Pitizion isn’t letting the coronavirus pandemic slow her momentum…
The 28-year-old Colombian singer, whose real name is María del Pilar Pérez, started 2020 with a lot of promise, including a music video with Greeicy and touring with Alejandro Sanz as his opening act.
Despite the pause caused by the global pandemic, Pitizion has kept creating music and getting her name out there, recently being named a Latin Artist of the Rise by Billboard.
Born in the Llanos Region, Pitizion got on the radar with her acting career, making her debut on the popular Nickelodeon Latinoamérica show Grachi. About three years ago, she decided to share her musical talent on social media because her “music never left her room.”
“My passion for music derives from my father’s passing when I was a child,” the now Miami-based artist tells Billboard. “I didn’t know how to express my feelings and my way of doing so was writing lyrics and singing for him.”
Pitizion was ultimately discovered by record producer Andres Saavedra, who not only believed in her project, but also took her music to Universal Music Latin, where she officially signed in early 2019.
“I’ll be honest: I never saw this dream come true. I never imagined myself signing with a record label. I don’t know if that’s good or bad, but I didn’t have a lot of vision back then,” she admits. “It’s incredibly and completely changed my life. The most beautiful part is saying that Universal and Andres have taught me to dream and believe in myself.”
Since joining the Universal family, Pitizion has released her debut single “Ella” on July 5, 2019, dropped an eight-track EP dubbed La Piti, and nabbed collaborations with artists like Greeicy (“No Pasa Nada”) and Rafa Pabon and Big Soto for the remix of “Ella.”
Though she does not like to be boxed in a genre, Piti describes herself as a modern singer-songwriter with pop-urban melodies and hints of rap. Her empowering, witty lyrics and bohemian, global fusions are primarily influenced by artists like Cuban rappers Los Aldeanos, Puerto Rican rapper Rene “Residente” Perez, Spanish artist Bebe and Colombian vallenato stars.
“I grabbed a little bit of what I heard in life and created my own version,” she concludes.
She’s currently making the rounds with her single “Tú,” which sends a powerful message about self-love and diversity.
Jesse & Joy are spreading the love with some all-star assistance…
The Mexican Latin Grammy-winning brother and sister duo has released the official music video for “Love (Es Nuestro Idioma)” and it features appearances by nearly 200 people from around the world, including artists like Thalía, Juanes and more.
The music video speaks out against violence toward the LGBTI+ community and raises awareness about conversion therapies that to this day take place in Mexico and other parts of the world.
“Our music will always be there to remind you that you are beautiful just as you are,” the Mexican previously said about the song, included in their recently-released album Aire. “It’s called ‘Love’ and talks about love being the universal language, the language that all of us should speak.”
Toward the end of the video, the message is loud and clear: “A sexual orientation is nothing something that should be cured. Conversion therapies are acts of torture and violation of privacy.”
Featuring cameos by Latin artists like Mon Laferte, Natalia Jiménez, Ángela Aguilar, Alejandro Sanz, Laura Pausini, Kany García, Ana Bárbara, Tommy Torres, Sofía Reyes, Luis Fonsi, among others, the video was directed by Kacho López and Joy.
The release coincides with the landmark ruling officially protecting LGBTQ people from workplace discrimination issued by the U.S. Supreme Court.
Profits from the video will be donated to the YAAJ MEXICO Foundation to help the organization continue their social work in Mexico and for their work supporting sexual violence young victims.
The 58-year-old Colombian singer-songwriter has released his latest album, Cumbiana, a search for the indigenous roots of Colombian music.
The album has been described as “exuberant, soulful, beautiful and important without ever sounding overbearing,” by Billboard.
The album features duets with Jessie Reyez, Ruben Blades and Alejandro Sanz,and ittreads that line between what’s commercial and what’s artistic.
“I discovered a lost world. That’s the truth,” Vives simply states, speaking from his home in Bogota, where he’s been in lockdown for the past two months.
“We’ve always spoken about our African heritage in music,” he adds. “We’ve always thought that the most uplifting elements of our music came from Africa or from European rhythms like polka. But it turns out it comes from Andean, or indigenous music. This album highlights the joy of the fusion of African, European and indigenous music.”
Marrying Colombia’s past with the future, Cumbianahas already delivered a chart hit with “No Te Vayas.” Edgier still is current single “For Sale,” a mix of traditional beats with reggaeton, a touch of rap and Sanz’s flamenco strains. Of course, Vives wrote the rulebook for Colombian fusion.
