Juan Gabriel’s “Amor Eterno” Added to Library of Congress’ National Recording Registry

One of the late Juan Gabriel’s most iconic songs is being preserved…

The Library of Congress has added the late Mexican singer/songwriter’s “Amor Eterno” to its National Recording Registry, which designates recordings worthy of preservation “based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage.”

Juan GabrielGabriel’s heartrending ballad, which he wrote the in memory of his deceased mother, has long been a staple in the singer’s native Mexico and across Latin America.

Gabriel died in 2016 at the age of 66, but his son, Ivan Gabriel Aguilera, said his father would have been thrilled to see one of his most famous songs be enshrined in the registry. Aguilera talked with the Library about the song’s induction into the registry in Spanish.

“I believe that future generations – that’s what he always wanted – that they see his music and make it relatable to their lives as well. He would always say that ‘as long as the public, people, keep singing my music, Juan Gabriel will never die,’ and it’s nice to see that happening here,” Aguilera said. “It’s something wonderful for us. It’s such a great honor. It’s a great honor for my dad. I think that for his legacy it is something great. As you say, he’s going to be immortalized there in the Library of Congress.”

But Juan Gabriel isn’t the only Latinx artist to have a song added to this year’s registry.

The late Héctor Lavoe’s 1978 single “El Cantante” was also among the 25 songs selected.

El Cantante” is the signature song of the late Puerto Rican salsa singer and first single of the album Comedia. The song was written by Rubén Blades and produced by Willie Colón. 

The 2006 movie about Lavoe’s life starring Marc Anthony and Jennifer LopezEl Cantante, takes its title from the song.

Among the 25 selected this year are ABBA’s “Dancing Queen,” Blondie’s “Parallel Lines,” The Notorious B.I.G.’s “Ready to Die,” Green Day’s “Dookie” and The Chicks’ “Wide Open Spaces.”

Members of the public can submit nominations for the registry on the Library’s website. Almost 2,900 were submitted this year.

The latest entrants to the registry bring its total number of titles to 650.

This year’s list, with includes singles and albums:

  • “Clarinet Marmalade,” Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)
  • “Kauhavan Polkka,” Viola Turpeinen and John Rosendahl (1928)
  • Wisconsin Folksong Collection (1937-1946)
  • “Rose Room,” Benny Goodman Sextet with Charlie Christian (1939)
  • “Rudolph, the Red-Nosed Reindeer,” Gene Autry (1949)
  • “Tennessee Waltz,” Patti Page (1950)
  • “Rocket ‘88,’” Jackie Brenston and His Delta Cats (1951)
  • “Catch a Falling Star” / ”Magic Moments,” Perry Como (1957)
  • “Chances Are,” Johnny Mathis (1957)
  • “The Sidewinder,” Lee Morgan (1964)
  • “Surrealistic Pillow,” Jefferson Airplane (1967)
  • “Ain’t No Sunshine,” Bill Withers (1971)
  • “This is a Recording,” Lily Tomlin (1971)
  • “J.D. Crowe & the New South,” J.D. Crowe & the New South (1975)
  • “Arrival,” ABBA (1976)
  • “El Cantante,” Héctor Lavoe (1978)
  • “The Cars,” The Cars (1978)
  • “Parallel Lines,” Blondie (1978)
  • “La-Di-Da-Di,” Doug E. Fresh and Slick Rick (MC Ricky D) (1985)
  • “Don’t Worry, Be Happy,” Bobby McFerrin (1988)
  • “Amor Eterno,” Juan Gabriel (1990)
  • “Pieces of Africa,” Kronos Quartet (1992)
  • “Dookie,” Green Day (1994)
  • “Ready to Die,” The Notorious B.I.G. (1994)
  • “Wide Open Spaces,” The Chicks (1998)

Bizarrap Teams Up with Milo J to Release New EP That Includes “BZRP Music Session #57”

Bizarrap is back with a new collaboration and a new EP…

The 25-year-old Argentine DJ and record producer has teamed up with Milo J to release his latest collaboration “BZRP Music Session #57.”

Bizarrap & MIlo JIn addition, Bizarrap shared a five-song EP en dormir sin Madrid, featuring one of Argentina’s most exciting artists to watch.

Before releasing the new collaboration, Bizarrap went on Instagram Live to share his thoughts about Milo J. He said he wanted to clarify that the music session arose because of his great connection with the 16-year-old Argentinean rapper in the studio. He says he’s the youngest artist who’s done a music session with him. Biza also says he was mind-blown over the quality of Milo’s talent to create music.

