Gloria Estefan to Receive Legend Award at Billboard Latin Women in Music Event

Posted on May 16, 2024 by Tom Castaneda

Gloria Estefan is set to receive a legendary recognition…

The 66-year-old Cuban superstar will be honored at the 2024 Billboard Latin Women in Music event, which will air exclusively on Telemundo on Sunday, June 9, at 9:00 pm ET.

The special will also stream simultaneously on the Telemundo app and Peacock.

Estefan will be honored with the Legend Award, which is given to outstanding artists who have left a “unique and immeasurable legacy and have significantly impacted the industry throughout their careers with their musical work.”

The “Conga” and “Mi Tierra” hitmaker is renowned globally as a multi-talented singer and composer, celebrated for seamlessly blending her Cuban roots with mainstream music and paving the way for Latin musicians in the global arena. Billboard has hailed her as the most successful Latin “crossover” artist ever, underscoring her transformative impact on music and culture.

She has sold more than 100 million records. Her many honors include three Grammy Awards, the Kennedy Center Honors in 2017 and the Gershwin Prize for Popular Song in 2019, the latter award in tandem with her husband Emilio Estefan.

Meanwhile, Ángela Aguilar will also be honored with the Musical Dynasty Award.

The title is given to artists who “keep a familial artistic legacy alive and honor the musical dynasty to which they belong.”

The Mexican singer is part of the esteemed Aguilar family, and, at 20 years old, she has carved out her own successful career with her talent while preserving the traditions of her family heritage.

With various hits under her belt, such as “Dime Como Quieres” with Christian Nodal at No. 8 on Hot Latin Songs and three No. 1s on the Regional Mexican Airplay chart, the Grammy-nominated singer is a force to be reckoned with. She was also featured in Billboard’s 21 under 21 in 2022 and 2023.

This celebration, which highlights the efforts of Latin women musicians who are “proactively working for positive change, inclusion and gender parity in the music industry,” will see the Cuban-American superstar receive the Legend title and the regional Mexican music star the Musical Dynasty honor.

Other Latin Women in Music recipients include Kany García, who will be given the Spirit of Change Award, and Ana Bárbara with the Lifetime Achievement Award.

In the coming weeks, additional honorees will be announced for the second annual Billboard Latin Women in Music ceremony, hosted by actress Jacqueline Bracamontes.

Grupo Frontera Announces 38-Date “Jugando A Que No Pasa Nada” North American Tour

Posted on May 16, 2024 by Tom Castaneda

Grupo Frontera is ready to take North American by storm…

Less than a week after releasing their sophomore studio album Jugando A Que No Pasa Nada, the Mexican American Regional Mexican group has unveiled dates for its upcoming tour, set to kick off on August 2 in Las Vegas.

Grupo Frontera, known for megahits such as “No Se Va” — the Morat cover that catapulted them to stardom — “Tulum” and “un x100to” will embark on a 38-date trek across the United States, Mexico and Canada.

The arena tour, also titled Jugando A Que No Pasa Nada, will visit major U.S. cities including New York (Barclays Center), Dallas (American Airlines Center), Los Angeles (Intuit Dome) and Nashville (Bridgestone Arena).

After wrapping the U.S. leg on October 5 at the Bert Ogden Arena in their hometown of Edinburg, Texas, the band will head out to Mexico for 10 dates.

After having breakout year in 2022, the six-member has since placed eight songs on the Billboard 100, including top 10 hit “un x100to” with Bad Bunny.

The norteño/tejano band’s debut album, Un Comienzo, peaked at No. 4 on the Top Latin Albums chart dated August 19.

Along with the release of their new album — which includes collaborations with acts such as Nicki Nicole, Maluma and Morat — Frontera recently nabbed its eighth No. 1 on the Regional Mexican Airplay chart thanks to the Christian Nodal-assisted “Ya Pedo Quien Sabe.”

The Jugando A Que No Pasa Nada U.S. Tour general onsale will begin on Friday, May 17, at 10 a.m. local time at LiveNation.com.