His 1994 album, La Tierra Del Olvido, where he marries Colombia’s most traditional folk beats — vallenato, cumbia, porro— with rock guitars and drums and pop sensibility, is the original blueprint of the sound that would later define the work of acts like Juanes, Fonseca and even Shakira at times.
But Cumbiana expands its realm. So much so that this is the first of a three-album project.
C. Tanganaisn’t letting the COVID-19 pandemic slow him down…
The 29-year-old Spanish rapper, whose real name is Antón Álvarez Alfaro, has released his new single “Nunca Estoy.”
The nearly three-minute song focuses on the challenges of a love that’s already broken.
“How do you expect me to love you, if you’re not here?” C. Tangana croons.
Written from the woman’s point of view and produced by Alizzz and NINETEEN 85, “Nunca Estoy” makes reference to some of Spain’s finest like Rosario’s “Como quieres que te quiera” and Alejandro Sanz’s “Corazon Partio.”
The track is accompanied by a 90s-inspired home video, directed by Javier Ruiz, showing a mashup of personal videos filmed during the artist’s quarantine in Mexico, back home in Madrid and life on the road.
The 26-year-old Spanish singer/songwriter has earned the first two Grammy nominations of her career, including a historic nod for Best New Artist.
Rosalia, a five-time Latin Grammy winner, is the first all-Spanish language singer to be nominated in the best new artist category. Other Latino artists have been nominated in the category over the years, including Vikki Carr in 1963, and Mariah Carey, Christina Aguilera and Esperanza Spalding have won the award. Even José Feliciano won best new artist in 1969, bolstered by his hit version of the Doors’ “Light My Fire.” But the previous nominees and winners were not, however, honored for their work recorded exclusively in Spanish.
Rosalia’s second nomination comes in the Best Latin Rock, Urban or Alternative Album category for her second studio album, El Mal Querer. The album took home all the Latin Grammy awards it was nominated for, including Album of the Year, one of the top awards of the night.
Bad Bunny picked up two nominations… in the same category.
The 25-year-old Puerto Rican Latin trap and reggaeton singer-rapper is nominated in the Best Latin Rock, Urban or Alternative Album category for his Latin Grammy-winning debut album X 100PRE, as well as his collaborative album with J Balvin, Oasis.
Esperanza Spalding, a four-time Grammy winner, including Best New Artist, has picked up two nods this year.
The 35-year-old part-Latinajazz bassist and singer is nominated in the Best Jazz Vocal Album category for her album12 Little Spells. She’s also up for Best Arrangement, Instruments and Vocals for serving as the arranger on her own single track “12 Little Spells (Thoracic Spine).”
Vince Mendoza is back in familiar territory…
The 58-year-old Latino music arranger, conductorand composer, a multi-Grammy winner, has picked up four nominations.
He’s nominated in the Best Arrangement, Instruments and Vocals category for his work on Trisha Yearwood’s “Over The Rainbow.”
Mendoza picked up two nods in the Best Instrumental Composition category for conducting Fred Hersch & The WDR Big Band’s “Begin Again,” as well as composing “Love, A Beautiful Force,” his single with Terell Stafford, Dick Oatts and the Temple University Studio Orchestra.
Emilio Solla is in the running for a Grammy this year…
The Argentine pianist and composer is nominated in the Best Arrangement, Instrumental or A Cappella category for arranging “La Novena,” his single with the Emilio Solla Tango Jazz Orchestra.
Diego Figueiredo picked up a nod
The 39-year-old Brazilian musician is nominated in the Best Arrangement, Instruments and Vocals category for arrangement alongside Cyrille Aiméeon Aimée’s “Marry Me A Little.”
Camila Cabello, a two-time Grammy nominee last year, has earned a nod this year…
The 22-year-old Mexican and Cuban singer and former Fifth Harmony member is nominated in the Best Pop Duo/Group Performance category for her collaboration with Shawn Mendes, “Señorita.”
Cardi B has earned a nod this year…
The 27-year-old half-Dominican American rap superstar, who picked up her first Grammy at this year’s awards show for her debut album Invasion of Privacy, is up for Best Rap Performance for her work opposite Offset on “Clout.”