As a result, instead of releasing one music session, Bizarrap shared a total of five tracks that he recorded over three months with Milo J. The final product: en dormir sin Madrid, an EP that also includes: “Toy en el Mic,” “No soy Eterno,” “Fruto,” and “Penas de Antaño.”

BZRP Music Session #57” features a synth-heavy beat with Milo J’s baritone vocals. The music session is warmly hued, different from Biza’s signature blue-hued sessions. The beat changes to a trap-influenced beat carried throughout the session’s first part.

In the second song, named “Toy en el Mic,” Milo J echoes Peso Pluma’s music session. The track highlights a flamenco-influenced meshed-in trap melody that captures more of Milo’s vocal versatility.

The third single, titled “No soy Eterno,” features a deep, pulsating melody with Milo J singing about heartbreak. The video shows the emerging rapper in a deserted landscape. Other clips show fireworks in the background as he raps about a breakup.

The fourth song, “Fruto,” features a piano-driven intro with a bass-heavy beat categorized by its bouncing BPM switch-ups. Moreover, the intro samples the iconic “El Día De Mi Suerte” by Willie Colón and Héctor Lavoe.

The final track, “Penas de Antaño,” closes with a sentimental feature by Milo. This time, he talks about his personal emotions while the visuals show candid clips of his musical journey. Overall, the five-part BZRP music session – and new joint EP – captures five different faces of a young, versatile artist who appears ready to take the spotlight.

Milo J, born Camilo Joaquín Villarruel, began his career only two years ago. However, it appears that he’s quickly becoming one of the most exciting artists to watch.

Victor Manuelle to Replace Carlos Rivera as Co-Host of the Latin Grammys Awards Show

Victor Manuelle is stepping-in in a big way…

The 52-year-old Puerto Rican salsa singer will now be co-hosting the Latin Grammys this Thursday night alongside previously announced hosts Yalitza Aparicio and Ana Brenda Contreras.

Victor Manuelle

Victor Manuelle replaces Carlos Rivera, who had to back out due to being exposed to COVID-19.

“This has been a tough year for all of us in the music industry,” Manuelle, who served as Latin Grammys host back in 2006, tells Billboard. “But I’m honored to be part of this event that, despite a pandemic, carried on to produce the ceremony.”

Having three hosts already speaks to the uniqueness of an extraordinary 21st annual Latin Grammys featuring star-studded performances from different pockets of the world. So, what exactly can viewers expect to see that night? Without spoiling any surprises, Manuelle shares, “this ceremony will be very special. Production wise it will be very different, for example, for the first time ever, we’ll see artists performing around the world including my island [Puerto Rico] featuring Bad Bunny.”

Manuelle is also set to take the stage with Ivy QueenRauw AlejandroRicardo Montaner and Reik‘s Jesus Navarro for the night’s opening musical number that will pay tribute to salsa icon Héctor Lavoe.

“Can you imagine? It’s a great honor for me,” he says. “The opening will allow us to relive Héctor Lavoe’s music, the music that is in our blood, that makes us so proud and is part of our musical history and culture.”

The Latin Grammys — which will also showcase diverse stories of hope, community, sense of purpose, and celebration throughout the night as part of their “music makes us human” theme — will air at 8:00 pm ET via Univision.

The event will be preceded by the The Latin Grammy Premiere, which starts at 3:00 pm ET via Facebook Live and is where the majority of the categories will be awarded.

Anitta to Perform at This Year’s Latin Grammys

Anitta is heading to the Latin Grammys

The 27-year-old Brazilian singer has been added to the list of performers set to take the stage at this year’s Latin Grammys, according to the Latin Recording Academy.


Anitta appears on the final star-studded list of performers that includes Rauw Alejandro, J Balvin, Camilo, Lupita Infante, Juanes, Mariachi Sol De México De José Hernández, Ricky Martin, Natalia, Jimenez, José Luis Perales, Prince Royce, and Carla Morrison.

Those artists join previously-announced performers Anuel AA, Marc Anthony, Bad Bunny, Calibre 50, Pedro Capó, Julio Reyes Copello, Alex Cuba, Alejandro Fernández, Karol G, Kany García, Guaynaa, Los Tigres del Norte, Víctor Manuelle, Ricardo Montaner, Christian Nodal, Debi Nova, Fito Páez, Nathy Peluso, Raquel Sofía and Sebastián Yatra.

