before Balvin took the stage, a local mariachi band serenaded the sweaty crowd before the Alabama State Marching Hornets took over for a riveting number.

Opening for Balvin was West Coast-based DJ and producer Tokimonsta, who was able to get the concertgoers out of the shade and closer to the main stage where they danced to her eclectic set.

Then, an inflatable giant hand appeared onstage holding up an equally large smiling face balloon — Balvin’s signature smiley face— which could only mean that the chart-topping artist was ready to take make his grand entrance. While his set was scheduled to begin at 4:00 pm, Balvin took the stage 10 minutes earlier to perform a nearly one-hour show.

He appeared in a two-piece, army-like outfit styled with a matching balaclava that only exposed his eyes.

“Cómo está la vibra esta tarde, how’s the vibe today?” he asked the crowd.

Balvin kicked off with the fan-favorite “Mi Gente” and went on to perform back-to-back hits like “Reggaeton,” “Nivel de Perreo,” “Con Altura,” “Loco Contigo,” “Blanco,” “Ritmo,” “Amarillo,” “Ginza,” “I Like It” and “In Da Getto.” He also brought out a special guest, Trueno, an emerging rapper from Argentina, to perform their collaboration “Un Paso.”

“My name is Jose but they call me J Balvin,” he added. “Where are all the warriors that fight for their dreams? I see my Latino gang representing here.”

Throughout the years, artists like Shawn MendesMeek MillMeghan Trainor and Ed Sheeran have performed at the NFL Kickoff Concert.

Bad Bunny Makes History with Artist of the Year Win at the MTV Video Music Awards

Bad Bunny continues etching his name in the music history books…

The 28-year-old Puerto Rican superstar was named Artist of the Year during Sunday’s Video Music Awards, becoming the first non-English-language performer to win the prize.

Bad BunnyBad Bunny was nominated for the honor alongside Drake, Ed Sheeran, Harry Styles, Jack Harlow, Lil Nas X and Lizzo. His hit song “Tití Me Preguntó” also received an MTV VMAs nomination this year for the Best Latin Award.

During the MTV telecast, Bad Bunny performed live from Yankee Stadium in New York as part of his World’s Hottest Tour. Other acts in the VMA performance lineup this year included Harlow, Nicki Minaj, the Red Hot Chili Peppers, Blackpink, Panic! at the Disco, Anitta, Snoop Dogg, Eminem and Lizzo.

In May, Bad Bunny released his fourth studio album, “Un Verano Sin Ti,” which was the second all-Spanish-language record to debut atop the Billboard 200 chart in the United States, according to MTV. When it came out, Bad Bunny’s latest LP was also Spotify‘s most-streamed album of 2022.

Meanwhile, Anitta also made history at this year’s VMAs as she picked up her first American Moon Person.

The 29-year-old Brazilian singer-songwriter, whose won several MTV Europe Music Awards, won Best Latin for her viral hit song “Envolver,” becoming the first-ever Brazilian artist to take home an MTV Video Music Awards.

It was a highly competitive category, with Anitta competing against Bad Bunny, Daddy Yankee, J Balvin, Becky G and Karol G.

Here’s a look at the night’s big winners:

VIDEO OF THE YEAR
Taylor Swift – “All Too Well” (10 Minute Version) (Taylor’s Version) – Republic Records

ARTIST OF THE YEAR
Bad Bunny – Rimas Entertainment

BEST ALBUM
Harry Styles – “Harry’s House”

SONG OF THE YEAR
Billie Eilish – “Happier Than Ever” – Darkroom / Interscope Records

BEST NEW ARTIST
Dove Cameron – Disruptor Records / Columbia Records

PUSH PERFORMANCE OF THE YEAR
December 2021: SEVENTEEN – “Rock With You” – PLEDIS Entertainment / Geffen Records

BEST COLLABORATION
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records

BEST POP
Harry Styles – “As It Was” – Columbia Records

BEST HIP-HOP
Nicki Minaj ft. Lil Baby – “Do We Have A Problem?” – Young Money / Cash Money / Republic Records

