Peso Pluma Celebrating Historic Selection to Spotify RADAR Program

Peso Pluma is on the radar

The 23-year-old Mexican singer/songwriter, at the center of today’s Regional Mexican music wave, is officially part of the Spotify RADAR program, which is dedicated to spotlighting and supporting emerging artists at all stages of their development.

Peso Pluma“It’s pretty big to me because I’m the first Mexican artist to do this. I’m so proud and very thankful,” says Peso Pluma of his selection. “It’s big for the country, the genre and the industry in general. We’re doing pretty good and we’re going to keep working to share our music.”

In the past, the program has provided a platform for artists across the globe, including The Kid LAROI, Zach Bryan, Doechii, Quevedo, PinkPatheress, and over 500 others since its start in in 2020.

For many, Peso Pluma appeared out of nowhere. “Ella Baila Sola,” Eslabon Armado’s smash hit with Peso Pluma, was as explosive a collaboration in the Spanish-language music space. Peso Pluma quickly became the de facto face of a movement overnight, much to his own surprise.

“I knew this was gonna happen, but I didn’t know at what level and what speed,” he tells Billboard. “I knew I was gonna do good in Mexico and the Spanish-speaking countries, but this went worldwide [so fast]. I’m thankful for that.”

For his early fans, Peso Pluma has been creating earworm collaborative anthems for a handful of years, through early hits like “El Belicón alongside Raúl Vega  – which went viral on social media and brought in 10 million views on YouTube in a single month – and projects including his debut set, Ah y Qué?

To date, “Ella Baila Sola” has secured a number of firsts, most notably becoming the first regional Mexican song to reach the top 10 of the Hot 100 chart — peaking at No. 5 – and the first to top Billboard‘Streaming Songs chart in its 10-year history.

Peso Pluma and Eslabon Armado also broke a number of Spotify records, becoming the all-time most-streamed música mexicana track in one day globally and the most streamed Latin track in the U.S in one single day last month.

“Música mexicana is no longer regional – it’s global,” says Spotify head of U.S. Latin artist partnerships Eddie Santiago, noting the genre’s growth of 431% over the last five years. “It’s been incredible supporting Peso Pluma’s meteoric rise, and look forward to this next phase of his career.”

While the effect of “Ella Baila Sola” has led to unprecedented global attention on the regional Mexican space, it’s important to note that the regional Mexican genre isn’t exactly a genre. Encompassing an array of unmistakably Mexican styles of music, including norteño, corridos, banda, rancheras, mariachi and more, regional Mexican serves as an overarching umbrella term for a set of genres that had never before been afforded nuance on a mainstream level.

Growing up on artists like Ariel Camacho, Peso Pluma, born Hassan Laija, developed his love for música mexicana as a kid spending his early years growing up in Guadalajara, Jalisco, Mexico. Later, the influence of hip-hop and reggaeton also found their way into the songs he’d write. Today, he painstakingly stitches together 19th century Mexican sounds with modern genres, bringing both to the Spotify stage ahead of his upcoming debut album, and a single that he’s been teasing on social media.

So what does Peso Pluma want to do next?

“I just wanna go to the Grammys and win something, you know? There’s too many things I wanna accomplish,” says the artist. “I want to have my album be welcomed by the people, I want it to have the same streams as singles do. I’m showing another part of la doble p to people.”

Miguel’s “Sure Thing” Rises to No. 1 on Billboard’s Pop Airplay Chart 12+ Years After Initial Release

Miguel has a sure hit on his hands…

More than 12 years after its release and its original chart run, the 37-year-old half-Mexican American singer, songwriter and actor’s single “Sure Thing” has risen to No. 1 on Billboard’s Pop Airplay chart dated May 27.

MiguelThe song, on ByStorm/Black Ice/Jive/Legacy/RCA Records, completes the longest ascent to the Pop Airplay summit from a title’s release, having first hit Billboard’s charts in February 2011, following its November 2010 release on Miguel’s debut LP, All I Want Is You.

An R&B/hip-hop radio hit in its original run, “Sure Thing” crowned the Hot R&B/Hip-Hop Songs chart, as well as R&B/Hip-Hop Airplay, for a week in May 2011.

On the all-genre, multimetric Billboard Hot 100, “Sure Thing” reached No. 36 over a 23-week stay in March-August 2011.

