Bad Bunny Announces Ambitious 29-Date Summer Stadium Tour for 2022

He hasn’t even launched his highly anticipated tour, but Bad Bunny’s already thinking bigger…

After selling out his 36-date El Ultimo Tour Del Mundo arena tour in record time, the 27-year-old Puerto Rican rapper, singer, songwriter and actor has announced an ambitious 29-date stadium tour for 2022.

Bad Bunny

Promoted by Live Nation and CMN, Bad Bunny: World’s Hottest Tour will kick off on August 5 at Campus Stadium in Orlando, and will make 15 U.S. stops, including Yankee Stadium in New York, Hard Rock Stadium in Miami, and Fenway Park in Boston.\

Bad Bunny announced the stadium tour before even playing a single show from his upcoming El Ultimo Tour Del Mundo tour, which kicks off on February 9.

It’s great news for the thousands of fans who weren’t able to score tickets for El Ultimo Tour del Mundo, which sold out in days.

The World’s Hottest Tour also comes with a bonus: In the U.S., Bunny will feature DJ Alesso as a guest for 11 dates, and Diplo as a guest at two dates, including the final show at SoFi Stadium in Los Angeles September 30.

The tour then continues to Latin America for 14 stops in October, including Estadio Velez in Buenos Aires and Azteca Stadium in Mexico City.

Tickets will go on pre-sale Wednesday (Jan. 26) at 12 p.m. via worldshottesttour.com, and goes on sale to the general public on Friday, January 28, also at 12 p.m.

The tour announcement was followed very quickly by a new album announcement, which Bad Bunny made via a video on Instagram reels.

Bad Bunny’s tour may be the most ambitious for a Latin artist ever in the U.S. But then again, he’s been on a record-breaking streak for the past three years.

Bad Bunny (real name Benito Martínez Ocasio) was the top selling Latin artist of 2021 for the third consecutive year, according to MRC Data, and the most streamed artist globally on Spotify for the second consecutive year.

He is also the first artist to place an all-Spanish album at No. 1 on the Billboard 200.

On the live front, in 2021 Bad Bunny sold 480,000 tickets and grossed $84 million in a single day when his 2022 El Último Tour del Mundo tour went on sale. It became Ticketmaster’s top-selling tour for a first day since Beyoncé and Jay-Z’s On the Run II Tour in 2018.

In December 2021, Bad Bunny played back-to-back shows at Hiram Bithorn Stadium in Puerto Rico, staging a festival-like performance that included multiple stages and environments. Whether this will serve as the template for Bunny’s upcoming stadium tour remains to be seen.

Here are the tour dates:

Bad Bunny World’s Hottest Tour Dates
Aug. 5 – Orlando, FL @ Camping World Stadium
Aug. 9 – Atlanta, GA @ Truist Park (with Alesso)
Aug. 12 – Miami, FL @ Hard Rock Stadium (with Alesso)
Aug. 18 – Boston, MA @ Fenway Park (with Alesso)
Aug. 20 – Chicago, IL @ Soldier Field
Aug. 23 – Washington, DC @ Nationals Park (with Alesso)
Aug. 27 – New York, NY @ Yankee Stadium (with Diplo)
Sept. 1 – Houston, TX @ Minute Maid Park (with Alesso)
Sept. 7 – San Antonio, TX @ Alamodome (with Alesso)
Sept. 9 – Dallas, TX @ AT&T Stadium (with Alesso)
Sept. 14 – Oakland, CA @ RingCentral Coliseum (with Alesso)
Sept. 17 – San Diego, CA @ PETCO Park (with Alesso)
Sept. 23 – Las Vegas, NV @ Allegiant Stadium (with Alesso)
Sept. 28 – Phoenix, AZ @ Chase Field (with Alesso)
Sept. 30 – Los Angeles, CA @ SoFi Stadium (with Diplo)

Univision & Televisa to Produce Vicente Fernández Biopic Series Based on Olga Womat’s Book “El Último Rey”

The late Vicente Fernández’s life story is headed to the small screen…

Univision and Televisa are joining forces to produce a biopic series inspired by the legendary Mexican singer, actor and film producer.