Rodrigo y Gabrielahave reason to celebrate…
The Mexican acoustic guitar duo, comprised of Rodrigo Sanchez and Gabriela Quintero, picked up its first Grammy nomination. Rodrigo y Gabriela is nominated in the Best Contemporary Instrumental Album category for Mettavolution.
Jessie Reyez is a first-time Grammynominee…
The 28-year-old Colombian singer-songwriter is nominated in the Best Urban Contemporary Album category for her sophomore album Being Human In Public. The album picked up a Juno Award in her home country of Canada for RnB/Soul Recording of the Year.
Sebastian Plano is celebrating his Grammy nod…
The Argentine composer, producer and multi-instrumentalist is nominated in the Best New Age Album category for his albumVerve.
Melissa Aldana has picked up her first Grammy nomination…
The 30-year-old Chilean tenor saxophone player is nominated in the Best Improvised Jazz Solo category for “Elsewhere.”
The nominees in the Best Latin Jazz Album include Chick Corea & The Spanish Heart Band (Antidote), Thalma De Freitas with Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonse (Sorte!: Music By John Finbury), Jazz At Lincoln Center Orchestra with Wynton Marsalis & Rubén Blades (Una Noche Con Rubén Blades), David Sánchez (Carib), and Miguel Zenón (Sonero: The Music of Ismael Rivera)
The Best Latin Pop Album nominees include an eclectic mix of artists: Luis Fonsi (Vida), Maluma (11:11), Ricardo Montaner (Montaner), Alejandro Sanz (#ELDISCO), and Sebastian Yatra (Fantasía).
In addition to Bad Bunny, J Balvin and Rosalia, the nominees in the Best Latin Rock, Urban or Alternative Album category include Flor De Toloache (Indestructible) and iLe(Almadura).
The Best Regional Mexican Music Album (including Tejano) include Joss Favela (Caminando), Intocable (Percepción), La Energia Norteña (Poco A Poco), Mariachi Divas De Cindy Shea (20 Aniversario), and Mariachi Los Camperos (De Ayer Para Siempre).
The Best Tropical Latin Album nominees include Marc Anthony (Opus), Luis Enrique + C4Trio (Tiempo Al Tiempo), Vicente Garcia (Candela), Juan Luis Guerra 4.40 (Literal) and Aymée Nuviola (A Journey Through Cuban Music).
The Best Musical Theater Album nominees includeHadestown, with Eva Noblezada as one of the principal soloists, and Moulin Rouge! The Musical, with Karen Olivo as one of the principal soloists. It’s the first Grammy nod for both Noblezada, who is half-Mexican American, and Olivo, who is part Puerto Rican and Dominican American.
Gustavo Dudamelis back in the hunt for a Grammy…
The 38-year-oldVenezuelan-Spanish conductor and violinist, who won his first Grammy in 2011, is nominated in the Best Orchestral Performance category for conducting the Los Angeles Philharmonnic’s “Norman: Sustain.”
FKA Twigs has picked up her first Grammy nomination…
The 31-year-old part-Spanish singer is up for Best Music Video for her acclaimed music video for “Cellophane.”
Lizzo led the pack with eight nods, while Billie Eillish and Lil Nas Xfollowed close behind with six nominations each. All three musicians are first-time Grammy nominees.
Alicia Keyswill return as host the ceremony for the second year in a row, making her the third womanand the first female musician to host the show twice.
The Grammy Awardswill take place on January 26 at the Staples Centerin Los Angeles. The broadcast will air live on CBSat 5:00 pm PT/ 8:00 pm ET.
