Paulo Londra Signs New Deal with Warner Music Latina

Posted on March 10, 2022 by Tom Castaneda

Paulo Londra is forging a new partnership…

The 23-year-old Argentine rapper and singer has signed a new agreement with Warner Music Latina, according to Billboard.

Londra’s deal, signed at the company’s Miami Beach headquarters with Londra’s family, team, and the label’s president, Alejandro Duque, in attendance, will focus on the artist’s upcoming releases and musical expansion.

“I’m happy for this new phase,” Londra, who last released music in 2019, expressed in a press statement. “I waited and went through a lot to be able to do what I love. I’ve gone through the bad times, now it’s time for the good times, that’s why I’ve started to enjoy it.”

In November 2021, Londra settled a two-year legal battle with Cristian Salazar and producer Daniel Oviedo (Ovy on the Drums), with whom he co-founded Big Ligas in 2018. During the course of the term, Big Ligas entered a $3 million licensing deal with Warner Music Latina in January 2019. After filing dueling lawsuits in 2020, Big Ligas and Paulo Londra amicably resolved their differences in a Miami courtroom.

“We are thrilled that Paulo has chosen us for this new phase,” Duque, president of Warner Music Latin America added. “Paulo has been at the forefront since the beginning of his career and has captivated global audiences with his music. We are convinced that Paulo’s best is yet to come and we are proud to be part of this moment and together, take Paulo Londra’s music to the global scene.”

On the Billboard charts, the pioneer of the Argentine urban movement and former Billboard Latin Artist on the Rise has a total of three entries on Hot Latin Songs and two on Latin Airplay, including his banger “Adan y Eva.”

His freshman album Homerun debuted and peaked at No. 12 on Top Latin Albums in 2019 and at No. 10 on Latin Rhythm Albums, earning a combined 185,000 equivalent albums units and 332 million on-demand song streams in the U.S., according to MRC Data.

Londra has collaborated with artists like Ed Sheeran, Becky G, De La Ghetto, A Boogie wit da Hoodie, and many more.

Rauw Alejandro Earns 7th No. 1 on Billboard’s Latin Airplay Chart with “Cúrame”

Posted on March 2, 2022 by Tom Castaneda

Rauw Alejandro has found a chart-topping cure…

The 29-year-old Puerto Rican singer and rapper has reached the top of Billboard’s Latin Airplay chart as “Cúrame” lifts 7-1 in its 17th week to lead the March 5-dated ranking.

With the chart-topping move, the Greatest Gainer song of the week gifts Rauw Alejandro his seventh No. 1 among a collection of 17 entries.

He previously took over atop the chart with the Latin pop hit and three-week ruler “Todo de Ti” (between July, August and December 2021), the longest the Puerto Rican reigned on the charts with a song. The latter has held steady in the list’s top 10 for 38 weeks during its 40-week term and counting (currently at No. 5).

With a 17-week trek to the top, “Cúrame” joins a group of two other songs that have completed the slow-but-steady journey to the top in 2022 so far.

Jhay Cortez and Anuel AA’s “Ley Seca” took 19 weeks to arrive at No. 1 on the February 5-dated survey. Karol G’s “Sejodioto” also crossed the barrier in its 17th week.

“Cúrame” knocks Romeo Santos’ “Huellas” from its one-week reign (dips to No. 2) with 9.19 million in audience impressions, up 58%, earned in the week ending February 27, according to MRC Data. It’s the biggest percentage gain of the week, ahead of Raymix’s latest single “Te Voy a Conquistar,” with NZO, which debuts at No. 42 with a 43% gain.

“Cúrame” is the sixth single from Rauw’s two-week champ Vice Versa, his second studio album and first No. 1 on Top Latin Albums (July 10, 2021-dated chart). The new No. 1 arrives after the Puerto Rican released the EP Trap Cake Vol. 2 on February 25, the follow-up to the EP’s first volume in 2019 (the latter set has not entered the charts).

Beyond its Latin Airplay coronation, “Cúrame” rises 4-1 on Latin Rhythm Airplay, where it also follows “Todo de Ti” as his seventh chart-topper.

Romeo Santos’ “Sin Huellas” Debuts at No. 1 on Billboard’s Latin Airplay Chart

Posted on February 26, 2022 by Tom Castaneda

Romeo Santos has raced back to the top of the charts…

The 40-year-old Puerto Rican and Dominican American singer has notched his 20th No. 1 on Billboard‘s Latin Airplay chart as his latest single, “Sus Huellas,” debuts atop the list dated February 26.