Here are the tour dates:

Aug. 2 — Las Vegas — T-Mobile Arena
Aug. 3 — Phoenix — Footprint Center
Aug 4 — El Paso, Texas — Don Haskins Center
Aug. 9 — Dallas — American Airlines Center
Aug. 10 — Houston — Toyota Center
Aug. 15 — Laredo, Texas — Sames Auto Arena
Aug. 16 — Austin — Moody Center
Aug. 17 — San Antonio — Frost Bank Center
Aug. 18 — Oklahoma City — Paycom Center
Aug. 21 — Nashville — Bridgestone Arena
Aug. 22 — Atlanta — State Farm Arena
Aug. 24 — Orlando, Fla. — Kia Center
Aug. 25 — Sunrise, Fla. — Amerant Bank Arena
Aug. 27 — Greensboro, N.C. — Greensboro Coliseum
Aug. 29 — Brooklyn, N.Y. — Barclays Center
Aug. 31 — Washington, D.C. — Capital One Arena
Sept. 4 — Montreal, Quebec — Place Bell (Canda)
Sept. 7 — Chicago — Allstate Arena
Sept. 8 — Milwaukee — Fiserv Forum
Sept. 11 — Kansas City, Mo. — T-Mobile Center
Sept. 13 — Salt Lake City — Maverik Center
Sept. 15 — Tacoma, Wash. — Tacoma Dome
Sept. 20 — Los Angeles– Intuit Dome
Sept. 22 — San Francisco — Chase Center
Sept. 26 — Sacramento, Calif. — Golden 1 Center
Sept. 27 — Fresno, Calif. — Save Mart Center
Oct. 2 — San Diego — Viejas Arena
Oct. 5 — Edinburg, Texas — Bert Ogden Arena
Oct. 24 — San Luis Potosí — El Domo (Mexico)
Oct. 26 — León, Guanajuato — Mega Velaria (Mexico)
Oct. 31 — Torreón, Coahuila — Coliseo Centenario (Mexico)
Nov. 2 — Guadalajara, Jalisco — Arena VFG (Mexico)
Nov. 7 — Monterrey, Nuevo León — Arena Monterrey (Mexico)
Nov. 9 — Tijuana, Baja California — Plaza de Toros (Mexico)
Nov. 15 — Mexico City — Palacio de los Depoartes (Mexico)
Nov. 20 — Mérida, Yucatan — Foro GNP Seguros (Mexico)
Nov. 22 — Puebla — Auditorio GNP Seguros (Mexico)
Nov. 23 — Veracruz — WTC (Mexico)

Grupo Frontera & Shakira Reach No. 1 Simultaneously on Two Billboard Charts with “(Entre Paréntesis)”

Posted on May 14, 2024 by Tom Castaneda

Grupo Frontera is celebrating a double victory…

The Regional Mexican band’s collaboration with Shakira, “(Entre Paréntesis),” has reached No. 1 on Billboard’s Latin Airplay and Regional Mexican Airplay.

“(Entre Paréntesis)” crowns both lists dated May 18.

The track is Shakira’s second regional Mexican pair-up, and her first to rule both charts simultaneously.

On Latin Airplay, “(Entre Paréntesis)” jumps 2-1 to top the overall Latin radio list despite a 3% dip in audience impressions, to 9.63 million, on U.S. reporting radio stations during the May 3-9 tracking week, according to Luminate.

With the ascension, Shakira adds her record-extending 23rd No. 1 on Latin Airplay among women in the chart’s almost 30-year history.

Here’s an updated list of the female artists with the most No. 1s on Latin Airplay, which launched in 1994 (overall, J Balvin continues at the lead overall, with 36 No. 1s):

23, Shakira
17, Karol G
11, Gloria
10, Jennifer López
10, Natti Natasha
7, Rosalía
6, Becky G

Grupo Frontera, meanwhile, captures its third champ, after “Bebe Dame,” with Fuerza Regida, for one week atop in 2023 and “Un X100to,” with Bad Bunny, with a six-week domination in 2023.