Here’s a look at the categories with Latino nominees:
Best New Artist Black Pumas Billie Eilish Lil Nas X Lizzo Maggie Rogers Rosalía Tank and the Bangas Yola
Best Pop Duo/Group Performance: “Boyfriend” — Ariana Grande & Social House “Sucker” — Jonas Brothers “Old Town Road” — Lil Nas X & Billy Ray Cyrus “Señorita” — Shawn Mendes & Camila Cabello
CONTEMPORARY INSTRUMENTAL MUSIC
Best Contemporary Instrumental Album: Ancestral Recall — Christian Scott aTunde Adjuah Star People Nation — Theo Croker Beat Music! Beat Music! Beat Music! — Mark Guiliana Elevate — Lettuce Mettavolution — Rodrigo y Gabriela
Best Urban Contemporary Album: Apollo XXI — Steve Lacy Cuz I Love You (Deluxe) — Lizzo Overload — Georgia Anne Muldrow Saturn — Nao Being Human In Public — Jessie Reyez
Best Rap Performance: “Middle Child” — J.Cole “Suge” — DaBaby “Down Bad” — Dreamville ft. J.I.D, Bas, J. Cole, Earthgang & Young Nudy “Racks In The Middle” — Nipsey Hussle ft. Roddy Ricch & Hit-boy “Clout” — Offset ft. Cardi B
Best New Age Album: Fairy Dreams — David Arkenstone Homage To Kindness — David Darling Wings — Peter Kater Verve — Sebastian Plano Deva — Deva Premal
Best Improvised Jazz Solo: “Elsewhere” — Melissa Aldana, soloist “Sozinho” — Randy Brecker, soloist “Tomorrow Is The Question” — Julian Lage, soloist “The Windup” — Brandford Marsalis, soloist “Sightseeing” — Christian McBride, soloist
Best Jazz Vocal Album: Thirsty Ghost — Sara Gazarek Love & Liberation — Jazzmeia Horn Alone Together — Catherine Russell 12 Little Spells — Esperanza Spalding Screenplay — The Tierney Sutton Band
Best Latin Jazz Album: Antidote — Chick Corea & The Spanish Heart Band Sorte!: Music By John Finbury — Thalma De Freitas With Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonseca Una Noche Con Rubén Blades — Jazz At Lincoln Center Orchestra With Wynton Marsalis & Rubén Blades Carib — David Sánchez Sonero: The Music Of Ismael Rivera — Miguel Zenón
Best Latin Pop Album: Vida — Luis Fonsi 11:11 — Maluma Montaner — Ricardo Montaner #ELDISCO — Alejandro Sanz Fantasía — Sebastian Yatra
Best Latin Rock, Urban or Alternative Album: X 100PRE — Bad Bunny Oasis — J Balvin & Bad Bunny Indestructible — Flor De Toloache Almadura — iLe El Mal Querer – Rosalía
Best Regional Mexican Music Album (Including Tejano): Caminando — Joss Favela Percepción — Intocable Poco A Poco — La Energia Norteña 20 Aniversario — Mariachi Divas De Cindy Shea De Ayer Para Siempre — Mariachi Los Camperos
Best Tropical Latin Album: Opus — Marc Anthony Tiempo Al Tiempo — Luis Enrique + C4 Trio Candela — Vicente García Literal — Juan Luis Guerra 4.40 A Journey Through Cuban Music — Aymée Nuviola
AMERICAN ROOTS MUSIC
Best American Roots Performance: “Saint Honesty” — Sara Bareilles “Father Mountain” — Calexico With Iron & Wine “I’m On My Way” — Rhiannon Giddens With Francesco Turrisi “Call My Name” — I’m With Her “Faraway Look” — Yola
Best Musical Theater Album: Ain’t Too Proud: The Life And Times Of The Temptations — Saint Aubyn, Derrick Baskin, James Harkness, Jawan M. Jackson, Jeremy Pope & Ephraim Sykes, principal soloists; Scott M. Riesett, producer (Original Broadway Cast) Hadestown — Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose, producers (Anaïs Mitchell, composer & lyricist) (Original Broadway Cast) Moulin Rouge! The Musical — Danny Burstein, Tam Mutu, Sahr Ngaujah, Karen Olivo & Aaron Tveit, principal soloists; Justin Levine, Baz Luhrmann, Matt Stine & Alex Timbers, producers (Original Broadway Cast) The Music Of Harry Potter And The Cursed Child – In Four Contemporary Suites — Imogen Heap, producer; Imogen Heap, composer (Imogen Heap) Oklahoma! — Damon Daunno, Rebecca Naomi Jones, Ali Stroker, Mary Testa & Patrick Vaill, principal soloists; Daniel Kluger & Dean Sharenow, producers (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2019 Broadway Cast)
MUSIC FOR VISUAL MEDIA
Best Compilation Soundtrack For Visual Media: The Lion King: The Songs — (Various Artists) Quentin Tarantino’s Once Upon A Time In Hollywood — (Various Artists) Rocketman — Taron Egerton Spider-Man: Into The Spider-Verse — (Various Artists) A Star Is Born — Lady Gaga & Bradley Cooper
