Tainy Tops Billboard’s End-of-Year Hot Latin Songs Producers Chart

Tainy is a producer on top…

The 32-year-old Puerto Rican record producer and songwriter comes in at No. 1 on Billboard’s end-of-year Hot Latin Songs Producers chart.

TainyIn all, Tainy placed 25 tracks on the chart during the eligibility period of November 21, 2020, through Nov. 13, 2021 to rank at the summit.

The list includes hits like Bad Bunny and Jhay Cortez‘s “Dákiti,” Selena Gomez‘s “De Una Vez” and one of his most recent hits “Lo Siento BB:/” with Julieta Venegas and Bunny.

Other top 10 producers on the chart include Edgar Barrera. He boasts a wide-ranging list of tracks that go from a salsa anthem, “De Vuelta Pa’ La Vuelta,” to an urban smash hit such as “Imposible Amor.”

In addition to Tainy and Barrera, Ovy on the Drums, Mora and Sky Rompiendo have made this year’s 10 Latin producers list after ruling the charts this year.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated Nov. 21, 2020, through Nov. 13, 2021. The rankings for MRC Data-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-November time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by MRC Data.

Here’s a look at the Top 10.

  1. Tainy

Bad Bunny & Jhay Cortez’s “Dákiti” — The song debuted and peaked at No. 1 on the chart dated Nov. 14, 2020. Has spent a total of 27 weeks atop the chart, 20 in 2021, the most for any Latin track.

  1. Ovy on the Drums

Karol G, Anuel AA & Bad Bunny’s “Location” — Part of her chart-topping album KG0516, this Western-inspired, country-tinged empowering anthem peaked at No. 6 on Hot Latin Songs.

  1. MORA

Anuel AA’s “Dictadura” — one of Anuel’s newest songs, the reggaeton hit peaked at No. 12 on the tally in November. The track was the first single off the singer’s new album, Las Leyendas Nunca Mueren, which launched at No. 1 on the Top Latin Albums chart (dated Dec. 11).

  1. MAG

Bad Bunny’s “Maldita Pobreza” — The alternative track may not be one of Bunny’s highest charting titles, but it is part of his history-making album El Último Tour del Mundo. On Hot Latin Songs, “Maldita Pobreza” peaked at No. 12.

  1. Sky Rompiendo

J Balvin & Sech’s “Una Nota” — In September, Balvin and Sech’s collab peaked at No. 11 on Hot Latin Songs.

  1. Edgar Barrera

Gera MX and Christian Nodal’s “Botella Tras Botella” — In May,  Nodal and newcomer Gera MX’s “Botella Tras Botella” debuted at No. 60 on the Billboard Hot 100 chart (dated May 8), becoming the first regional Mexican title to enter the list in its almost 63-year history. On the Hot Latin Songs chart, the track peaked at No. 3.

  1. Mr. Naisgai

Rauw Alejandro’s “Todo De Ti” — A No. 2 peak (Sept. 11-dated tally), it’s Rauw’s highest-charting title.

  1. Albert Hype

Selena Gomez & Rauw Alejandro’s “Baila Conmigo” — One of the first single’s off Gomez’s first-ever Spanish-language album titled Revelación, the track debuted and peaked at No. 4 on the tally.

  1. Keityn

Maluma’s “Sobrio” — The reggaeton song premiered in July to a star-studded music video that has raked in more than 155 million views on YouTube. “Sobrio” peaked at No. 11 on the Hot Latin Songs chart (dated July 24).

  1. Manuel Lara

Kali Uchis’ “Telepatía” — Peaked at No. 1 on the chart dated May 22, where it remained for eight weeks. Kali Uchis became the first female soloist to reach No. 1 with a song unaccompanied by another act since Paulino Rubio did it in Feb. 2012

Anuel AA Earns Fourth No. 1 on Billboard’s Top Latin Albums Chart with “Las Leyendas Nunca Mueren”

Make that for in a row for Anuel AA.