“(Entre Paréntesis)” is the ninth single off Shakira’s 12th studio album Las Mujeres Ya No Lloran, released March 22. The set made a splash across Billboard’s charts, including a No. 1 start on Top Latin Albums and Latin Pop Albums, and a top 10 debut on Top Album Sales and Vinyl Albums charts (dated April 6).

“(Entre Paréntesis)” is the second regional Mexican song to concurrently top Latin Airplay and Regional Mexican Airplay. Previously, “Por El Contrario” by Becky G with siblings Leonardo and Angela Aguilar, topped both rankings for one week on the chart dated March 9.

Over on Regional Mexican Airplay, “(Paréntesis)” takes the lead (rising 2-1) with 7.32 million audience impressions, down 4% across regional Mexican stations. The move earns Shakira a first No. 1 on the tally, after “El Jefe,” with Fuerza Regida, took her to a No. 9 high in Nov. 2023.

The Edinburg, Texas band picks up its ninth No. 1, and enters a tie with Banda MS de Sergio Lizarraga and Grupo Firme for the third-most No. 1s this decade.

Grupo Frontera’s Christian Nodal-Collab “Ya Pedo Quien Sabe” Reaches No. 1 on Billboard‘s Regional Mexican Airplay Chart

Posted on May 8, 2024 by Tom Castaneda

Grupo Frontera has another chart-topping hit on their hands…

The Regional Mexican group’s first collaboration with Christian Nodal’s “Ya Pedo Quien Sabe” rises 3-1 on Billboard‘s Regional Mexican Airplay chart dated May 11.

The new joint champ marks the eighth No. 1 for Grupo Frontera and 17th for Nodal.

All eight of Grupo Frontera’s leaders are collaborations.

The duet crowns Regional Mexican Airplay after a 17% gain in audience impressions, to 7.8 million, earned in the U.S. during the April 26-May 2 tracking week, according to Luminate.

“Ya Pedo Quien Sabe” was released on March 7 via the Grupo Frontera label.

The song is the second cut from Frontera’s forthcoming album, Jugando A Que No Pada Nada (slated for May 10 release).

“Ya Pedo Quien Sabe” was composed by Edgar Barrera, Horacio Palencia, Nathan Galante and Diego Bollella and produced by Barrera.

As the dynamo collaboration takes the lead on Regional Mexican Airplay, it becomes the fourth team-up by a group and a soloist in 2024 to top the list. Here’s the recap:

Chart Date, Title, Artist, Weeks at No. 1
Feb. 3, “Harley Quinn,” Fuerza Regida & Marshmello, one
March 2, “Alch Si,” Carín León + Grupo Frontera, one
April 13, “La Cumbia Triste,” Los Angeles Azules y Alejandro Fernández, one
May 11, “Ya Pedo Quien Sabe,” Grupo Frontera & Christian Nodal

With “Ya Pedo Quien Sabe,” Nodal extends his record for the most No. 1s among soloists, with 17 champs in his account since the chart’s inception in November 1994. Plus, he enters a tie with La Arrolladora Banda el Limón de René Camacho for the fifth-most rulers in the Regional Mexican Airplay’s chart’s nearly 30-year history. They trail Calibre 50 who remains at the lead, way ahead of its next competitor, with 25 No. 1s, Banda MS de Sergio Lizárraga with 20, Intocable (19) and Banda El Recodo de Cruz Lizárraga (18).

Grupo Frontera picks-up its eighth No. 1; a collection that began a little over a year ago, when “Que Vuelvas,” with Carín León, topped the Regional Mexican radio ranking for six weeks starting the Jan. 28, 2023-dated list.

Further, “Ya Pedo Quien Sabe” takes the crown from Calibre 50’s “Días Buenos, Días Malos” after the latter’s one week in charge. The song drops to No. 14, marking the biggest fall from No. 1 since Los Temerarios’ “Sin Que Lo Sepas Tú” equally tumbled 1-14 in 2007.

With the Regional Mexican Airplay locked, “Ya Pedo Quien Sabe” next looks to give each act a new No. 1 on the overall Latin Airplay chart, where it climbs 10-5 with a 16% gain, and adds 8 million in audience.