The 21st annual ceremony, led by 13-time nominee J Balvin, will also celebrate several Latin music icons, with special tributes including Julio Iglesias, Pedro Infante, Juan Luis Guerra, Roberto Carlos, and Héctor Lavoe.

Returning with a “music makes us human” theme that highlights musical excellence and the power of music in times of despair, the event will also showcase diverse stories of hope, community, sense of purpose, and celebration.

Hosted by Carlos Rivera, the 2020 Latin Grammys will air at 8:00 p.m. ET/PT on Thursday, November 19, via Univision.

The star-studded event will be preceded by the one-hour pre-show Noche de Estrellas, held virtually in Miami, where the majority of the categories will be awarded.

Gloria Estefan Featured in Hip Hop Public Health’s Bilingual COVID-19 Health Awareness Campaign “20 Segundos o Más”

Gloria Estefan is promoting proper hygiene during the ongoing coronavirus pandemic…

While more and more U.S. states lift the quarantine orders and open up businesses, the 62-year-old Cuban singer has joined forces with fellow Latin artists to remind everyone COVID-19 is still a serious problem. You can Check this out to know how to be safe and avoid COVID-19 or any health issue.

Gloria Estefan

Estefan and other artists are taking part in the Hip Hop Public Health’s20 Segundo o Más” campaign, a new bilingual PSA song and video by Doug E. Fresh, producer DJ TedSmoothDoseLeisleyToby Love and Fabián.

20 Segundos O Mas

It’s the follow up to the HHPH’s successful “20 Seconds or More” education and awareness campaign launched in Spring.

Set to the beat of Willie Colon and Hector Lavoe’s classic salsa track “La Murga,” the song fuses Latin rhythms and hip hop beats, encouraging the Latin community throughout the U.S. to follow the hand-washing and other protocols necessary to stop the spread of COVID-19.

“DJ TedSmooth and I purposely selected the song’s universally loved Latin hook, the big horns backing the classic Willie Colón and Héctor Lavoe masterpiece, ‘La Murga.’ This catchy hook combined with the information in the song will definitely get people to dance and hopefully adhere to our message of hope, vitality and taking care of themselves and each other,” Doug E. Fresh said in an official statement. “Once again, Hip Hop Public Health is bringing together art, science and social media innovation to help fight the COVID-19 health pandemic.” If you had any fitness related issue then visit to our Helath Blog and get all the details. Naturopathic medicine, оr naturopathy, іѕ аn alternative type оf medicine thаt hаѕ bееn аrоund fоr hundreds оf years. Based оn thе principle оf using thе healing powers оf nature, naturopathic practitioners work tо heal ailments оr illnesses bу understanding a person аѕ a whоlе. Thіѕ аrtісlе describes the uѕеѕ аnd lіmіtаtіоnѕ оf three types оf ultrаѕоund including abdominal ultrаѕоund, vascular ultrasound and Sоnоhуѕtеrоgrарhу. What is Abdominal Ultrasound? that you get it here. Thе lіѕt оf оrgаnѕ and соndіtіоnѕ ѕuіtаblе fоr іnvеѕtіgаtіоn by аbdоmіnаl ultrasound іѕ еxtеnѕіvе. Thіѕ means thаt thеу dо nоt work оn just curing a person оr relieving thеm оf thеіr symptoms; thеу work tо understand thе mind, bоdу аnd spirit оf a person іn order tо fіnd оut exactly thе right remedy fоr whаt thеу need. You can visit homepage for more about the naturotherapy treatments.

Dominican DJ TedSmooth (Teddy Rafael Mendez) added: “It was an honor to collaborate with Hip Hop Public Health and my old friend Doug E. Fresh on this track for mi gente. Latino roots and culture run deep, and to have legends like Lisa LisaDJ Camilo and Greg Lamond with some of the new voices out here coming together to protect our people against the coronavirus is an incredibly meaningful experience. I know we can make a difference together.”

While the campaign is focusing on communities in the U.S. most impacted by COVID-19, HHPH is also conducting outreach and sharing the video and education campaign components in communities across Latin America, including Mexico, the Dominican Republic, Venezuela, Colombia and Peru, among others.

The four-minute music video features guest appearances by more than 30 community influencers and activists committed to making a difference through creative expression, civic duty and medicine, including Gloria and Emilio Estefan, N.O.R.E., Lisa Lisa, Chris TuckerDJ EnvyAmara La Negra and many more.