Vicente Fernández

The new series will be based on the book El Último Rey, penned by journalist Olga Womat, for which Televisa reached an agreement with Editorial Planeta to acquire the rights, according to a statement from Univision and Televisa.

Without revealing many details about the series, like the release date or cast, the announcement comes a month after the death of the ranchera icon, who died December 12 in a hospital in his native Guadalajara. The cause of death was complications following surgery for a cervical spine injury after a fall last August. Fernández had remained hospitalized since then in stable but serious condition.

Univision and Televisa’s series on Fernández isn’t the only one that will see the light of day.

The Idol of the People, starring Mexican singer and actor Jaime Camil, is a Caracol TV production that will air on that Colombian television network and for which Netflix has acquired world rights outside of Colombia.

A cultural icon to generations, the Jalisco-born artist was known for his swooning rancheras, like “Hermoso Cariño” and “Acá Entre Nos,” and timeless folk anthems that he serenaded fans with for decades. The Mexican cultural icon also holds the record for the most top 10s on Billboard’s Regional Mexican Albums chart to date, with a total of 49.

Over on the all-metric Hot Latin Songs tally — a blend of airplay, streams and digital sales — Fernández holds the record for the most entries for a regional Mexican solo act, with a total of 61.

Following his death, the catalog of songs by the man known as the “Charro de Huentitán’s” increased 721% globally in the days, according to reports to MRC Data. Collectively, his songs generated 97.3 million on-demand streams on December 12 and 13, compared to the 11.9 million streams accrued on December 10 and 11.

Born February 17, 1940, Fernández began his career singing on the streets of his hometown Guadalajara and went on to record more than 50 albums, starred in more than 2 dozen telenovelas and Mexican films, and became a touring titan always going onstage with his iconic traje de charro that included ornate sombreros and embroidered jackets.

Lin-Manuel Miranda Tops Billboard’s Hot 100 Songwriters Chart for First Time in His Career

It’s a songwriting first for Lin-Manuel Miranda.

The 41-year-old Puerto Rican multi-hyphenate tops Billboard’s Hot 100 Songwriters chart dated January 15, reigning as the top songwriter in the U.S. for the first time due to his work on six songs on the latest Billboard Hot 100, all from the new smash Disney animated film Encanto.

Lin-Manuel Miranda Leading his haul is “We Don’t Talk About Bruno,” which soars from No. 50 to No. 5 on the Hot 100, becoming just the fifth song from a Disney animated film to reach the top five.

It follows Peabo Bryson and Regina Belle’s “A Whole New World” from Aladdin (No. 1, one week, 1993); Elton John’s “Can You Feel the Love Tonight” from The Lion King (No. 4, 1994); Vanessa Williams’ “Colors of the Wind” from Pocahontas (No. 4, 1994); and Idina Menzel’s “Let It Go” from Frozen (No. 5, 2014).

The song also earns the Emmy, Grammy and Tony winner, among Miranda’s numerous other career honors, his first top 10 on the Hot 100 as a songwriter (or in any capacity).

Here’s a look at all six of Miranda’s writing credits on the current Hot 100. Notably, he is the only credited writer on all six entries.

Rank, Artist Billing, Title
No. 5 (new high), Carolina Gaitán, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast, “We Don’t Talk About Bruno”
No. 14 (new high), Jessica Darrow, “Surface Pressure”
No. 62 (debut), Stephanie Beatriz, Olga Merediz & Encanto Cast, “The Family Madrigal”
No. 67 (debut), Diane Guerrero & Stephanie Beatriz, “What Else Can I Do?”
No. 82 (debut), Stephanie Beatriz, “Waiting on a Miracle”
No. 83 (debut), Sebastian Yatra, “Dos Oruguitas”

As four of the songs above debut on the latest Hot 100, Miranda has now written 13 Hot 100-charting hits. Prior to Encanto, he penned four Hot 100 entries from the Disney film Moana, two charity singles and a mash-up.