Oscar Ortiz & Edgardo Nuñez Earn First No. 1 on Any Billboard Chart with “First Love”

Posted on April 25, 2024 by Tom Castaneda

Oscar Ortiz and Edgardo Nuñez are celebrating a special first (love)…

The Regional Mexican newcomers combine efforts for their first No. 1 on any Billboard chart as “First Love” rises 3-1 on the April 27-dated Regional Mexican Airplay ranking.

The song was released on December 23 via BadSin Records, the music management company co-owned by Ortiz and his brothers Kevin and Gerardo, both frequent Billboard charts visitors.

“I feel grateful and honored that Edgardo Nuñez believed in my composition and I cannot say ‘thank you’ enough to my fans for supporting me in this dream,” 21-year-old Ortiz tells Billboard.

“First Love” accrued 7.95 million audience impressions in the U.S. toward the April 27 Billboard ranking (April 12-18 tracking week), according to Luminate; that’s a 16% gain from the week prior. The song ejects Banda MS’ “Tu Perfume” from the penthouse, which falls to No. 2 with a 6% dip, to 7.1 million impressions.

Notably, “First Love” becomes just the fifth song by two co-billed soloists to lead Regional Mexican Airplay this decade. Here’s the list of those equal-billed collabs since 2020:

Title, Artist, Peak Date, Weeks at No. 1
“Dime Cómo Quieres,” Christian Nodal & Angela Aguilar, Jan. 30, 2021, five
“Duele,” Alejandro Fernández & Christian Nodal, April 24, 2021, one
“Tus Desprecios,” Pepe Aguilar & El Fantasma, Sept. 25, 2021, one
“Si Ya Hiciste El Mal,” Luis R Conriquez & Jessi Uribe, Nov. 19, 2022, one
“Según Quién,” Maluma & Carin León, Dec. 16, 2023, one
“La Intención,” Christian Nodal & Peso Pluma, March 30, two
“First Love,” Oscar Ortiz & Edgardo Nuñez, April 27

“First Love” caught immediate viral attention through TikTok, where Ortiz was named #Rompiendo Artist of the month in March by TikTok. To date, the song has sparked nearly 600,000 videos. Streams, however, experience a 4% dip during the tracking week, to 3.5 million official U.S. clicks.

As “First Love” rises to No. 1 on Regional Mexican Airplay, it takes BadSin to its second champ in 2024 and 13th overall. Earlier in this year, the indie label topped the ranking through Ortiz’s brother Gerardo Ortiz’s “Ahí No Era,” for one week in charge in February.

Unlike Oscar Ortiz, whose first and only Billboard entry arrived through “First Love,” Nuñez has placed four other tracks on the charts, including “El Humo De Gallo,” with Banda Los Sebastianes de Saul Plata, which debuts at No. 34 on Regional Mexican Airplay on the current list.

Beyond its Regional Mexican Airplay coronation, ‘First Love” climbs 9-5 on the overall Latin Airplay chart, for its new peak, with an 18% gain in overall impressions, to 8.32 million.

Ana Bárbara to Launch 30+ Date Tour to Celebrate Three Decades in Music

Posted on April 16, 2024 by Tom Castaneda

Ana Bárbara is preparing to hit the road in celebration of her stories career…

The 53-year-old Mexican singer will celebrate her three decades in music with a 30-plus date tour that will kick off August 2 in Reno, Nevada.

Called the Reina Grupera Tour 2024, produced by Reventon Promotions and EDIM Talent in a joint effort, the stint will make stops in Houston, New York, Los Angeles, Las Vegas, Atlanta and other major cities across the United States before wrapping up in Chicago on November. 16.

“To be able to celebrate my 30th anniversary with the real protagonists, my fans, is special because I can be an artist, composer, singer, but if I don’t have them, then I might as well just celebrate at home,” she tells Billboard. “Those who were there at the very beginning have passed this musical taste to their children, to new generations, so it is a family celebration because Ana Bárbara’s music has always been very familiar, I feel very excited.”

Known as the Grupera Queen (La Reina Grupera), last year, Bárbara became the first regional Mexican female songwriter to ever receive a BMI Icon Award, the highest honor presented by the performance rights organization.