BEST ROCK
Red Hot Chili Peppers – “Black Summer” – Warner Records

BEST ALTERNATIVE
Måneskin – “I WANNA BE YOUR SLAVE” – Arista Records

BEST LATIN
Anitta – “Envolver” – Warner Records

BEST R&B
The Weeknd – “Out Of Time” – XO / Republic Records

BEST K-POP
LISA – “LALISA” – YG Entertainment / Interscope Records

VIDEO FOR GOOD
Lizzo – “About Damn Time” – Atlantic Records

BEST METAVERSE PERFORMANCE
BLACKPINK The Virtual | PUBG – YG Entertainment / Interscope Records

BEST LONGFORM VIDEO
Taylor Swift – “All Too Well” (10 Minute Version) (Taylor’s Version) – Republic Records

BEST CINEMATOGRAPHY
Harry Styles – “As It Was” – Columbia Records

BEST DIRECTION
Taylor Swift – “All Too Well” (10 Minute Version) (Taylor’s Version) – Republic Records

BEST ART DIRECTION
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records

BEST VISUAL EFFECTS
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records

BEST CHOREOGRAPHY
Doja Cat – “Woman” – Kemosabe Records / RCA Records

BEST EDITING
ROSALÍA – “SAOKO” – Columbia Records

Bad Bunny Makes Massive Impression on Billboard Global 200 and Billboard Global Excl. U.S. Charts

Bad Bunny is livin’ the stream globally…

Following the release of his latest album Un Verano Sin Ti on May 6, the entire track list of the 28-year-old Puerto Rican rapper, singer, songwriter and record producer’s project has charted on the May 21-dated Billboard Global 200 and Billboard Global Excl. U.S. charts.

Bad BunnyIn fact, Bad Bunny cracks the top 50 of each ranking with all 23 songs featured on the album

In total, Bad Bunny simultaneously charts with 28 songs on the Global Excl. U.S. tally, and 27 on the Global 200, including seven in the top 10 of each.

Both counts are record-setting on the former chart, surpassing Taylor Swift’s 24 entries on the November 27, 2021-dated list, and blowing by Drake, Olivia Rodrigo and Ed Sheeran, each of whom has logged three songs in the top 10 at once.

The wave of new Bad Bunny material is led by the album’s opening track, “Moscow Mule,” entering at No. 2 on both lists with 97.2 million global streams in the week ending May 12, according to Luminate. (On average, the album’s 23 songs rank three positions higher on the Global 200 than the Global Excl. U.S. survey.)

Songs from Un Verano Sin Ti drew 33.9% of their streams from the U.S. and 66.1% from outside. While not dramatically different, first-week streams for Bad Bunny’s previous studio album, 2020’s El Ultimo Tour Del Mundo, split 30.2% U.S. and 69.8% beyond.

The extra 3.7% of domestic listenership on streaming services for his newest release reinforces that Bad Bunny’s star has continued to rise and spread in the primarily English-language U.S. market (including his home of Puerto Rico), while he continues to be a dominant force in Latin America and beyond.

He tops Billboard‘s Hits of the World charts in Bolivia, Chile, Colombia, Ecuador, Mexico, Peru and Spain, placing anywhere from 18 to 23 songs on each of the 25-position rankings.

Cumulatively, songs from Un Verano Sin Ti generated 1.06 billion global streams in the tracking week. That marks a 104% increase from the opening-week activity for El Ultimo Tour Del Mundo (520.4 million).

And while his new album has more songs to accumulate more streams (23 vs. 15; Ultimo also includes a 16th track performed by Trio Vegabajeno), the average streaming sum among Un Verano Sin Ti ‘s tracks was 46.1 million, compared to 34.7 million for cuts on El Ultimo Tour Del Mundo.

Bad Bunny’s global takeover adds to his domination of Billboard‘s U.S.-based Latin charts and all-genre Billboard Hot 100 and Billboard 200 rankings.

Bad Bunny’s El Ultimo Tour Del Mundo Tops Billboard’s Monthly Top Tours Chart

Bad Bunny is officially a tour de force

The 28-year-old Puerto Rican rapper/singer’s El Ultimo Tour Del Mundo repeats at No. 1 on Billboard’s monthly Top Tours chart.

Bad BunnyBad Bunny rules in March with El Ultimo Tour Del Mundo earning $64.8 million from 337,000 tickets across 20 shows, according to figures reported to Billboard Boxscore.

That makes him the first artist to ever reign over back-to-back months. And one month after claiming the second-highest monthly gross for an arena tour ($39.8 million in February), his March figures rewrite the record entirely, blasting pass Trans-Siberian Orchestra’s $47 million run in December 2019.