In 2022, the song resurged thanks to newfound attention on TikTok, where a sped-up version has soundtracked more than 4 million clips. It debuted on Billboard’s Streaming Songs chart this January and ranked at No. 30 on the most recently published, May 20-dated chart with 10.6 million official streams in the United States May 5-11, according to Luminate.

On the May 20-dated all-format Radio Songs survey, “Sure Thing” rose 7-6, up 6% to 51.6 million in audience. On the Hot 100, it pushed 15-14, reaching a new best — as well as a new career high for Miguel, surpassing the No. 15 peak of Mariah Carey’s “#Beautiful,” on which he’s featured, in 2013.

Miguel previously tallied six Pop Airplay hits between 2012-22, rising as high as No. 12 as a featured artist on Kygo’s “Remind Me to Forget” in 2018, his best career rank prior to the revival of “Sure Thing.”

Meanwhile, the comeback to new heights for “Sure Thing” has been historic, as the single broke the record for the most weeks ever spent on Hot R&B/Hip-Hop Songs: 78 (through the latest, May 20-dated survey, where it placed at No. 5, marking its first appearance in the chart’s top five since September 2011).

“We were keeping a close eye on the metrics,” says RCA head of promotion Keith Rothschild about the decision to promote the song to pop radio after TikTok sparked new interest in it. It debuted on the Pop Airplay chart dated Feb. 25, at No. 40, and hits No. 1 in its 14th week on the chart, up 7% in plays May 12-18.

While “Sure Thing” is far removed from its original release, “programmers were not hesitant at all,” Rothschild says, especially with other catalog songs recently finding new life on radio, whether from TikTok or synchs, including Kate Bush’s “Running Up That Hill (A Deal With God),” Lady Gaga’s “Bloody Mary” and The Weeknd’s “Die for You.”

“We knew the song was a hit, as it was a No. 1 R&B/hip-hop record when it was originally out,” says Rothschild of “Sure Thing.” “It was never worked at pop, so we asked programmers to put it into callout. The numbers came back massive, and we knew it was game on.”

Peso Pluma & Eslabon Armado’s “Ella Baila Sola” Becomes First-Ever No. 1 Regional Mexican Song on Billboard’s Streaming Songs Chart

Life is but a stream for Peso Pluma

The 23-year-old Mexican singer, wrapper and songwriter’s Eslabon Armado-collaboration “Ella Baila Sola” rises to No. 1 on Billboard’s Streaming Songs chart dated May 13.

Eslabon Armado x Peso PlumaIt’s the first regional Mexican song to top Streaming Songs in the tally’s 10-year history.

In the April 28-May 4 tracking week, “Ella Baila Sola” earned 34.6 million official U.S. streams, a 2% increase, according to Luminate.

The song is the first No. 1 on Streaming Songs for both acts.

For Peso Pluma, it’s his first in his premiere appearance on the ranking, while Eslabon Armado had charted once before with the No. 43-peaking “Jugaste y Sufri,” featuring DannyLux, in October 2021.

“Ella Baila Sola” marks the first Streaming Songs ruler either predominantly or completely in Spanish since Bad Bunny and Chencho Corleone’sMe Porto Bonito” crowned the survey for two weeks – July 30, 2022, and August 6, 2022.

Peso Pluma boasts two tunes in Streaming Songs’ top 10, with “Ella Baila Sola” joined by his Yng Lvcas collaboration “La Bebe” at No. 5 (21.6 million streams).

Concurrently, “Ella Baila Sola” reigns on Hot Latin Songs for a fifth week and remains at No. 4 on the all-format Billboard Hot 100.

The song’s parent album, Eslabon Armado’s Desvelado, also debuts at No. 6 on the Billboard 200 with 44,000 equivalent album units earned.

Bad Bunny Earns 60th Top 10 on Billboard’s Hot Latin Songs Chart with Grupo Frontera-Collab “un x100to”

Make that an even 60 for Bad Bunny

The 29-year-old Puerto Rican Grammy-winning superstar’s Grupo Frontera-collaboration “un x100to” debuts at No. 3 on Billboard’s Hot Latin Songs chart, giving el Conejo Malo his 60th top 10 on the chart, extending his record among all acts.

Grupo Frontera, Bad BunnyIt’s the highest debut on the chart for Grupo Frontera and the band’s fourth top 10 single.

