The 30-year-old Mexican American singer has released the new single “En Este Amor.”
In the track, Favela trades his signature sierreño sound for mariachi.
In the heartfelt ranchera, penned by Gussy Lau and Tamayo Aguilera, Favela opens up about a love that could no longer be, because the other person showed no effort and interest.
His powerful vocals belt out passionate lyrics about having the strength to forget his ex.
“Everything has been a happy accident because this song was aimed at another person, but at the end of the day, God has a purpose for us all and the song conveyed a lot,” he says in a statement. “I loved it! It has a beautiful essence which I think will differentiate itself from everything we’ve done before, and we’ve obviously put a lot of heart into it and we hope the audience receives it the same way.”
The 35-year-old Colombian singer has secured his first No. 1 on Billboard’s Regional Mexican Airplay chart dated November 19 as “Si Ya Hiciste El Mal,” his first collaborative effort with Luis R Conriquez, rises 2-1.
Uribe is one of the forerunners of Colombian ranchero, a branch of regional Colombian music that borrows from Mexican mariachi, ranchera and corrido formats.
He becomes the second Colombian singer-songwriter to score a No. 1 on Regional Mexican Airplay in 2022: As “Si Ya Hiciste el Mal” hits No. 1, it sends Camilo, a core Latin pop Colombian artist, to No. 2 as “Alaska,” with Grupo Firme dips after its one-week command (chart dated November 12).
“Honestly, I’m extremely happy and grateful,” Uribe tells Billboard. “It’s a dream fulfilled. I have been a regional Mexican music lover since childhood, I am singer of regional Colombian music and to be the first one to achieve this, is an honor. Thanks to Luis, my team, and the listeners who have given us so much love.”
“Si Ya Hiciste el Mal” climbs from the runner-up spot after a 3% increase in audience impressions, to 7.1 million, earned in the U.S. in the week ending November 13, according to Luminate.
The song gives Uribe his first leader on an airplay chart. He previously scored a No. 6 best with “El Alumno,” with Joss Favela, in May. Meanwhile, Conriquez clocks his second ruler: “JGL,” with La Adictiva, topped Regional Mexican Airplay for one week (September 10).
“Working with Jessie was a beautiful experience,” Conriquez tells Billboard. “We traveled to Colombia to record the song and our bonding was beyond great.”
Further, thanks to its radio reception, “Si Ya Hiciste el Mal” debuts at No. 50 on the multimetric Hot Latin Songs chart. It earns Uribe his first chart appearance. Conriquez claims his ninth entry.
The track also makes progress on the all-genre Latin Airplay chart jumping 10-8, the closest Conriquez has been to the top after another No. 8 high (“JGL” in the Sept. 10-dated ranking).
The Mexican Banda group has claimed its seventh No. 1 on Billboard’s Regional Mexican Airplay chart as their single “Fuerte No Soy” leads the list dated October 15.
The track, a norteño cover of Intocable’s 1999 release, advances from No. 3 where it held for two weeks.
“Fuerte No Soy” pushes to No. 1 thanks to a 21% boost in audience impressions, to 7.1 million, earned in the U.S. in the week ending October 9, according to Luminate.
“Fuerte No Soy” was written by Ricky Muñoz and Marco A. Pérez over two decades ago and released by Intocable as a norteño track via Capitol Latin. In addition to scoring a No. 13 high on Regional Mexican Airplay in 2000, the track was part of Intocable’s Contigo album, which crowned Regional Mexican Albums for two weeks in 1999.
Banda Los Recoditos’ cover of “Fuerte No Soy,” a ranchera, was released via El Recodo/ Fonovisa/UMLE on July 8. It lands at the summit in its ninth week and evicts Gerardo Ortiz’s “Modo Crudo” which falls to No. 13 after one week in charge (3.4 million in audience, down 52%).
“Fuerte No Soy” gives Los Recoditos their seventh champ within 29 chart appearances. The band’s second offering, “Ando Bien Pedo,” ruled for 12 weeks in 2010.
Further, “Fuerte No Soy” hits No. 1 just sixth months after the band’s last entry, “Me Siento a Todo Dar,” topped the chart for one week.
Elsewhere, the song makes progress on the all-genre Latin Airplay chart, advancing 12-8. It earns the band its 13th top 10 there.
The late Vicente Fernández’s life story is headed to the small screen…
Univision and Televisa are joining forces to produce a biopic series inspired by the legendary Mexican singer, actor and film producer.