Here are all seven of Miranda’s Hot 100-charting songs, as a writer, outside of Encanto (ranked by peak position):

Peak Position, Artist Billing, Title (co-songwriters in addition to Lin-Manuel Miranda), Peak Year
No. 20, Lin-Manuel Miranda feat. Artists for Puerto Rico, “Almost Like Praying” (Leonard Bernstein, Stephen Sondheim), 2017
No. 41, Auli’i Cravalho, “How Far I’ll Go,” 2017
No. 49, Lin-Manuel Miranda & Ben Platt, “Found / Tonight” (Benj Pasek, Justin Paul), 2018
No. 56, Alessia Cara, “How Far I’ll Go,” 2017
No. 65, Dwayne Johnson, “You’re Welcome,” 2017
No. 72, Jennifer Lopez & Lin-Manuel Miranda, “Love Make the World Go Round” (Mike Molina, Melody Hernandez, John Mitchell, Nelson Kyle, Marcus Lomax, Jordan K. Johnson, Stefan Johnson, Jennifer Lopez), 2016
No. 93, Opetaia Foa’i & Lin-Manuel Miranda, “We Know the Way” (Opetaia Foa’i), 2016

The soundtracks for Miranda’s projects also have successful histories on Billboard‘s charts, with Encanto surging to No. 1 on the latest Billboard 200, up 76% to 72,000 equivalent album units in the tracking week ending January 6, according to MRC Data.

Additionally, Miranda ties at No. 3 on the latest Hot 100 Producers chart with collaborator Mike Elizondo, as the pair co-produced all six Hot 100-charting Encanto hits.

The weekly Hot 100 Songwriters and Hot 100 Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100; plus, genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).

Disney’s “Encanto” Soundtrack, Featuring Songs by Lin-Manuel Miranda, Rises to No. 1 on Billboard 200

Lin-Manuel Miranda has left America encantado

The soundtrack to the Walt Disney animated musical film Encanto, featuring songs written by the 41-year-old Puerto Rican actor, songwriter, singer, playwright, producer, and film director, has surged to No. 1 on the Billboard 200 albums chart dated January 15.

EncantoThe Encanto soundtrack jumps 7-1 in its sixth week on the list.

It’s the first soundtrack to hit No. 1 in more than two years – since Disney’s Frozen II chilled atop the list for one week, on the chart dated December 14, 2019.

Encanto earned 72,000 equivalent album units in the U.S. in the week ending Januaruy 6 (up 76%), according to MRC Data. Streaming activity of the set’s songs drove the majority of that unit sum.

Of Encanto’s 72,000 equivalent album units earned in the U.S. in the week ending January 6, SEA units comprise 58,000 (up 91%; equaling 87.69 million on-demand official streams of the set’s tracks), album sales comprise 11,000 (up 33%) and TEA units comprise 3,000 (up 33%).

The album’s two most popular songs of the week, by SEA units, are “We Don’t Talk About Bruno” and “Surface Pressure.” “Bruno” and “Surface” both debuted on the Billboard Hot 100 chart dated January 8 and should jump up the list dated January 15.

The Encanto soundtrack, with songs written by Miranda and scores by Germaine Franco, was released on Nov. 19, before the film arrived in U.S. theaters on November 24. The movie was released via the Disney+ streaming service a month later — which is likely helping the album’s exposure and promotion in the last two tracking weeks. A week ago, the album leaped 110-7 after its premiere on Disney+.

Encanto is just the sixth animated film soundtrack to hit No. 1 since the Billboard 200 began regularly publishing on a weekly basis in 1956. Encanto follows Frozen II (one week at No. 1, 2019), Frozen (13 weeks, 2014), Jack Johnson’s Curious George (one, 2006), Pocahontas (one, 1995) and The Lion King (10, 1994-95). (All but Curious George are Disney films.)

Mariah Carey Continues Reign Atop Billboard Hot 100 with “All I Want For Christmas Is You”

It’s still Christmas for Mariah Carey

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want For Christmas Is You” holds at No. 1 on the Billboard Hot 100 songs chart, even with the latest data tracking week encompassing five days after Christmas (December 24-30).