“Un x100to” was released on April 17 via Rimas Entertainment, a surprise not only for fans, but for Grupo Frontera as well.

Bad Bunny’s vocals were incorporated as Edgar Barrera, composer of the song, revealed his participation as a surprise the day the norteño group shot the music video.

“We did not hear Bad Bunny’s part in the song until the day of the video,” Adelaido “Payo” Solis III, lead vocalist, shared during an interview with Zane Lowe on Apple Music 1. “So when that part comes out and we were shooting the video, I froze. Having a song with Bad Bunny is just something that… It’s unexplainable.”

“Un x100to” starts at No. 3 on Hot Latin Songs, largely due to its surge in streams.

As mentioned, because the song came with the track’s music video on April 17, it joins the upper region of the multimetric ranking with only four days of activity for its chart debut. According to Luminate, it generated 20 million official U.S. streams during the April 14-20 tracking week.

That opening sum yields a No. 7 on the overall Streaming Songs chart, a first top 10 for Grupo Frontera there, and an equal No. 3 debut on Latin Streaming Songs.

“Un x100to” also registered 4,000 downloads in the same period, prompting a No. 1 launch on Latin Digital Song Sales. There, it becomes the third champ for Grupo Frontera and Bad Bunny’s 13th chart topper.

Over on the all-genre Billboard Hot 100 chart, Grupo Frontera’s new single makes its top 20 debut, at No. 15, the highest ranking for the Rio Grande Valley-based group. For Bad Bunny, it becomes his highest chart appearance since “Moscow Mule” debuted and peaked at No. 4 in May 2022.

Back on Hot Latin Songs, “un x100to” marks Grupo Frontera’s fourth top 10. It follows “Bebe Dame,” with Fuerza Regida, which led for two weeks (January 21 and March 4-dated lists).

Elsewhere, Grupo Frontera also earns career highs on both global charts. “Un x100to” bows at No. 5 on the Billboard Global 200 with 67 million streams, while it shoots to a No. 4 start on the Global Excl. U.S. with 48 million earned during the same period.

The news of the collaboration’s debut across Billboard charts arrives on the heels of Grupo Frontera’s El Comienzo Tour, which kicked off in San Antonio, Texas, on April 20 and will take the sextet through the U.S. with its last stop on Nov. 25 in Los Angeles.

Melanie Martinez’s “Portals” Debuts at No. 1 on Top Rock & Alternative Albums & Top Alternative Albums Charts

Melanie Martinez is back at the top of the album charts…

The 27-year-old Puerto Rican & Dominican American singer, a former The Voice contestant, has snagged the top debuts on Billboard’s rock and alternative album charts dated April 15.

Melanie MartinezMartinez’s Portals opens at No. 1 on both the Top Rock & Alternative Albums and Top Alternative Albums due to 142,000 equivalent album units earned, according to Luminate.

Of that sum, 99,000 units are via album sales, while 42,000 come from streaming units, with the remaining 1,000 from track equivalent albums.

The sales and streaming counts are the best for any album on Top Rock & Alternative Albums in 2023.

Martinez notches her first No. 1 on the chart since it shifted to a model allowing for alternative-leaning albums not necessarily within the rock genre.

On Top Alternative Albums, Portals becomes her third ruler, following K-12 in 2019 and Cry Baby in 2015.

On the all-genre Billboard 200, Portals starts at No. 2, Martinez’s best rank, surpassing the No. 3 debut and peak of K-12. She also earns her first leader on Top Album Sales.

The album spurs multiple appearances on the multi-metric Hot Rock & Alternative Songs chart, paced by Martinez’s “Void,” which vaults 40-5 in its second week on the tally. In the March 31-April 6 tracking week, “Void” earned 8.7 million official U.S. streams and 100,000 radio audience impressions and sold 1,000 downloads.

The former count gets Martinez onto the all-format Streaming Songs list for the first time, at No. 42.

In all, 13 Martinez songs reach Hot Rock & Alternative Songs, with the top debut of the group being “The Contortionist” at No. 10 (5.4 million streams).

Selena Gomez’s “Lose You to Love Me” Becomes Her First Solo Single to Surpass One Billion Spotify Listens

Selena Gomez has a billion reasons to smile…

The 30-year-old Mexican American singer’s blockbuster 2019 single “Lose You to Love Me” has surpassed a billion Spotify listens, a milestone she celebrated on Instagram on Wednesday (March 22).