The bachata track concurrently bows at No. 1 on the Tropical Airplay chart.

It’s just the fourth song to debut at No. 1 in the last five years on Latin Airplay, following Ozuna’s “La Funka” (2021), Lunay, Ozuna and Anuel AA’s “Aventura” (2019) and Santos’ own “Heroe Favorito” (2017).

On Latin Airplay, “Sus Huellas” leads with 9.1 million in audience impressions earned in the week ending February 20, according to MRC Data.

The song was released February 14, the first day of the tracking week, to become the most played song among Latin stations.

It dethrones Sebastian Yatra’s “Tacones Rojos” after its one week in charge.

With 20 total leaders on his account, Santos ties with Wisin, and concurrently extends his record for the most No. 1s among tropical acts. Here’s a recap of the leaderboard on Latin Airplay:

33, J Bavin
32, Enrique Iglesias
26, Ozuna
25, Daddy Yankee
21, Maluma
20, Wisin
20, Romeo Santos
17, Ricky Martin
16, Bad Bunny
15, Carlos Vives

The No. 1 arrival of “Sin Huellas” on Latin Airplay also marks a new triumph for Santos.

He last took over the chart with a No. 1 debut almost five years ago, when “Heroe Favorito” bowed atop the 50-deep tally in 2017.

In between, he’s placed five other No. 1 hits, including the four-week champ “Imitadora” in July 2017.

“Sin Huellas” also becomes Santos’ first No. 1 as a solo act, without an unaccompanied artist, since “Centavito” ruled for one week in December 2018.

As on Latin Airplay, “Sus Huellas” is Santos’ first No. 1 debut on Tropical Airplay since 2017 among a collection of 16 total wins, including two 15-week rulers (“Centavito” in 2018 and “La Mejor Versión de Mi,” with Natti Natasha, in 2019).

Beyond its Latin Airplay and Tropical Airplay coronations, “Sus Huellas” bows at No. 21 on the all-metric Hot Latin Songs chart (a blend of airplay, digital sales, and streaming data), Santos’ highest start there since “Aullando,” with Wisin & Yandel, arrived at No. 19 in 2019.

The song generated 1.61 million streams in the U.S. in the week ending February 17, after only four days of tracking. It concurrently sold a little under 1,000 downloads, enough for a No. 4 start on Latin Digital Song Sales.

“Sus Huellas,” written by Santos, is the first single from his forthcoming album Formula, Vol. 3.

Prince Royce’s “Lao’ a Lao'” Rises to No. 1 on Billboard’s Latin Airplay & Tropical Airplay Charts

Posted on October 27, 2021 by Tom Castaneda

Prince Royce is back on top…

Fresh off his exclusive Facebook Live performance of “Lao’ a Lao’,” the 32-year-old Dominican American singer conquers the radio airwaves as his latest song jumps 4-1 to lead Billboard’s overall Latin Airplay chart (dated October 30). It concurrently takes over atop Tropical Airplay (2-1).

The bachata track was released August 12 and opened on Latin Airplay at No. 16 on the August 28-dated survey, with 5 million audience impressions earned in the U.S. On the latest chart, it bounds with a 34% gain, to 10.7 million, in the week ending October 24, according to MRC Data. The growth gives Royce his 14th leader and secures the song the week’s greatest gainer honor.

“Lao’ a Lao’” follows Royce’s only other No. 1 on the all-Latin ranking, which arrived more than six months ago: “Hasta Que Salga El Sol,” with Natti Natasha (one week atop the April 17-dated list).

“Lao’ a Lao’” also rebounds to No. 1 on Tropical Airplay to become the radio format’s most-played song for a second week after its August 28 lead. The champ then earned Royce his 21st leader, the third-most, trailing only Marc Anthony’s 34 wins and Victor Manuelle‘s 29.

Beyond its Latin Airplay and Tropical Airplay coronations, “Lao’ a Lao’’” rises35-25 on the all-metric Hot Latin Songs chart.

Bad Bunny Earns 16th No. 1 on Billboard’s Latin Airplay Chart with “Volvi,” Featuring Aventura

Posted on October 19, 2021 by Tom Castaneda

Bad Bunny’s winning streak continues on radio…

The 27-year-old Puerto Rican rapper, singer and songwriter has reached No. 1 on Billboard’s Latin Airplay chart dated October 23 with the single, “Volvi,” with Aventura.