Mariah CareyThe song, released in 1994, logs its eighth total week atop the Hot 100, after notching three weeks at No. 1 beginning in December 2019, two more starting in December 2020 and now three this holiday season, beginning two weeks ago.

Carey’s track drew 35.4 million U.S. streams (down 25%) and 16.5 million radio airplay audience impressions (down 49%) and sold 4,900 downloads (down 39%) in the December 24-30 tracking week, according to MRC Data.

The carol claims a 15th total week at No. 1 on the Streaming Songs chart (the third-best sum in the list’s history) and drops 6-11 on Digital Song Sales and 13-40 on Radio Songs.

“All I Want For Christmas Is You” was first released on Carey’s album Merry Christmas in 1994 and its success on the Hot 100 has snowballed in recent years as streaming has grown and holiday music has become more prominent on streaming services’ seasonal playlists.

Carey’s “Christmas” extends its mark for the longest span from a song’s first week at No. 1 on the Hot 100 to its latest: two years and 18 days (December 21, 2019-January 8, 2022).

Plus, the latest week atop the Hot 100 for “Christmas” extends Carey’s record for the longest span of an artist ranking at No. 1 on the chart: 31 years, five months and a week, dating to her first week at No. 1 on the chart dated Aug. 4, 1990, with her debut single “Vision of Love.”

With the track, Carey claims her record-extending 87th week at No. 1 on the Hot 100, dating to the chart’s Aug. 4, 1958, inception.

Most Weeks at No. 1 on Hot 100
87, Mariah Carey
60, Rihanna
59, The Beatles
52, Drake
50, Boyz II Men

“Christmas” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the only artist that has ranked at No. 1 on the chart in four distinct decades.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data.

Kid Cudi’s “Man On the Moon III: The Chosen” Returns to Billboard’s Top Album Sales Following Vinyl Release

Kid Cudi’s vinyl-ly back on Billboard’s Top Album Sales chart.

The vinyl release of the 37-year-old half-Mexican American rapper, singer, songwriter, record producer and actor’s Man On the Moon III: The Chosen has pushed the album back onto Billboard’s Top Album Sales chart dated Jan. 1, 2022  — and straight into the top five.

Kid CudiOn the Top Album Sales chart, Kid Cudi’s Man On the Moon III: The Chosen scores a new high, as it re-enters at No. 4.

The new showing surpasses the album’s previous high-water mark of No. 10 with 42,000 sold (up 4,359%; its best sales week).

The Chosen dropped on vinyl LP for the first time on December 17. Vinyl sales comprised 41,500 of the album’s sales for the week.

The Chosen was originally released on December 11, 2020 as a digital album and via streaming services. Its CD edition arrived on June 18. It previously notched two nonconsecutive weeks on Top Album Sales (the December 26, 2020 and July 3, 2021-dated charts).

The Chosen has now sold 81,000 copies since its original release, across all of its available retail formats (physical and digital combined), in the U.S.

On Billboard’s Vinyl Albums chart, which ranks the top-selling vinyl albums of the week, The Chosen debuts at No. 2.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated December 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

Mariah Carey’s “All I Want for Christmas Is You” Becomes First Song to lead Billboard Hot 100 in Four Distinct Years

It’s Lucky No. 7 for Mariah Carey

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” holds at No. 1 on the Billboard Hot 100 songs chart.

Mariah Carey

The insta-classic Christmas song, released in 1994, adds its seventh total week on top, after notching three weeks at No. 1 beginning in December 2019 and two more starting in December 2020, before it returned to the summit a week ago.

Notably, with this week’s Hot 100 dated Jan. 1, 2022, Carey’s “Christmas” is the first song to lead Hot 100 charts dated in four distinct years (2019, 2020, 2021 and 2022).

Carey’s “Christmas,” on Columbia Records/Legacy Recordings, drew 47.5 million U.S. streams (up 26%) and 32 million radio airplay audience impressions (up 25%, good for top Airplay Gainer honors on the Hot 100) and sold 8,100 downloads (up 9%) in the Dec. 17-23 tracking week, according to MRC Data.