Born Altagracia Ugalde Motta in San Luis Potosí, she is one of the most consequential female artists in regional Mexican music, which has for many years been dominated by men.

Since launching her career in the ’90s, she’s racked up 16 hits on the Billboard Regional Mexican Airplay chart and 12 on Hot Latin Songs.

Earlier this year, Bárbara was honored with the Lifetime Achievement Award at Premio Lo Nuestro, where she dedicated her award to Mexican women and Mexican music.

“The idea for this production is to have a great impact because it takes us back to this era where the woman with boots and sombrero was not the common denominator, but from day one I felt very proud of my roots and that pride is what is going to be projected in the production along with the music,” she said.

Tickets will be available for general sale on April 19 at 10 a.m. local time via reventonpromotions.com and anabarbara.com.

Here are Ana Bárbara’s Reina Grupera Tour 2024 dates:

Aug. 2 — Reno, Nev. — Silver Legacy Resort- Grand Exposition Hall
Aug. 3 — Santa Rosa, Calif. — Luther Burbank Center
Aug. 9 — Seattle — Moore Theatre
Aug.10 – Portland, Ore. — Newmark Theatre
Aug. 17 — Santa Barbara, Calif. — Arlington Theatre
Aug. 18 — San Jose, Calif. — San Jose Performing Arts
Aug. 23 — Bakersfield, Calif. — Fox Theatre
Aug. 24 — Oxnard, Calif. — Oxnard California Performing Arts
Aug. 30 — Anaheim, Calif. — City National Grove
Aug. 31 — Fresno, Calif. — Saroyan Theatre
Sept. 6 — Tucson, Ariz. — Linda Ronstadt Hall
Sept. 7 — Mesa, Ariz. — Mesa Arts Center
Sept.12 — Yuma, Ariz. — Quechan Casino Resort
Sept. 13 — Cabazon, Calif. — Morongo Casino
Sept. 14 — Las Vegas — The Pearl Theatre
Sept. 27 — Houston — Arena Theatre
Sept. 28 — McAllen, Texas — McAllen Performing Center
Oct. 4 — Hadden Township, N.J. — The Ritz Theatre Company
Oct. 5 — New York — United Palace
Oct. 6 — Boston — Lynn Auditorium
Oct. 11 — Charlotte, N.C. — Ovens Theater
Oct. 12 — Atlanta — Center Stage Theatre
Oct. 13 — Raleigh, N.C. — Raleigh Memorial Auditorium
Oct. 18 — San Antonio — Majestic Theatre
Oct. 19 — Austin, Texas — Paramount Theatre
Oct. 24 — Wichita, Kan. — Orpheum Theatre
Oct. 25 — Albuquerque, N.M. — Kiva Auditorium
Oct. 26 — El Paso, Texas — The Plaza Theatre
Nov. 1 — Los Angeles — Youtube Theater
Nov. 2 — San Diego — The Magnolia Theatre
Nov. 8 — San Juan, Puerto Rico — Coca Cola Music Hall
Nov. 9 — Orlando, Fla. — House of Blues
Nov. 15 — Minneapolis — Orpheum Theatre
Nov. 16 — Chicago — Rosemont Theatre

Gerardo Ortiz Earns 13th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Ahí No Era”

Posted on February 13, 2024 by Tom Castaneda

It’s Lucky No. 13 for Gerardo Ortiz…

The 34-year-old Mexican American Regional Mexican singer-songwriter has notched his 13th No. 1 on Billboard’s Regional Mexican Airplay chart as “Ahí No Era” advances 4-1 on the list dated February 17.

After a week in the top 10, Ortiz’s single crowns the list following a robust 40% gain in audience impressions, to 7.5 million, earned in the U.S. in the tracking week ending Feb. 8, according to Luminate.

As “Ahí No Va” advances, it unseats Xavi’s “La Diabla” from the lead after one week in charge. The latter dips 1-2 with 6.7 million, that’s a 29% decline from the week prior.