Best Instrumental Composition: “Begin Again” — Fred Hersch, composer (Fred Hersch & The WDR Big Band Conducted By Vince Mendoza) “Crucible For Crisis” — Brian Lynch, composer (Brian Lynch Big Band) “Love, A Beautiful Force” — Vince Mendoza, composer (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra) “Star Wars: Galaxy’s Edge Symphonic Suite” — John Williams, composer (John Williams) “Walkin’ Funny” — Christian McBride, composer (Christian McBride)
Best Arrangement, Instrumental or A Cappella: “Blue Skies” — Kris Bowers, arranger (Kris Bowers) “Hedwig’s Theme” — John Williams, arranger (Anne-Sophie Mutter & John Williams) “La Novena” — Emilio Solla, arranger (Emilio Solla Tango Jazz Orchestra) “Love, A Beautiful Force” — Vince Mendoza, arranger (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra) “Moon River” — Jacob Collier, arranger (Jacob Collier)
Best Arrangement, Instruments and Vocals: “All Night Long” — Jacob Collier, arranger (Jacob Collier Featuring Jules Buckley, Take 6 & Metropole Orkest) “Jolene” — Geoff Keezer, arranger (Sara Gazarek) “Marry Me A Little” — Cyrille Aimée & Diego Figueiredo, arrangers (Cyrille Aimée) “Over The Rainbow” — Vince Mendoza, arranger (Trisha Yearwood) “12 Little Spells (Thoracic Spine)” — Esperanza Spalding, arranger (Esperanza Spalding)
Best Recording Package: Anónimas & Resilientes — Luisa María Arango, Carlos Dussan, Manuel García-Orozco & Juliana Jaramillo-Buenaventura, art directors (Voces Del Bullerengue) Chris Cornell — Barry Ament, Jeff Ament, Jeff Fura & Joe Spix, art directors (Chris Cornell) Hold That Tiger — Andrew Wong & Fongming Yang, art directors (The Muddy Basin Ramblers) i,i — Aaron Anderson & Eric Timothy Carlson, art directors (Bon Iver) Intellexual — Irwan Awalludin, art director (Intellexual)
Best Album Notes: The Complete Cuban Jam Sessions — Judy Cantor-Navas, album notes writer (Various Artists) The Gospel According To Malaco — Robert Marovich, album notes writer (Various Artists) Pedal Steel + Four Corners — Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band) Pete Seeger: The Smithsonian Folkways Collection — Jeff Place, album notes writer (Pete Seeger) Stax ’68: A Memphis Story — Steve Greenberg, album notes writer (Various Artists)
Best Orchestral Performance: “Bruckner: Symphony No. 9” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) “Copland: Billy The Kid; Grohg” — Leonard Slatkin, conductor (Detroit Symphony Orchestra) “Norman: Sustain” — Gustavo Dudamel, conductor (Los Angeles Philharmonic) “Transatlantic” — Louis Langrée, conductor (Cincinnati Symphony Orchestra) “Weinberg: Symphonies Nos. 2 & 21” — Mirga Gražinytė-tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)
Best Music Video: “We’ve Got To Try” — The Chemical Brothers, Ellie Fry, video director; Ninian Doff, video producer “This Land” — Gary Clark Jr., Savanah Leaf, video director; Alicia Martinez, video producer “Cellophane” — FKA twigs, Andrew Thomas Huang, video director; Alex Chamberlain, video producer “Old Town Road (Official Movie)” — Lil Nas X & Billy Ray Cyrus, Calmatic, video director; Candice Dragonas, Melissa Larsen & Saul Levitz, video producers “Glad He’s Gone” — Tove Lo, Vania Heymann & Gal Muggia, video directors; Natan Schottenfels, video producer
Miguel is preparing for Latin music’s biggest night…
The 34-year-old Mexican American R&B singer, songwriter, who released the Spanish EP Te Lo Dije earlier this year, is set to perform at this year’s Latin Grammys, according to The Latin Recording Academy.
Miguel is part ofthe final wave of performers and presenters joining the star-studded 2019 Latin Grammys lineup.
In addition to Miguel, who performed “Remember Me” with Natalia Lafourcade on the soundtrack to Disney’s Dia de los Muertos-themed animated film Coco, new additions to the performers roster include Alicia Keys, Farruko, Ozuna, Residente, Beto Cuevas, Calibre 50, Leonel García, Fito Páez, Milly Quezada, Tony Succar, Carlos Rivera, and Prince Royce.