The 4-1 jump of the single is powered by an 8% increase in audience impressions, to 10.1 million, earned in the U.S. in the week ending October 17, according to MRC Data.

The Latin Airplay win arrives after “Volvi’s” one-week coronation on the all-metric (airplay, sales and streaming) Hot Latin Songs chart on the August 21-dated tally — Aventura’s first win since “Dile Al Amor’s” nine-week rule in 2010. For Bad Bunny, the tune’s lead followed the five-week reign of “Yonaguni” just two months prior (starting on the June 19-dated list).

Back on Latin Airplay, the new leader gives Aventura its fourth No. 1. The Dominican group first led with “Por Un Segundo” in 2009. In between, it earned two other champs: nine-week ruler “Dile Al Amor” (2010) and “Inmortal” (one week, June 2019).

Bad Bunny, meanwhile, scores his 16th Latin Airplay No. 1, dating back to his first as a featured act on Becky G’s “Mayores” in 2018. His longest-winning track arrived later in the year as “Mia,” featuring Drake, topped the ranking for six weeks starting on the Dec. 29, 2018-dated list.

Beyond Latin Airplay, “Volví” pushes back to the top 10 on Latin Digital Song Sales (14-9) after its debut at the summit in August. It concurrently reaches a new peak of No. 1 on Latin Rhythm Airplay; it’s the first time Aventura has topped the chart since “Dile al Amor” in 2010.

Gerardo Ortiz Earns 11th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Tranquilito”

Posted on October 13, 2021 by Tom Castaneda

It’s Lucky No. 11 for Gerardo Ortiz.

The 32-year-old Mexican American singer has earned his 11th No. 1 on Billboard’s Regional Mexican Airplay chart as his single “Tranquilito” rises 4-1 on the October 16-dated survey.

The single, released February 21 as part of Ortiz’s Décimo Aniversario set, pushes to the top of the tally with a 40% increase in audience impressions, to 8 million, earned in the U.S. in the week ending October 10, according to MRC Data.

As the corrido lands atop the 26-year-old chart, Gerardo captures his 11th No. 1, the second-most among soloists behind Christian Nodal’s 12 leaders. (Calibre 50 continues at the helm, among all acts, with 20 total No. 1s.)

Here’s a recap of the solo acts with the most Regional Mexican Airplay No. 1s:

12, Christian Nodal
11, Gerardo Ortiz
8, Marco Antonio Solis
7, Vicente Fernández
4, Alejandro Fernández
4, Joan Sebastian
4, Ulices Chaidez

“Tranquilito” was written by Emmanuel Delgado and Julio Nápoles. It concurrently sets foot in the overall Latin Airplay chart’s top 10 as it races 15-5 in its sixth week and earns Ortiz his 15th top 10 there, the third-most for a regional Mexican solo act. With a 40% boost in audience, it logs the largest percentage increase by a regional Mexican song.

Back on Regional Mexican Airplay, “Tranquilito” follows the two-week champ “Otra Borrachera” (June 2020) from his No. 7-peaking album Más Caro, Que Ayer. Previously, he placed nine other No. 1 titles, including the 12-week leader “Solo Vine a Despedirme” in 2012, the second-longest leading No. 1 for a soloist behind Marco Antonio Solis’ “La Venia Bendita” (13 weeks, 1997).

Joss Favela Signs Worldwide Administration Agreement with Warner Chappell Music

Posted on October 10, 2021 by Tom Castaneda

Joss Favela has a new deal…

The 30-year-old Mexican award-winning singer-songwriter has signed a worldwide administration agreement with Warner Chappell Music.

“His raw talent, creative instincts, and authenticity shine through in every performance,” said Gustavo Menéndez, WCM president, U.S. Latin & Latin America, who first saw Favela perform at the ASCAP Latin Music Awards a few years ago. “We’re glad Joss has chosen Warner Chappell as his partner in this journey and we look forward to working alongside him.”

Proud to be his publisher and excited to do “great things together,” Lazaro Hernandez, WMC vice president, A&R, U.S. Latin & Latin America, added: “Joss is a dynamic and genuine songwriter who at such a young age has already established himself as one of the greatest of his time.”

The Regional Mexican star, who has penned more than 100 songs for artists like Alejandro Fernandez, Banda MS, and Natti Natasha, made history at the 2016 Premio ASCAP as the youngest person ever to win songwriter of the year. He nabbed the title in 2017 and 2018.