The song claims a 14th total week at No. 1 on the Streaming Songs chart and rises 7-6 on Digital Song Sales and 23-13 on Radio Songs. It also leads the multi-metric Holiday 100 chart for a 50th week, of the chart’s 55 total weeks since the list launched in 2011; it has topped the tally for 35 consecutive weeks, dating to the start of the 2015-16 holiday season, and dominates as the top title on the recently-revealed Greatest of All Time Holiday 100 Songs chart.

The song was first released on Carey’s album Merry Christmas in 1994 and has increased its Hot 100 fortunes in recent years as streaming has grown and holiday music has become more prominent on streaming services’ seasonal playlists.

As it spends its 50th week on the Hot 100, Carey’s “Christmas” is the first song to lead in as late as its 50th frame on the survey. A week earlier, when it reigned in its 49th week, it passed Los Del Rio’s “Macarena (Bayside Boys Mix),” which led through its 46th week on the chart in November 1996. (The latter also logged multiple runs on the Hot 100, first running up 20 weeks in September 1995-January 1996 before it resurged and returned in May 1996 and lasted on the list through February 1997.)

With “Christmas,” Carey claims her record-extending 86th week at No. 1 on the Hot 100, dating to the chart’s Aug. 4, 1958, inception.

Most Weeks at No. 1 on Hot 100
86, Mariah Carey
60, Rihanna
59, The Beatles
52, Drake
50, Boyz II Men

Mariah Carey’s “All I Want for Christmas Is You” Tops Billboard’s Two Global Charts

Mariah Carey continues her global domination during the holiday season… 

The 52-year-old half-Venezuelan American Grammy-winning singer’s “All I Want for Christmas Is You” is the biggest song in the world, as it tops both the Billboard Global 200 and the Billboard Global Excl. U.S. charts dated December 25.

Mariah CareyMariah Carey’s “All I Want for Christmas Is You” holds atop the Billboard Global 200, with 81.2 million streams and 14,800 sold (up 6% in each metric) worldwide in the December 10-16 tracking week. The 1994 modern holiday classic topped the chart for four weeks last holiday season and adds its second week at No. 1 this season for its sixth total frame upon the list’s highest bough.

The song returns to No. 1, from No. 2, on the Billboard Global Excl. U.S. chart, following its one-week reign last holiday season. It gained by 2% to 48.5 million streams and 5% to 7,300 sold in territories outside the U.S. in the Dec. 10-16 tracking week.

Billboard‘s two global charts, which began in September 2020 and recently marked their first year, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by MRC Data. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Mariah Carey‘s “All I Want for Christmas Is You” Makes Historic Return to No. 1 on Billboard Hot 100

Mariah Carey‘s “All I Want for Christmas Is You” is the gift that keeps on giving…

The half-Venezuelan Grammy-winning singer has made an unprecedented return to No. 1 on the Billboard Hot 100 songs chart, rising from No. 2.

Mariah Carey

Carey’s insta-classic carol logs its sixth total week atop the Hot 100 and becomes the first song in the chart’s history to have led in three distinct runs on the ranking.

The song was first released on Carey’s album Merry Christmas in 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ seasonal playlists, it hit the Hot 100’s top 10 for the first time in December 2017, before ascending to No. 1 in both December 2019 (for three weeks)

Carey’s single out paces six holiday classics in the Hot 100’s top 10, with Brenda Lee’s “Rockin’ Around the Christmas Tree” rising to No. 2 and Wham!’s “Last Christmas” returning to the tier at No. 9.

Carey’s “Christmas” drew 37.6 million U.S. streams (up 16%) and 26.1 million radio airplay audience impressions (up 7%) and sold 7,400 downloads (up 7%) in the December 10-16 tracking week, according to MRC Data.

The song spends a 13th total week at No. 1 on the Streaming Songs chart and rises 9-7 on Digital Song Sales; and 24-23 on Radio Songs. It also leads the multi-metric Holiday 100 chart for a 49th week, of the chart’s 54 total weeks since the list launched in 2011; it has topped the tally for 34 consecutive weeks, dating to the start of the 2015-16 holiday season, and dominates as the top title on the recently-revealed Greatest of All Time Holiday 100 Songs chart.