Overall, it’s the second-highest monthly total since the charts launched in March 2019. Only The Rolling Stones stand in Bad Bunny’s way with their $95 million stadium sum in August 2019. Still, Bad Bunny’s March arena earnings stand above chart-topping stadiums runs by Ed Sheeran (April ’19), BTS (May ’19), Spice Girls (June ’19) and P!nk (July ’19).

The gargantuan $65 million haul is more than double the gross of his next closest competitors this month.

As previously reported, Bad Bunny’s February dates in Inglewood, Calif., and Dallas, among others, set local records for per-night gross and overall earnings.

In March, he continued to set regional high marks, including the three-night run at Allstate Arena in Rosemont, Ill. (20 miles outside of Chicago), which grossed $11.2 million and sold 51,400 tickets from March 10 to 12. More records were set in San Jose ($7.9 million on March 3-4), Phoenix ($3.2 million on March 6), and Orlando ($5.6 million on March 30-31).

While it didn’t quite reach the top, Bad Bunny’s double-header at Brooklyn’s Barclays Center earned $7.2 million immediately after his $3.8 million take the night before at the Prudential Center in Newark, N.J. That adds up to $11.1 million over three nights in the New York area.

These and other shows from the tour flood the Top Boxscores ranking, where Bad Bunny takes up seven spots. The Rosemont, San Jose and Brooklyn shows hit the top 10 at Nos. 2, 8 and 10, respectively.

El Ultimo Tour Del Mundo wrapped after two months on April 3 with $116.8 million. Its final triple-header in Miami will likely be the run’s last appearance on next month’s Boxscore report before yielding to Bad Bunny’s own next tour — World’s Hottest Tour. His follow-up level-up to stadiums in North and Latin America launches later this year.

In March, Bad Bunny narrowly took the No. 1 spot on Top Boxscores over a Latin American festival, keeping Mexico City’s Electric Daisy Carnival at No. 2. One month later, despite the record-setting overall haul, he is dethroned by Sao Paulo’s Lollapalooza Brasil. The three-day event grossed $23.2 million with a weekend attendance of 267,000 over March 25-27.

London’s O2 Arena is the month’s top-grossing venue with earnings of $26.8 million. It’s the first venue outside the U.S. to take the top spot on the 15,001+ capacity chart since Mexico City’s Foro Sol ruled over March 2020. Before that, you have to go back to May 2019, when the O2 itself topped the list with a slightly less massive $22 million.

Nicky Jam’s “Ojos Rojos” Reaches No. 1 on Billboard’s Latin Airplay Chart

Nicky Jam doesn’t mind his red eyes

The 41-year-old Puerto Rican and Dominican American singer’s has earned another No. 1 on Billboard’s Latin Airplay chart as his single “Ojos Rojos” climbs 5-1 to lead the April 23-dated ranking.

Nicky JamNicky Jam expands his dominance with 16 leaders, and the first unaccompanied by another act in over five years.

“Ojos Rojos” advances from No. 5 – having previously reached No. 4 for two weeks – in its 11th week, thanks to a 48% boost in audience impressions, to 10.5 million, earned in the U.S. in the week ending April 17, according to Luminate, formerly MRC Data.

WSKQ New York posted the biggest increase among panelists, up 1 million to 1.8 million, followed by WMEG San Juan, P.R. (up 564,000 to 914,000), and KXOL Los Angeles (up 497,000 to 842,000).

The coronation of “Ojos Rojos’” arrives amid Nicky Jam’s Infinity Tour, which kicked off February 3 in Boston.

The song evicts J Balvin and Ed Sheeran’s “Sigue” from its one-week reign and takes home the Greatest Gainer honors of the week.

With the new champ, Jam collects his 16th No. 1 – among a collection of 39 career entries – and first as a soloist without any other artist since the two-week champ “El Amante” in February 2017. Since then, he’s placed 10 other leaders, all through collaborations.

In addition, the song pushes 3-1 on Latin Rhythm Airplay, Nicky Jam’s first leader in almost a year following “Fan de Tus Fotos” with Romeo Santos (May 2021).

Elsewhere, “Ojos Rojos” makes progress on the all-metric Hot Latin Songs chart, entering the top 20 (24-20) despite a decline in both sales and streams: Hot Latin Songs blends airplay, digital sales and streaming data.