On the Billboard charts, Favela has entered Hot Latin Songs, Latin Airplay, Top Latin Albums, Regional Mexican Albums, and Regional Mexican Airplay, where he has five top 10’s.

“When my love for music started I never thought that I’d get to spend my life writing songs,” he said. “I’m continuously surprised by the beautiful things that happen to me, and joining the Warner Chappell family is one of them. I’m grateful for the songs that life has given me, but I’m even more grateful for the ones that are still to come.”

Favela, who is represented by Simran A. Singh and Christopher Navarro of Singh, Singh & Trauben, LLP, is nominated for best banda album at the 2021 Latin Grammys with Llegando al Rancho.

Farruko’s “Pepas” Reaches No. 1 on Billboard’s Latin Airplay Chart

Posted on October 6, 2021 by Tom Castaneda

Farruko is continuing his chart domination…

The 30-year-old Puerto Rican singer and songwriter’s latest single “Pepas” has reached the No. 1 slot on Billboard’s Latin Airplay survey dated October 9 with a 3-1 jump.

“Pepas” rules with 11 million in audience impressions, up 14%, earned in the U.S. in the week ending October 3, according to MRC Data. The track has now reached No. 1 on nine different Billboard song charts.

The new command arrives in tandem with its Hot Latin Songs’ lead as the track took over atop the August 28-dated tally where it has remained since then (it’s currently in its seventh week), earning Farruko his first No. 1 on the chart.

The club banger has received remixes from David Guetta, Lil Jon, Don Omar, Mr. Samtrax, Nico DJ, and more. With its new Latin Airplay win, the EDM song gifts Farruko a 10th career leader.

It concurrently ascends with an equal 3-1 on Latin Rhythm Airplay, also his 10th win there.

As “Pepas” gains territory on two new Billboard charts, it adds a ninth coronation across Billboard charts. Here’s a recap in order of arrival:

Chart, Peak Date, Weeks at No. 1
Latin Digital Song Sales, August 7, nine weeks (and counting)
Latin Rhythm Digital Song Sales, August 7, nine (and counting)
Dance/Electronic Streaming Songs, August 7, 10 (and counting)
Hot Dance/Electronic Songs, August 21, eight (and counting)
Dance/Electronic Digital Song Sales, August 21, one
Hot Latin Songs, August 28, seven (and counting)
Latin Streaming Songs, August 28, 7 weeks (and counting)
Latin Airplay, Oct. 9Latin Rhythm Airplay, Oct. 9

Over on the Global charts, “Pepas” has netted Farruko his highest charting rankings and two new career top 10s: a No. 7 peak and a No. 5 high on the Global 200 tally and the Global Excl. U.S. chart (dated Sept. 4) respectively.

“Pepas” is the second single from La 167, a nod to the Puerto Rican’s homeland and eighth studio album released October 1. The album was preceded by the No. 4-peaked “La Tóxica” (Nov. 2020).

Enrique Iglesias Reclaims Record for Most No. 1s on Billboard Latin Airplay Chart with “Me Pasé,” Featuring Farruko

Posted on September 29, 2021 by Tom Castaneda

Enrique Iglesias is back in the lead…

The 46-year-old Spanish singer, songwriter, record producer, philanthropist and actor has recaptured his record for the most No. 1s on Billboard’s Latin Airplay chart as “Me Pasé,” featuring Farruko, ascends 4-1 on the October 2-dated survey.

With 32 No. 1s on the almost 27-year list, Iglesias pushes ahead of J Balvin for the most leaders. The latter notched his 31st leader as he locked up the No. 1 spot with “In Da Getto,” with Skrillex, on the September 11-dated tally.

“Me Pasé” takes over atop Latin Airplay thanks to a 26% boost in audience impressions, to 11.3 million, in the U.S. in the week ending September 26, according to MRC Data.

Notably, Iglesias has held the record for the most No. 1s on the Latin Airplay chart almost continuously since 1996, when he achieved his fifth No. 1, then passing Selena (who had a leading four No. 1s at that point).

The Latin Airplay chart began only two years earlier, in 1994. Since then, Iglesias has held the most No. 1s on the list except for a brief time earlier this year, when J Balvin tied with him for the most, when the former notched his 31st No. 1 on the September 11 chart with “In Da Getto.”

With “Me Pasé” at the summit, Farruko reaches his highest Latin Airplay ranking in 2021 as he’s scored two No. 3 high tracks (“Perfecta,” with Luis Fonsi, January 2; and “Pepas,” September 25).