Selena GomezIt’s Gomez’s first billion streams track as a solo artist and fourth total.

The streaming service announced the news on social media, tweeting, “All the love for @selenagomez ❤️ Congratulations for 1 Billion streams on Lose You to Love Me #BillionsClub.”

Spotify also posted about the landmark on Instagram, which the “Calm Down” singer re-shared on her IG Story.

“Grateful,” she wrote, adding a heart emoji.

Gomez’ previous entries include collaborations on “It Ain’t Me” with Kygo, “Wolves” with Marshmello and “Taki Taki” with DJ Snake, Ozuna and Cardi B.

Released as the lead single off the Only Murders in the Building star’s third studio album, Rare, “Lose You to Love Me” marked Gomez’s first No. 1 on the Billboard Hot 100.

It was a streaming powerhouse from the very beginning, becoming the singer’s first song to top Billboard’s Streaming Songs chart shortly after its release.

“When I wrote the song ‘Lose You to Love Me,’ I was kind of a mess,” she told Billboard in early 2020. “It was really difficult for me. And by the time we shot the music video at the end of the year, it had a completely different meaning, and it was so freeing. It was actually fun for me – I think, because I let it go, it actually meant that I let it go within myself as well. And I couldn’t have asked for a better way to close a chapter in my life.”

Karol G Makes History as “Mañana Será Bonito” Debuts at No. 1 on Billboard 200 Albums Chart

Karol G is celebrating a historic moment…

The 32-year-old Colombian singer and songwriter’s new album Mañana Será Bonito is making an unprecedented splash on the Billboard 200 albums chart dated March 11, as the set debuts atop the tally.

Karol GIt’s both the first No. 1 for the artist and the chart’s first No. 1 all-Spanish-language album by a female artist.

“I feel so very special. More than happiness I feel special,” Karol G tells Billboard, who spoke with her as the news was reported. “My last album did so well and had all those big hits, like ‘Bichota,’ so the bar was high. But I didn’t want to make music because I felt pressure. I wanted to make the music I wanted to make, and the fact that I’ve hit No. 1 with an album that is so personal is enormous.” 

Previously, only two all-Spanish albums led the list, both by Bad Bunny. (Un Verano Sin Ti in 2022 and El Ultimo Tour del Mundo in 2020).

Mañana Será Bonito earned 94,000 equivalent album units in the U.S. in the week ending March 2, according to Luminate. Its starting sum was largely powered by streaming activity.

Of Mañana Será Bonito’s 94,000 equivalent album units earned, SEA units comprise 83,000 (equaling 118.73 million on-demand official streams of the set’s 17 tracks), album sales comprise 10,000 and TEA units comprise 1,000. The album’s sales were largely powered by its digital download album (8,500), though there was a CD available in limited quantities, selling about 1,500 copies. The digital album was also offered in two alternative cover variants on Karol G’s official webstore.

Mañana Será Bonito logs the largest week, by equivalent album units earned, for a Latin album by a woman since the chart began measuring by units in December of 2014. (Latin albums are defined as those that have hit or are eligible for Billboard’s Top Latin Albums chart.) Further, as Mañana Será Bonito generated 118.73 million official on-demand streams for its songs, the set registers the biggest streaming week ever for a Latin album by a woman.

Mañana Será Bonito is also the first Latin album by a woman to reach No. 1 on the Billboard 200 since 1995, when Selena’s posthumously-released, mostly-Spanish effort Dreaming of You topped the list for one week. (The 13-song Dreaming of You album has six tracks in Spanish, five in English and two duets that blend English and Spanish.)

Only three mostly-non-English-language albums by women have reached No. 1 on the Billboard 200 – the all-Spanish Mañana Será BonitoDreaming of You and The Singing Nun’s all-French-language self-titled album in 1963.

Karol G made her Billboard chart debut in 2016 and has been a force on Billboard’s Latin genre charts ever since, notching 17 top 10 hits on the Hot Latin Songs chart – including five No. 1s (through the most recently published chart, dated March 4). On the Top Latin Albums list, she’s previously logged a trio of top two-charting sets, including one No. 1, her previous release, KG0516, in 2021.