The 29-year-old Puerto Rican rapper and singer has collected his fourth straight, and total, No. 1 on Billboard’s Top Latin Albums chart as Las Leyendas Nunca Mueren debuts at No. 1 on the December 11-dated survey.

Anuel AA

Anuel’s third studio album – a follow up to Los Dioses, with Ozuna, which also had a No. 1 debut (February 6-dated list) – is his second leader of 2021.

Las Leyendas Nunca Mueren opened with 22,000 equivalent album units earned in the U.S. in the week ending December 2, according to MRC Data. Most of that sum (20,500) was driven by streaming activity, representing 30.2 million on-demand streams of the set’s 16 tracks, while a little over 1,000 units arrive from traditional album sales.  The rest comprises track equivalent album units. (One unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

Las Leyendas is Anuel’s fourth leader in as many appearances on the all-Latin genre tally.

His first chart success arrived in July 2018 when album debut Real Hasta La Muerte bowed at No. 1 and held at the summit for two consecutive weeks (a 135-week run).

Emmanuel, which remains at No. 20 on the current ranking, concurrently opened at No. 1 less than a year later (June 13, 2020-dated chart).

Las Leyendas, released via his own label Real Hasta La Muerte, congregates a group of producers including Chris Jeday, Gaby Music, Tainy, Nelly El Arma Secreta,” and Ovy on The Drums.

It likewise earns Anuel his fourth No. 1 on Latin Rhythm Albums among six entries. The set concurrently gifts Anuel his fourth entry on the all-genre Billboard 200, starting at No. 30.

Nine Leyendas cuts debut on the all-metric (airplay, digital sales, streaming data) Hot Latin Songs chart. However, the set was preceded by two songs: “Dictadura” (No. 12 debut and peak, Nov. 13) and “Leyenda” (No. 21 debut and peak, Nov. 27).

In total, Anuel places 12 titles on the current survey (including “Ley Seca,” with Jhay Cortez), the most since his pair-up with Ozuna on Los Dioses placed 13 simultaneous tracks (February 6-dated tally).

Here’s a recap of all Anuel’s titles on Hot Latin Songs (11 belonging to Leyendas):

No. 12, “Súbelo” (Greatest Gainer/ Airplay)
No. 16, “Ley Seca,” with Jhay Cortez
No. 24, “North Carolina” (debut)
No. 25, “McGregor” (debut)
No. 26, “Dictadura”
No. 31, “Real Hasta La Muerte” (debut)
No. 33, “Llorando En Un Ferrari” (debut)
No. 36, “Leyenda” (Greatest Gainer/ Sales & Streaming)
No. 39, “1942” (debut)
No. 41, “Rick Flair” (debut)
No. 44, “Pin” (debut)
No. 48, “Esa Cruz” (debut)

Bruno Mars’ Silk Sonic Single “Leave the Door Open” the Top Song by a Latinx Artist on Billboard’s Year-End Chart

Bruno Mars has the top song by a Latinx artist on Billboard’s year-end songs chart…

The 36-year-old part-Puerto Rican Grammy-winning singer appears on the 2021 year-end Hot 100 Songs chart at No. 7 with “Leave the Door Open.”

Bruno Mars, Silk Sonic, Anderson .PaakThe single, which topped the Hot 100 earlier this year, hails from Mars’ group with Anderson .Paak, Silk Sonic.

Cardi B has the top song by a Latina artist on the chart.

The 29-year-old half-Dominican American rap superstar’s chart-topping singleUp” comes in at No. 26 on the year-end list.

Bad Bunny, the most-streamed artist globally on Spotify in 2021, has the highest charting Spanish single.

The 27-year-old Puerto Rican Latin trap and reggaeton superstar’s hit single “Dakiti,” featuring Jhay Cortez, comes in at No. 28.