J Balvin & Ed Sheeran’s “Sigue” Replaces Their “Forever My Love” at No. 1 on Billboard’s Latin Airplay Chart

It’s a special follow-up for J Balvin

The 36-year-old Colombian singer and rapper’s Ed Sheeran-collaboration “Sigue” has replaced the pair’s other single, “Forever My Love,” at No. 1 on Billboard’s Latin Airplay chart dated April 16.

J Balvin“Forever My Love” rose to the No. 1 spot on last week’s April 9-dated Latin Airplay chart and falls to No. 4 on the latest ranking, making room for Balvin and Sheeran’s other collaboration, “Sigue,” to take over at No. 1.

The song leads with 8.1 million all-format radio airplay audience impressions earned in the April 1-7 tracking week, according to Luminate, formerly MRC Data.

The last act to replace themselves at No. 1 on Latin Airplay with a new song was Farruko.

He led the October 2, 2021-dated chart as a featured act on Enrique Iglesias’ “Me Pase” and then succeeded himself with his solo smash “Pepas.”

“Sigue” earns Balvin his record-extending 35th career No. 1 on the chart, and Sheeran his second.

Of Balvin’s 35 No. 1s, “Sigue” is his third of 2022, following “Una Nota” in January and “Forever My Love” last week.

He tallied five No. 1s in 2021 and nine in 2020 (his personal best).

The only other acts with multiple Latin Airplay No. 1s in 2022 are Jhay Cortez, Karol G and Ozuna, with two apiece.

Here’s an updated look at the acts with the most Latin Airplay No. 1s in the chart’s 27-year history:

35, J Balvin
32, Enrique Iglesias
27, Ozuna
25, Daddy Yankee
21, Maluma
20, Wisin
19, Romeo Santos

Juan Gabriel’s Estate Signs Exclusive Worldwide Agreement with Virgin Music US Latin; New Music Releases Expected

There’s new Juan Gabriel music heading your way…

Six years after his death, the late Mexican superstar’s estate has signed an exclusive worldwide agreement with Virgin Music US Latin, which will represent the singer’s post-2008 catalog and future recordings, and has also extended its publishing administration agreement with Universal Music Publishing Group, which will exclusively represent Gabriel’s extraordinary catalog of songs worldwide.

Juan GabrielThe deal is particularly important because unbeknownst to many, Gabriel left behind dozens of new recordings, including brand new, never released before material and re-recordings of old songs.

As one of the most recorded songwriters in Latin music and one of its biggest stars, the potential for those works is immense.

“We have a lot of material in different stages,” says Victor Gonzalez, president of Virgin Music Latin America & Iberian Peninsula.

This includes a third duets album (Gabriel recorded two prior to his death, both of them hits) featuring six or seven tracks with artists including Mon LaFerte and Gloria Trevi; additional, posthumous duets (which will use Gabriel’s previously-recorded vocals) will be included as well.

Gabriel died of a heart attack the morning of August 28, 2016 in Los Angeles as he readied for a flight to El Paso following a show at the Forum.

At the time, the 66-year-old singer and icon was at the apex of his career, enjoying a spectacular second act. He was in the midst of the U.S. leg of his MeXXico Es Todos tour, a 22-city arena trek that had him playing 360 stages to accommodate sold-out crowds.

He ranked at No. 18 on Billboard’s 2015 Money Makers list (just below Ed Sheeran and just above Florida Georgia Line).

He also scored the year’s highest-grossing Latin tour (bringing in $31.8 million) as well as the year’s top-selling Latin album, Los Duo.

The week before his death, his latest album, Vestido de Etiqueta: Por Eduardo Magallanes, debuted at No. 1 on Billboard’s Top Latin Albums chart. A TV series based on his life was slated for the fall.

“He was at the height of his career. He was happy, happy, happy,” says González. “He was recording while he was on tour and because he was so healthy, we were able to re-record old songs and new material, and none of that saw the light of day, because he died.”

It was Jesus López who signed Gabriel to a 10-album contract with Universal Music Mexico in 2008, in a deal with a long back story. Gabriel signed his first label deal in 1971 with RCA in Mexico when he was 21 years old, at a time when publishing was typically included in recording deals.

In 1986 — after he became a major star and RCA was acquired by BMG — he famously stopped recording for seven years in protest of his original deal, under which the label owned not only his recording masters but also his songs.