Plus, Ángela Aguilar, Eduardo “Visitante” Cabra,Sofia Carson, Emilio Estefan, Mon Laferte, William Levy, Rudy Mancuso,,Luis Gerardo Méndez, Michael Peña, and Dayanara Torres join as presenters.
Nominees Camilo, De La Ghetto, Paula Fernandes, Kany García, Christian Nodal and Tommy Torres were previously announced as presenters.
Coined as “the biggest night in Latin Music,” the awards show will kick off with a never-before-seen tribute honoring the 20th Anniversary of the Latin Grammys. A group of 20 artists, who’ll perform together for the first time, will interpret multiple iconic songs spanning various genres of Latin music while commemorating the past 20 years of excellence.
The final roster of performers join already confirmed artists Aitana, Anitta, Pedro Capó, Julio Reyes Copello, Darell, Dimelo Flow, Fonseca, Luis Fonsi, Greeicy, Intocable, Nella, Reik, Rosalía, and Alejandro Sanz, who’s this year’s top nominee.
The awards show will also include performances by Pepe Aguilar and Los Angeles Azules, Paula Arenas, Bad Bunny, Alessia Cara, Draco Rosa, Ximena Sariñana, Sech, Sebastián Yatra, Natalia Jiménez, Olga Tañón and Juanes, who as the 2019 Latin Recording Academy Person of the Year will perform a medley of his biggest hits.
Vicente, Alejandro, and Alex Fernandezwill also take the stage, becoming the first time all three generations of the Fernandez family will perform at the show. They’ll be joined by Mariachi Sol de Mexico.
The 20th annual Latin Grammys, which will be co-hosted by Ricky Martin and actresses Roselyn Sánchez and Paz Vega, will air live Nov. 14 from the MGM Grand Garden Arenain Las Vegas via Univision.
Alejandro Sanz is this year’s Latin Grammys darling…
The 50-year-old Spanish singer/songwriter is the top-nominated artist for the 20th annual Latin Grammy Awards.
Sanz, a 17-time Latin Grammy winner, is up for eight awards this year, including Album of the Year and Best Contemporary Pop Vocal Album, for #ElDisco.
Additionally, two of Sanz’s tracks — “No Tengo Nada” and “Mi Persona Favorita” (featuring Camila Cabello, a three-time nominee this year) — are competing against each other in the Song of the Year and Record of the Yearcategories.
Sanz’s compatriot Rosalía is nominated for five awards.
The 26-year-old Spanish singer’s groundbreaking flamenco set El Mal Querer will go head to head against Sanz, her advocate (Rosalía sang at Sanz’s Person of the Year tribute in 2017) in the Album of the Year and Best Contemporary Pop Vocal Albumcategories.
Rosalía also has three separate singles, only one of them from her album, competing in different categories: “Aute Couture,” is up for Record of the Year; “Con Altura” with J Balvin, and featuring El Guincho, is up for Best Urban Song; and “Pienso en tu Mirá” (from El Mal Querer) is up for Best Pop Song. El Mal Querer is up for Best Engineered Albumand Best Recording Package. El Guincho, Rosalía’s co producer, is also up for five awards.
This year’s nominations skewed more pop and alternative, with urban totally absent from the main categories (minus Rosalía’s genre-bending fare). It almost felt like a rebuke against a global trend that has seen Latin urban music in all its forms gather record-breaking views on YouTube, streams on Spotify and Apple and positions on the Billboardcharts.
Instead, artists like Bad Bunny (with two nominations), Ozuna and Daddy Yankee(with only one each), were found only in the urban categories.
The most nods in the urban/reggaeton realm went to newcomer Sech, with three, including his multi-artist “Otro Trago,” which competes in the Best Urban Songcategory against Ozuna(“Baila Baila”), ChocQuibtown’s “Pa Olvidarte”; Rosalía and J Balvin’s “Con Altura”; and De La Ghetto’s “Caliente” featuring J Balvin.
Following Rosalía, veterans Juan Luis Guerra, Fonseca and Andrés Calamaro are up for four awards each, as is percussionist and bandleader Tony Succar. All have nominations in the main categories, with Fonseca, Calamaro and Succar all vying for Album of the Year. Meanwhile, Guerra’s “Kitipún,” a slow bachata with jazz undertones, is up for Song and Record of the Year.