With 13 No. 1s to his account, Ortiz still has the second-most among soloists, behind Christian Nodal’s 15 No. 1s. Among all acts, Calibre 50 has the most, with 24.

Here’s the list of the acts with the most No. 1s since the Regional Mexican Airplay chart launched in 1994:

24, Calibre 50
19, Banda MS de Sergio Lizarraga
18, Banda El Recodo de Cruz Lizarraga
18, Intocable
17, La Arrolladora Banda el Limon de Rene Camacho
16, Conjunto Primavera
16, Los Tigres del Norte
15, Christian Nodal
13, Gerardo Ortiz
12, La Adictiva Banda San Jose de Mesillas

As “Ahí No Era” lands at the summit, Ortiz becomes just the sixth soloist to rule Regional Mexican Airplay in the past year.

He joins Christian Nodal (“Un Cumbión Dolido” in June 2023), Alejandro Fernández (“No Es Que Me Quiera Ir” and “Difícil Tu Caso,” last August and November respectively), Carin León (“Indispensable,” last August-September), El Fantasma (“La Vida Cara,” last September), Eden Muñoz (“Como En Los Viejos Tiempos,” January 27-dated list), and Xavi (“La Diabla,” chart dated February 10).

Elsewhere, “Ahí No Era” pushes 14-4 on the overall Latin Airplay ranking, for Ortiz’ 17th top 10. The song becomes his highest peak since “Regresa Hermosa” reached an equal No. 4 high in 2016.

La Fiera de Ojinaga Earns Second No. 1 on Billboard’s Regional Mexican Airplay Chart with “Neta Que No”

Posted on January 16, 2024 by Tom Castaneda

La Fiera de Ojinaga has earned a second chart-topper…

The an up-and-coming Mexican Regional Musican band has scored its second career No. 1 on the Billboard Regional Mexican Airplay chart dated January 20 as its latest single, “Neta Que No,” rises from No. 2 to No. 1.

The group previously topped the chart with “La Luna de Miel” in 2022.

“Neta Que No” rules the chart after a 17% surge in radio airplay audience impressions, to 7.3 million earned in the U.S. in the January 5-11 tracking week, according to Luminate.

The track takes home the chart’s Greatest Gainer trophy, awarded to the song with the largest gain in audience impressions among the chart’s 40 titles.

The track succeeds Julión Álvarez y Su Norteño Banda’s “Buscandole A La Suerte,” which drops to No. 2 after one week at the helm.

“Neta Que No,” released August 11 via Azteca/Fonovisa/UMLE, was written by Cesar Morquecho and Eduardo Anguiano, and produced by Humberto Novoa and Mauricio Palma.

The single earns Azteca its fifth No. 1 at the format, after “La Luna de Miel” (2022) and three leaders by La Maquinaria Norteña: “50 y Cincuenta” (2022), “Eres Ese Algo” (2023) and “Te Quiero Ver” (2023).

La Fiera De Ojinaga has charted 16 songs at the Regional Mexican Airplay format. Of those, seven have reached the top 10. Here’s a recap, listed chronologically:

La Fiera de Ojinaga’s Top 10 Hits on Regional Mexican Airplay
“En Otro Canal,” No. 5 peak, 2020
“No Paras de Hacerme Feliz,” No. 2, 2022
“La Luna de Miel,” No. 1, 2022
“Beses A Quien Beses,” No. 6, 2022
“Maldita Soledad,” No. 7, 2023
“900 Cigarros,” No. 2, 2023
“Neta Que No,” No. 1, 2024

Elsewhere, “Neta Que No” rises 8-5 on the overall Latin Airplay list, reaching a new high. It ties the group’s “900 Cigarros” as its highest charting song on the ranking to date.

Banda Los Recoditos Notches Eighth No. 1 on Billboard’s Regional Mexican Airplay Chart with “Vas A Querer Volver”

Posted on January 5, 2024 by Tom Castaneda

It’s a great eighth for Banda Los Recoditos…

The Regional Mexican band has added an eighth No. 1 to their ledger as “Vas A Querer Volver” jumps 2-1 on Billboard’s Regional Mexican Airplay chart dated January 6.