The video reinforces proper hand-washing techniques and other safety protocols like social distancing and wearing a mask.

Official Music Video Released for Cardi B’s “Yes” Collaboration with Fat Joe & Anuel AA

Cardi B is saying yesto the twerk

The visual has been released for the 26-year-old half-Dominican American rap sensation’s collaboration with Fat Joe and Anuel AA, ‘”Yes.” 

Fat Joe, Cardi-B & Anuel AA

Joey Crackunveiled the booty-filled clip on Monday, just about a month following the Héctor Lavoeand Willie Colón-sampling track’s release in September.

Eif Rivera‘s executed the trio’s vision of non-stop twerking featuring visually appealing backdrops, which includes neon lights and glistening diamond sets. Cardi B gets her Khalessi on, as she dons a silver weave and white corset. 

Even though she’s only released a few singles in 2019, Bard ihas remained busy in the features aisle. She’s hopped on additional records this year for collabs with Ed SheeranFrench MontanaLil Nas X, as well as DJ Khaled.


Fat Joe Releases Bilingual Hip-Hop Track “Yes” with Cardi B & Anuel AA

Fat Joe has said Yes to a new hit…

The 49-year-old Puerto Rican and Cuban American rapper has joined voices with Cardi B and Anuel AA to release a surprise song. 

Fat Joe, Cardi B & Anuel AA

The trio took over streaming platforms on Friday after releasing their first song together “Yes,” a powerful hip-hop tune that honors the 1972 Héctor Lavoeand Willie Colónhit “Aguanilé.” 

What does aguanilé means? It’s a Yoruba word (a language from Nigeria in West Africa) that in salsa it stems from the Afro-Cuban religion called Santería, which basically asks for the purification of earthly possessions. 

In the song, Fat Joe, Cardi B, and Anuel AA use the word as a steady chorus.

Meanwhile, the song’s lyrics are about how life is on the New York streets. 

Fat Joe and Cardi B sing about power and the money, with Cardi rhyming, “La Cardi, Bardi/ Never been stressed by a ho, no/ Never been pressed by a bitch (by a bitch) Murder and the money on my mind (on my mind),” while Anuel AA adds his unique bad boy style in Spanish.

Lin-Manuel Miranda Teams Up with Frankie Negrón for Latinx Voter Mobilization Coalition ‘Respeta Mi Gente’

Lin-Manuel Miranda is doing his part to get out the vote…

The 38-year-old Puerto Rican composer, lyricist, playwright, rapper, and actor, best known for creating and starring in the Tony Award-winning Broadway musicals In the Heights and Hamilton, has joined forces with salsero Frankie Negrón to support the voter mobilization coalition Respeta Mi Gente, which is focusing on inspiring voters in Puerto Rican communities in Central Florida to get out to the polls in less than two weeks.

Lin-Manuel Miranda 

“There was such a massive influx of Puerto Ricans to the mainland after Hurricane Maria,” Miranda said during a media call, according to a statementannouncing the effort.

“One of the most important things they can do is vote for the candidates [who] have been paying attention to what’s been happening on the island.”

That’s why Miranda and Negrón joined the drive spearheaded by the non-profits Alianza for Progress and Hispanic Federation to get Latinx voters to the polls with a series of television and radio ads as well as Negrón’s song “Respecta Mi Gente.”

The remix take on Hector Lavoe and the Fania All Stars‘ 1975 hit “Mi Gente” is an attempt to lift spirits after a difficult 12 months. “We’re using Hector Lavoe’s song and voice to address what a difficult year this has been for Puerto Ricans, and for all Latinos in general,” said Negrón in a statement.

Respeta Mi Gente has a few key goals, some of which include helping Puerto Rico recover from the devastation of HurricanesIrma and Maria, and encouraging Puerto Ricans in Florida to vote in order to give a voice to their family and friends on the island — who are American citizens, but are not allowed to vote in national elections. The organization has a full calendar of events planned over the next few weeks, from a senior voting drive on Friday (October 26), to a Scary Phone Bank event on Halloween (October 31) and a Boricua Vota auto show on November 3.

An estimated 5.4 million Puerto Ricans live in the United States, including 30,000 who moved to the mainland after being displaced by Maria in 2017. Florida has the highest concentration of Puerto Rican residents in the country, concentrated in Central Florida, one of the key battleground spots in this year’s midterms, according to the organization.

Nieves Starring in the Latino-Themed Off-Broadway Musical “I Like It Like That”

Tito Nieves likes it like that…

The 58-year-old Puerto Rican salsa singer is starring in the new off-Broadway musical I Like It Like That.