Bad Bunny’s “Yonaguni” comes in at No. 83, making him the only Latinx artists to land two singles on the year-end chart.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated Nov. 21, 2020, through Nov. 13, 2021. The rankings for MRC Data-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-November time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by MRC Data.

Here’s a look at the singles from Latinx artists to make the year-end Hot 100 list:

7. Leave The Door Open, Silk Sonic (Bruno Mars & Anderson .Paak)
26. Up, Cardi B
28. Dakiti, Bad Bunny & Jhay Cortez
49. Telepatia, Kali Uchis
78. All I Want For Christmas Is You, Mariah Carey
83. Yonaguni, Bad Bunny
100. Todo de Ti, Rauw Alejandro

Los Dos Carnales Top Billboard’s Regional Mexican Airplay Chart with “Yo Soy Rico”

It’s a rich time for Los Dos Carnales

The Mexican norteño group, founded by brothers Poncho Jr. and Imanol Quezada, take over the top spot on Billboard’s Regional Mexican Airplay chart as “Yo Soy Rico” lifts 3-1 on the November 20-dated chart.

Los Dos CarnalesThe Quezada brothers capture their second leader and take the Greatest Gainer honor of the week thanks to a 49% gain in audience impressions, to 9.6 million, earned in the U.S. in the week ending November 14, according to MRC Data.

“’Yo Soy Rico’ has a special space in our repertoire; it’s a song that speaks about human prosperity, of how fortunate we are to have our family,” Imanol tells Billboard.

“Yo Soy Rico” follows Los Dos Carnales’ only other Regional Mexican Airplay leader: “El Envidioso” (September 5, 2020-dated list).

In between the brothers have placed two other top 10s: “Cabrón y Vago,” with El Fantasma (No. 7, ranking dated February 13) and “La Tóxica” (No. 3, July 17-dated survey).

“Yo Soy Rico’s” Regional Mexican Airplay success arrives a week after it vaulted at No. 10 on the overall Latin Airplay tally, where it rallies 10-2 on the current chart. It’s their first top 10 on the list.

It’s the week’s largest improvement among all of the 50-deep title chart.

Over on the all-metric Hot Latin Songs chart (a blend of airplay, digital sales and streams), “Rico” pushes 35-26 thanks to its radio gains, despite a 1% dip in streams.

Prince Royce’s “Lao’ a Lao'” Rises to No. 1 on Billboard’s Latin Airplay & Tropical Airplay Charts

Prince Royce is back on top…

Fresh off his exclusive Facebook Live performance of “Lao’ a Lao’,” the 32-year-old Dominican American singer conquers the radio airwaves as his latest song jumps 4-1 to lead Billboard’s overall Latin Airplay chart (dated October 30). It concurrently takes over atop Tropical Airplay (2-1).

Prince Royce

The bachata track was released August 12 and opened on Latin Airplay at No. 16 on the August 28-dated survey, with 5 million audience impressions earned in the U.S. On the latest chart, it bounds with a 34% gain, to 10.7 million, in the week ending October 24, according to MRC Data. The growth gives Royce his 14th leader and secures the song the week’s greatest gainer honor.

“Lao’ a Lao’” follows Royce’s only other No. 1 on the all-Latin ranking, which arrived more than six months ago: “Hasta Que Salga El Sol,” with Natti Natasha (one week atop the April 17-dated list).

“Lao’ a Lao’” also rebounds to No. 1 on Tropical Airplay to become the radio format’s most-played song for a second week after its August 28 lead. The champ then earned Royce his 21st leader, the third-most, trailing only Marc Anthony’s 34 wins and Victor Manuelle‘s 29.

 

Beyond its Latin Airplay and Tropical Airplay coronations, “Lao’ a Lao’’” rises35-25 on the all-metric Hot Latin Songs chart.

Gerardo Ortiz Earns 11th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Tranquilito”

It’s Lucky No. 11 for Gerardo Ortiz.