“It’s great news to start off the year this way,” Rafael Gónzalez and Santos de Jesús Pérez “JeyPi”, lead singers of Banda Los Recoditos tell Billboard. “Being No. 1 on a Billboard chart makes us happy and creates a stronger commitment to work on new music for our fans.”

“Vas a Querer Volver,” which entered the top 10 in its eighth chart week, at No. 8, ascends from the runner-up slot with a 3% increase in audience impressions, to 6.9 million, earned in the U.S. during the December 22-28 tracking week, according to Luminate.

The song ejects Grupo Frontera and Junior H’s “En Altavoz” from the lead and sends it to No. 9 with a 33% decrease, to 4.9 million impressions.

With “Vas a Querer Volver,” Banda Los Recoditos score their eighth champ, dating back to “Ando Bien Pedo,” their longest-charting ruler, with 12 weeks atop in 2010.

Here’s a review of the groups’ collections of No. 1s on the radio chart:

Peak, Title, Weeks at No. 1
Feb. 13, 2010, “Ando Bien Pedo,” 12
Dec. 28, 2013, “Mi Último Deseo, one
Nov. 1, 2014, “Hasta Que Salga El Sol,” one
April 14, 2018, “Tiempo,” five
July 13, 2019, “Perfecta,” three
April 23, 2022, “Me Siento A Todo Dar,” one
Oct. 15, 2022, “Fuerte No Soy,” one
Jan. 6, “Vas A Querer Volver”

Elsewhere, “Vas A Querer Volver” repeats Banda Los Recoditos’ last two top 10 entries on the overall Latin Airplay chart, jumping 8-7; “Me Siento a Todo Dar” and “Fuerte No Soy” also reached No. 7 high in 2022.

“We will be closer this 2024, with dates in Mexico, U.S. and Central America, performing new music,” Gónzalez and JeyPi add. “Thanks to our listeners, platforms, media, and our loyal followers.”

Maluma Makes Billboard Chart History as His Carin Leon-Collab “Según Quien” Tops Two Latin Charts

Posted on December 12, 2023 by Tom Castaneda

Maluma is back at the top of the charts… And, he’s making history in the process.

The 29-year-old Colombian singer and Carin Leon’s single “Según Quien” has advanced 3-1 to lead Billboard’s December 16-dated Latin Airplay chart.

The move gives Maluma his 24th champ, while León captures his second.

“Según Quien” crowns the all-genre airplay chart with a 50% gain in audience impressions, to 13.2 million, earned in the U.S. in the week ending December 7, according to Luminate.

The song is one of 24 tracks from Maluma’s Grammy-nominated Don Juan album, which debuted at No. 11 on the Top Latin Albums chart last September.

In addition to its first week at No. 1 on Latin Airplay, “Según Quien” also lands at the summit on Regional Mexican Airplay (rising 11-1) for its first week in charge, and gives León his fifth leader there. He previously reached No. 1 with the three-week champ “Indispensable,” his first ruler with no accompanying acts, last August. Maluma claims his second, after “Cada Quien” in 2022.

Notably, as the Maluma-León partnership takes over both tallies, Maluma becomes the first urban artist to lead the rankings simultaneously since Latin Airplay and Regional Mexican Airplay launched in 1994.

Only two other urban artists have reached the penthouse on Regional Mexican Airplay: Cazzu and Santa Fe Klan, through their equally billed collab “Tú y Tú,” with Los Ángeles Azules, in May; the song peaked at No. 5 on Latin Airplay during the same period.

Further, “Según Quien” becomes the fifth champ by two co-billed male soloists on Latin Airplay out of the 33 No. 1s in 2023. They include:

Artists, Title, Peak Date, Weeks at No. 1
Marshmello & Manuel Turizo, “El Merengue,” June 10, one
Yng Lvcas & Peso Pluma, “La Bebe,” July 15, one
Feid & Sean Paul, “Niña Bonita,” Aug. 19, one
Ozuna & Amarion, “Tucu,” Sept. 9, one
Maluma & Carin León, “Según Quien,” Dec. 19

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