Mañana Será Bonito is the fourth charting album for Karol G on the all-genre Billboard 200, but first to reach the top 10. She previously visited the list with KG0516 (No. 20 in 2021), Ocean (No. 54 in 2019) and Unstoppable (No. 192 in 2017). Preceding the release of the new album, Karol had logged five top 40-charting hit songs on the all-genre Billboard Hot 100, but with three of them coming in 2022: “Mamiii,” with Becky G (No. 15), “Provenza” (No. 25) and “Gatubela,” with Maldy (No. 37). Both “Mamiii” and “Provenza” became Karol’s first top 10-charting hits on the all-genre Streaming Songs chart, reaching Nos. 5 and 10, respectively. (Both “Provenza” and “Gatubela” are included on Mañana Será Bonito.)

With Karol G’s Mañana Será Bonito replacing SZA’s SOS at No. 1, it’s the first time a woman has replaced another woman atop the list in over a year. It last happened when a trio of leading ladies traded off the top spot from November 20, 2021-December 4, 2021. Summer Walker’s Still Over It debuted at No. 1 on the on November 20 chart, Taylor Swift’s Red (Taylor’s Version) then opened atop the list on November 27, and Adele’s 30 bowed at No. 1 on the December 4 chart.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Ice Spice Earns First No. 1 on Billboard’s Streaming Songs List

Ice Spice is a lyin’ queen…

In its third week on the chart, the 23-year-old half-Dominican American rapper and PinkPantheress’ single “Boy’s a Liar, Pt. 2” has risen to No. 1 on Billboard’s Streaming Songs list dated March 4.

Ice SpiceIn the February 17-23 tracking week, “Boy’s a Liar, Pt. 2” earned 33.7 million official U.S. streams, an 8% gain, according to Luminate.

It’s the first non-holiday song to rise to No. 1, rather than debuting there, since Steve Lacy’s “Bad Habit,” which spent its first week at No. 1 on the tally dated August 13, 2022, its fourth frame.

Between “Habit” and “Boy’s a Liar, Pt. 2,” Brenda Lee’s “Rockin’ Around the Christmas Tree” reached No. 1 for the first time on the January 7 survey, and all other rulers during that span were either returning No. 1s or debuted atop the list.

“Boy’s a Liar, Pt. 2” started at No. 4 on the February 18 ranking (20.2 million streams) and rose to No. 3 on February 25 (31.1 million) before its coronation.

It’s both PinkPantheress’ and Ice Spice’s first No. 1s on Streaming Songs, coming in both’s first appearance on the chart. They’re the first to reach No. 1 with their first song to appear since Kim Petras, whose “Unholy,” a co-lead with Sam Smith, debuted at No. 1 in October 2022.

“Boy’s a Liar, Pt. 2” is the first No. 1 by multiple acts all achieving their first leader with an initial entry since “We Don’t Talk About Bruno,” from Encanto, credited to Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto cast.

Concurrently, “Liar” rises 4-3 on the multi-metric Billboard Hot 100, a new peak.

Released February 3, the new edition of “Liar,” which adds Ice Spice on vocals, follows the original’s November 30 premiere.

Bad Bunny’s “Me Porto Bien,” with Chencho Corleone, Logs Milestone 20th Week at No. 1 on Billboard’s Hot Latin Songs Chart

Bad Bunny is still behaving well… And, he’s earning a place in Latin music history.

The 28-year-old Puerto Rican superstar and Chencho Corleone’s “Me Porto Bonito” has logged a milestone 20th week at No. 1 on BillboardHot Latin Songs chart dated October 8, becoming the 12th song to spend at least 20 weeks atop the tally in its 36-year history.

Bad BunnyThe song’s 20th week at No. 1 benefits from 8 million U.S. audience impressions earned in the week ending Sept. 29 (up 18%), according to Luminate. 

Meanwhile, though it dips 4% in streams to 12 million earned in the week ending September 29, it holds strong at No. 1 on the Latin Streaming Songs chart and moves 4-2 on the overall Streaming Songs chart.

On the sales front, “Me Porto Bonito” falls 14%, to 1,000 downloads sold, in the same tracking period.

As it drops 1-2 on Latin Digital Song Sales, it cedes the No. 1 spot to another one of Bad Bunny’s songs: “MIA,” featuring Drake — which last took over atop the chart for one week in October 2018.