In video of the year, the representation came in the form of social commentary from Brazil (via Criolo’s “Boca du Lobo,” a harrowing look at Brazil’s societal crisis) and Spain (with rapper Nach’s “Los Zurdos Vienen Antes”).
This year’s Best New Artist nominees include Argentine trap star Paulo Londra; Colombian rising star Greeicy; and Nella, a Venezuelan jazz singer from Berklee College of Music.
Nominations to the Latin Grammys were selected from approximately 15,500 submissions across 50 categories, of recordings released during the eligibility period (June 1, 2018 through May 31, 2019).
The Latin Grammys will air live on November 14 from Las Vegas’ MGM Grand Garden Arenain Las Vegas on Univision.
Record Of The Year: “Parecen Viernes” — Marc Anthony “Verdades Afiladas” — Andrés Calamaro “Ahí Ahí” — Vicente García “Kitipun” — Juan Luis Guerra 4.40 “Querer Mejor” — Juanes Featuring Alessia Cara “La Plata” — Juanes Featuring Lalo Ebratt “Aute Couture” — Rosalía “Mi Persona Favorita” — Alejandro Sanz & Camila Cabello “No Tengo Nada” — Alejandro Sanz “Cobarde” — Ximena Sariñana
Song Of The Year: “Calma” — Pedro Capó, Gabriel Edgar González Pérez & George Noriega, songwriters (Pedro Capó) “Desconstrução” — Tiago Iorc, songwriter (Tiago Iorc) “El País” — Rubén Blades, songwriter (Rubén Blades) “Kitipun” — Juan Luis Guerra, songwriter (Juan Luis Guerra 4.40) “Mi Persona Favorita” — Camila Cabello & Alejandro Sanz, songwriters (Alejandro Sanz & Camila Cabello) “No Tengo Nada” — Alejandro Sanz, songwriter (Alejandro Sanz) “Quédate” — Kany García & Tommy Torres, songwriters (Kany García & Tommy Torres) “Querer Mejor” — Rafael Arcaute, Alessia Cara, Camilo Echeverry, Juanes, Mauricio Montaner, Ricardo Montaner & Tainy, songwriters (Juanes Featuring Alessia Cara) “Un Año” — Mauricio Rengifo, Andrés Torres & Sebastián Yatra, songwriters (Sebastián Yatra Featuring Reik) “Ven” — Fonseca, songwriter (Fonseca)
Best Pop Song: “Bailar” — Leonel García, songwriter (Leonel García) “Buena Para Nada” — Paula Arenas, Luigi Castillo & Santiago Castillo, songwriters (Paula Arenas) “Mi Persona Favorita” — Camila Cabello & Alejandro Sanz, songwriters (Alejandro Sanz & Camila Cabello) “Pienso En Tu Mirá” — Antón Álvarez Alfaro, El Guincho & Rosalía, songwriters (Rosalía) “Ven” — Fonseca, songwriter (Fonseca)
Best Urban Fusion/Performance: “Tenemos Que Hablar” — Bad Bunny “Calma (Remix)” — Pedro Capó & Farruko “Pa’ Olvidarte (Remix)” — ChocQuibtown, Zion & Lennox, Farruko Featuring Manuel Turizo “Con Calma” — Daddy Yankee Featuring Snow “Otro Trago” — Sech Featuring Darell
Best Urban Music Album: Kisses— Anitta X 100Pre — Bad Bunny Mi Movimiento— De La Ghetto 19 — Feid Sueños — Sech
Best Urban Song: “Baila Baila Baila” — Ozuna & Vicente Saavedra, songwriters (Ozuna) “Caliente” — J Balvin, René Cano, De La Ghetto & Alejandro Ramirez, songwriters (De La Ghetto Featuring J Balvin) “Con Altura” — J Balvin, Mariachi Budda, Frank Dukes, El Guincho, Alejandro Ramirez & Rosalía, songwriters (Rosalía & J Balvin Featuring El Guincho) “Otro Trago” — Kevyn Mauricio Cruz, Kevin Mauricio Jimenez Londoño, Bryan Lezcano Chaverra, Josh Mendez, Sech & Jorge Valdes, songwriters (Sech Featuring Darell) “Pa’ Olvidarte” — René Cano, ChocQuibtown, Kevyn Cruz Moreno, Juan Diego Medina Vélez, Andrés David Restrepo, Mateo Tejada Giraldo, Andrés Uribe Marín, Juan Vargas & Doumbia Yohann, songwriters (ChocQuibTown)
Best Alternative Music Album: Latinoamericana— Alex Anwandter Discutible —Babasónicos Bach — Bandalos Chinos Prender Un Fuego— Marilina Bertoldi Norma— Mon Laferte
Best Traditional Tropical Album: Andrés Cepeda Big Band(En Vivo)— Andrés Cepeda Vereda Tropical— Olga Cerpa y Mestisay Lo Nuestro— Yelsy Heredia A Journey Through CubanMusic— Aymée Nuviola La Llave Del Son— Septeto Acarey
Best Singer-Songwriter Album: Acústica— Albita Contra El Viento— Kany García Amor Presente— Leonel García Algo Ritmos— Kevin Johansen Intuición— Gian Marco