Besides conquering Latin Airplay, Iglesias and Farruko also rule Latin Pop Airplay as “Me Pasé” lifts 2-1. Iglesias improves his career total to 25 No. 1s, extending his lead far ahead of second-place Shakira, with 19. Farruko captures his sixth leader.

Meanwhile, Final (Vol. 1), Iglesias’ 11th studio album, debuts at No. 2 on Latin Pop Albums. It’s his first studio effort since 2014’s No. 1 Sex and Love, and it earns him a 12th top 10. In between, Iglesias secured a No. 2 high with a Greatest Hits (2019) set, which has remained steady in the tally’s top 10 during all but one week of its 103-week run.

The 11-track Final (Vol. 1) includes five tracks that were originally released between 2015 and 2018 but were not previously released on an Iglesias album. Among them are a pair of No. 1s on Hot Latin Songs: “El Perdón,” with Nicky Jam, and “Duele El Corazón,” with Wisin.

“I took a pause in between albums because I was touring and because I wanted to enjoy the success of my previous album,” Iglesias tells Billboard. “I have never stopped writing and going to the studio though. The plan was to release the album at the beginning of last year, but once COVID hit, it delayed everything, obviously.”

Final, released September 17 via Sony Music Latin, starts with 4,000 equivalent album units earned in the week ending Sept. 23rd. Out of the 11-track set’s opening sum, 3,000 derive from streaming activity, which equates to 5 million U.S. streams of the set’s tracks. The remaining 1,000-unit sum stems from album sales and track equivalent album units.

“The biggest challenge was not being able to have everyone in the same studio and trying to follow all the precautions,” Iglesias continues. “We were trying to finish all the production aspects of the songs, which we managed to do being careful. Everyone involved wanted to see this bulk of work out and we managed to finish the process during COVID to have it ready so we could put it out now.”

On the overall Top Latin Albums chart, Final arrives at No. 12, also the Spaniard’s first appearance with a studio set since 2014. “When I work on an album, I start with 50 songs!” Iglesias adds. “Then it becomes 30, 20…so on. So, through the process, I relate to every single one in a way. I always say that if I’m going to put any music out, it must be something that I like and be willing to sing every single night, for years if needed. It’s hard to handpick just one, but I really enjoy ‘Chasing the Sun.’ It talks about staying young and staying positive. It’s a song that always puts me in a good mood.”

As Final arrives, one track launches on the all-metric Hot Latin Songs chart: “Pendejo” at No. 33. The set, however, was preceded by five songs, one of which ruled the tally for 30 weeks in 2015. Here’s the recap:

Title, Artist (if other than Iglesias), Peak Date, Peak Position
“El Perdón,” with Nicky Jam, March 21, 2015, No. 1 (30 weeks atop)
“Duele El Corazón,” with Wisin, May 14, 2016, No. 1 (14-week lead)
“Súbeme La Radio,” featuring Zion & Lennox and Descemer Bueno, April 22, 2017, No. 2
“El Baño,” featuring Bad Bunny, Jan. 27, 2018, No. 8
“Me Pasé,” featuring Farruko, Oct. 2, No. 15

Carin León Earns First No. 1 on Billboard’s Regional Mexican Airplay Chart with Grupo Firme-Collab “El Tóxico”

Posted on September 12, 2021 by Tom Castaneda

It’s a special first for Carin León…

The 32-year-old Mexican artist’s collaboration with Grupo Firme, “El Tóxico,” has reached No. 1 on Billboard’s Regional Mexican Airplay chart dated September 11.

It’s Leon’s first leader on any Billboard airplay chart. León had previously secured a first top 10 with chart entry in 2019 with “Me La Aventé” (No. 6 peak).

Grupo Firme adds its second top 10 on the chart.

“El Tóxico” leads with a 7% increase in audience impressions, to 5.3 million, in the week ending September 5, according to MRC Data., clocks a first No. 1.

Grupo Firme previously led Regional Mexican Airplay through its featured role in Lenin Ramirez’s “Yo Ya No Vuelvo Contigo” (June 2020). In between, the Eduin Cazares-fronted band from Tijuana, Baja California, reached a No. 4 high with “No Estoy Perdiendo Nada,” with Enigma Norteño (October 2020).

“El Tóxico” concurrently picks up on the all-genre Latin Airplay chart with a 16-13 jump (previously a No. 7 peak).

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