Tito Nieves

“We didn’t have politicians or other idols to look up to [in those days],” explains David Maldonado, producer and co-writer of the new musical. “There were not many Latino athletes around. The idols became Eddie Palmieri and Hector Lavoe…. Music artists were the most important figures. Music became like the religion of the masses.”

The show, now playing at the Puerto Rican Traveling Theater in New York, includes songs from the repertoire of Palmieri and Lavoe, Ruben Blades, Willie Colon, Joe Cuba, Tito Puente, El Gran Combo de Puerto Rico, La Lupe and more.

I Like It Like That takes its title from the song that was a Billboard chart hit for Pete Rodriguez in 1967. Thirty years later, the bugalú cornerstone was revived in a hit cover by Nieves, who stars as family patriarch Roberto Rodriguez in the new musical.

Featuring a seven-piece band, the theater production is a “historical musical journey” that Maldonado describes as a social chronicle of New York in the ’70s, as well as a sing-and-dance-along showcase for the great music of the period that came out of the city’s Latino neighborhoods. The play chronicles life in the barrio in those decadent days in New York.

“We were going bankrupt,” says Maldonado, who grew up in Brooklyn. “Garbage all over the place, potholes, civil unrest…”

Maldonado describes I Like It Like That as being “about social conscience. Some people want to escape, and others want to fight for the hood, which most people called ‘the ghetto.’”

He notes that in addition to the music, the language used in the play accurately reflects the period.

“It is in Spanglish,” he says. “Mostly English. I wasn’t doing that because I was trying to get a wider audience, although I do appreciate that. It was because at that time, there was salsa, but everyone was speaking English. The music was in Spanish, but if you look at those albums, the liner notes were in English.”

Maldonado and co-writer Waddys Jáquez (who also directs the play) tell the story of the Rodriguez family in East Harlem, using salsa, bugalú and bolero classics to advance the story.

Characters were created from those described in songs like Blades’ “Paula C,” and song lyrics were used to set the action and inspire the dialog, says Maldonado. The musical also includes original songs.

I Like It Like That promises to appeal to fans of the Celia Cruz musical Celia, and Quien Mató a Hector Lavoe; both shows also produced by Maldonado, which combined social chronicle with musical tribute.

Fania Records Signs with Creative Artists Agency

Fania Records is experiencing a resurgence…

A half-century after its founding, the iconic Latin music label is capping off its 50th anniversary by signing with the Creative Artists Agency (CAA), according to The Hollywood Reporter.

Fania Records

Founded in New York City in 1964 by Dominican Republic-born bandleader Johnny Pacheco and attorney Jerry Masucci, Fania Records went on to represent artists including Hector Lavoe, Willie Colon, Celia Cruz, Ray Barretto, Ismael Miranda, Ruben Blades, Cheo Feliciano and Roberto Roena. That impressive roster help cement the label’s status as the definitive home for genres like Latin big band, Afro-Cuban jazz, boogaloo, salsa and Latin R&B.

Masucci became Fania’s sole owner in 1967 (Pacheco stayed on as artistic director), and when he died in 1997, the label, which had fallen dormant for decades, became entangled in probate court.

Miami-based Emusica Entertainment Group purchased Fania’s assets from Masucci’s estate for a reported $9 million to $12 million in 2005 (ownership was later transferred to Codigo Group). The new management got to work sorting through its newly acquired catalog (it eventually unearthed almost 3,000 albums, 3,000 compositions and approximately 10,000 master tracks) and remastering and reissuing them for a new generation of listeners.

The new Fania has been adroit at adapting to changing times. In 2013, the label resumed profitability with approximately a quarter-million albums sold, most of them via digital download. In April, the label partnered with Spotify to launch a dedicated Latin-music app, a first for the genre. The app makes Fania’s entire digital catalog available for streaming, along with visually rich artist pages and a timeline of the label’s 50-year history.

This year, Fania also issued digital compilation albums and DJ remixes and partnered with Central Park’s SummerStage program for a concert series that married its classic tunes with “new school artists,” including DJ Turmix, Canyon Cody, Timothy Brownie and Whiskey Barons.

“Fania has evolved into a robust entertainment brand,” Codigo CMO Michael Rucker said in a statement. “CAA, with its breadth and depth of expertise in harnessing the power of pop culture, will guide us as we move forward into new creative and business territory and introduce us to a broader fan base.”