Best Ranchero/Mariachi Album: Mi Persona Preferida— El Bebeto Sigue La Dinastía… — Alex Fernández Más Romántico Que Nunca— Vicente Fernández Indestructible— Flor De Toloache Ahora — Christian Nodal
Best Norteño Album: Por Más —Bronco Las Canciones De La Abuela— Buyuchek Mitad Y Mitad— Calibre 50 Percepción — Intocable Amo — La Maquinaria Norteña
Best Long Form Music Video: “Anatomía De Un Éxodo” — Mastodonte “Piazzolla, Los Años Del Tiburón” — Astor Piazzolla “Hotel De Los Encuentros” — Draco Rosa “Lo Que Fui Es Lo Que Soy” — Alejandro Sanz “Déjame Quererte” — Carlos Vives
A new biography about the 75-year-old Spanish singer/songwriter chronicles the story of his long career, his relationship with fame, and his legend as the quintessential Latin lover— it was once reported that he had slept with 3,000 women, a figure, according to the book, that he privately told his manager not to deny.
Julio. La Biografía, will be published on Thursday (Sept. 19), in Spanish, by Penguin Random House imprint Aguilar. The book’s author, Óscar García Blesa, a journalist and long-time music industry executive, previously wrote the authorized biography of Alejandro Sanz, which was a bestseller in Spain. García is currently director of Mow Management, the agency that also manages Sanz.
While the Iglesias book was not penned as an official biography, it is one that, in the publisher’s words, was written “with respect and rigor.”
“My admiration for Julio, his artistic achievements and his kaleidoscopic personality have been the fundamental reasons that drove me to write the book,” García writes in the introduction to Julio. La Biografá.
Published to coincide with the 50-year anniversary of Iglesias’ first album, Yo Canto, the 800-page book covers the crooner’s superstar achievements: his 350 million records sold throughout the world, his place among the five best-selling artists of all time and Spain’s internationally best-known artist of all time.
The book probes Iglesias’ feeling about success, and professes his insecurities with the ladies. “When I go out with a woman, when I have her in my mind, however beautiful the woman is and however romantic the evening” García quotes Iglesias as once saying, “I always ask myself, is she with me because of who I am or what I represent? That has made me doubt a lot and suffer quite a bit.”
The bio also delves into Iglesias’ marriage to Isabel Preysler, constant fodder for gossip magazines until she ended the union in 1979, as well as his relationship with his son and fellow singing star Enrique Iglesias, who began his career under an assumed name to escape the shadow of his father.
García, who first met Iglesias in Miami recording studio Criteria in 2001, says that his intention was to offer “a new look at the man and the character, someone who everyone in the world knows, but who, like any human being, has dirt that has not been dished.” The book, says García, is also “a sociocultural chronicle of an entire country [Spain] over more than seventy years.”
The 50-year-old Spanish singer, who recently released three new singles, including his recent collaboration with Camila Cabello, “Mi Persona Favorita,” is heading stateside to promote his new album #ElDisco, which will be released on April 5.
Sanz has announced the first dates of his upcoming tour in the U.S., where he’ll be visiting cities like Chicago, New York, Miami, Houston, and Los Angeles.
The U.S. will be the first international stop of #LaGira. Sanz’s repertoire will include his new music as well as his timeless hits.
#LaGira Tour kicks off on August 28 at the Rosemont Theaterin Chicago and wraps up on October 5th in San Jose, California.
Tickets to the general public will go on sale starting April 5th via Live Nation.
Sanz will also offer VIP packages for each show with options that include premium seating and exclusive merchandise via VIPNation.com.