The new series will be based on the book El Último Rey, penned by journalist Olga Womat, for which Televisa reached an agreement with Editorial Planeta to acquire the rights, according to a statement from Univision and Televisa.
Without revealing many details about the series, like the release date or cast, the announcement comes a month after the death of the ranchera icon, who died December 12 in a hospital in his native Guadalajara. The cause of death was complications following surgery for a cervical spine injury after a fall last August. Fernández had remained hospitalized since then in stable but serious condition.
Univision and Televisa’s series on Fernández isn’t the only one that will see the light of day.
A cultural icon to generations, the Jalisco-born artist was known for his swooning rancheras, like “Hermoso Cariño” and “Acá Entre Nos,” and timeless folk anthems that he serenaded fans with for decades. The Mexican cultural icon also holds the record for the most top 10s on Billboard’s Regional Mexican Albums chart to date, with a total of 49.
Over on the all-metric Hot Latin Songs tally — a blend of airplay, streams and digital sales — Fernández holds the record for the most entries for a regional Mexican solo act, with a total of 61.
Following his death, the catalog of songs by the man known as the “Charro de Huentitán’s” increased 721% globally in the days, according to reports to MRC Data. Collectively, his songs generated 97.3 million on-demand streams on December 12 and 13, compared to the 11.9 million streams accrued on December 10 and 11.
Born February 17, 1940, Fernández began his career singing on the streets of his hometown Guadalajara and went on to record more than 50 albums, starred in more than 2 dozen telenovelas and Mexican films, and became a touring titan always going onstage with his iconic traje de charro that included ornate sombreros and embroidered jackets.
The 17-year-old Mexican-American singer has released her new single “Ahí Donde Me Ven.”
Following her country-tinged regional pop song “En Realidad,” which became a viral hit on TikTok, Aguilar has taken it down a notch for her new single.
This time, she trades Western-inspired dance melodies for a more heartfelt ranchera ballad.
Her strong and crisp vocals bring to life a song about a woman who’s positive and powerful on the outside but hurt and vulnerable on the inside.
“You see me but I’ve had love disappointments/ I don’t show off my falls but that’s something else/ I’ve felt that I’m dying many times/ But I overcome the crisis in any way/ But I’ve never suffered so much for love,” she sings in the chorus.
On this romantic mariachi track, Angela flaunts a maturity that goes well beyond her years in both her lyrics and vocals.
Natalia Jiménez is teaming up with Banda MS once again…
After previously recording a reimagined version of Banda MS’ “El Color de Tus Ojos” two years ago, the 39-year-old Spanish Grammy and Latin-Grammy-winning singer-songwriter and the Mexican band have now gifted fans with “Qué Bueno Tenerte.”
The true love anthem was penned by Omar Angulo Robles and produced by Sergio Lizárraga, Banda MS and Jimenez’s manager.
“Singing again with Banda MS gives me immense pleasure,” Jimenez said about “Qué Bueno Tenerte.” “Meeting them again and presenting an unpublished song is a pleasure since they are the most international banda in Mexico.”
The track is the first single from her upcoming album México De Mi Corazón II, which is the sequel to her ranchera project from 2019.
The heartfelt ranchera single is about finally overcoming a breakup.
“From a kiss to kiss my broken heart has been able to heal/ I want to tell you that to forget you, very little is needed,” read part of the lyrics, composed by Andres Torres, Mauricio Rengifo and Camilo.
A melancholic music video, directed by Fernando Lugo in Guadalajara, shows the two musical acts in different settings in the Mexican city.
Reik’s lead singer Jesus Navarro says, “Poco” is a genuine collaboration that finds the middle point of both artists — both vocally and melodically.
The Mexican band, whose full name is Banda MS de Sergio Lizárraga, has released their new 18-track album El Trabajo Es La Suerte.
It’s the band’s first album since Con Todas Las Fuerzas, which was released two years ago.
Staying true to theirranchera-tinged ballads and their showstopperbandasound, Banda MS recruited songwriters like Eden Muñoz, Espinoza Paz, Omar Tarazon, Joss Favela and Jhonny Zazueta to pen songs for the well-rounded album.
During aninterview with Billboard in May, Banda MS’ lead singers Alan Ramírez and Oswaldo Silvas shared details about the album.
“We had 10 songs for the album and we thought, ok, these are enough,” Ramírez said. “But then we started getting other songs and had like 20 in total and so we had to start selecting which ones we really wanted on there, the best ones and the ones we like the most.”