Since its release, the song has upped its U.S. totals to 4.3 billion in radio audience, 1.4 billion streams and 3.7 million in download sales.

Carey’s “Christmas” first topped the Hot 100 dated December 21, 2019, and led again on the next two lists, dated December28, 2019, and January 4, 2020.

The following holiday season, it returned to No. 1 on the chart dated December 19, 2020, and, after a week at No. 2 , topped the January 2, 2021, dated tally.

As “Christmas” rules the latest, December 25, 2021-dated chart, it claims its sixth total week at No. 1 in its third seasonal run at the summit, becoming the first song in the Hot 100’s 63-year history to lead in three distinct chart runs. The track has re-entered the survey each November or December dating to 2012.

(As “Christmas” has made four interrupted climbs to the top of the Hot 100, on charts dated Dec. 21, 2019, Dec. 19, 2020, Jan. 2, 2021, and now Dec. 25, 2021, it ties 24kGoldn’s “Mood,” featuring iann dior, beginning in October 2020, and Drake’s “Nice for What,” in 2018, as the only songs with four separate ascents to No. 1; unlike “Christmas,” the latter two tracks logged their four distinct rises to No. 1 over unbroken chart stays.)

Carey’s “Christmas” now boasts the longest span from a song’s first week at No. 1 on the Hot 100 to its latest: two years and four days (December 21, 2019- December 25, 2021).

It passes the only other song to lead the Hot 100 over multiple runs: Chubby Checker’s “The Twist,” which topped the tally dated September 19, 1960, before, thanks to new popularity among adult audiences, leading the lists dated Jan. 13 and 20, 1962, ruling again after a gap of a year, three months and three weeks. (Still, that break remains the longest between Hot 100 reigns.)

With its sixth week atop the Hot 100, Carey’s “Christmas” extends its record for the most time at No. 1 among holiday songs. The only other seasonal single to jingle to the apex, “The Chipmunk Song,” by David Seville & the Chipmunks, spent four weeks on top beginning in December 1958.

With “Christmas,” Carey claims her record-extending 85th week at No. 1 on the Hot 100, dating to the chart’s August 4, 1958, inception.

Most Weeks at No. 1 on Hot 100
85, Mariah Carey
60, Rihanna
59, The Beatles
52, Drake
50, Boyz II Men
47, Usher
41, Beyoncé
37, Michael Jackson
34, Elton John
34, Bruno Mars

“Christmas” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades, dating to her first week on top with her debut single, “Vision of Love,” in 1990.

Further, “Christmas” is Carey’s record fifth Hot 100 No. 1 to rule for six weeks or more. She one-ups Boyz II Men, Drake and Usher, each with four such leaders.

Plus, it’s not only fitting that “Christmas” leads the Hot 100 dated Dec. 25, 2021, but Carey is the only artist to top the chart on multiple rankings dated Dec. 25: her “Hero” began a four-week stay at No. 1 on the Dec. 25, 1993, Hot 100. (This week’s chart is the 10th dated Dec. 25 in the list’s history.)

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated December 25) will update on Billboard.com tomorrow (December 21).

Mariah Carey’s “All I Want for Christmas Is You” Reclaims Crown on Billboard Global 200 Chart 

Mariah Carey is back at the top of the global charts…

The 52-year-old half-Venezuelan Grammy-winning singer’s “All I Want for Christmas Is You” reclaims the crown on the Billboard Global 200 chart dated December 18), following several weeks atop the tally last holiday season.

Mariah Carey,

Carey’s insta-classic single ascends 2-1 on the Billboard Global 200, with 76.3 million streams (up 25%) and 14,000 sold (up 28%) worldwide in the December 3-9 tracking week.

The 1994 modern holiday standard topped the chart for four weeks last holiday season, beginning a year ago this week.

Billboard’s global chart, which launched in September 2020 and recently marked its first year, ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by MRC Data. The Billboard Global 200 is inclusive of worldwide data, while the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.