As mentioned, “Me Porto Bonito” joins 11 other tracks that have held strong at No. 1 on Hot Latin Songs for at least 20 weeks or more since the chart’s inception in 1986.

Here’s the leaderboard:

Weeks At No. 1, Title, Artist
56, “Despacito” Luis Fonsi & Daddy Yankee, featuring Justin Bieber
41, “Bailando,” Enrique Iglesias featuring Descemer Bueno & Gente de Zona
30, “El Perdón,” Nicky Jam & Enrique Iglesias
27, “Dakiti,” Bad Bunny & Jhay Cortez
26, “Pepas,” Farruko
25, “La Tortura,” Shakira featuring Alejandro Sanz
24, “RITMO (Bad Boys for Life),” Black Eyed Peas & J Balvin
22, “Ginza,” J Balvin
20, “Me Porto Bonito,” Bad Bunny & Chencho Corleone
20, “Te Quiero, Flex”
20, “Me Enamora,” Juanes
20, “A Puro Dolor,” Son By Four

Further, Bad Bunny is the third act to have two different songs spend at least 20 weeks at No. 1 on Hot Latin Songs (he previously notched 27 weeks at No. 1 with “Dakiti,” with Jhay Cortez). Both Enrique Iglesias and J Balvin have also logged a pair of 20-week No. 1s. Iglesias did it with “Bailando” (41 in 2014-15, featuring Descemer Bueno and Gente de Zona) and “El Perdon” (30 in 2015, with Nicky Jam), while J Balvin ruled with “RITMO (Bad Boys for Life)” (24, 2020; with Black Eyed Peas) and “Ginza” (22, 2015).

Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber, has the most weeks at No. 1 on Hot Latin Songs, with 56 weeks in 2017-18.

Elsewhere, “Me Porto Bonito” rebounds to No. 4 on Latin Airplay for a second week (7-4). The track led the all-genre tally for one week on the Aug. 20-dated ranking.

Karol G Claims New Career Milestone on Billboard’s Hot Latin Songs Chart with “Provenza” & “MAMIII”

It’s a one-two punch for Karol G.

The 31-year-old Colombian singer/songwriter has claimed a new career milestone on Billboard’s Hot Latin Songs chart as her latest single, “Provenza,” debuts at No. 2 on the May 7-dated ranking.

Karol GStill holding the No. 1 spot with “Mamiii,” with Becky G, Karol G becomes only the second woman, after Selena, to hold Nos. 1 and 2 at the same time since 1995.

“Provenza,” Karol G’s 15th Hot Latin Songs top 10, begins with 11 million U.S. streams in the week ending April 28, according to Luminate. It opens as her fifth No. 1 on Latin Streaming Songs and her second top 10, at No. 10 (after “Mamiii”), on the overall Streaming Songs chart.

“Provenza” also sold 2,100 downloads and becomes her fifth No. 1 on Latin Digital Song Sales. It additionally jumps onto Latin Airplay at No. 18 with 5.3 million in audience.

Produced by Karol G’s longtime collaborator Ovy on the Drums, “Provenza” is a fusion of sounds with tropical and rhythmic elements peppered with afro-dance beats that pays tribute to a neighborhood in her native Medellín.

With “Provenza” arriving at No. 2 on Hot Latin Songs as “Mamiii” reigns for a 10th week, Karol G achieves a feat that no other woman had in over a quarter-century.

The last solo female with no accompanying artists to claim the top two spots together was the late Selena, when “Tú Sólo Tú” and “I Could Fall in Love” ranked at Nos. 1 and 2 respectively, on the September 9, 1995-dated tally (when Hot Latin Songs, now a blend of airplay, streaming and sales data, was based on monitored audience totals among Latin radio stations). Selena logged a total of six weeks at Nos. 1 and 2 with those titles beginning that July.

Previously this decade, Bad Bunny (two weeks) and The Black Eyed Peas (five) doubled up at Nos. 1 and 2 simultaneously on Hot Latin Songs, both in 2020.

Elsewhere, “Provenza” bows at No. 36 on the all-genre, multi-metric Billboard Hot 100, marking Karol G’s highest start as an unaccompanied act. It’s her fourth top 40 entry; “Mamiii” ranks at No. 20, after launching at a personal-best No. 15 in February.