Gabriel’s recorded music output resumed in 1994 when Jesús López (now the chairman of Universal Music Latin America/Iberian Penninsula), who had just been named president of BMG Latin, personally met with Gabriel and convinced him to record again after agreeing to give him ownership of his songs.

The first album under that arrangement was 1994’s Gracias por Esperar.

Gabriel’s recording deal eventually went to Sony after it acquired BMG; when that deal expired in 2008, González approached him with a new proposal.

“I suggested 10 albums that included a live album, a banda album, duets albums and three albums of new material,” says González. The first album under the deal — Juan Gabriel — was released in 2010. In an innovative twist, Universal agreed to let Gabriel retain ownership of his masters.

After Gabriel died in 2016, it took several years to untangle his affairs. Now, with his son Iván Aguilera the sole beneficiary of his estate, his legacy is ready to move on.

In 2020, Aguilera announced a partnership with Jampol Artist Management (JAM), a company that specializes in managing, preserving and developing artist estates whose clients include the estates of Jim Morrison and Janis Joplin. Gabriel is their first Latin client, but he fit the company’s philosophy, says founder and CEO Jeff Jampol.

“When we talk about these huge legacies, they’re important not only artistically, of course, but sociologically and culturally and they mean a lot to a lot of people. Successful artists have magic,” says Jampol. “Juan Gabriel stands for something. The secret to my business is figuring out what that magic is and exposing it credibly and authentically.”

In 2020, Jampol and Gabriel’s estate — working with Melinda Zanoni of Apollo Sports & Entertainment Law Group and business manager Louis Barajas of the firm LAB — announced plans to release a documentary filmed during Gabriel’s last concert on Aug. 26, 2016, in Los Angeles, as well as a merchandise line, television series, feature film, theatrical stage show, books, tribute shows and a wax figure with Museo de Cera.

But having new music and new recordings to draw from pushes the value of the new deal to another level. Says Jampol, “These two deals [recorded music and publishing] combined are probably one of the highest valued deals I’ve made in the history of the company.”

In terms of publishing alone, “Juan Gabriel is one of the most important songwriters and artists in Latin music history,” says Alexandra Lioutikoff, president of UMPG for Latin America and U.S. Latin. “His catalog of music across 45 years is proof that great songs stand the test of time and continue to live on. Juan Gabriel is one of the strongest examples of a Latin music legacy catalog that is thriving through generations of fans around the world.”

For González, the deal will bring to life music he was personally close to.

“He was in the middle of a very creative period [when he died],” he says. “I spent some time with him in Playa del Carmen, for example, where he had a recording studio in his home, and he’d wake up and say, ‘I want to record!’ I lived it with him. I saw the day to day. He’d write and say, ‘Come and see me!’”

Camila Cabello Reveals Track List for Upcoming Third Solo Album “Familia”

Camila Cabello is opening up about her familia

The 25-year-old Cuban-Mexican singer has revealed the official track list for her highly anticipated third studio album Familia.

Camila Cabello

In addition to her Ed Sheeran collab “Bam Bam,” the album – to be releases on April 8 — will also feature appearance by Willow (“Psychofreak”), Maria Becerra (“Hasta Los Dientes”) and Yotuel (“Lola”).

Cabello previewed two more songs from the 12-track album earlier in the week via a 43-second video for a song with the lyrics “Hate it when you shut me out/ Acting like it’s your $h*t to figure out.” The moody track preview was followed by another video on Tuesday of a seemingly acoustic guitar-driven ballad, which repeatedly features the lyrics “Everyone at this party isn’t you.”

The snippets came ahead of Cabello’s anticipated “Familia: Welcome to the Family” concert, which will take place live on her TikTok at 7:00 pm ET on Thursday, April 7.

The streaming event will preview more songs from the album; the program has been described in a release as an “immersive and inventive music experience.”

Familia means community, I guess the opposite of you on your own,” said Cabello in a previous interview with Billboard. “It’s more you with other people land sharing in that joy and success, whatever that means. Interdependence realizing how important everybody is in your life. A lot of it is inspired by my relationships: My relationships to my family, my relationship to my friends, my relationship to my partner … it’s all about connections with other people, hence, Familia.”

Following this week’s TikTok concert and the release of her new album Cabello will appear on Saturday Night Live as the musical guest for the April 9 episode, which actor Jake Gyllenhaal will be hosting.