The 32-year-old Mexican American singer has earned his 11th No. 1 on Billboard’s Regional Mexican Airplay chart as his single “Tranquilito” rises 4-1 on the October 16-dated survey.

Gerardo OrtizThe single, released February 21 as part of Ortiz’s Décimo Aniversario set, pushes to the top of the tally with a 40% increase in audience impressions, to 8 million, earned in the U.S. in the week ending October 10, according to MRC Data.

As the corrido lands atop the 26-year-old chart, Gerardo captures his 11th No. 1, the second-most among soloists behind Christian Nodal’s 12 leaders. (Calibre 50 continues at the helm, among all acts, with 20 total No. 1s.)

Here’s a recap of the solo acts with the most Regional Mexican Airplay No. 1s:

12, Christian Nodal
11, Gerardo Ortiz
8, Marco Antonio Solis
7, Vicente Fernández
4, Alejandro Fernández
4, Joan Sebastian
4, Ulices Chaidez

“Tranquilito” was written by Emmanuel Delgado and Julio Nápoles. It concurrently sets foot in the overall Latin Airplay chart’s top 10 as it races 15-5 in its sixth week and earns Ortiz his 15th top 10 there, the third-most for a regional Mexican solo act. With a 40% boost in audience, it logs the largest percentage increase by a regional Mexican song.

Back on Regional Mexican Airplay, “Tranquilito” follows the two-week champ “Otra Borrachera” (June 2020) from his No. 7-peaking album Más Caro, Que Ayer. Previously, he placed nine other No. 1 titles, including the 12-week leader “Solo Vine a Despedirme” in 2012, the second-longest leading No. 1 for a soloist behind Marco Antonio Solis’ “La Venia Bendita” (13 weeks, 1997).

Farruko’s “La 167” Debuts at No. 1 on Billboard’s Top Latin Albums Chart

Farruko is back on top…

The 30-year-old Puerto Rican singer and songwriter has returned to No. 1 on Billboard‘s Top Latin Albums chart after nearly six years, as La 167 debuts atop the October 16-dated list.

Farruko

The 25-track set, released via Carbon Fiber/Sony Music Latin on October 1, starts with 17,000 equivalent album units earned in the U.S. in the week ending Oct. 7, according to MRC Data.

It secures Farruko his third win on the overall Top Latin Albums chart dating back to his first champ Farruko Presents Los Menores (No. 1 start in November 2014). In between, he’s placed one more leading album: Visionary in November 2015.

“I don’t work to get a No. 1, but it’s incredible that people like what I’m doing and that they are enjoying it,” Farruko tells Billboard.

La 167 is a nod to a highway that passes through his homeland in Bayamón, Puerto Rico, and a gas station once owned by his late grandfather. The 100-minute set is stacked with Latin artists, including Myke Towers, Ñengo Flow, O’Neill, Pedro Capó, Jay Wheeler and more, and each has rendered a variety of Latin styles ranging from perreo and reggae, to pop, hip-hop and reggaetón.

“The most challenging aspect of the production was structuring an album that didn’t bore,” Faruko adds. “Where the production, lyrics and everything were different, varied; where I allowed myself to explore other genres which were not necessarily mine.”

As La 167 arrives at the summit, Farruko now has a total of six top 10s on Top Latin Albums, three of which, as previously mentioned, hit No. 1 for at least one week. Here’s a recap:

Ranking, Title, Debut Date
No. 1, Farruko Presents Los Menores, Nov. 15, 2014 (two weeks atop)
No. 8, The Ones, Sept. 19, 2015
No. 1, Visionary, Nov. 14, 2015
No. 3, Trapxficante, Oct. 7, 2017
No. 2, Gangalee, May 11, 2019
No. 1, La 167, Oct. 16

La 167 concurrently debuts at No. 1 on Latin Rhythm Albums, also his third No. 1 there. Farruko also captures his highest album yet on the overall Billboard 200, clocking in at No. 26 (Gangalee’s No. 80 start in 2019 earned him his highest debut, and peak, until now).

La 167 was preceded by only two tracks on the all-metric Hot Latin Songs chart: the No. 4-peaking “La Tóxica” (November 2020) and the now eight-week champ (and counting) “Pepas,” which takes the Greatest Gainer/ Digital honors of the week despite a 6% dip in sales (3,000 downloads sold for the tracking week ending in October 7).

“I connect with many of the tracks on the album, for instance the opening track ‘Ki,’ ‘$,’ and ‘Helicóptero’,” Farruko continues, “all based on personal experiences from a particular chapter in my life.”

In addition to “Pepas” holding strong at the penthouse, “El Incomprendido,” with Víctor Cárdenas and DJ Adoni, another rhythmic/EDM club banger, bows at No. 14. The latter interpolates Alice Deejay’s “Beter Off Alone,” the ’90s Eurodance hit that reached the top 30 on the Billboard Hot 100 in June 2000.

Luis Vazquez Named to Billboard’s 21 Under 21 List

Luis Vazquez is one of the young ones to watch…

The 15-year-old Puerto Rican salsa singer has been named to Billboard’s 21 Under 21 list, which features a mix of young chart-toppers, TikTok stars-turned-artists and on-the-verge breakout acts, among many more making waves in the industry right now.

Luis Vázquez

Vazquez kicked off his music career at just 5 years old, having joined the musical group Los Bravitos de la Plena, founded by his musician father in Puerto Rico.

By 2019, Vazquez was discovered by artist manager Andy Martinez, who signed him to his label, JAK Entertainment, with a 360 deal. Earlier this year, Vazquez, whose biggest inspiration is Victor Manuelle, released “Tu Fan,” an urban-infused salsa track that highlights his crisp, dulcet vocals. “Tu Fan” scored Vazquez his first No. 1 on Billboard’s Tropical Airplay chart, making him the youngest soloist to arrive at the summit since the chart began in October 1994.

But Vazquez isn’t the only Latinx artist to make the list…

Lucia de la Garza, sister Mila de la Garza and their fellow The Linda Lindas members, Bela Salazar and Eloise Wong, have made the cut.

The Linda Lindas first played together in January 2018 (before they were officially a band) when Dum Dum Girls founder Kristin Kontrol had them accompany her at the Los Angeles Girlschool festival.

By April 2019, the Latinx and Asian American punk rockers had opened a one-off date for Bikini Kill. The group has since independently released its debut, self-titled EP; placed a synch in Amy Poehler’s February film Moxie; and in May — after going viral with its anti-intolerance hit “Racist, Sexist Boy” — sisters Lucia and Mila, cousin Eloise and friend Bela signed with Epitaph Records and made their late-night debut on Jimmy Kimmel Live!

Pedro Tovar Jr.Brian Tovar and Ulises Vázquez are also celebrating their place on the list…

Together they form Eslabon Armado.

Just six months after the band’s third album, Corta Venas, debuted at No. 1 on Billboard’s Regional Mexican Albums chart in January, the teenage band from Patterson, Calif., landed another chart-topper on the tally with Tu Veneno Mortal, Vol. 2. The 12-track set was the act’s fourth No. 1 in less than 13 months. With new member Ulises Vázquez now in tow, the trio — which won top Latin album artist of the year, duo or group at the 2021 Billboard Latin Music Awards — doesn’t plan to slow down.

“I have a new strategy for the remainder of the year: release music when people expect it least,” reveals group member Pedro Tovar. “I want to have that element of surprise like other mainstream artists have done.”

For the complete 21 Under 21 list, click here.

A committee of Billboard editors and reporters weighed a variety of factors in determining the 2021 21 Under 21 list, including, but not limited to, impact on consumer behavior, measured by metrics such as album and track sales, streaming volume (listed here as each artist’s career global total to date), social media impressions and radio/TV audiences reached; career trajectory; and overall impact in the industry, specifically during the past 12 months. Where required, record-label market share was consulted using MRC Data market share for album plus track-equivalent and stream-equivalent album consumption units. Unless otherwise noted, MRC Data is the source for sales/streaming data.

Farruko’s “Pepas” Reaches No. 1 on Billboard’s Latin Airplay Chart

Farruko is continuing his chart domination…

The 30-year-old Puerto Rican singer and songwriter’s latest single “Pepas” has reached the No. 1 slot on Billboard’s Latin Airplay survey dated October 9 with a 3-1 jump.

Farruko

“Pepas” rules with 11 million in audience impressions, up 14%, earned in the U.S. in the week ending October 3, according to MRC Data. The track has now reached No. 1 on nine different Billboard song charts.

The new command arrives in tandem with its Hot Latin Songs’ lead as the track took over atop the August 28-dated tally where it has remained since then (it’s currently in its seventh week), earning Farruko his first No. 1 on the chart.

The club banger has received remixes from David Guetta, Lil Jon, Don Omar, Mr. Samtrax, Nico DJ, and more. With its new Latin Airplay win, the EDM song gifts Farruko a 10th career leader.

It concurrently ascends with an equal 3-1 on Latin Rhythm Airplay, also his 10th win there.

As “Pepas” gains territory on two new Billboard charts, it adds a ninth coronation across Billboard charts. Here’s a recap in order of arrival:

Chart, Peak Date, Weeks at No. 1
Latin Digital Song Sales, August 7, nine weeks (and counting)
Latin Rhythm Digital Song Sales, August 7, nine (and counting)
Dance/Electronic Streaming Songs, August 7, 10 (and counting)
Hot Dance/Electronic Songs, August 21, eight (and counting)
Dance/Electronic Digital Song Sales, August 21, one
Hot Latin Songs, August 28, seven (and counting)
Latin Streaming Songs, August 28, 7 weeks (and counting)
Latin Airplay, Oct. 9Latin Rhythm Airplay, Oct. 9

Over on the Global charts, “Pepas” has netted Farruko his highest charting rankings and two new career top 10s: a No. 7 peak and a No. 5 high on the Global 200 tally and the Global Excl. U.S. chart (dated Sept. 4) respectively.

“Pepas” is the second single from La 167, a nod to the Puerto Rican’s homeland and eighth studio album released October 1. The album was preceded by the No. 4-peaked “La Tóxica” (Nov. 2020).

Banda El Recodo Earns 15th No. 1 on Billboard’s Regional Mexican Airplay Chart with “Qué Tienen Tus Palabras?”

Banda El Recodo has finally returned to the throne…

The Mexican band has reached the summit on Billboard’s Regional Mexican Airplay chart as “Qué Tienen Tus Palabras?” rises 2-1 on the October 9-dated ranking.

Banda El Recodo

It’s the group’s first No. 1 in over six years, and 15th leader overall. It leads with 7.6 million in audience impressions, up 10%, earned in the U.S. in the week ending October 3, according to MRC Data.

Banda El Recodo last landed at the summit with the two-week ruler “Mi Vicio Más Grande” in July 2015. In between, the group nabbed seven top 10s, including three tracks that preceded its latest effort Esta Vida Es Muy Bonita: “Hubiera Sido Como Tú” (No. 10 high, February 2020), “De Ti Me Enamoré” (No. 5 peak, August 2020) and “Voy Pa’Arriba y Con Viada” (peaked at No. 2 on the April 10-dated list).

The ranchera track “Qué Tienen Tus Palabras?” was written by Mario Martínez and Tláloc Noriega and becomes Banda’s 15th win, posting its first No. 1 in 1999 (“Adorable Mentirosa,” six weeks atop). The track concurrently pushes up the overall Latin Airplay chart (8-6) and the all-metric Hot Latin Songs tally (39-38).